A Movie A Day #112: The Trial (1993, directed by David Jones)


One morning, in turn of the century Prague, Josef K. (Kyle MacLachlan) wakes up to discover that two detectives are in his room.  They tell him that he is under arrest but they do not tell him the charges.  Josef remains free to go about his everyday life but he must report to the court whenever the court deems to see him.  No matter where Josef turns or who he talks to, he cannot get any answers concerning what he has been charged with.  Even his disinterested attorney (Jason Robards) can not give him a straight answer on why he is being prosecuted.  No matter how much Josef protests that he is innocent of whatever has been accused of, his fate has already been decided.

On paper, this film version of Franz Kafka’s classic novel sound like it should be a masterpiece.  The film was shot on location in Prague, the script was written by Harold Pinter, and Kyle MacLachlan seems like the perfect choice for Josef K.  Unfortunately, director David Jones takes a very straightforward approach to the material and does not exploit the story’s nightmarish qualities.  This is a version of Kafka that could easily play on Masterpiece Theater.  (The perfect choice to direct The Trial would have been MacLachlan’s frequent director, David Lynch.)  MacLachlan does well as Josef K. but he is overshadowed by a steady and distracting stream of cameos from actors like Anthony Hopkins, Alfred Molina, and David Thewlis.

Despite not being totally faithful to its source material, Orson Welles’s 1962 adaptation, which stars Anthony Perkins as Josef K., remains the version to see.

TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal)


Welcome back to Twin Peaks!

Our latest episode begins with a closeup of Rusty Tomasky’s (Ted Raimi) face as the members of the Twin Peaks police force struggle to get the giant paper mache chess piece out of the gazebo.  While this goes on, one of Rusty’s friends talks to Andy (Harry Goaz), Cooper (Kyle MacLachlan) and Harry (Michael Ontkean).  Rusty was in a band and was supposed to play a gig at Snake River.  On the way there, a tire went out on the van and a man emerged from the woods, wanting to know if Rusty wanted some “brew.”  Rusty’s friend starts to cry, which makes Andy cry.

Cooper says that Windom has taken another pawn but he did not tell them his next move.  “Windom Earle is playing off the board.”

The next morning, at the sheriff’s station, Lucy (Kimmy Robertson) asks Andy what he knows about saving the planet.  Andy says that styrofoam never dies and people need to stop tossing their beer cans into Pearl Lake.  Lucy says that tomorrow will be D-Day,  “Dad day.”  She will be choosing her baby’s father, either Andy Brennan or Dick Tremayne.  She will also be entering the Miss Twin Peaks contest because she and the baby could use the money.

At the Great Northern, Doctor Hayward (Warren Frost) is giving Ben (Richard Beymer) a physical examination.  Hayward tells Ben that he believes that Ben is trying to do the right thing but that he needs to stay away from Eileen.  Ben says he has no choice.  He has to do what his heart commands him to do.  Wheeler (Billy Zane) steps into the office.  He says that he has been looking for Audrey.  Ben says that Audrey should be back any minute but Wheeler does not have a minute.  His business partner has been murdered in Brazil.

In the attic of the Hayward house, Donna (Lara Flynn Boyle) looks over her birth certificate and sees that the identity of her father has been left blank.  She finds a scrapbook, full of pictures of her parents with Ben.

Audrey (Sherilyn Fenn) returns to the Great Northern, where Deputy Hawk (Michael Horse) is waiting for her.  Hawks tells he that Cooper needs to see her at the station, immediately.

In his office, Ben is still talking to Wheeler.  Ben is more concerned about Stop Ghostwood than Wheeler’s dead business partner.  Wheeler says that he has no choice but to go.  Not realizing that Audrey’s back, Wheeler gives Ben a note and asks him to deliver it to her.  Wheeler leaves the office.

At the sheriff’s station, Major Briggs (Don S. Davis) has obtained all of the Project Blue Book files dealing with Windom Earle.  Briggs plays a video tape of Earle ranting about the Black Lodge.  Cooper says that Earle did not come to Twin Peaks to get revenge on him.  Instead, he came to Twin Peaks to find the Black Lodge.  Now, they just have to figure out how the Black Lodge is connected to the drawing found in the cave.

