Lisa Reviews An Oscar Nominee: A Soldier’s Story (dir by Norman Jewison)


Set during World War II, 1984’s A Soldier’s Story opens with a murder.

On a rural road outside of a segregated army base in Louisiana, someone has gunned down Sergeant Vernon Walters (Adolph Caesar).  At the time, Walters was staggering back to the base after a night of heavy drinking.  Both the local authorities and Watlers’s fellow soldiers assume that the murder was the work of the Ku Klux Klan.  Captain Richard Davenport (Howard Rollins) isn’t so sure.

Captain Davenport is the officer who has been assigned to investigate the murder.  From the minute that he arrives at the base, the soldiers stare at him.  As Cpl. Ellis (Robert Townsend) explains it, the enlisted men are shocked because they’ve never seen a black officer before.  Some of the soldiers admire Davenport while other view him with suspicion, wondering what Davenport must have done or who he must have sold out to earn his commission.

Meanwhile, the other officers (who are all white) view Davenport with a combination of condescension and hostility.  Col. Nivens (Trey Wilson) only allows Davenport three days to wrap up his investigation and assigns the polite but skeptical Capt. Taylor (Dennis Lipscomb) to work with him.  Taylor suspects that Walters may have been murdered by the openly racist Lt. Byrd (Wings Hauser!).  Davenport, however, isn’t so sure.  Even though the official story is that Walters was a tough but fair sergeant who was respected by his company, Davenport suspects that one of them may have killed him.

Davenport and Taylor start to interview the soldiers who actually had to deal with Walters on a daily basis.  Through the use of flashbacks, Walters is revealed to be a far more complex man than anyone knew.  We see that Walters was a man who was bitterly aware of the fact that, even after a lifetime of military service, he was destined to always be treated as a second-class citizen by the nation that he served.  Unable to strike out at the men who the army and society had placed over him, Walters instead struck at the men serving underneath him.  While the man in Walters’s company wait for word on whether or not they’ll be allowed to serve overseas, Davenport tries to determine if one or more of them is a murderer.

A Soldier’s Story was adapted from a play but director Norman Jewison is careful to prevent the material from becoming stagey.  Effortlessly transitioning from the film’s present to flashbacks of the events that led to Walters’s murder, Jewison crafts both an incendiary look at race relations and a compelling murder mystery.  He’s helped by a strong cast of predominately African-American actors.  In one of his earliest roles, Denzel Washington plays Pfc. Peterson with a smoldering intensity.  David Alan Grier and Robert Townsend, two actors known for their comedic skills, impress in dramatic roles.  Seen primarily in flashbacks, Adolph Caesar turns Walters into a complex monster.

And yet, with all the talent on display, it is Howard Rollins who ultimately steals the movie.  As  a character, Captain Davenport has the potential to be a rather thankless role.  He spends most of the movie listening to other people talk and, because of his status as both an officer and a black man in the rural south, he’s rarely allowed to show much anger or, for that matter, any other emotion.  However, Rollins gives a performance of such quiet intelligence that Davenport becomes the most interesting character in the movie.  He’s the ultimate outsider.  Because of his higher rank and his role as an investigator, he can’t fraternize with the enlisted men but, as an African-American, he’s still expected to remain separate from and differential to his fellow officers.  As the only black officer on a segregated base, Davenport is assigned to stay in an empty barrack.  One of the best scenes in the film is Davenport standing alone and surveying the stark layout of his temporary quarters.  The expression on his face tells you everything you need to know.

(Towards the end of the film, when Davenport finally gets a chance to drop his rigid facade and, if just for one line, be himself, you want to cheer for him.)

A Soldier’s Story was nominated for best picture but it lost to another theatrical adaptation, Milos Forman’s Amadeus.

 

Weekly Trailer Round-Up: Beautiful Boy, Mile 22, Juliet Naked, The Equalizer 2, The House With A Clock In Its Walls, King of Thieves, Assassination Nation, Mandy


Lisa already wrote about the new trailers for The Predator and Zoe.  Here are some of the other trailers that were released last week.

First up, there’s Beautiful Boy.  Based on the memoirs of both David Sheff and his son, Nic, this movie is based on the true story of David’s struggle to understand and deal with his son’s drug addiction.  It stars Oscar nominees Steve Carell, Timothee Chalamet, and Amy Ryan.  It will be released on October 12th by Amazon Studios, who are hoping that they’ll have the same success with this film that they had with Manchester By The Sea.

And now, to quote the poet Python, for something completely different.  Mile 22 is the latest action film from star Mark Wahlberg and director Peter Berg.  Mile 22 is due to be released on August 17th.

Also due to be released on August 17th is Juliet, Naked.  This Nick Hornby adaptation is about a rock star (Ethan Hawke) and the couple (Rose Byrne and Chris O’Dowd) who are obsessed with his music.  We can expect this one to inspire many comparisons to High Fidelity.

On July 20th, Denzel Washington returns as retired CIA assassin Robert McCall in The Equalizer 2.  In the sequel, he’s investigating the death of a friend from the first film.

The House With A Clock In Its Walls is the latest fantasy film to be based on a children’s book.  It looks like a change of pace for director Eli Roth, if not star Jack Black, and is set to be released on September 21st.

Also based on a young adult novel is The Hate U Give.  Amanda Stenberg plays Starr, a young African-American woman who finds herself at the center of protest and controversy after she witnesses the fatal police shooting of her best friend.  The Hate U Give will be released on October 19th.

King of Thieves is the latest film from The Theory of Everything‘s director, James Marsh.  Michael Caine, Tom Courtenay, Jim Broadbent, Michael Gambon, and Ray Winstone are over-the-hill thieves.  (Didn’t Caine already do this in Going In Style?)  This British film does not yet have an American release date.

In Assassination Nation, the citizens of suburbia become outraged and violent when a data hack leads to all of their darkest secrets being exposed.  (This would never have happened if they had just taken part in the Annual Purge like they were supposed to.)  Assassination Nation will be released on September 21st.

Finally, in Mandy, Nicolas Cage plays a man who seeks revenge on the cultists and demons that killed the woman he loved.  Mandy will be released on September 14th.

Here Are The 90th Oscar Nominations!


