Here Are The Seattle Film Critics Nominations!


Earlier today, the Seattle Film Critics Society announced their nominations for the best of 2017!  The winners will be announced on December 18th.

The most interesting thing about Seattle’s nominations?  The amount of love that they showed to Blade Runner 2049, an acclaimed film that, with the exception of Roger Deakins’s cinematography, was running the risk of being forgotten during the precursor season.  They also showed some love to Logan and The Disaster Artist, which made me happy.

With a tip of the hat to AwardsWatch, here are their nominations:

BEST PICTURE OF THE YEAR:

Blade Runner 2049 (Warner Bros.)

The Disaster Artist (A24)

Dunkirk (Warner Bros.)

The Florida Project (A24)

Get Out (Universal)

Lady Bird (A24)

Logan (20th Century Fox)

Phantom Thread (Focus Features)

The Post (20th Century Fox)

Three Billboards Outside Ebbing, Missouri (Fox Searchlight)

 

BEST DIRECTOR:

Sean Baker – The Florida Project

Greta Gerwig – Lady Bird

Christopher Nolan – Dunkirk

Jordan Peele – Get Out

Denis Villeneuve – Blade Runner 2049

 

BEST ACTOR in a LEADING ROLE:

Daniel Day-Lewis – Phantom Thread

James Franco – The Disaster Artist

Daniel Kaluuya – Get Out

Gary Oldman – Darkest Hour

Robert Pattinson – Good Time

 

BEST ACTRESS in a LEADING ROLE:

Sally Hawkins – The Shape of Water

Frances McDormand – Three Billboards Outside Ebbing, Missouri

Margot Robbie – I, Tonya

Saoirse Ronan – Lady Bird

Meryl Streep – The Post

 

BEST ACTOR in a SUPPORTING ROLE:

Willem Dafoe – The Florida Project

Barry Keoghan – The Killing of a Sacred Deer

Sam Rockwell – Three Billboards Outside Ebbing, Missouri

Michael Shannon – The Shape of Water

Patrick Stewart – Logan

 

BEST ACTRESS in a SUPPORTING ROLE:

Tiffany Haddish – Girls Trip

Holly Hunter – The Big Sick

Allison Janney – I, Tonya

Lesley Manville – Phantom Thread

Laurie Metcalf – Lady Bird

 

BEST ENSEMBLE CAST:

Call Me by Your Name

Get Out

Lady Bird

The Post

Three Billboards Outside Ebbing, Missouri

 

BEST SCREENPLAY:

The Big Sick – Emily V. Gordon & Kumail Nanjiani

The Disaster Artist – Scott Neustadter & Michael H. Weber

Get Out – Jordan Peele

Lady Bird – Greta Gerwig

Three Billboards Outside Ebbing, Missouri – Martin McDonagh

 

BEST ANIMATED FEATURE:

The Breadwinner – Nora Twomey, director

Coco – Adrian Molina, Lee Unkrich, directors

The LEGO Batman Movie – Chris McKay, director

Loving Vincent – Dorota Kobiela, Hugh Welchman, directors

Your Name. – Makoto Shinkai, director

 

BEST FOREIGN LANGUAGE FILM:

Blade of the Immortal – Takashi Miike, director
BPM (Beats Per Minute) – Robin Campillo, director

Frantz – François Ozon, director

Raw – Julia Ducournau, director

Thelma – Joachim Trier, director

 

BEST DOCUMENTARY FEATURE:

City of Ghosts – Matthew Heineman, director

Ex Libris: The New York Public Library – Frederick Wiseman, director

Faces Places – JR, Agnès Varda, co-directors

LA 92 – Daniel Lindsay, T.J. Martin, directors

Step – Amanda Lipitz, director

 

BEST CINEMATOGRAPHY:

Blade Runner 2049 – Roger A. Deakins

Columbus – Elisha Christian

Dunkirk – Hoyte von Hoytema

The Florida Project – Alexis Zabé

The Shape of Water – Dan Laustsen

 

BEST COSTUME DESIGN:

Beauty and the Beast – Jacqueline Durran

Blade Runner 2049 – Rénee April

Darkest Hour – Jacqueline Durran

Phantom Thread – Mark Bridges

The Shape of Water – Luis Sequeira

 

BEST FILM EDITING:

Baby Driver – Paul Machliss, Jonathan Amos

Blade Runner 2049 – Joe Walker

Dunkirk – Lee Smith

Get Out – Gregory Plotkin

Lady Bird – Nick Houy

 

BEST ORIGINAL SCORE:

Blade Runner 2049 – Benjamin Wallfisch, Hans Zimmer

Dunkirk – Hans Zimmer

Phantom Thread – Jonny Greenwood

War for the Planet of the Apes – Michael Giacchino

Wonderstruck – Carter Burwell

 

BEST PRODUCTION DESIGN:

Blade Runner 2049 – Dennis Gassner (Production Designer); Alessandra Querzola (Set Decorator)

Dunkirk – Nathan Crowley (Production Designer); Gary Fettis (Supervising Set Decorator)

Murder on the Orient Express – Jim Clay (Production Designer); Rebecca Alleway (Set Decorator)

Phantom Thread – Mark Tildesley (Production Designer); Véronique Melery (Set Decorator)

The Shape of Water – Paul Denham Austerberry (Production Designer); Shane Vieau, Jeff Melvin (Set Decorators)