Little do they know that, through the microphone hidden in the bonsai tree, Windom Earle (Kenneth Welsh) is listening to their conversation.  Earle tells Leo (Eric Da Re) that the time has come to invite Major Briggs to a Project Blue Book reunion.

At the diner, an old woman who we have never been seen before is eating cheery pie when her hand starts to shake so uncontrollably that she has to grab it with her other hand to stop it.

In a booth, Shelly (Madchen Amick) reads her Miss Twin Peaks speech on how to protect the environment to Bobby (Dana Ashbrook).  Bobby says that he has been thinking about his relationship with Shelly.  Bobby says that he knows he has not been a great boyfriend but, when he saw Shelly kissing Gordon Cole, something in his brain snapped and he realized how much he loved Shelly.  They share a passionate kiss that is interrupted by a phone call from Cooper.

At the Roadhouse, preparations are being made for the Miss Twin Peaks Contest.  Mayor Milford (John Boylan) tells Lana (Robyn Lively) that the other two judges are going to be Norma Jennings and Richard Tremayne.  The Mayor says that all they have to do to win is get Lana alone in a room with Richard.  He tells her to wear “a dress slit all the way to Seattle.”  The Mayor then starts to cry, wishing that they could just elope.  Lana says that she will only marry him if she wins Miss Twin Peaks.

At the station, Cooper tells Audrey, Shelly, and Donna that all three of them are in danger.  He orders them to check in with the sheriff at least twice a day and to never go anywhere alone.

At the cabin, Windom is talking about blood-drinking priests while Leo cleans up.  Leo sees a picture of Shelly’s face glued to a playing card.  Windom says that if Shelly wins Miss Twin Peaks, she will die.  He says that Leo can help if he wants.  “No!” Leo says before trying to attack Windom with the zapper, which does not work because, even though Leo has managed to grabbed the zapper, he is still the one wearing the electric collar.  Leo ends up zapping himself.

Audrey returns to the Great Northern, walking through the lobby and barely missing Wheeler, who is checking out.  Audrey goes to Ben’s office, when Ben welcomes her back and then tells her that the Stop Ghostwood Campaign needs a spokesperson.  Ben wants her to enter Miss Twin Peaks.  Audrey wants to know where Wheeler is.  Ben finally tells her that Wheeler had to leave for the Brazilian rain forest and tries to give the letter to Audrey.  Audrey leaves, hoping to catch Wheeler at the airport.

At the sheriff’s station, Cooper, Harry, and Andy are examining the cave drawing.  Cooper says that the symbols suggest a time but a time for what?  Cooper admits that he is having a hard time focusing because he can not stop thinking about Annie.  Suddenly, Cooper’s hand starts to shake until he grabs it with his other hand.

Major Briggs is walking through the woods when he is approached by Windom Earle and Leo, who are wearing a horse costume.  “Hello, Wilbur!” Earle says before shooting the Major with a tranquilizer dart.

At the airport, Wheeler is getting in his private plane.  He stops to take one final look for Audrey.

At the diner, Cooper orders a slice of cheery pie and uses a quote from St. Augustine to encourage Annie (Heather Graham) to enter the Miss Twin Peaks contest.  Cooper confesses that he spends most of his time thinking about Annie.  Annie says she spends all of her time thinking about Cooper.  Cooper asks Annie to go dancing with him and leans in to kiss her.  Dishes all of the counter and syrup ominously drips on the floor.

At the airport, Pete (Jack Nance) drives Audrey across the airstrip, letting her off in front of Wheeler’s plane.  Audrey runs in front of the taxiing airplane, yelling for Wheeler to stop.  Luckily, Wheeler does stop before running her over.

“I’m a virgin!” Audrey says, “I want you to make love to me.”

“Here and now?” Wheeler asks.

“It’s your jet.”

Realizing that Audrey has a point, Wheeler leads her into his plane, while Pete watches from his truck.  Pete has tears in his eyes.  Suddenly, his hand starts to shake uncontrollably.