You know that I’ve had a busy Tuesday when I’m only now getting around to posting the 90th Annual Oscar nominations!

Here they are.  Nominees in bold appear on both the Academy’s list and my list of the films that I would have nominated if I was the one solely in charge!

Best Picture:

Call Me By Your Name,

Darkest Hour,

Dunkirk,

Get Out,

Lady Bird,

Phantom Thread,

The Post,

The Shape of Water

Three Billboards Outside Ebbing Missouri

Best Director

Paul Thomas Anderson for Phantom Thread

Guillermo Del Toro for The Shape of Water

Greta Gerwig for Lady Bird

Christopher Nolan for Dunkirk

Jordan Peele for Get Out

Best Actor

Timothee Chalamet in Call Me By Your Name

Daniel Day-Lewis in Phantom Thread

Daniel Kaluuya in Get Out

Gary Oldman in Darkest Hour

Denzel Washington in Roman Israel Esq.

Best Actress

Sally Hawkins in Shape of Water

Frances McDormand in Three Billoards Outside Ebbing Missouri

Margot Robbie in I, Tonya

Saoirse Ronan in Lady Bird

Meryl Streep in The Post

(At this point, I got tired of typing out all of the nominees myself and I did a cut and paste from the list of nominees posted at Awards Watch.  Please thank Awards Watch by visiting their wonderful site.)

Actor in a Supporting Role

WILLEM DAFOE
The Florida Project
WOODY HARRELSON
Three Billboards outside Ebbing, Missouri
RICHARD JENKINS
The Shape of Water
CHRISTOPHER PLUMMER
All the Money in the World
SAM ROCKWELL
Three Billboards outside Ebbing, Missouri

Actress in a Supporting Role

MARY J. BLIGE
Mudbound

ALLISON JANNEY
I, Tonya
LESLEY MANVILLE
Phantom Thread
LAURIE METCALF
Lady Bird
OCTAVIA SPENCER
The Shape of Water

Writing (Original Screenplay)

THE BIG SICK
Written by Emily V. Gordon & Kumail Nanjiani
GET OUT
Written by Jordan Peele
LADY BIRD
Written by Greta Gerwig
THE SHAPE OF WATER
Screenplay by Guillermo del Toro & Vanessa Taylor; Story by Guillermo del Toro
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Written by Martin McDonagh

Writing (Adapted Screenplay)

CALL ME BY YOUR NAME
Screenplay by James Ivory
THE DISASTER ARTIST
Screenplay by Scott Neustadter & Michael H. Weber
LOGAN
Screenplay by Scott Frank & James Mangold and Michael Green; Story by James Mangold
MOLLY’S GAME
Written for the screen by Aaron Sorkin
MUDBOUND
Screenplay by Virgil Williams and Dee Rees

Animated Feature Film

THE BOSS BABY
Tom McGrath and Ramsey Naito
THE BREADWINNER
Nora Twomey and Anthony Leo
COCO
Lee Unkrich and Darla K. Anderson
FERDINAND
Carlos Saldanha
LOVING VINCENT
Dorota Kobiela, Hugh Welchman and Ivan Mactaggart

Foreign Language Film

A FANTASTIC WOMAN
Chile
THE INSULT
Lebanon
LOVELESS
Russia
ON BODY AND SOUL
Hungary
THE SQUARE
Sweden

Documentary Feature

ABACUS: SMALL ENOUGH TO JAIL
Steve James, Mark Mitten and Julie Goldman
FACES PLACES
Agnès Varda, JR and Rosalie Varda
ICARUS
Bryan Fogel and Dan Cogan
LAST MEN IN ALEPPO
Feras Fayyad, Kareem Abeed and Søren Steen Jespersen
STRONG ISLAND
Yance Ford and Joslyn Barnes

Documentary (Short Subject)

EDITH+EDDIE
Laura Checkoway and Thomas Lee Wright
HEAVEN IS A TRAFFIC JAM ON THE 405
Frank Stiefel
HEROIN(E)
Elaine McMillion Sheldon and Kerrin Sheldon
KNIFE SKILLS
Thomas Lennon
TRAFFIC STOP
Kate Davis and David Heilbroner

Music (Original Score)

DUNKIRK
Hans Zimmer
PHANTOM THREAD
Jonny Greenwood
THE SHAPE OF WATER
Alexandre Desplat
STAR WARS: THE LAST JEDI
John Williams
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Carter Burwell

Music (Original Song)

MIGHTY RIVER
from Mudbound; Music and Lyric by Mary J. Blige, Raphael Saadiq and Taura Stinson
MYSTERY OF LOVE
from Call Me by Your Name; Music and Lyric by Sufjan Stevens
REMEMBER ME
from Coco; Music and Lyric by Kristen Anderson-Lopez and Robert Lopez
STAND UP FOR SOMETHING
from Marshall; Music by Diane Warren; Lyric by Lonnie R. Lynn and Diane Warren
THIS IS ME
from The Greatest Showman; Music and Lyric by Benj Pasek and Justin Paul

Film Editing

BABY DRIVER
Paul Machliss and Jonathan Amos
DUNKIRK
Lee Smith
I, TONYA
Tatiana S. Riegel
THE SHAPE OF WATER
Sidney Wolinsky
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Jon Gregory

Cinematography

BLADE RUNNER 2049
Roger A. Deakins
DARKEST HOUR
Bruno Delbonnel
DUNKIRK
Hoyte van Hoytema
MUDBOUND
Rachel Morrison
THE SHAPE OF WATER
Dan Laustsen

Production Design

BEAUTY AND THE BEAST
Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
BLADE RUNNER 2049
Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola
DARKEST HOUR
Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
DUNKIRK
Production Design: Nathan Crowley; Set Decoration: Gary Fettis
THE SHAPE OF WATER
Production Design: Paul Denham Austerberry; Set Decoration: Shane Vieau and Jeff Melvin

Costume Design

BEAUTY AND THE BEAST
Jacqueline Durran
DARKEST HOUR
Jacqueline Durran
PHANTOM THREAD
Mark Bridges
THE SHAPE OF WATER
Luis Sequeira
VICTORIA & ABDUL
Consolata Boyle