 

BEST VISUAL EFFECTS:

Blade Runner 2049 – John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer
Dunkirk – Andrew Jackson, Andrew Lockley, Scott Fisher, Paul Corbould

The Shape of Water – Dennis Berardi, Luke Groves, Trey Harrell, Kevin Scott

Valerian and the City of a Thousand Planets – Scott Stokdyk, Jérome Lionard

War for the Planet of the Apes – Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

 

BEST YOUTH PERFORMANCE (18 years of age or younger upon start of filming):

Dafne Keen – Logan
Sophia Lillis It

Brooklynn Prince – The Florida Project

Millicent Simmonds – Wonderstruck

Jacob Tremblay – Wonder

 

VILLAIN OF THE YEAR:

Dennis and various multiple personalities – Split – portrayed by James McAvoy

Martin – The Killing of a Sacred Deer – portrayed by Barry Keoghan

Pennywise – It – portrayed by Bill Skarsgård

Philip Krauss – Detroit – portrayed by Will Poulter

Richard Strickland – The Shape of Water – portrayed by Michael Shannon

Lisa’s Too Early Oscar Predictions for May


Be sure to check out my predictions for April, March, February, and January!

Best Picture

Battles of the Sexes

Blade Runner 2049

Call Me By Your Name

Darkest Hour

The Disaster Artist

Downsizing

Dunkirk

The Glass Castle

Mudbound

Wonderstruck

 

Best Director

Luca Guadagnino for Call Me By Your Name

Alexander Payne for Downsizing

Dee Rees for Mudbound

Denis Villeneuve for Blade Runner 2049

Joe Wright for Darkest Hour

 

Best Actor

Chadwick Boseman in Marshall

Tom Cruise in American Made

Matt Damon in Downsizing

Gary Oldman in Darkest Hour

Miles Teller in Thank You For Your Service

 

Best Actress

Judi Dench in Victoria and Abdul

Kirsten Dunst in Woodshock

Brie Larson in The Glass Castle

Carey Mulligan in Mudbound

Emma Stone in Battle of the Sexes

 

Best Supporting Actor

Steve Carell in Battle of the Sexes

James Franco in The Disaster Artist

Armie Hammer in Call Me By Your Name

Woody Harrelson in The Glass Castle

Jason Mitchell in Mudbound

 

Best Supporting Actress

Holly Hunter in The Big Sick

Melissa Leo in Novitiate

Julianne Moore in Wonderstruck

Kristin Scott Thomas in Darkest Hour

Naomi Watts in The Glass Castle

Here’s The Trailer For Blade Runner 2049!


At first, I was enthusiastic about Blade Runner 2049.

Then, for reasons that I’m still not quite sure that I understand, I became rather less enthusiastic.  I thought about all the disappointing sequels and reboots that I’ve seen and, for whatever reason, I failed to take into account all of the recent sequels — Star Wars: The Force Awakens, Logan, Guardians of the Galaxy Volume 2– that I’ve seen that actually did work.  I thought about how tremendous hype often leads to disturbing results.  I considered that, after a countless number of brilliant films, Denis Villeneuve is due for disappointment.  These were my concerns and I started to lower my expectations.

But then, earlier today, I saw the trailer and it looks totally badass!

Seriously, I love that trailer.

And here it is!

Lisa’s Too Early Oscar Predictions For February


Oscars

Well, it’s that time again!

Every month this year, I am updating my predictions for which films and performers will be nominated for Oscars in 2018.  At this point in the year, this is largely an academic exercise.  The nominees below are a mix of wild guesses, instinctual feeling, and wishful thinking.  Usually, a clear picture of the Oscar race doesn’t start to form until October at the earliest.  (Last year, at this time, nobody had even heard of Moonlight or Hell or High Water.)  In other words, take these predictions with a grain of salt.

This update is heavily influenced by what happened at the Sundance Film Festival last month.  In fact, it’s probably a bit too influenced by Sundance.  If these predictions turned out to be 100% correct, the 2018 Oscars would be the Sundance Oscars.  That said, it seems that there’s always a few successful Oscar campaigns that start during Sundance.  (And then there’s always a few Sundance sensations that totally fizzle during awards season.  Birth of a Nation, anyone?  Or perhaps The End of the Tour.)  But, as of right now, Sundance is pretty much the only thing that we have to go on, as far as future Oscar contenders are concerned.

Again, take all of this with a grain of salt.  Just because I may brag about knowing what I’m talking about, that doesn’t necessarily mean that I do.

Check out January’s predictions here! 

And without further ado…

Mudbound

Mudbound

Best Picture

Battle of the Sexes

The Beguiled

The Big Sick

Blade Runner 2047

Call Me By Your Name

Darkest Hour

Downsizing

Dunkirk

Mudbound

The big additions here are Mudbound, The Big Sick, and Call Me By Your Name, all three of which got a lot of attention and acclaim at Sundance.  Both Mudbound and Call Me By Your Name are already being mentioned, by some Oscar bloggers, as possible winners for best picture.  The Big Sick may seem like more of a dark horse but, from what I’ve read, it sounds like the sort of movie that could emerge as a surprise contender.  With its Muslim protagonist and its mix of comedy and drama, it sounds like it could catch the cultural zeitgeist.