At the cabin, Earle interrogates the bound Briggs, shooting arrows at him whenever Briggs says that he is not at liberty to divulge any information.  Earle gets annoyed and gives the major a shot of truth serum.  Earle asks Briggs what his greatest fear is.

“The possibility that love is not enough,” Briggs says.

(I would have said salmonella but that’s just me.)

Under the influence of the serum, Briggs says that the signs in the cave mean that “there is a time, if Jupiter and Saturn meet, they will receive you.”

At the Martell house, Catherine (Piper Laurie) is showing Eckhardt’s lunar box to Andrew (Dan O’Herlihy).  Andrew pushes the buttons the box and it pops open, revealing another box.  Andrew smashes that box, revealing yet another box inside.

At the Roadhouse, Annie and Cooper are dancing.  Looking at the decorations for the Miss Twin Peaks pageant, Annie tells Cooper that she has decided to enter.  Annie says that being Miss Twin Peaks would be like being in a fairy tale.  “And you’re the queen,” Cooper says.

Suddenly, time freezes for everyone but Cooper.  The lights go down.  The Giant (Carel Struycken) appears on the stage, shaking his head “NO.”  Cooper looks confused though it should be obvious to him that the Giant is saying, “No, do not enter the contest!”

At the airport, Wheeler’s plane finally takes off.  Pete gets out of his truck and is approached by a newly mature Audrey who says that she finally met the man of his dreams and now he is on his way to Brazil.  Audrey cries that Wheeler offered to take her fishing but he never did.  Pete says he has some tackle in the truck.  Pete tells her that the best cure for a broken heart is trout’s leap at midnight.

At the cabin, Leo is shaking and the Major is screaming.  Earle is singing about mummy wheat.  Earle has figured out that the drawing is actually a map to the Black Lodge.

At the dance, the Giant finally disappears.  As Cooper kisses Annie. Mayor Milford tries to get a microphone to work.  “Something’s not right,” he says, “there’s something wrong here.”

In the woods, Killer BOB (Frank Silva) emerges from a portal while the red curtains are reflected in a nearby puddle.

With only two episodes left, this was a pretty good episode.  All of the disparate plotlines of the latter half of the second season are finally coming together and the appearance of both the Giant and BOB at the end promises that the finale will be a return to the Twin Peaks of old.

Leonard is doing tomorrow’s episode and then Lisa is doing the finale so this is my last recap.  I have really enjoyed rewatching Twin Peaks and sharing my thoughts about the show with all of you.  Thank you for reading!

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman

 

 

 

TV Review: Twin Peaks 2.19 “Variations on Relations” (dir by Jonathan Sanger)


“Butterfingers!”

— Catherine Martell (Piper Laurie) in Twin Peaks 2. 19 “Variations on Relations”

“Tastes kind of woody.”

— Lucy Moran (Kimmy Robertson), same episode

Well, everyone, we’re coming towards the end.

There’s only a few more episodes to go and then Leonard, Jeff, and I will be finished with our look back at Twin Peaks.  Have you been enjoying it?  I hope so!  And, before you feel too sad about the end of our look back, remember that, on May 21st, a new season of Twin Peaks will premiere on Showtime!  Who knows?  Maybe we’ll even review it on this site.

Today’s episode is the 19th of season 2.  It was the first episode, since Arbitrary Law, to be written by the show’s co-creator, Mark Frost.  It was directed by Jonathan Sanger, who in 1980 produced a film called The Elephant Man.  The Elephant Man was, of course, directed by David Lynch.  It was Lynch’s first mainstream success and it’s totally reasonable to say that, if not for The Elephant Man, Lynch would probably never had a chance to put a show on American television.

We start with the opening credits.  Knowing that the show is nearly over and that this latest review series is about to come an end, Angelo Badalamenti’s opening theme music sounds even more ominous than usual.  Both Joan Chen and James Marshall are still listed in the opening credits, despite no longer being on the show.  Not listed: Heather Graham, Billy Zane, or Kenneth Welsh, despite the fact that the last few episodes have revolved around them.