Makeup and Hairstyling
DARKEST HOUR
Kazuhiro Tsuji, David Malinowski and Lucy Sibbick
VICTORIA & ABDUL
Daniel Phillips and Lou Sheppard
WONDER
Arjen Tuiten

Sound Mixing

BABY DRIVER
Julian Slater, Tim Cavagin and Mary H. Ellis
BLADE RUNNER 2049
Ron Bartlett, Doug Hemphill and Mac Ruth
DUNKIRK
Mark Weingarten, Gregg Landaker and Gary A. Rizzo
THE SHAPE OF WATER
Christian Cooke, Brad Zoern and Glen Gauthier
STAR WARS: THE LAST JEDI
David Parker, Michael Semanick, Ren Klyce and Stuart Wilson

Sound Editing

BABY DRIVER
Julian Slater
BLADE RUNNER 2049
Mark Mangini and Theo Green
DUNKIRK
Richard King and Alex Gibson
THE SHAPE OF WATER
Nathan Robitaille and Nelson Ferreira
STAR WARS: THE LAST JEDI
Matthew Wood and Ren Klyce

Visual Effects

BLADE RUNNER 2049
John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover
GUARDIANS OF THE GALAXY VOL. 2
Christopher Townsend, Guy Williams, Jonathan Fawkner and Dan Sudick
KONG: SKULL ISLAND
Stephen Rosenbaum, Jeff White, Scott Benza and Mike Meinardus
STAR WARS: THE LAST JEDI
Ben Morris, Mike Mulholland, Neal Scanlan and Chris Corbould
WAR FOR THE PLANET OF THE APES
Joe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist

Short Film (Animated)

DEAR BASKETBALL
Glen Keane and Kobe Bryant
GARDEN PARTY
Victor Caire and Gabriel Grapperon
LOU
Dave Mullins and Dana Murray
NEGATIVE SPACE
Max Porter and Ru Kuwahata
REVOLTING RHYMES
Jakob Schuh and Jan Lachauer

Short Film (Live Action)
DEKALB ELEMENTARY
Reed Van Dyk
THE ELEVEN O’CLOCK
Derin Seale and Josh Lawson
MY NEPHEW EMMETT
Kevin Wilson, Jr.
THE SILENT CHILD
Chris Overton and Rachel Shenton
WATU WOTE/ALL OF US
Katja Benrath and Tobias Rosen

Congratulations to all the nominees!

Here Are The SAG Nominations for 2017!


Mudbound

As far as Oscar precursors are concerned, all of the critic groups are fun to follow but the guilds are what you really need to pay attention to.  The reason is simple enough.  Critics may have influence but they’re not members of the Academy.

The Guilds, on the other hand, do include members who are voting members of the Academy.  And the biggest branch of the Academy is the Actors Branch.  That’s why the Screen Actors Guild nominations are traditionally viewed as being one of the most important of the precursors.

Of course, getting a SAG nomination does not always translate into an Oscar nomination.  It’s rare that the SAG noms and the Oscar noms line up 100%.  I can still remember, back in 2015, when we were all briefly excited when Beasts of No Nation and Straight Outta Compton picks up Best Ensemble nominations.  Of course, when the Oscar noms came out, Compton got one nomination and Beasts was totally shut out.

Another thing to keep in mind is that, according to Clayton Davis on Awards Circuit, the screeners for The Post and Phantom Thread weren’t sent out in time for either of those movies to be a factor in the voting.  Believe me, I was really excited when it seemed as if The Post had been totally snubbed.  The last thing I want to do next year is have to sit through another one of Meryl Streep’s speeches about how she’s just an average, middle class person from New Jersey who went to public school.  (Meryl always comes across like the type who would brag about being on a first name basis with her maid.)  But, it would appear that there is a perfectly understandable reason for The Post‘s lack of a nomination.

Anyway, here’s my main takeaways:

  1. Get Out‘s Daniel Kaluuya is emerging as a pretty strong contender for best actor.  I’d be surprised if he actually won over Timothee Chalamet and Gary Oldman but it does more and more likely that he will at least receive a nomination.
  2. Denzel Washington for Roman Israel, Esq?  Did anyone actually see that movie?  I didn’t so I don’t know if Denzel’s nomination was deserved or not.  Washington got a Golden Globe nomination as well.
  3. The biggest surprises in Best Supporting Actor?  Not only did Armie Hammer and Michael Stuhlbarg not get nominated but Steve Carell did.
  4. My favorite nomination is The Big Sick for Best Ensemble.
  5. Mudbound keeps its Oscar hopes alive, with its nomination here.
  6. I don’t have a sixth reason but I don’t do odd numbers.

Here are the film nominations:

Outstanding Performance by a Cast in a Motion Picture
THE BIG SICK
GET OUT
LADY BIRD
MUDBOUND
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Outstanding Performance by a Male Actor in a Leading Role
Timothée Chalamet, CALL ME BY YOUR NAME
James Franco, THE DISASTER ARTIST
Daniel Kaluuya, GET OUT
Gary Oldman, DARKEST HOUR
Denzel Washington, ROMAN J. ISRAEL, ESQ.

Outstanding Performance by a Female Actor in a Leading Role
Judi Dench, VICTORIA AND ABDUL
Sally Hawkins, THE SHAPE OF WATER
Frances McDormand, THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Margot Robbie, I, TONYA
Saoirse Ronan, LADY BIRD

Outstanding Performance by Male Actor in a Supporting Role
Steve Carell, BATTLE OF THE SEXES
Willem Dafoe, THE FLORIDA PROJECT
Woody Harrelson, THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Richard Jenkins, THE SHAPE OF WATER
Sam Rockwell, THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Outstanding Performance by a Female Actor in a Supporting Role
Mary J. Blige, MUDBOUND
Hong Chau, DOWNSIZING
Holly Hunter, THE BIG SICK
Allison Janney, I, TONYA
Laurie Metcalf, LADY BIRD

Outstanding Performance by a Stunt Ensemble in a Motion Picture
BABY DRIVER
DUNKIRK
LOGAN
WAR FOR THE PLANET OF THE APES
WONDER WOMAN

The Big Sick

Here Are The Nominees From The Women Film Critics Circle!