Dropping from the list: T2, All Eyez On Me, and War Machine.  T2 has gotten good but not great reviews in the UK.  As for All Eyez on Me and War Machine — well, it’s just a feeling I have.  Both of them could be good but it’s easier to imagine a scenario in which they’re both disappointments.

Best Director

Luca Guadagnino for Call Me By Your Name

Christopher Nolan for Dunkirk

Alexander Payne for Downsizing

Dee Rees for Mudbound

Denis Villeneuve for Blade Runner 2047

Guadagnino and Rees are new contenders.  Rees would be the first black woman ever nominated for best director.

Best Actor

Chadwick Boseman in Marshall

Timothée Chalamet in Call Me By Your Name

Tom Cruise in American Made

Kumail Nanjiani in The Big Sick

Gary Oldman in Darkest Hour

I’m a little bit iffy on Chadwick Boseman.  In Marshall, he will be playing Thurgood Marshall, which sounds like a good, Oscar baity role.  But Marshall itself sounds like a rather standard biopic.  Timothee Chalamet and, especially, Kumail Nanjiani received a lot of Sundance acclaim.  The fact that Nanjiani has been outspoken in his opposition to Trump’s travel ban will probably help his chances.

Sundance was also responsible for Logan Lerman falling off this list.  Sidney Hall got terrible reviews.

Best Actress

Judi Dench in Victoria and Abdul

Danielle MacDonald in Patti Cake$

Carey Mulligan in Mudbound

Lois Smith in Marjorie Prime

Emma Stone in Battle of the Sexes

Among the new additions, Danielle MacDonald was one of the break-out stars at Sundance.  Carey Mulligan is due to get another nomination (and Mudbound is expected to be a major Oscar contender).  As for Lois Smith, she’s a respected veteran actress who gets to play a rare lead role in Marjorie Prime.  So, why not a nomination?

Best Supporting Actor

James Franco in The Masterpiece

Armie Hammer in Call Me By Your Name

Jason Mitchell in Mudbound

Bill Skarsgard in It

Michael Stuhlbarg in Call Me By Your Name

I’m continuing to predict a nomination for James Franco and yes, it probably is just wishful thinking on my part.  But dammit, I just like the idea of Franco getting a nomination for playing Tommy Wiseau.

Skarsgard is probably wishful thinking as well.  If It works, it will be because of Skarsgard’s performance as Pennywise.

Finally, Hammer, Mitchell, and Stuhlbarg are our Sundance nominees.  Many people think that all three are overdue for some Academy recognition.  (There’s some debate over whether Hammer should go supporting or lead for Call Me By Your Name.  I’m going to assume that he’s going to pull a Viola Davis and go supporting.)

Best Supporting Actress

Mary J. Blige in Mudbound

Holly Hunter in The Big Sick

Melissa Leo in Novitiate 

Kristin Scott Thomas in Darkest Hour

Tilda Swinton in War Machine

As always, this is the most difficult category to predict.  Blige, Hunter, and Leo are all Sundance nominees.  (Hunter is especially said to be award-worthy in her Big Sick role.)  For the second month in a row, Scott Thomas and Swinton are listed more because of who they are than any other reason.

The Big Sick

The Big Sick

Lisa Marie’s Thoughts On The Oscar Nominations


the-oscar-stephen-boyd-db54

Okay, I’ve had plenty of time to think about today’s Oscar nominations and now I’m ready to share my thoughts.  Obviously, my picks were a lot different from what the Academy selected.  That’s okay.  That’s the way it goes every year.  I don’t mind being a contrarian.

So, let’s take a look at what was nominated, category-by-category.

(If you need a refresher as to what was nominated, here’s a complete list of nominees!)

Best Live Action Short, Best Animated Short, Best Documentary Short: I’m sure that these three categories are full of wonderful nominees that were created by wonderful people but I don’t believe that I’ve seen a single one of them.  So, with that in mind, I can only imagine that the Academy did a perfect job selecting all 15 of these nominees!  Good work, Academy!

Best Foreign Language Film: Again, I have seen none of the nominees so I really can’t comment one way or another.  Normally, this would make me feel like a failure but I imagine that 90% of the people reading this post are in the same boat.  I imagine Toni Erdmann will win, just because of all the good things I’ve read about it.  But, since I haven’t actually seen any of the nominees, I will refrain from making any sort of prediction.

Best Documentary Feature: I’m disappointed that my favorite documentary, The Witness, was not nominated.  And, quite frankly, I’m shocked that Weiner was not nominated.  That said, I can’t complain about any of the documentaries that actually were nominated.  It was a good year for documentaries.  In fact, it could be argued that it was a better year for documentaries than for features.

Should Win: O.J.: Made in America

Will Win: 13th

Best Original Song: Not a single song from Sing Street was nominated and that is amazingly disappointing.  Original song can be surprising.  Remember last year when that terrible song from SPECTRE somehow won?  That said, I’m expecting that this year will see a huge sweep by La La Land and one of its nominated songs will probably win.

Should Win: Audition (The Fools Who Can Dream) from La La Land

Will Win: City of Stars from La La Land

Best Original Score: The Neon Demon deserved a nomination but I’m not surprised it was snubbed.  There’s no way the Academy was going to honor Nicholas Winding Refn’s subversive masterpiece.  La La Land is going to win this one easily.

