When Bronson Met Perkins: Someone Behind The Door (1971, directed by Nicolas Gessner)


Dr. Laurence Jeffries (Anthony Perkins) is an American-born neurosurgeon living in the UK.  One night, as Dr. Jeffries is preparing to head home, he meets a confused and frightened man who is identified in the credits as being The Stranger and who is played by Charles Bronson.  The Stranger has no memory of who he is or how he came to be where he is.  Dr. Jeffries takes the Stranger back to his house.  Dr. Jeffries says that he often takes patients back home for overnight observation but it turns out that he has more than treatment on his mind.  Dr. Jeffries knows that his wife, Frances (Jill Ireland, who was Bronson’s offscreen wife), has been cheating on him with her French lover.  What if Dr. Jeffries can convince the Stranger that Frances is married to and cheating on him?  Could The Stranger, who may have already attacked another woman on the beach, be manipulated into murdering Frances’s lover?

Before Death Wish made Charles Bronson a box office force in the United States, he was a huge star in Europe.  Someone Behind The Door is one of many films that Bronson made in France before he returned to America.  It’s always interesting to see Bronson’s European films because European directors were willing to cast him as something other than just a vengeance-driven vigliante.  In Someone Behind The Door, Bronson actually gets to play someone who isn’t in control of his fate and who doesn’t always have the perfect tough guy quip on the end of his tongue and Bronson gives a surprisingly good performance.  He brings The Stranger’s inarticulate fear and eventual rage to life.  Indulging in his usual nervous mannerisms, Anthony Perkins matches him every step of the way.

Someone Behind The Door largely takes place in just one location and it’s really too stage-bound to be successful.  Still, fans of Perkins and Bronson should find the pairing of the two to be interesting.  The pair play off each other surprisingly well, with Perkins nervy energy bouncing off of Bronson’s physicality.  It’s too bad that this was the only time that these two actors appeared opposite each other.

Bang, You’re Dead!: Charles Bronson in DEATH WISH (Paramount 1974)


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Most people think of DEATH WISH as just another 70’s revenge/exploitation flick, right? Nope. Far from it. Sure, there’s loads of graphic violence, but this gem of a movie contains just as much political commentary as ALL THE PRESIDENT’S MEN, with an added dose of black comedy to boot. The film had its finger firmly placed on the pulse of 1970’s America, with all its fear and paranoia about rampant urban crime, and is among the decade’s best.

Director Michael Winner and star Charles Bronson had made three films together up to that time: the revisionist Western CHATO’S LAND, the actioner THE MECHANIC , and the cops-vs-Mafia drama THE STONE KILLER . All were hits with the drive-in crowd, and helped Bronson go from supporting player to major star. Strangely enough, Bronson wasn’t the first actor considered for the part of Paul Kersey. Jack Lemmon was original choice, and that…

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Happy Birthday Charles Bronson!: THE STONE KILLER (Columbia 1973)


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Charles Buchinsky was born November 3, 1921 in the coal-country town of Ehrenfield, PA to a Lithuanian immigrant father and second-generation mother. He didn’t learn to speak English until he was a teen, and joined the Air Force at age 23, serving honorably in WWII. Returning home, young Charles was bitten by the acting bug and made his way to Hollywood, changing his last name to ‘Bronson’ in the early fifties. Charles Bronson spent decades toiling in supporting parts before becoming a name-above-the-title star in Europe.

By the 1970’s, Bronson had begun his long run as an action star. THE STONE KILLER capitalizes on the popularity of Cop and Mafia movies of the era, with Our Man Bronson as Lou Torrey, a Dirty Harry-type who shoots first and asks questions later. After he kills a 17-year-old gunman in the pre-credits opening, Torrey is raked over the coals by the New…

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Bronson One Last Time: Death Wish V: The Face of Death (1994, directed by Allen Goldstein)


To quote Geoffrey Chaucer, “All good things must come to an end.”