The Women Film Critics Circle has announced their nominations for the best of 2017!  The winners will be named next week!

BEST MOVIE ABOUT WOMEN

BEST MOVIE BY A WOMAN

  • “Detroit”
  • “First They Killed My Father”
  • “Lady Bird”
  • “Mudbound”

BEST WOMAN STORYTELLER [Screenwriting Award]

  • Greta Gerwig, “Lady Bird”
  • Maggie Greenwald, “Sophie And The Rising Sun”
  • Dee Rees, “Mudbound”
  • Angela Workman, “The Zookeeper’s Wife”

BEST ACTRESS

  • Sally Hawkins, “Maudie”
  • Sally Hawkins, “The Shape Of Water”
  • Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
  • Cynthia Nixon, “A Quiet Passion”

BEST ACTOR

  • Timothée Chalamet, “Call Me By Your Name”
  • Daniel Kaluuya, “Get Out”
  • Gary Oldman, “Darkest Hour”
  • Denzel Washington, “Roman J. Israel, Esq.”

BEST YOUNG ACTRESS (Under 21)

  • Seo-Hyun Ahn, “Okja”
  • Mckenna Grace, “Gifted”
  • Brooklynn Prince, “The Florida Project”
  • Millicent Simmonds, “Wonderstruck”

BEST COMEDIC ACTRESS

  • Tiffany Haddish, “Girls Trip”
  • Allison Janney, “I, Tonya”
  • Margo Robbie, “I, Tonya”
  • Saoirse Ronan, “Lady Bird”

BEST FOREIGN FILM BY OR ABOUT WOMEN

  • “A Fantastic Woman”
  • “First They Killed My Father”
  • “In The Fade”
  • “Thelma”

*ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women:

  • “Maudie”
  • “The Light Of The Moon”
  • “The Rape Of Recy Taylor”
  • “Wind River”

*JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America

  • “Girls Trip”
  • “Mudbound”
  • “Step”
  • “The Rape Of Recy Taylor”

*KAREN MORLEY AWARD: For best exemplifying a woman’s place in history or society, and a courageous search for identity

  • “Battle Of The Sexes”
  • “Bombshell: The Hedy Lamarr Story”
  • Mudbound
  • “The Post”

COURAGE IN ACTING [Taking on unconventional roles that radically redefine the images of women on screen]

  • Sally Hawkins, “Maudie”
  • Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
  • Michelle Rodriguez, “The Assignment”
  • Charlize Theron, “Atomic Blonde”

COURAGE IN FILMMAKING

  • Amma Asante, “A United Kingdom”
  • Kathryn Bigelow, “Detroit”
  • Angelina Jolie, “First The Killed My Father”
  • Dee Rees, “Mudbound

THE INVISIBLE WOMAN AWARD [Supporting performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]

BEST DOCUMENTARY BY OR ABOUT WOMEN

  • “Bombshell: The Hedy Lamarr Story”
  • “Faces Places”
  • “Jane”
  • “Step”

WOMEN’S WORK: BEST ENSEMBLE

BEST FEMALE ACTION HERO

  • “Atomic Blonde”
  • “In The Fade”
  • “The Shape of Water”
  • Wonder Woman

BEST EQUALITY OF THE SEXES

  • “Atomic Blonde”
  • “Battle Of The Sexes”
  • “Professor Marston And The Wonder Women”
  • Wonder Woman

BEST SCREEN COUPLE

BEST ANIMATED FEMALE(S)

  • “Coco”
  • “Loving Vincent”
  • “The Breadwinner”
  • “Window Horses: The Poetic Persian Epiphany of Rosie Ming”

BEST FAMILY FILM

Here Are The Typically Strange Golden Globe Nominations!


“I’ll show you a pair of golden globes!”

Yes, I know, I know.  I say that every year.  I’ll probably say it next year as well.  There’s no joke that I can’t run into the ground.

Anyway, this year’s Golden Globe nominations were announced this morning and they are as strange as always.  I have to admit that I kinda hate the Golden Globes.  At least in my memory, there’s never been a year that the Golden Globes haven’t felt somewhat unsavory.  The general agreement seems to be that the members of the Hollywood Foreign Press will nominate anyone who is willing to come have a drink with them.  And yet, the Golden Globes continue to have such an outsized influence on who actually gets an Oscar nomination.

This year, the biggest shocks were:

  1. The Big Sick getting totally snubbed in every category, despite the fact that the Golden Globes specifically split their awards into Drama and Comedy categories and…
  2. …the totally unexpected strong showing of Ridley Scott’s All The Money In The World.  It picked up nominations for Best Actress (Michelle Williams), Best Director (Ridley Scott), and Best Supporting Actor (Christopher Plummer, who just finished filming his role a little less than a month ago).

So, does this make All The Money In The World a sudden Oscar contender?  Maybe.  But then again, maybe not.  It does make both the film and Plummer a part of the conversation.  If, in a few days from now, Plummer picks up a SAG nomination, he will definitely start to look more like a probable contender.

Anyway, here are the Golden Globe film nominations:

Best Motion Picture – Drama
Call Me By Your Name
Dunkirk
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Best Motion Picture – Musical or Comedy
The Disaster Artist
Get Out
The Greatest Showman
I, Tonya
Lady Bird

Best Motion Picture – Animated
The Boss Baby
The Breadwinner
Coco
Ferdinand
Loving Vincent

Best Motion Picture – Foreign Language
A Fantastic Woman, Chile First They Killed My Father, Cambodia
In the Fade, Germany
Loveless, Russia
The Square, Sweden

Best Performance by an Actress in a Motion Picture – Drama
Jessica Chastain, Molly’s Game
Sally Hawkins, The Shape of Water
Frances McDormand, Three Billboards Outside Ebbing, Missouri
Meryl Streep, The Post
Michelle Williams, All the Money in the World

Best Performance by an Actor in a Motion Picture – Drama
Timothée Chalamet, Call Me by Your Name
Tom Hanks, The Post
Daniel Day-Lewis, Phantom Thread
Gary Oldman, Darkest Hour
Denzel Washington, Roman J. Israel, Esq.