Should Win: La La Land

Will Win: La La Land

Best Visual Effects: I was glad to see that Kubo and the Two Strings was nominated and I wish that Arrival had been nominated as well.  I’m going to go ahead and predict that Doctor Strange will be the first MCU film to win an Oscar.

Should Win: Doctor Strange

Will Win: Doctor Strange

Best Sound Editing and Best Sound Mixing: Let’s be honest.  I couldn’t explain the difference between sound editing and sound mixing and, unless you specifically work in the sound department, neither could you.  As a result, these categories are always difficult to predict.  But Hacksaw Ridge has to get some love somewhere and I bet it would happen here if not for La La Land.

Should Win (Both): Hacksaw Ridge

Will Win (Both): La La Land

Best Makeup and Hairstyling: As soon as I saw that Deadpool wasn’t nominated here, I knew it wouldn’t be nominated anywhere.  Can you believe that fucking Suicide Squad is now an Oscar nominee?  I haven’t seen A Man Called Ove but I’m going to predict its victory because I just can’t imagine the Academy honoring either Star Trek Beyond or Suicide Squad.

Should Win: Star Trek Beyond (that had good makeup in it, right?)

Will Win: A Man Called Ove

Best Film Editing: I can’t complain about any of the films nominated here.  La La Land is pretty much a guaranteed winner here.

Should Win: La La Land

Will Win: La La Land

Best Costume Design: I was shocked that Love & Friendship was not nominated.  If La La Land sweeps, it’ll win here.  When I made out my list of my personal picks for the Oscars, I gave the costuming Oscar to La La Land but now that I’m looking at the actual nominees, I’m remembering just how good everyone looked in Allied.

Should Win: Allied

Will Win: La La Land

Best Cinematography: My personal pick for this award was The Neon Demon but it wasn’t nominated.  Out of the nominated films, I would go with Moonlight but I think La La Land is going to sweep.

Should Win: Moonlight

Will Win: La La Land

Best Production Design: Well, it won’t be Passengers!  How the Hell did that get nominated for anything?  I think, of the nominees, Arrival deserves the award for making science fiction feel and look like science fact.  But, again, I think La La Land is going to win here.  (Are you sensing a theme in my predictions?)

Should Win: Arrival

Will Win: La La Land

Best Animated Feature: I was happy that Kubo and the Two Strings, Zootopia, and Moana were all nominated.  I haven’t seen The Red Turtle or My Life as a Zucchini but, on the whole, the Academy has a record of nominating the right films for this award.  I loved Kubo and I think it might win, just because it picked up that Visual Effects nomination as well.  Zootopia, however, would allow the Academy to make a political point and Moana has Lin-Manuel Miranda.  I’m going to go out on a limb and predict a Kubo victory but I wouldn’t be surprised if any of these five nominees won.

Should Win: Kubo and the Two Strings

Will Win: Zootopia Kubo and the Two Strings Moana Zootopia Kubo and the Two Strings

Best Adapted Screenplay: With La La Land likely to sweep the technical awards and Manchester By The Sea and Moonlight set to pick up some acting awards, this category will give the Academy a chance to acknowledge Arrival.

Should Win: Arrival

Will Win: Arrival

Best Original Screenplay: I think this is one of the few awards that La La Land will not win.  This category gives the Academy a chance to honor Hell or High Water.

Should Win: Hell or High Water

Will Win: Hell or High Water

Best Supporting Actress: Viola Davis is a guaranteed winner, even though her performance was a lead role.

Should Win: Naomie Harris, Moonlight

Will Win: Viola Davis, Fences

Best Supporting Actor: I was really happy to see that Michael Shannon got a nomination because Shannon is a great actor who always seems to be taken for granted.  That said, Mahershala Ali is almost as much of a lock as Viola Davis.

Should Win: Mahershala Ali, Moonlight

Will Win: Mahershala Ali, Moonlight

Best Actress: Let’s just get this out of the way.  Amy Adams not only deserved a nomination, she also deserved the Oscar.  Arrival works because of a twist that occurs halfway through the film.  The twist works because of Amy Adams’s performance.  If not for Amy Adams, Arrival would never have been nominated for best picture.  The fact that she was not nominated will be remembered as one of the biggest mistakes in Academy history.

This morning, I was happy to see that a lot of people on twitter agreed with me about the Amy Adams snub.  What took me by surprise was how many people also agreed with me that Meryl Streep essentially took a spot that should have been given to Amy Adams.  This morning, among other things, I discovered that there’s actually a growing backlash against the annual tradition of automatically nominating Meryl Streep, regardless of whether the film was any good or not.

Could Meryl win yet again?  It depends on whether or not the Academy wants to hear another Meryl Streep speech.  Given the political climate, I wouldn’t discount that as a possibility.  Since I’m on the subject and it’s possible that everyone stopped reading a few categories ago, I’m going to go ahead and admit my unpopular opinion.  While I’m definitely not a fan of the new President, Meryl’s Golden Globe speech felt like almost a parody of upper class white liberalism.  Listening to her, it was easy to imagine Meryl at a cocktail party, bragging about how she’s on a first name basis with her maid.

But, I’m in the minority as far as that opinion is concerned.  The Industry loved Meryl’s speech and, after Donald Trump’s overreaction to it, giving an Oscar to Meryl and giving her a chance to repeat the speech on a much bigger stage would be the perfect way to give the finger to the current administration.