Harry (Michael Ontkean), Cooper (Kyle MacLachlan), Andy (Harry Goaz), and Hawk (Michael Horse) return to the Owl Cave and discover that someone has already turned the lever and caused the cave to collapse.  “Someone’s been here already,” Cooper says, “they did our work for us.”  Because Hawk can basically do anything, he notices a footprint and immediately recognizes it as being the same footprint that was found outside the power station.

“Windom Earle,” Cooper says.

“What would Windom Earle be doing here?” Harry asks.

Hey, here’s a better question — why did they leave the Owl Cave unguarded?  Why didn’t they try to turn the lever themselves?  Why didn’t they at least try to replace the part of the wall that fell off so that the lever wouldn’t just be out there in the open?  I realize that Cooper is supposed to be silly in love with Annie right now but this is still a mistake that he wouldn’t have made during the first season.

(One of the more annoying things about the latter half of the second season is that the characters are much more inconsistent.  Cooper’s level of competence changes from scene to scene.)

Cooper orders Andy to copy the drawing on the cave wall.  (To me, the drawing looks a lot like the mountains around Twin Peaks.)

We fade to Windom Earle (Kenneth Welsh) taking about how there was once a place of goodness called The White Lodge.  As Windom speaks, he smokes a pipe and, not for the first time, I find myself wondering if maybe Windom’s actually a hobbit.  Windom explains that the White Lodge was a ghastly place and then, literally, says “Heh heh.”  I know Windom’s supposed to be some sort of supergenius villain but he’s no Killer BOB.

Leo (Eric Da Re) listens as Windom explains that there was also a Black Lodge and the Black Lodge was a place of pure evil.  Windom intends to find it.  As the camera pans across the cabin, we see that Leo and Windom have a visitor.  We’ll call him Heavy Metal Stoner Dude (HMSD for short) and he’s played by Sam Raimi’s brother, Ted.  HMSD says the story’s cool but he was promised beer and a party.

“In time, young man,” Windom says, “Everything in time.”

Then, Windom starts to play that damn flute of his again.

At the Martell house, Pete (Jack Nance) is staring at a chess board and talking (to himself) about how much he loved Josie.  He even recites a poem or two.  Catherine (Piper Laurie) comes in the room and tells him to stop feeling sorry for himself.  Catherine wants to open the box that Eckhardt left behind but, as Pete quickly notices, there’s no keyhole.  It’s a puzzle box!  Pete tells a long anecdote about going on a date with two twins in Guam and then says that it could take years to open up the box.

At the Double R Diner, Bobby (Dana Ashbrook) tells Shelly (Madchen Amick) that he’s figured out the secret of success.  “Beautiful people get whatever they want,” Bobby says.  (It’s true.  We do.)  “When was the last time you saw a hot blonde go to the electric chair?” Bobby asks.  (Again, Bobby is correct but he’s Bobby so we won’t give him too much credit.)  Bobby has decided that Shelly needs to enter the Miss Twin Peaks Contest.  When Shelly tells Bobby that he’s being ridiculous, Bobby grabs her wrist and says, “Bobby’s in charge!”

Meanwhile, the Mayor (John Boylan) and Lana (Robyn Lively) sit in a booth, letting us know that, despite being with the town’s lethal sex goddess, the Mayor hasn’t had a heart attack yet.  Lana says that she wants to be Miss Twin Peaks.  I just remembered that Robyn Lively starred in Teen Witch.  Top that!

Cooper comes in and, of course, immediately goes to the counter and tells Annie (Heather Graham) that he needs doughnuts and coffee.  Cooper also asks Annie to accompany him on a nature study.  Cooper says he gets a tingling sensation when he talks to Annie.  “Interesting,” Annie says.

Considering that I happen to like both Heather Graham and Kyle MacLachlan, I never thought I would say this but Cooper and Annie have got to be the most annoying couple ever.  First off, MacLachlan — whose performance is usually perfect — goes overboard with Cooper’s awkward shyness.  It’s as if the show is so desperate to convince us that he and Audrey actually don’t belong together that Cooper is now being written like an idiot in an effort to make us go, “So that’s what true love looks like!  People in love don’t have chemistry or intelligent conversations like Cooper and Audrey did!  Instead, they get a blank look in their eyes, grin an empty grin, and talk about nature studies!”