Death Wish V: The Face of Death marked the end of the original Death Wish franchise, concluding the violent saga of Paul Kersey 20 years after it began.  It probably should have ended sooner.

After the box office failure of Death Wish IV and the subsequent bankruptcy of Cannon Films, future plans for the Death Wish franchise were put on hold.  After the collapse of Cannon, Menahem Golan started a new production company, 21st Century Film Corporation.  In 1993, needing a hit and seeing that the previous Death Wish films were still popular on video, Golan announced that Paul Kersey would finally return in Death Wish V: The Face of Death.  Charles Bronson also returned, though he was now 72 years old and in poor health.  Death Wish V would also mark the end of Bronson’s feature film career.  He would make appearances in a few television movies before subsequently retiring from acting.

Death Wish V finds Paul in the witness protection program.  His latest girlfriend, Olivia (Lesley-Anne Down), just happens to be the ex-wife of a psychotic mobster named Tommy O’Shea (Michael Parks).  Throughout the entire franchise, the Death Wish films argued that crime is so out of control that no one was safe and that Paul had no choice but to pick up a gun and shoot muggers.  But, judging from Death Wish V, Paul just seems to have incredibly bad luck.  What are the odds that a mild-mannered architect would lose his wife, his maid, his daughter, his best friend from the war, his next two girlfriends, and then end up dating the ex-wife of New York City’s craziest gangster?

The district attorney’s office wants Olivia to testify against her ex-husband so Tommy gets his henchman, the dandruff-prone Freddie Flakes (Robert Joy), to kill her.  Looks like it’s time for New York’s favorite vigilante to launch a one-man war against the Mafia!

The only problem is that New York’s favorite vigilante is too old to chase people down dark alleys and shoot them.  He has to get creative, which means using everything from poisoned cannoli to a vat of acid to take out his targets.  One gangster is killed by an exploding soccer ball!

With both Bronson and Lesley-Anne Down giving an indifferent performances, it is up to the supporting cast to keep the movie interesting.  Appearing here after his bravura turn as Jean Renault in Twin Peaks but before Robert Rodriguez and Quentin Tarantino introduced him to a whole new generation of filmgoers, Michael Parks is flamboyantly evil as Tommy O’Shea and injects the movie with what little life that it has.  Speaking of Twin Peaks alumni, Kenneth Welsh (who played Windom Earle in the last few episodes of season 2) plays this installment’s understanding police detective.  Saul Rubinek plays the district attorney who is willing to look the other way when it comes to killing gangsters.

Dull and cheap-looking, Death Wish V was a box office bomb and it brought the original franchise to a definite end.  Will the Eli Roth/Bruce Willis reboot of Death Wish also lead to a reboot of the franchise?  Time will tell!

Bronson’s Rich: Death Wish 4: The Crackdown (1987, directed by J. Lee Thompson)


To quote The Main With No Name, “When a man’s got money in his pocket, he begins to appreciate peace.”

Two years have passed since Paul Kersey (Charles Bronson) last visited and cleaned up New York.  He is back in Los Angeles, the president of his own successful architectural firm.  Now a rich man, he has retired from killing criminals, though he still has dreams where he shoots muggers in parking garages.  Paul has a new girlfriend, journalist Karen Sheldon (Kay Lenz).  When Karen’s teenage daughter, Erica (Dana Barron), dies of a cocaine overdose, it’s time for Paul to get his gun out of storage and blow away a drug dealer.

Shortly after shooting that drug dealer, Paul finds a note on his front porch.  “I know who you are,” it reads.  Paul then gets a call from a mysterious man (John P. Ryan) who identifies himself as being a reclusive millionaire named Nathan White.  Nathan explains that his daughter also died of a cocaine overdose.  He wants to hire Paul to take out not just the drug dealers but also the men behind the dealers, the bosses.  Using his vast resources, Nathan has prepared a file on every major drug operation in Los Angeles.  He offers to share the information with Paul.