That said, I think Emma Stone will be carried along in the La La Land sweep.  Whether justified or not, many members of the Academy will look at her character and see themselves.

Should Win: Amy Adams in Arrival (Yes, she wasn’t nominated but she should still win, goddammit.)

Will Win: Emma Stone in La La Land

Best Actor: Could anyone other than Casey Affleck win this one?  Denzel Washington is popular and giving him an Oscar for Fences would be a nice to way to reward all of the effort that he put into bringing this acclaimed play to the screen.  Affleck was sued for sexual harassment by a producer and a cinematogrpaher and ended up settling with both of them.  However, I doubt if it will stop him from winning the Oscar.  If the allegations were going to hurt Affleck’s chances, it would have happened long before now.

As for the nominees — well, I have no complaints.  While I wasn’t as impressed with Affleck’s performance as some, I think he did well enough. I would have liked to have seen either Sully‘s Tom Hanks or Hell or High Water‘s Chris Pine nominated.  I’m glad that Andrew Garfield picked up his first nomination.

Should Win: Denzel Washington, Fences

Will Win: Casey Affleck, Manchester By The Sea

Best Director: I’m going to go out on a limb and predict a minor upset.  I think La La Land is going to win in a lot of categories but I think that Moonlight‘s Barry Jenkins will win this Oscar.  Best Picture and Director have been split fairly regularly over the past few years and, after both the #OscarsSoWhite controversy and the 2016 presidential election, it may be felt that it’s time for a black director to finally win the Oscar.  Based on the skill shown in Whiplash and La La Land, Damien Chazelle will have other opportunities.

Should Win: Denis Villeneuve, Arrival

Will Win: Barry Jenkins, Moonlight

Best Picture: Though I don’t necessarily think it was one of the best films of the year, I would have loved it if Deadpool had actually scored a nomination.  It would have been an unexpected surprise and it would have shaken up a race that’s gotten rather predictable.

But no.  Deadpool received no nominations and the expected films were nominated.  Perhaps the only thing that could be considered surprising (though not that surprising)  was that Martin Scorsese’s passion project, Silence, was not only snubbed for best picture but also only picked up one nomination. Passengers picked up more nominations that Martin Scorsese’s latest film.  When it comes to total number of nominations, Silence is tired with Suicide Squad.

La La Land is going to win.  It’s probably going to win nearly all 14 of the Oscars it has been nominated for.  My pick for the best film of 2016 was American Honey.  Of the nominees, I think Arrival is the one that deserves to win.  But La La Land is an exuberant valentine to both the Academy and the industry.

La La Lands going to win.

Should Win: Arrival

Will Win: La La Land

2013 oscars

Here Are The Oscar Nominations!


oscar trailer kitties

Here are the Oscar nominations.  La La Land tied Titanic’s record with 14 nominations and I’m going to predict right now that it’ll win nearly everything that it’s been nominated for.  Amy Adams was totally snubbed.  Meryl Streep was technically nominated for Florence Foster Jenkins but we all know it was actually for her Golden Globes speech.

I may have more to say about this later but until then, here are the noms:

Best Picture

  • “Arrival”
  • “Fences”
  • “Hacksaw Ridge”
  • “Hell or High Water”
  • “Hidden Figures”
  • “La La Land”
  • “Lion”
  • “Manchester by the Sea”
  • “Moonlight”

Best Director

  • Mel Gibson – “Hacksaw Ridge”
  • Kenneth Lonergan – “Manchester by the Sea”
  • Barry Jenkins – “Moonlight”
  • Denis Villeneuve – “Arrival”
  • Damien Chazelle – “La La Land”

Best Actor

  • Casey Affleck – “Manchester by the Sea”
  • Andrew Garfield – “Hacksaw Ridge”
  • Ryan Gosling – “La La Land”
  • Viggo Mortensen – “Captain Fantastic”
  • Denzel Washington – “Fences”

Best Actress

  • Isabelle Huppert – “Elle”
  • Ruth Negga – “Loving”
  • Natalie Portman – “Jackie”
  • Emma Stone – “La La Land”
  • Meryl Streep – “Florence Foster Jenkins”

Best Supporting Actor

  • Mahershala Ali – “Moonlight”
  • Jeff Bridges – “Hell or High Water”
  • Lucas Hedges – “Manchester by the Sea”
  • Dev Patel – “Lion”
  • Michael Shannon – “Nocturnal Animals”

Best Supporting Actress

  • Viola Davis – “Fences”
  • Naomie Harris – “Moonlight”
  • Nicole Kidman – “Lion”
  • Octavia Spencer – “Hidden Figures”
  • Michelle William – “Manchester by the Sea”

Best Original Screenplay

  • “20th Century Women”
  • “Hell or High Water”
  • “La La Land”
  • “The Lobster”
  • “Manchester by the Sea”

Best Adapted Screenplay

  • “Arrival”
  • “Fences”
  • “Hidden Figures”
  • “Lion”
  • “Moonlight”

Best Animated Feature

  • “Kubo and the Two Strings”
  • “Moana”
  • “My Life as a Zucchini”
  • “The Red Turtle”
  • “Zootopia”

Best Production Design

  • “Arrival”
  • “Fantastic Beasts and Where to Find Them”
  • “Hail, Caesar!”
  • “La La Land”
  • “Passengers”