As for Annie, it’s obvious that she was a hastily created character.  Much as Cooper’s competence changes from scene to scene, the same can be said of Annie’s innocence.  Yesterday, Jeff compared Annie to an Amish girl on rumspringa and I think that’s the perfect way to put it.  She didn’t spend the last few years on Mars, after all.  She was just in a convent.

Anyway, back to the show:

As Cooper pays for the doughnuts, Shelly recites the poem that was left for her by Windom Earle.  Cooper recognizes the poem and says that he needs to see it immediately.  Shelly hands over the poem and Cooper leaves but not before promising to pick Annie up at 4:00 sharp.

At the station, Harry reads over the poem and Cooper explains that Audrey, Donna, and Shelly have all been contacted and presumably targeted by Windom Earle.  Cooper also explains that he once sent the same poem to Caroline.  If Windom’s goal is to hurt Cooper, I can understand targeting Audrey but why Donna and Shelly?  Neither one of them has really had anything to do with Cooper.

In the Conference Room, Maj. Briggs (Don S. Davis) watches as Andy draws the cave symbol on the chalk board.  The Major correct Andy’s drawing as Cooper steps into the room.  Cooper says that he needs the Major’s help but that he can’t tell him how or why.

“Go on,” Major Briggs nods.

(It’s interesting how Briggs has gone from being Bobby’s abusive, ultra-strict father to being some sort of seer.  I like the change, though.  Don S. Davis, who died just recently, was far too good an actor to be wasted as just another abusive father figure.  His simple but firm delivery of “Go on,” is a masterclass in great acting.)

Cooper explains that the Twin Peaks Sheriff’s Department is investigating three separate cases: the disappearance of Leo Johnson, the appearance of Windom Earle, and the drawings found in Owl Cave.  (Why would the sheriff’s department investigate cave drawings?  Isn’t that a job for Werner Herzog?)  Cooper says that logic would say the three are unrelated but he disagrees.  Cooper calls them three notes in one big song.

“What can I do to help?” Briggs asks, wonderfully nonplussed.

Cooper says that he needs to know exactly what Windom Earle was doing with Project Blue Book.  Briggs explains that, after his disappearance, his security clearance was revoked.  He also says that there are certain moral values that must be taken into consideration.

“Yes, sir,” Cooper says, “I understand.”

Briggs asks if this information will help to save lives.  Cooper says that it will.  Briggs than asks if the drawing is a copy of what was found in Owl Cave.  Briggs explains that he once saw the same thing in a dream.  Briefly, a monk-like figure wanders across the screen, followed by an owl flying through outer space.

Back in reality, Maj. Briggs says, “I will do what you ask.”

Hawk enters with Leo’s arrest report.  Cooper looks over Leo’s confession and then announces that the poem was transcribed by Leo Johnson.

Menawhile, at the Great Northern, the Stop Ghostwood Estates campaign continues with a charity wine tasting.  Ben (Richard Beymer) explains to Dick (Ian Buchanan) that Audrey will not be around to help because she has, quite conveniently, been sent to Seattle.  (This also means that Audrey won’t be around to get in the way of the Cooper/Annie romance.)  Dick is wearing an oversized bandage on his nose.  Ben says that they will also be paying Dick’s medical bills and they’ll be providing him worker’s comp.

“Capital!” Dick says, “I’ll alert my attorney.”

As Dick walks away, Ben mutters that the urge to be bad is hard to resist.  Personally, I prefer evil Ben to this Ben but I do like the fact that, even when Ben tries to be good, he still comes across as being sinister.

At the cabin, Windom Earle is still acting like a cartoonish super villain.  (This is to be expected since Windom is a cartoonish super villain but it’s still hard not to be disappointed that he’s not the calculating genius that Cooper originally described.)  Windom has got HMSD wrapped up in some sort of big paper mache thing.  HMSD thinks that it’s a float for the Lilac Parade so he’s shocked when Windom shoots him with an arrow.  Or, he would be shocked if not for the fact that he’s dead.