“I’ll need a few days to think about it,” Paul says but we all know he’s going to accept Nathan’s offer just as surely as we know that Nathan White has an ulterior motive that won’t be revealed until the movie’s final twenty minutes.

For the first time, Paul is no longer just targeting muggers and other street criminals.  This time, Paul is going after the guys in charge and trying to bring an end to drug trade once and for all.  (The idea that the best way to win the war on drugs was just to kill anyone involved in the drug trade was a very popular one in the late 80s.)  L.A.’s two major drug cartels are led by Ed Zacharias (Perry Lopez) and the Romero Brothers (Mike Moroff and Dan Ferro).  Along with their own activities, Paul and Young work the turn the two cartels against each other.

It’s not just the criminals that have changed in Death Wish 4.  Paul has changed, too.  Paul used to just shoot criminals and run away.  In Death Wish 4, he gets more creative.  He sneaks into Zacharias’s mansion and bugs the phone so that he can keep track of what’s going down.  When it comes time to kill a table full of drug dealers (one of whom is played by Danny Trejo), Paul doesn’t shoot them up.  Instead, he sends them a bottle of champagne that explodes when they open it.  By the end of the movie, Paul is blowing away the bad guys with a grenade launcher!  How many former conscientious objectors can brag about that?

The biggest difference between Death Wish 4 and the films that came before it is the absence of director Michael Winner.  Winner and Bronson had a falling out following Death Wish 3 and, as a result, Winner had little interest in returning to the franchise.  Instead, Winner was replaced by J. Lee Thompson, who had already directed Bronson in several other Cannon films.  As a result, Death Wish 4 is less “heavy” than the previous Death Wish films.  Whereas Winner’s direction often felt mean-spirited and exploitive, Thompson plays up the film’s sense of airy adventure.

Though it barely made a profit at the box office and has been dismissed by critics, Death Wish 4 is an enjoyable chapter in Paul’s story.  If you’re looking for mindless 80s mayhem, Death Wish 4 gets the job done with admirable efficiency.  It would have made a great ending for the franchise but Bronson would return to the role one last time.

Tomorrow: Death Wish V: The Face of Death!

Bronson’s Old: Death Wish 3 (1985, directed by Michael Winner)


To quote Roger Murtaugh, “I’m too old for this shit.”

It has been ten years since Paul Kersey (Charles Bronson) left New York City and the place has gone to Hell.  It’s no longer just muggers that you have look out for.  Now, there are roving street gangs of directionless teenagers, terrorizing the elderly and forcing them to live like prisoners in their own apartment building.

One street corner now looks like a war zone, controlled by spiky-haired, face-painting punks who look like something from a Mad Max movie.  Manny Fraker (Gavan O’Herlihy) rules this street corner, supported by a gang that worships him as if he was some sort of god.  Manny thinks that he is immortal but he’s just targeted the wrong person.  The gang may think that Charley (Francis Drake) is just a defenseless old man but what they don’t know is that, when Charley served in Korea, his best friend was Paul Kersey.

The past few years have been busy for Paul.  He’s killed muggers and rapists in Los Angeles, Chicago, and Kansas City and now he’s returned to New York City, to visit his old friend Charley.  Paul arrives at Charley’s apartment just in time to witness Fraker’s gang murdering him.  The gang flees and when the police arrive, they take Paul into custody.

While public defender Kathryn Davis (Deborah Raffin) tries to figure out why Paul is being held in jail, Paul has a conversation with Lt. Shriker (Ed Lauter).  Shriker remembers Paul as being the New York vigilante and he has a proposition for him.  Paul can kill as many members of Fraker’s gang as he wants, as long as he allows the police to take the credit and reports everything that he discovers to Shriker.  Paul agrees.