Best Cinematography

  • “Arrival”
  • “La La Land”
  • “Lion”
  • “Moonlight”
  • “Silence”

Best Costume Design

  • “Allied”
  • “Fantastic Beasts and Where to Find Them”
  • “Florence Foster Jenkins”
  • “Jackie”
  • “La La Land”

Best Film Editing

  • “Arrival”
  • “Hacksaw Ridge”
  • “Hell or High Water”
  • “La La Land”
  • “Moonlight”

Best Makeup and Hairstyling

  • “A Man Called Ove”
  • “Star Trek Beyond”
  • “Suicide Squad”

Best Sound Mixing

  • “Arrival”
  • “Hacksaw Ridge”
  • “La La Land”
  • “Rogue One: A Star Wars Story”
  • “13 Hours: The Secret Soldiers of Benghazi”

Best Sound Editing

  • “Arrival”
  • “Deepwater Horizon”
  • “Hacksaw Ridge”
  • “La La Land”
  • “Sully”

Best Visual Effects

  • “Deepwater Horizon”
  • “Doctor Strange”
  • “The Jungle Book”
  • “Kubo and the Two Strings”
  • “Rogue One: A Star Wars Story”

Best Original Score

  • “Jackie”
  • “La La Land”
  • “Lion”
  • “Moonlight”
  • “Passengers”

Best Original Song

  • “Audition (The Fools Who Dream)” from “La La Land”
  • “Can’t Stop the Feeling” from “Trolls”
  • “City of Stars” from “La La Land”
  • “The Empty Chair” from “Jim: The James Foley Story”
  • “How Far I’ll Go” from “Moana”

Best Documentary Feature

  • “Fire at Sea”
  • “I Am Not Your Negro”
  • “Life, Animated”
  • “OJ: Made in America”
  • “13th”

Best Foreign Language Film

  • “Land of Mine”
  • “A Man Called Ove”
  • “The Salesman”
  • “Tanna”
  • “Toni Erdmann”

Best Live Action Short

  • “Ennemis Interieurs”
  • “La Femme et le TGV”
  • “Silent Nights”
  • “Sing”
  • “Timecode”

Best Documentary Short

  • “Extremis”
  • “4.1 Miles”
  • “Joe’s Violin”
  • “Watani: My Homeland”
  • “The White Helmets”

Best Animated Short Film

  • “Blind Vaysha”
  • “Borrowed Time”
  • “Pear Cider and Cigarettes”
  • “Pearl”
  • “Piper”

What if Lisa Picked The Oscar Nominees — 2016 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are starred and listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

(Click on the links to see my nominations for 20152014, 2013, 2012, 2011, and 2010!)

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Best Picture

*American Honey*

Arrival

Hell or High Water

Kubo and the Two Strings

La La Land

Love & Friendship

A Monster Calls

Moonlight

The Neon Demon

The Nice Guys

andrea-arnold

Best Director

*Andrea Arnold for American Honey

Shane Black for The Nice Guys

Barry Jenkins for Moonlight

David MacKenzie for Hell or High Water

Nicholas Winding Refn for The Neon Demon

Denis Villeneuve for Arrival

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Best Actor

Andrew Garfield in Hacksaw Ridge

Ryan Gosling in The Nice Guys

Tom Hanks in Sully

Chris Pine in Hell or High Water

Ryan Reynolds in Deadpool

*Denzel Washington in Fences

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Best Actress

*Amy Adams in Arrival

Kate Beckinsale in Love & Friendship

Viola Davis in Fences

Sasha Lane in American Honey

Emma Stone in La La Land

Anya Taylor-Joy in The Witch

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Best Supporting Actor

*Mahershala Ali in Moonlight

Tom Bennett in Love & Friendship

Jeff Bridges in Hell or High Water

Alden Ehrenreich in Hail Caesar!

John Goodman in 10 Cloverfield Lane

Patrick Stewart in Green Room

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Best Supporting Actress

*Naomie Harris in Moonlight

Felicity Jones in A Monster Calls

Riley Keough in American Honey

Jena Malone in The Neon Demon

Helen Mirren in Eye in the Sky

Angourie Rice in The Nice Guys

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Best Voice Over and/or Stop Motion Performance

Auli’i Cravalho in Moana

Ellen DeGeneres in Finding Dory

Ginnifer Goodwin in Zootopia

*Liam Neeson in A Monster Calls

Art Parkinson in Kubo and the Two Strings

Charlize Theron in Kubo and the Two Strings

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Best Original Screenplay

American Honey

*Hell or High Water

Kubo and the Two Strings

La La Land

The Nice Guys

The Witch

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Best Adapted Screenplay

*Arrival

The Jungle Book

Love & Friendship

Moonlight

A Monster Calls

Sully

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Best Animated Film

Finding Dory

*Kubo and the Two Strings

Moana

Sausage Party

The Secret Life of Pets

Zootopia

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Best Documentary Feature

The Confessions of Thomas Quick

Holy Hell

O.J.: Made in America

Rigged 2016

Weiner

*The Witness

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Best Casting

*American Honey

Everybody Wants Some!!

La La Land

Moonlight

Hell or High Water

Green Room

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Best Cinematography

American Honey

Arrival

Hell or High Water

La La Land

Moonlight

*The Neon Demon 

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Best Costume Design

The Conjuring 2

Hail, Caesar!