(Sadly, HMSD’s last words are: “What’s with the arrow, man?  This isn’t funny.”)

Meanwhile, at the Roadhouse, the Judging and Rules Committee of the Miss Twin Peaks Pageant is meeting.  The committee is made up of Doc Hayward (Warren Frost), the Mayor, and Pete.  (I assume that Laura Palmer was last year’s Miss Twin Peaks since she was everything else in town.)  Ben has asked to address the committee.  Ben suggests that this pageant should have a pro-environmental theme.  Ben says that this year’s question-and-answer session should deal with how to save the forests.

“We’ll take it under advisement,” Doc Hayward says.

The various candidates for Miss Twin Peaks are asked to approach the committee.  There’s Lana and Donna and Shelly and Nadine (Wendy Robie).  Nadine shows up with Mike (Gary Hershberger).  When Bobby (who is there with Shelley) asks Mike what he sees in Nadine, Mike whispers something about the combination of sexual maturity and super human strength in Bobby’s ear that is apparently so impressive that all Bobby can do is shout, “WHOA!”

(Remember when Mike and Bobby were drug dealers who killed people?  A lot has changed since the first season.)

Meanwhile, at the Martell house, Harry is trying to get answers from Catherine.  He’s trying to understand who Josie was.  Catherine gets the puzzle box and says that it might have something to do with Josie.  As Harry looks at the box, Pete comes in the room and says that every beautiful woman in Twin Peaks is competing for Miss Twin Peaks.  Except, of course, for all the ones have died over the past month…

Anyway, Pete takes the box from Harry and accidentally drops it on the floor.  Catherine snaps, in the worst line in the history of Twin Peaks, “Butterfingers!”  However, the box opens as soon as it is dropped.  And what’s inside?  Another box, this one with a weird lunar pattern design on it.

(Maybe the blue key from Mulholland Drive is inside that one.  Who knows?)

Meanwhile, Cooper and Annie are sitting in a rowboat in the middle of the lake.  Annie says that she always struggled to make friends when she was younger.  Annie says that she’s had one serious boyfriend but doesn’t want to talk about him.  Annie explains that she left the convent and returned to Twin Peaks so she could face her fears “where everything went so wrong.”

Obviously, Annie is a lot of fun at parties.

Watching this scene, I again marveled at the total lack of chemistry between Heather Graham and Kyle MacLachlan.  If the Annie/Cooper relationship was meant to make us forget about the fact that Cooper and Audrey were meant to be together, scenes like this one didn’t help.  Even when Cooper and Annie kiss, it’s like watching two mannequin collide.  That’s not meant as an insult to either Kyle MacLachlan and Heather Graham.  I’ve raved about both of them on this very site.  It’s just that the Annie and Cooper scenes are incredibly awkward and unconvincing.

Anyway, after Cooper and Annie kiss, we see that they are being watched by Windom Earle, who is not even bothering to wear a disguise at this point.

At the Great Northern wine tasting, snobby people are drinking wine and Dick is serving as their host.  That this scene works is due almost entirely to Ian Buchanan.  It’s a lot of fun to watch and listen to him as Dick pretentiously describes each wine.  The fact that I don’t drink wine and consider wine tastings to be the height of bourgeois snobbery only served to make me enjoy this scene even more.

(And, of course, I love Dick but you already knew that.)

Andy and Lucy (Kimmy Robertson) are at the wine tasting,  Andy attempts to show off his knowledge by pointing out that, along with red wine, there are also white wines and sparkling wines.  Andy also makes the mistake of tasting his wine before he was supposed to, leading to Dick yelling, “Spit out!”

(I’m resisting the temptation to make a certain joke at this point.  You will thank me later.)

At the diner, Gordon Cole (David Lynch) is out on a date with Shelly.  It’s sweet little scene, actually.  Cole can actually speak in his normal voice and, while he may not be the world’s greatest actor, David Lynch has an oddly likable screen presence.  Interestingly, David Lynch and Madchen Amick have more chemistry than Heather Graham and Kyle MacLachlan.  If the Showtime revival opens with Shelly and Gordon married and living in Portland, I wouldn’t be upset.  (If the show opens with the Mayor of Portland talking about his strange younger brother, Dale Cooper, I’ll be even happier.)