Best Performance by an Actress in a Motion Picture – Musical or Comedy
Judi Dench, Victoria & Abdul
Helen Mirren, The Leisure Seeker
Margot Robbie, I, Tonya
Saoirse Ronan, Lady Bird
Emma Stone, Battle of the Sexes

Best Performance by an Actor in a Motion Picture – Musical or Comedy
Steve Carell, Battle of the Sexes
Ansel Elgort, Baby Driver
James Franco, The Disaster Artist
Hugh Jackman, The Greatest Showman
Daniel Kaluuya, Get Out

Best Performance by an Actor in a Supporting Role in a Motion Picture:
Willem Dafoe, The Florida Project
Armie Hammer, Call Me by Your Name
Richard Jenkins, The Shape of Water
Christopher Plummer, All the Money in the World
Sam Rockwell, Three Billboards Outside Ebbing, Missouri

Best Performance by an Actress in a Supporting Role in any Motion Picture
Mary J. Blige, Mudbound
Hong Chau, Downsizing
Allison Janney, I, Tonya
Octavia Spencer, The Shape of Water
Laurie Metcalf, Lady Bird

Best Director – Motion Picture
Guillermo del Toro, The Shape of Water
Martin McDonagh, Three Billboards Outside Ebbing, Missouri
Christopher Nolan, Dunkirk”
Ridley Scott, All the Money in the World
Steven Spielberg, The Post

Best Screenplay – Motion Picture
Lady Bird
Molly’s Game
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Best Original Score – Motion Picture
Dunkirk
Phantom Thread
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Best Original Song – Motion Picture
“Home,” from Ferdinand
“Mighty River,” from Mudbound
“Remember Me” from Coco
“The Star” from The Star
“This is Me,” The Greatest Showman

Lisa Makes Her Oscar Predictions!


Oscar1

Okay, here’s the moment that I’m sure you’ve all been looking forward to!

It’s time for me to make my Oscar predictions!

toys

Yay!  It’s good to see that everyone’s excited!

Here is who I think will win tomorrow night:

Best Picture — La La Land

Best Director — Barry Jenkins, Moonlight

Best Actor — Denzel Washington, Fences

Best Actress — Meryl Streep, Florence Foster Jenkins

Best Supporting Actor — Mahershala Ali, Moonlight

Best Supporting Actress — Viola Davis, Fences

Best Original Screenplay — Manchester By The Sea

Best Adapted Screenplay — Arrival

Best Animated Feature — Zootopia

Best Art Direction — La La Land

Best Cinematography — La La Land

Best Costume Design — La La Land

Best Editing — La La Land

Best Makeup — A Man Called Ove

Best Sound Mixing — La La Land

Best Sound Editing — Hacksaw Ridge

Best Visual Effects — The Jungle Book

Best Original Song — “City of Stars” from La La Land

Best Original Score — La La Land

Best Documentary Feature — 13th

Best Foreign Language Film — The Salesman

Best Animated Short — Pear and Cider Cigarettes

Best Documentary Short — The White Helmets

Best Live Action Short — Timecode

To be honest, the only prediction that I’m 100% comfortable making is that this year’s Oscar ceremony is probably going to be the most political one in history.  Some people will love that.  Some people will be outraged.  Me, I just care about movies.

The Oscar air tomorrow on ABC, at 4 eastern and 7 pacific.  I will be live tweeting the awards and, of course, we’ll be posting Oscar-related stuff here on the Shattered Lens all through Sunday!

orsone-welles-clapping

Even Charles Foster Kane is excited!

And by the way, if you want get a head start on next year’s Oscars, why not check out my way too early predictions for January and February?

Enjoy!

Lisa Marie’s Thoughts On The Oscar Nominations


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Okay, I’ve had plenty of time to think about today’s Oscar nominations and now I’m ready to share my thoughts.  Obviously, my picks were a lot different from what the Academy selected.  That’s okay.  That’s the way it goes every year.  I don’t mind being a contrarian.

So, let’s take a look at what was nominated, category-by-category.

(If you need a refresher as to what was nominated, here’s a complete list of nominees!)

Best Live Action Short, Best Animated Short, Best Documentary Short: I’m sure that these three categories are full of wonderful nominees that were created by wonderful people but I don’t believe that I’ve seen a single one of them.  So, with that in mind, I can only imagine that the Academy did a perfect job selecting all 15 of these nominees!  Good work, Academy!

Best Foreign Language Film: Again, I have seen none of the nominees so I really can’t comment one way or another.  Normally, this would make me feel like a failure but I imagine that 90% of the people reading this post are in the same boat.  I imagine Toni Erdmann will win, just because of all the good things I’ve read about it.  But, since I haven’t actually seen any of the nominees, I will refrain from making any sort of prediction.

Best Documentary Feature: I’m disappointed that my favorite documentary, The Witness, was not nominated.  And, quite frankly, I’m shocked that Weiner was not nominated.  That said, I can’t complain about any of the documentaries that actually were nominated.  It was a good year for documentaries.  In fact, it could be argued that it was a better year for documentaries than for features.

Should Win: O.J.: Made in America

Will Win: 13th

Best Original Song: Not a single song from Sing Street was nominated and that is amazingly disappointing.  Original song can be surprising.  Remember last year when that terrible song from SPECTRE somehow won?  That said, I’m expecting that this year will see a huge sweep by La La Land and one of its nominated songs will probably win.

Should Win: Audition (The Fools Who Can Dream) from La La Land

Will Win: City of Stars from La La Land

Best Original Score: The Neon Demon deserved a nomination but I’m not surprised it was snubbed.  There’s no way the Academy was going to honor Nicholas Winding Refn’s subversive masterpiece.  La La Land is going to win this one easily.

Should Win: La La Land

Will Win: La La Land

Best Visual Effects: I was glad to see that Kubo and the Two Strings was nominated and I wish that Arrival had been nominated as well.  I’m going to go ahead and predict that Doctor Strange will be the first MCU film to win an Oscar.

Should Win: Doctor Strange

Will Win: Doctor Strange

Best Sound Editing and Best Sound Mixing: Let’s be honest.  I couldn’t explain the difference between sound editing and sound mixing and, unless you specifically work in the sound department, neither could you.  As a result, these categories are always difficult to predict.  But Hacksaw Ridge has to get some love somewhere and I bet it would happen here if not for La La Land.