La La Land

*Love & Friendship

The Nice Guys

The Witch

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Best Editing

Arrival

Hell or High Water

Kubo and the Two Strings

*La La Land

Moonlight

A Monster Calls

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Best Makeup and Hairstyling

Captain America: Civil War

Deadpool

Doctor Strange

Everybody Wants Some!!

Hail, Caesar!

*The Neon Demon

Best Original Score

Hell or High Water

Kubo and the Two Strings

*La La Land

Moana

Moonlight

The Neon Demon

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Best Original Song

*”Audition (The Fool Who Dreams)” from La La Land

“How Far I’ll Go” from Moana

“Waving Goodbye” from The Neon Demon

“I’m so Humble” from Pop Star: Never Stop Never Stopping

“Drive It Like You Stole It” from Sing Street

“Go Now” from Sing Street

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Best Overall Use Of Music

*American Honey

The Conjuring Part Two

Hell or High Water

La La Land

The Neon Demon

Sing Street

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Best Production Design

Arrival

Don’t Breathe

Green Room

The Neon Demon

La La Land

*10 Cloverfield Lane

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Best Sound Editing

Captain America: Civil War

Deadpool

*Hacksaw Ridge

La La Land

A Monster Calls

Sully

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Best Sound Mixing

Captain America: Civil War

Deadpool

Hacksaw Ridge

A Monster Calls

La La Land

*Sully

deadpool

Best Stunt Work

Captain America: Civil War

*Deadpool

Doctor Strange

Hacksaw Ridge

Jason Bourne

The Legend of Tarzan

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Best Visual Effects

Arrival

*Doctor Strange

The Jungle Book

Kubo and the Two Strings

A Monster Calls

Rogue One: A Star Wars Story

Films Listed By Number of Nominations:

13 Nominations — La La Land

1o Nominations — Hell or High Water

9 Nominations — Moonlight, The Neon Demon

8 Nominations — American Honey, Arrival, Kubo and the Two Strings, A Monster Calls

6 Nominations — The Nice Guys

5 Nominations — Deadpool, Love & Friendship

4 Nominations — Captain America: Civil War, Hacksaw Ridge, Hail Caesar!, Moana, Sully

3 Nominations — Doctor Strange, Green Room, Sing Street

2 Nominations — The Conjuring 2, Everybody Wants Some!!, Fences, Finding Dory, The Jungle Book, 10 Cloverfield Lane, The Witch, Zootopia

1 Nomination — The Confessions of Thomas Quick, Don’t Breathe, Eye in the Sky, Holy Hell, Jason Bourne, The Legend of Tarzan, O.J.: Made in America, Pop Star: Never Stop Never Stopping, Rigged 2016, Rogue One: A Star Wars Story, Sausage Party, The Secret Life of Pets, Weiner, The Witness

Films Listed By Number of Oscars Won:

4 Oscars — American Honey

3 Oscars — La La Land

2 Oscars — Arrival, Moonlight, The Neon Demon

1 Oscar — Deadpool, Doctor Strange, Fences, Hacksaw Ridge, Hell or High Water, Kubo and the Two Strings, Love & Friendship, A Monster Calls, Sully, 10 Cloverfield Lane, The Witness

Will the Academy agree with my predictions?  Probably not but we’ll find out on Tuesday!

2-ten

The Hawaii Film Critics Society Embraces La La Land


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On January 16th, the film critics of Hawaii (and who wouldn’t want to be a member of that group?) announced their picks for the best of 2016!  They really, really liked La La Land!

BEST FILM:
La La Land

BEST DIRECTOR:
Damien Chazelle, La La Land
BEST ACTOR:
Casey Affleck, Manchester by the Sea
BEST ACTRESS:
Viola Davis, Fences
BEST SUPPORTING ACTOR:
Jeff Bridges, Hell or High Water (tie)
Michael Shannon, Nocturnal Animals
BEST SUPPORTING ACTRESS:
Michelle Williams, Manchester by the Sea
BEST ORIGINAL SCREENPLAY:
Taylor Sheridan, Hell or High Water
BEST ADAPTED SCREENPLAY:
Tom Ford (Based on the Novel by Austin Wright), Nocturnal Animals
BEST CINEMATOGRAPHY:
Linus Sandgren, La La Land 

BEST EDITING:
Tom Cross, La La Land
BEST ART DIRECTION:
Austin Gorg, La La Land 
BEST COSTUME DESIGN:
Madeline Fontaine, Jackie
BEST MAKE-UP:
Bill Corso, Deadpool
BEST VISUAL EFFECTS:
Arrival (tie)
Doctor Strange
BEST ORIGINAL SCORE:
Justin Hurwitz, La La Land 
BEST SONG: 
Justin Hurwitz, Benj Pasek and Justin Paul, “Audition (Fools Who Dream),” La La Land  (tie)
Lin-Manuel Miranda, “How Far I’ll Go,” Moana
BEST ANIMATED FILM:
Kubo and the Two Strings (dir. Travis Knight) (tie)
Zootopia (dir. Byron Howard, Rich Moore and Jared Bush)
BEST DOCUMENTARY:
OJ: Made in America (dir. Ezra Edelman)
BEST FOREIGN LANGUAGE FILM:
The Handmaiden (dir. Chan-wook Park), (South Korea) (tie)
Neruda (dir. Pablo Larrain),  (Chile)
BEST HAWAII FILM:
Moana (dir. Ron Clements, Don Hall, John Musker and Chris Williams)
BEST NEW FILMMAKER:
Dan Trachtenberg,  10 Cloverfield Lane
BEST FIRST FILM:
10 Cloverfield Lane (dir. Dan Trachtenberg)
BEST OVERLOOKED FILM:
Hell or High Water (dir. David Mackenzie)
BEST SCI-FI/HORROR FILM:
Arrival (dir. Denis Villeneuve)
BEST STUNTS:
The Magnificent Seven 
BEST VOCAL/MOTION CAPTURE PERFORMANCE:
Charlize Theron/ Kubo and the Two Strings
WORST FILM OF THE YEAR:
Fifty Shades of Black  (tie)
Zoolander 2