Cooper comes in with Annie so, of course, Cole starts shouting again.  “THIS WORLD OF TWIN PEAKS SEEMS TO BE FULL OF BEAUTIFUL WOMEN!” he announces.  Cole also adds that “PEOPLE WHO NEED PEOPLE ARE THE LUCKIEST PEOPLE IN THE WORLD!”  Cole says that he doesn’t know when he’ll be returning to Twin Peaks, a line that’s extra poignant because, by this point, I imagine David Lynch probably knew his show wouldn’t be returning for a third season.

Just as Cole leans in to kiss Shelly, Bobby walks into the diner, demanding to know what’s going on.

“YOU ARE WITNESSING A FRONT 3/4 VIEW OF 2 ADULTS SHARING A TENDER MOMENT!” Cole replies.

Seriously, they’re so cute together!

Back at the wine tasting, Dick asks everyone what flavor of wine they just tasted.

“Tastes kind of woody,” Lucy says.

“No,” Dick says with a condescending smile.  “Lana?”

“Banana?” Lana suggests.

Yes, Dick says, there is a hit of banana.  At this point, Dick’s nose bandage has become soaked in wine.

From the back of the room, Andy shouts out that he tasted chocolate.

“Why don’t we just skip the wine and have a banana split!?” Lucy shouts.

Way to go, Lucy!  TOP THAT!

Later, Lucy does top that by spitting her wine in Dick’s face, explaining that she’s pregnant and not supposed to drink.

In the Great Northern lobby, Cooper and Wheeler (Billy Zane) stare into the fireplace.  Cooper is thinking about Annie.  Wheeler is thinking about Audrey and it just feels so wrong.  Wheeler says love is Hell.  Cooper replies that “(t)he Hindus say love is a ladder to Heaven.”  Shut up, Cooper.  I never thought I’d say that but I’ve lost a lot of respect for him now that, after making such a big deal about not allowing himself to get emotionally involved with anyone, he has managed to fall madly in love with a blank slate who has only been in town for three days.

(I mean, seriously, Audrey nearly died trying to help Cooper.  Annie just pours coffee and acts as if living in a convent was the equivalent of getting stuck on Mars with Matt Damon.)

Meanwhile, it’s an awkward dinner at the Hayward house, where Donna (Lara Flynn Boyle) wonders about her mother’s relationship with Ben Horne.  What about happened to Donna’s sister?  She hasn’t been seen since the first season.  Maybe she ran away when it became obvious that everyone who knows Donna eventually ends up either dead (Laura, Harold, Maddy, Leland) or, like James, in San Francisco.

Donna asks her mother (Mary Jo Deschanel) how she knows Ben Horne.  Doc Hayward immediately says, “I told Donna about that benefit that you’re working on….”

(OH MY GOD, DONNA IS BEN’S DAUGHTER!  Which means that she is Audrey’s half-sister.  After reading all the stories about Lara Flynn Boyle and Sherilyn Fenn not getting along behind the scenes, this amuses me.)

Anyway, Donna gives her mother a hard time about seeing Ben while both of her parents try to change the subject.  If only Donna was as concerned about her suddenly missing sister.

That night, the police discover a huge crate has been left in the gazebo.  When Cooper and Harry open it, they discover a giant paper mache chess piece.  And inside the chess piece is the dead body of Stoner Heavy Metal Dude.  A note from Windom Earle is also found, announcing that the next victim will be someone who Dale knows.

Cooper says that Windom appears to be changing the way he plays the game, which is a polite way of saying that he’s a bit of an inconsistent character.

This episode wasn’t bad, though I still find myself cringing whenever Cooper and Annie start flirting.  But the scene with Cole and Shelly were fun and I’m really growing to appreciate Richard Beymer’s performance as the new, conflicted Ben Horne.  Two of my favorite Twin Peaks supporting actors, Ian Buchanan and Don S. Davis, got some good scenes as well.  While this episode can in no way match anything from the 1st season, it’s not bad for a 2nd season episode.