Should Win (Both): Hacksaw Ridge

Will Win (Both): La La Land

Best Makeup and Hairstyling: As soon as I saw that Deadpool wasn’t nominated here, I knew it wouldn’t be nominated anywhere.  Can you believe that fucking Suicide Squad is now an Oscar nominee?  I haven’t seen A Man Called Ove but I’m going to predict its victory because I just can’t imagine the Academy honoring either Star Trek Beyond or Suicide Squad.

Should Win: Star Trek Beyond (that had good makeup in it, right?)

Will Win: A Man Called Ove

Best Film Editing: I can’t complain about any of the films nominated here.  La La Land is pretty much a guaranteed winner here.

Should Win: La La Land

Will Win: La La Land

Best Costume Design: I was shocked that Love & Friendship was not nominated.  If La La Land sweeps, it’ll win here.  When I made out my list of my personal picks for the Oscars, I gave the costuming Oscar to La La Land but now that I’m looking at the actual nominees, I’m remembering just how good everyone looked in Allied.

Should Win: Allied

Will Win: La La Land

Best Cinematography: My personal pick for this award was The Neon Demon but it wasn’t nominated.  Out of the nominated films, I would go with Moonlight but I think La La Land is going to sweep.

Should Win: Moonlight

Will Win: La La Land

Best Production Design: Well, it won’t be Passengers!  How the Hell did that get nominated for anything?  I think, of the nominees, Arrival deserves the award for making science fiction feel and look like science fact.  But, again, I think La La Land is going to win here.  (Are you sensing a theme in my predictions?)

Should Win: Arrival

Will Win: La La Land

Best Animated Feature: I was happy that Kubo and the Two Strings, Zootopia, and Moana were all nominated.  I haven’t seen The Red Turtle or My Life as a Zucchini but, on the whole, the Academy has a record of nominating the right films for this award.  I loved Kubo and I think it might win, just because it picked up that Visual Effects nomination as well.  Zootopia, however, would allow the Academy to make a political point and Moana has Lin-Manuel Miranda.  I’m going to go out on a limb and predict a Kubo victory but I wouldn’t be surprised if any of these five nominees won.

Should Win: Kubo and the Two Strings

Will Win: Zootopia Kubo and the Two Strings Moana Zootopia Kubo and the Two Strings

Best Adapted Screenplay: With La La Land likely to sweep the technical awards and Manchester By The Sea and Moonlight set to pick up some acting awards, this category will give the Academy a chance to acknowledge Arrival.

Should Win: Arrival

Will Win: Arrival

Best Original Screenplay: I think this is one of the few awards that La La Land will not win.  This category gives the Academy a chance to honor Hell or High Water.

Should Win: Hell or High Water

Will Win: Hell or High Water

Best Supporting Actress: Viola Davis is a guaranteed winner, even though her performance was a lead role.

Should Win: Naomie Harris, Moonlight

Will Win: Viola Davis, Fences

Best Supporting Actor: I was really happy to see that Michael Shannon got a nomination because Shannon is a great actor who always seems to be taken for granted.  That said, Mahershala Ali is almost as much of a lock as Viola Davis.

Should Win: Mahershala Ali, Moonlight

Will Win: Mahershala Ali, Moonlight

Best Actress: Let’s just get this out of the way.  Amy Adams not only deserved a nomination, she also deserved the Oscar.  Arrival works because of a twist that occurs halfway through the film.  The twist works because of Amy Adams’s performance.  If not for Amy Adams, Arrival would never have been nominated for best picture.  The fact that she was not nominated will be remembered as one of the biggest mistakes in Academy history.

This morning, I was happy to see that a lot of people on twitter agreed with me about the Amy Adams snub.  What took me by surprise was how many people also agreed with me that Meryl Streep essentially took a spot that should have been given to Amy Adams.  This morning, among other things, I discovered that there’s actually a growing backlash against the annual tradition of automatically nominating Meryl Streep, regardless of whether the film was any good or not.

Could Meryl win yet again?  It depends on whether or not the Academy wants to hear another Meryl Streep speech.  Given the political climate, I wouldn’t discount that as a possibility.  Since I’m on the subject and it’s possible that everyone stopped reading a few categories ago, I’m going to go ahead and admit my unpopular opinion.  While I’m definitely not a fan of the new President, Meryl’s Golden Globe speech felt like almost a parody of upper class white liberalism.  Listening to her, it was easy to imagine Meryl at a cocktail party, bragging about how she’s on a first name basis with her maid.

But, I’m in the minority as far as that opinion is concerned.  The Industry loved Meryl’s speech and, after Donald Trump’s overreaction to it, giving an Oscar to Meryl and giving her a chance to repeat the speech on a much bigger stage would be the perfect way to give the finger to the current administration.

That said, I think Emma Stone will be carried along in the La La Land sweep.  Whether justified or not, many members of the Academy will look at her character and see themselves.

Should Win: Amy Adams in Arrival (Yes, she wasn’t nominated but she should still win, goddammit.)

Will Win: Emma Stone in La La Land

Best Actor: Could anyone other than Casey Affleck win this one?  Denzel Washington is popular and giving him an Oscar for Fences would be a nice to way to reward all of the effort that he put into bringing this acclaimed play to the screen.  Affleck was sued for sexual harassment by a producer and a cinematogrpaher and ended up settling with both of them.  However, I doubt if it will stop him from winning the Oscar.  If the allegations were going to hurt Affleck’s chances, it would have happened long before now.

As for the nominees — well, I have no complaints.  While I wasn’t as impressed with Affleck’s performance as some, I think he did well enough. I would have liked to have seen either Sully‘s Tom Hanks or Hell or High Water‘s Chris Pine nominated.  I’m glad that Andrew Garfield picked up his first nomination.

Should Win: Denzel Washington, Fences

Will Win: Casey Affleck, Manchester By The Sea

Best Director: I’m going to go out on a limb and predict a minor upset.  I think La La Land is going to win in a lot of categories but I think that Moonlight‘s Barry Jenkins will win this Oscar.  Best Picture and Director have been split fairly regularly over the past few years and, after both the #OscarsSoWhite controversy and the 2016 presidential election, it may be felt that it’s time for a black director to finally win the Oscar.  Based on the skill shown in Whiplash and La La Land, Damien Chazelle will have other opportunities.