In the neighborhood, Paul starts to put Fraker and his gang (one of whom is played by pre-Bill and Ted Alex Winter) in their place.  In a scene borrowed from Brian Garfield’s original Death Wish novel, he uses a used car as bait to gun down two aspiring car thieves.  When Paul gets a new gun, he tests it out on a depraved mugger known as the Giggler.  Though some might call him a serial killer, Paul is soon a hero to the entire neighborhood.  Though Charley may be gone, Paul befriends the other residents of the apartment.  He shows the elderly Kaprovs how to catch anyone trying to climb through their window.  He protects Maria Rodriguez (Marina Sirtis) from the gang.  Best of all, he befriend Bennett Miller (Martin Balsam), a World War II vet who still remembers how to load a machine gun.

(Balsam and Bronson previously co-starred in The Stone Killer, though in that one Bronson was a cop and Balsam was on the other side of the law.)

He also finds time to pursue a relationship with Kathryn Davis.  This is one recurring element in the Death Wish franchise that has never made sense to me.  Paul always has a new girlfriend, despite the fact that almost every woman that he ever gets involved with ends up getting killed.  Paul also only seems to go out with women who would be upset to discover that they were dating a notorious vigilante.  In Death Wish II, he went out with a crusading journalist who was against the death penalty.  In Death Wish 3, he falls for a public defender whose job is to provide legal counsel to the very people that Paul is trying to kill.  After Death Wish 3, Paul would date yet another crusading journalist and, finally, the ex-wife of a notorious mobster.  Maybe Paul should just give up and concentrate on mourning his wife.

Michael Winner returned to direct Death Wish 3 and, this time around, he imagines New York City as being a post-apocalyptic wasteland, full of abandoned buildings and murderous scavengers.  Imagine A Clockwork Orange if Charles Bronson suddenly showed up to shoot Alex and the Droogs.  As played by Gavan O’Herlihy, Manny Fraker is the type of seemingly indestructible bad guy who can actually give Paul Kersey a challenge, something that was missing from the previous films.

The other thing that distinguishes Death Wish 3 is that it was one the only film in the franchise to directly confront an obvious truth.  Charles Bronson was 53 when the first Death Wish was released.  By the time he made Death Wish 3, he was 64 and decades older than the typical action star.  (As way of comparison, Clint Eastwood was 55 when Death Wish 3 was released and was already experimenting with less action-orientated roles.)  By partnering him with Martin Balsam and the other elderly residents of the neighborhood, Death Wish 3 not only acknowledged Bronson’s advanced age but also took advantage of it.  Death Wish 3 is a film where the old folks finally get to teach the young punks a thing or two.  If the other Death Wish films were about one man fighting a lonely war, Death Wish 3 is about a community refusing to be silenced.  The chance to put those kids in their place even seems to perk up Charles Bronson, who gives one of his best performances in Death Wish 3.

Death Wish 3 may have been roundly despised by the critics but it’s the best of the Death Wish sequels.  It made a fortune at the box office so naturally, another sequel would follow.

Tomorrow: Death Wish 4: The Crackdown!

Bronson’s Back!: Death Wish II (1982, directed by Michael Winner)


To quote John McClane, “How can the same shit happen to the same guy twice?”

It has been eight years since Paul Kersey (Charles Bronson) lost his wife and single-handedly cleaned up New York City.  The first Death Wish ended with Paul in Chicago, preparing to gun down a new group of criminals.  I guess Chicago didn’t take because, at the start of Death Wish II, Paul is in Los Angeles and he’s working as an architect again.  He has a new girlfriend, a bleeding heart liberal reporter named Geri (Jill Ireland, Bronson’s real-life wife) who is against the death penalty and who has no idea that Paul used to be New York’s most notorious vigilante.  Having finally been released from the mental institution, Carol (Robin Sherwood) is living with her father but is now mute.

Crime rates are soaring in Los Angeles and why not?  The legal system is more concerned with the rights of the criminals than the victims and Paul has retired from patrolling the streets.  But when a group of cartoonish thugs rape and kill his housekeeper and cause his daughter to fall out of a window while trying to escape them, Paul picks up his gun and sets out for revenge.