Playing Catch-Up: Arrival (dir by Denis Villeneuve)


arrival_movie_poster

I cannot begin to express how happy I was when I learned that the Directors Guild of America had nominated Denis Villeneuve for his work on Arrival.

Arrival was one of the best films of 2016.  In fact, I would argue that it’s one of the best science fiction films that I’ve ever seen.  There were a lot of reasons for that, of course.  There was the brilliant script by Eric Heisserer.  There was the starring performance of Amy Adams, who is one of the best actresses working today.  There was a surprise and thought-provoking twist, one that forced you to reconsider everything that you previously believed.  There were so many reasons why Arrival was a great film but, ultimately, it call came down to Denis Villeneuve.

Working with material that would have led most directors down the road to bombast, Villeneuve instead took a deliberately low-key approach.  Whereas most directors would have encouraged their cast to play up the drama, Villeneuve encourages his actors to take a more inward and cerebral approach to the material.  Arrival is a rarity — a film about smart people in which the people actually seem to be smart.  For once, we don’t need expositionary characters to pop up and tell us that Louise Banks (Amy Adams) and Ian Donnelly (Jeremy Renner) are brilliant.  Instead, we simply believe they are from what we see on the screen.  Much like last year’s Sicario, Arrival proves that Villeneuve is a visionary director.

Arrival is a hard film to describe, not because it’s overly complicated but because there’s a huge twist that I really can’t reveal.  Before the twist, Arrival is simply a well-directed sci-fi film.  After the twist, it is something all together different, an intense meditation on faith, love, language, and destiny.  Since I’m reviewing the film late, chances are that you already know about the twist but I’m still not going to spoil it.

What I can tell you is that Arrival opens with the arrival of twelve spaceships, all of which land at different places across the world.  The Chinese have a spaceship.  The British have a spaceship.  I imagine that the Canadians have a spaceship, because who wouldn’t want to hang out with the Canadians?  And, of course, the Americans have a spaceship.  The aliens are inside the spaceships.  They’re octopus-like creatures, ones that almost look as if they could have come from one of Lovecraft’s Cthulhu stories.  The aliens may appear to be fearsome but they actually seem to be rather benevolent.  No one’s quite sure because the aliens communicate through a complex series of symbols and nobody can understand what those symbols mean.

Louise Banks is a linguist.  Ian Donnelly is a physicist.  The Americans bring both in to help translate the symbols.  Of course, the rest of the world has their own linguists and physicists working to translate the symbols and, humans being humans, it often seems that the Americans and the Chinese are less concerned with translating what the aliens are saying and more concerned with being the first to understand.  While Louise works, she continues to be haunted by dreams and visions of her daughter’s death from cancer.

And that’s really all I can tell you without spoiling the film and potentially making myself cry.  But I will say that if you haven’t seen Arrival, you must go out and see it now.  It’s one of the most thought-provoking and emotionally wrenching films of the past year.

Add to that, it’s probably going to be nominated for best picture.  It’s been overshadowed a bit by all the attention paid to La La Land, Moonlight, and Manchester By The Sea.  But Arrival is just as good a film as any of them.  In fact, in the future, we’ll probably look at Arrival and say that it was better than all of them.

 

 

Here Are The DGA nominations!


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The Director’s Guild announced their feature film nominations earlier today.

A DGA nomination is one of the biggest prizes of the precursor season.  In general, if the DGA nominates a film then it’s likely that film will also get nominated for best picture.  There have been exceptions, of course.  (David Fincher was nominated for his bastardized rehash of Girl With The Dragon Tattoo.)  But, for the most part, the DGA is the most reliable precursor available.

Five directors were nominated.  The usual suspects were there — Lonergan, Jenkins, and Chazelle.  Fortunately, Denis Villeneuve picked up a nomination, which is good news for Arrival.  The fifth nominee was a bit of a surprise.  Garth Davis was nominated for Lion, which I guess means I’ll have to go see that movie now, even though I have little real desire to do so.

Martin Scorsese was not nominated for Silence, which probably means that the film will be dead-in-the-water as far as Oscar nominations are concerned.

Also not nominated — Tim Miller for Deadpool, a film that’s been doing surprisingly well with the precursors.  If Tim Miller had been nominated, heads would have exploded.  It would have been fun to watch the twitter reaction.

Instead, we just got this —

Just to make it official, here are the five DGA nominees:

Denis Villeneuve — Arrival

Damien Chazelle — La La Land

Garth Davis — Lion

Kenneth Lonergan — Manchester By The Sea

Barry Jenkins — Moonlight

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