Should Win: Denis Villeneuve, Arrival

Will Win: Barry Jenkins, Moonlight

Best Picture: Though I don’t necessarily think it was one of the best films of the year, I would have loved it if Deadpool had actually scored a nomination.  It would have been an unexpected surprise and it would have shaken up a race that’s gotten rather predictable.

But no.  Deadpool received no nominations and the expected films were nominated.  Perhaps the only thing that could be considered surprising (though not that surprising)  was that Martin Scorsese’s passion project, Silence, was not only snubbed for best picture but also only picked up one nomination. Passengers picked up more nominations that Martin Scorsese’s latest film.  When it comes to total number of nominations, Silence is tired with Suicide Squad.

La La Land is going to win.  It’s probably going to win nearly all 14 of the Oscars it has been nominated for.  My pick for the best film of 2016 was American Honey.  Of the nominees, I think Arrival is the one that deserves to win.  But La La Land is an exuberant valentine to both the Academy and the industry.

La La Lands going to win.

Should Win: Arrival

Will Win: La La Land

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Here Are The Oscar Nominations!


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Here are the Oscar nominations.  La La Land tied Titanic’s record with 14 nominations and I’m going to predict right now that it’ll win nearly everything that it’s been nominated for.  Amy Adams was totally snubbed.  Meryl Streep was technically nominated for Florence Foster Jenkins but we all know it was actually for her Golden Globes speech.

I may have more to say about this later but until then, here are the noms:

Best Picture

  • “Arrival”
  • “Fences”
  • “Hacksaw Ridge”
  • “Hell or High Water”
  • “Hidden Figures”
  • “La La Land”
  • “Lion”
  • “Manchester by the Sea”
  • “Moonlight”

Best Director

  • Mel Gibson – “Hacksaw Ridge”
  • Kenneth Lonergan – “Manchester by the Sea”
  • Barry Jenkins – “Moonlight”
  • Denis Villeneuve – “Arrival”
  • Damien Chazelle – “La La Land”

Best Actor

  • Casey Affleck – “Manchester by the Sea”
  • Andrew Garfield – “Hacksaw Ridge”
  • Ryan Gosling – “La La Land”
  • Viggo Mortensen – “Captain Fantastic”
  • Denzel Washington – “Fences”

Best Actress

  • Isabelle Huppert – “Elle”
  • Ruth Negga – “Loving”
  • Natalie Portman – “Jackie”
  • Emma Stone – “La La Land”
  • Meryl Streep – “Florence Foster Jenkins”

Best Supporting Actor

  • Mahershala Ali – “Moonlight”
  • Jeff Bridges – “Hell or High Water”
  • Lucas Hedges – “Manchester by the Sea”
  • Dev Patel – “Lion”
  • Michael Shannon – “Nocturnal Animals”

Best Supporting Actress

  • Viola Davis – “Fences”
  • Naomie Harris – “Moonlight”
  • Nicole Kidman – “Lion”
  • Octavia Spencer – “Hidden Figures”
  • Michelle William – “Manchester by the Sea”

Best Original Screenplay

  • “20th Century Women”
  • “Hell or High Water”
  • “La La Land”
  • “The Lobster”
  • “Manchester by the Sea”

Best Adapted Screenplay

  • “Arrival”
  • “Fences”
  • “Hidden Figures”
  • “Lion”
  • “Moonlight”

Best Animated Feature

  • “Kubo and the Two Strings”
  • “Moana”
  • “My Life as a Zucchini”
  • “The Red Turtle”
  • “Zootopia”

Best Production Design

  • “Arrival”
  • “Fantastic Beasts and Where to Find Them”
  • “Hail, Caesar!”
  • “La La Land”
  • “Passengers”

Best Cinematography

  • “Arrival”
  • “La La Land”
  • “Lion”
  • “Moonlight”
  • “Silence”

Best Costume Design

  • “Allied”
  • “Fantastic Beasts and Where to Find Them”
  • “Florence Foster Jenkins”
  • “Jackie”
  • “La La Land”

Best Film Editing

  • “Arrival”
  • “Hacksaw Ridge”
  • “Hell or High Water”
  • “La La Land”
  • “Moonlight”

Best Makeup and Hairstyling

  • “A Man Called Ove”
  • “Star Trek Beyond”
  • “Suicide Squad”

Best Sound Mixing

  • “Arrival”
  • “Hacksaw Ridge”
  • “La La Land”
  • “Rogue One: A Star Wars Story”
  • “13 Hours: The Secret Soldiers of Benghazi”

Best Sound Editing

  • “Arrival”
  • “Deepwater Horizon”
  • “Hacksaw Ridge”
  • “La La Land”
  • “Sully”

Best Visual Effects

  • “Deepwater Horizon”
  • “Doctor Strange”
  • “The Jungle Book”
  • “Kubo and the Two Strings”
  • “Rogue One: A Star Wars Story”

Best Original Score

  • “Jackie”
  • “La La Land”
  • “Lion”
  • “Moonlight”
  • “Passengers”

Best Original Song

  • “Audition (The Fools Who Dream)” from “La La Land”
  • “Can’t Stop the Feeling” from “Trolls”
  • “City of Stars” from “La La Land”
  • “The Empty Chair” from “Jim: The James Foley Story”
  • “How Far I’ll Go” from “Moana”

Best Documentary Feature

  • “Fire at Sea”
  • “I Am Not Your Negro”
  • “Life, Animated”
  • “OJ: Made in America”
  • “13th”

Best Foreign Language Film

  • “Land of Mine”
  • “A Man Called Ove”
  • “The Salesman”
  • “Tanna”
  • “Toni Erdmann”

Best Live Action Short

  • “Ennemis Interieurs”
  • “La Femme et le TGV”
  • “Silent Nights”
  • “Sing”
  • “Timecode”

Best Documentary Short

  • “Extremis”
  • “4.1 Miles”
  • “Joe’s Violin”
  • “Watani: My Homeland”
  • “The White Helmets”

Best Animated Short Film

  • “Blind Vaysha”
  • “Borrowed Time”
  • “Pear Cider and Cigarettes”
  • “Pearl”
  • “Piper”

What if Lisa Picked The Oscar Nominees — 2016 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are starred and listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

(Click on the links to see my nominations for 20152014, 2013, 2012, 2011, and 2010!)