Death Wish II was not the first sequel to Death Wish.  Brian Garfield, the author of the novel on which Death Wish was based, never intended for Paul to be seen as a hero and was disgusted by what he saw as being the film’s glorification of violence.  As “penance,” he wrote a sequel called Death Sentence, in which Paul discovered that he had inspired an even more dangerous vigilante.  When Menahem Golan and Yoram Globus bought the rights to produce a second Death Wish film, they decided not to use Garfield’s sequel and instead went with a story that was co-written by Golan.

It’s the same basic story as the first film.  Again, Paul is a mild-mannered architect who is a liberal during the day and a gun-toting reactionary at night.  Again, it’s a home invasion and a death in the family that sets Paul off.  Again, Paul gets help from sympathetic citizens who don’t care that the police commissioner (Anthony Franciosa) wants him off the streets.  Jeff Goldblum played a rapist with a switch blade in the first film.  This time, it’s Laurence Fishburne who fills the role.  (Fishburne also carries a radio, which he eventually learns cannot be used to block bullets.)  Even Detective Ochoa (Vincent Gardenia) returns, coming down to Los Angeles to see if Paul has returned to his old ways.

The main difference between the first two Death Wish films is that Death Wish II is a Cannon film, which means that it is even less concerned with reality than the first film.  In Death Wish II, the criminals are more flamboyant, the violence is more graphic, and Paul is even more of a relentless avenger than in the first film.  In the first Death Wish, Paul threw up after fighting a mugger.  In the second Death Wish, he sees that one of the men who raped his daughter is wearing a cross, leading to the following exchange:

“Do you believe in Jesus?”

“Yes, I do.”

“Well, you’re going to meet him.”

BLAM!

Death Wish II is the best known of the Death Wish sequels.  It made the most money and, when I was a kid, it used to show on TV constantly.  The commercials always featured the “You believe in Jesus?” exchange and, every morning after we saw those commercials, all the kids at school would walk up to each other and say, “You believe in Jesus?  Well, you’re going to meet him.”  It drove the teachers crazy.

Overall, Death Wish II is a lousy film.  Michael Winner, who was always more concerned with getting people into the theaters than anything else, directs in a sledgehammer manner that makes his work on the first film look subtle.  He obscenely lingers over every rape and murder, leaving no doubt that he is more interested in titillating the audience than getting them to share Paul’s outrage.  The script is also weak, with Geri so poorly written that she actually gets more upset about Paul going out at night than she does when she learns that Paul’s daughter has died.  When Paul sets out to track down the gang, his method is to merely wander around Los Angeles until he stumbles across them.  It doesn’t take long for Paul to start taking them out but no one in the gang ever seems to be upset or worried that someone is obviously stalking and killing them.

There are a few good things about the film.  Charles Bronson was always a better actor than he was given credit for and it’s always fun to watch Paul try to balance his normal daily routine with his violent night life.  Whenever Geri demands to know if he’s been shooting people, Paul looks at her like he is personally offended that she could possibly think such a thing.  Also, the criminals themselves are all so cartoonishly evil that there’s never any question that Paul is doing the world a favor by gunning them down.  For many otherwise sensible viewers, a movie like Death Wish II may be bad but it is also cathartic.  It offers up a simple solution to a complex issue.  In real life, a city full of Paul Kerseys would lead to innocent people getting killed for no good reason.  But in the world of Death Wish II, no one out after nightfall is innocent so there’s no need to worry about shooting the wrong person.

Finally, the film’s score was written by the legendary Jimmy Page.  The studio wanted Isaac Hayes to do the score but Winner asked his neighbor, Page.  Page took the film, retreated into his studio, and returned with a bluesy score that would turn out to be the best thing about the movie.  The soundtrack was the only one of Page’s solo projects to be released on Led Zeppelin’s record label, Swan Song Records.

Tomorrow, Bronson returns with Death Wish 3!