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Best Picture

*American Honey*

Arrival

Hell or High Water

Kubo and the Two Strings

La La Land

Love & Friendship

A Monster Calls

Moonlight

The Neon Demon

The Nice Guys

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Best Director

*Andrea Arnold for American Honey

Shane Black for The Nice Guys

Barry Jenkins for Moonlight

David MacKenzie for Hell or High Water

Nicholas Winding Refn for The Neon Demon

Denis Villeneuve for Arrival

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Best Actor

Andrew Garfield in Hacksaw Ridge

Ryan Gosling in The Nice Guys

Tom Hanks in Sully

Chris Pine in Hell or High Water

Ryan Reynolds in Deadpool

*Denzel Washington in Fences

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Best Actress

*Amy Adams in Arrival

Kate Beckinsale in Love & Friendship

Viola Davis in Fences

Sasha Lane in American Honey

Emma Stone in La La Land

Anya Taylor-Joy in The Witch

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Best Supporting Actor

*Mahershala Ali in Moonlight

Tom Bennett in Love & Friendship

Jeff Bridges in Hell or High Water

Alden Ehrenreich in Hail Caesar!

John Goodman in 10 Cloverfield Lane

Patrick Stewart in Green Room

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Best Supporting Actress

*Naomie Harris in Moonlight

Felicity Jones in A Monster Calls

Riley Keough in American Honey

Jena Malone in The Neon Demon

Helen Mirren in Eye in the Sky

Angourie Rice in The Nice Guys

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Best Voice Over and/or Stop Motion Performance

Auli’i Cravalho in Moana

Ellen DeGeneres in Finding Dory

Ginnifer Goodwin in Zootopia

*Liam Neeson in A Monster Calls

Art Parkinson in Kubo and the Two Strings

Charlize Theron in Kubo and the Two Strings

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Best Original Screenplay

American Honey

*Hell or High Water

Kubo and the Two Strings

La La Land

The Nice Guys

The Witch

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Best Adapted Screenplay

*Arrival

The Jungle Book

Love & Friendship

Moonlight

A Monster Calls

Sully

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Best Animated Film

Finding Dory

*Kubo and the Two Strings

Moana

Sausage Party

The Secret Life of Pets

Zootopia

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Best Documentary Feature

The Confessions of Thomas Quick

Holy Hell

O.J.: Made in America

Rigged 2016

Weiner

*The Witness

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Best Casting

*American Honey

Everybody Wants Some!!

La La Land

Moonlight

Hell or High Water

Green Room

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Best Cinematography

American Honey

Arrival

Hell or High Water

La La Land

Moonlight

*The Neon Demon 

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Best Costume Design

The Conjuring 2

Hail, Caesar!

La La Land

*Love & Friendship

The Nice Guys

The Witch

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Best Editing

Arrival

Hell or High Water

Kubo and the Two Strings

*La La Land

Moonlight

A Monster Calls

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Best Makeup and Hairstyling

Captain America: Civil War

Deadpool

Doctor Strange

Everybody Wants Some!!

Hail, Caesar!

*The Neon Demon

Best Original Score

Hell or High Water

Kubo and the Two Strings

*La La Land

Moana

Moonlight

The Neon Demon

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Best Original Song

*”Audition (The Fool Who Dreams)” from La La Land

“How Far I’ll Go” from Moana

“Waving Goodbye” from The Neon Demon

“I’m so Humble” from Pop Star: Never Stop Never Stopping

“Drive It Like You Stole It” from Sing Street

“Go Now” from Sing Street

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Best Overall Use Of Music

*American Honey

The Conjuring Part Two

Hell or High Water

La La Land

The Neon Demon

Sing Street

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Best Production Design

Arrival

Don’t Breathe

Green Room

The Neon Demon

La La Land

*10 Cloverfield Lane

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Best Sound Editing

Captain America: Civil War

Deadpool

*Hacksaw Ridge

La La Land

A Monster Calls

Sully

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Best Sound Mixing

Captain America: Civil War

Deadpool

Hacksaw Ridge

A Monster Calls

La La Land

*Sully

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Best Stunt Work

Captain America: Civil War

*Deadpool

Doctor Strange

Hacksaw Ridge

Jason Bourne

The Legend of Tarzan

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Best Visual Effects

Arrival

*Doctor Strange

The Jungle Book

Kubo and the Two Strings

A Monster Calls

Rogue One: A Star Wars Story

Films Listed By Number of Nominations:

13 Nominations — La La Land

1o Nominations — Hell or High Water

9 Nominations — Moonlight, The Neon Demon

8 Nominations — American Honey, Arrival, Kubo and the Two Strings, A Monster Calls

6 Nominations — The Nice Guys

5 Nominations — Deadpool, Love & Friendship

4 Nominations — Captain America: Civil War, Hacksaw Ridge, Hail Caesar!, Moana, Sully

3 Nominations — Doctor Strange, Green Room, Sing Street

2 Nominations — The Conjuring 2, Everybody Wants Some!!, Fences, Finding Dory, The Jungle Book, 10 Cloverfield Lane, The Witch, Zootopia

1 Nomination — The Confessions of Thomas Quick, Don’t Breathe, Eye in the Sky, Holy Hell, Jason Bourne, The Legend of Tarzan, O.J.: Made in America, Pop Star: Never Stop Never Stopping, Rigged 2016, Rogue One: A Star Wars Story, Sausage Party, The Secret Life of Pets, Weiner, The Witness

Films Listed By Number of Oscars Won:

4 Oscars — American Honey

3 Oscars — La La Land

2 Oscars — Arrival, Moonlight, The Neon Demon

1 Oscar — Deadpool, Doctor Strange, Fences, Hacksaw Ridge, Hell or High Water, Kubo and the Two Strings, Love & Friendship, A Monster Calls, Sully, 10 Cloverfield Lane, The Witness

Will the Academy agree with my predictions?  Probably not but we’ll find out on Tuesday!

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