Well, there’s only three more episodes left and then the movie!  Jeff has tomorrow’s episode.  Then Leonard will be covering Sunday and then I’ll be back for the finale.  As for the movie — we’re still playing rock scissors paper to figure out who gets to play it.  We’re doing best out of a 1,000.  It could take a while.

While we figure it out, check out what led us to this point!

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland

TV Review: Twin Peaks 2.18 “On the Wings of Love” (dir by Duwayne Dunham)


Welcome back to Twin Peaks!

This episode opens at the Bookhouse, where lingerie-clad Jones (Brenda Strong) is climbing on top of Harry (Michael Ontkean).  Harry, in his whiskey-dazed state, thinks that she is Josie (Joan Chen).  He comes to his senses right when Jones wraps a garrote around his neck and starts to strangle him.  Harry manages to overpower her, leaving her knocked out cold on the couch.

At the Great Northern, Audrey (Sherilyn Fenn) delivers room service to Wheeler (Billy Zane).  I am not sure what to make of Wheeler.  I know that he was brought in so that Audrey would have a love interest other than Cooper but, since he’s played by Billy Zane, I don’t trust him.

At the sheriff’s station, Harry tells Cooper (Kyle MacLachlan) that he has not been able to get anything out of Jones.  She wants to talk to the South African consulate.  Harry wonders why Eckhardt would have wanted him dead.  “Sexual jealousy,” Cooper replies before saying that it is good to have Harry back.

In the sheriff’s office, Doctor Hayward (Warren Frost), Harry, and Cooper look at a Bonsai tree that was delivered that morning.  Harry looks at the card.  It was a present from Josie.  Before Harry can get too depressed, Hayward tells them about Windom Earle coming back his house and he shows them the knight that Earle gave to Donna.

Gordon Cole (David Lynch) enters the office, yelling as always and making Harry’s headache worse.  Cole shouts that he has just come from Bend, Oregon, that he is bringing Cooper the classified portion of Windom Earle’s file and that he is reinstating Cooper in the FBI.

What no one knows is that the Bonsai tree is hiding a microphone and Windom Earle (Kenneth Welsh) is listening to every word that they say.  Earle complains to Leo (Eric Da Re) that Cooper is refusing to play fair.  Earle has Leo pick three cards.  They are all queens — Queen Donna, Queen Audrey, and Queen Shelly.  Earle has Leo pick a king card — “Little Dale.”  Earle reaches behind Leo’s ear and produces one more card — the Queen of Hearts.  The Queen of Hearts will be whoever is named Miss Twin Peaks.

Cole tells Cooper that, in the institution, Earle was put on the same drug that the One-Armed Man used.  Cooper notices that Earle was involved with Project Blue Book, just like Major Briggs.  Cooper says that there is some definite linkage, which makes Cole think of sausage patties and breakfast.

At the Great Northern, Donna (Lara Flynn Boyle) spies on her mother, Eileen (Mary Jo Deschanel), meeting with Ben Horne (Richard Beymer).  Donna goes to the front desk and, as Mike (Gary Hershberger) and Nadine (Wendy Robie) check out, Donna asks to speak with Audrey.  When Audrey comes out, Donna asks her if there’s any reason why Donna’s mother would visiting Audrey’s father.  Audrey leads Donna to the secret passageway so that they can spy on their respective parents in Ben’s office.

In the office, Eileen tries to get Ben to take a bundle of letters but he refuses, saying that they are her letters.  They were written to her.  Ben says that he hasn’t held Eileen for nearly 20 years.  Ben asks if Eileen has “told her.”  Eileen tells Ben to stay away from her and to never come by the house again.

At the diner, Cole, Harry, and Cooper show up for breakfast. While  hungover Harry is busy throwing up, Cooper and Cole get a booth.  Cole spies Shelly and shouts, “What a beauty!”  Cole walks over to the counter and loudly asks Shelly if he might ask her for a cup of coffee “and in the process, engage you with an anecdote of no small amusement.”  Shelly says that he doesn’t have to shout and Cole is shocked to discover that he can hear her, even when she is speaking in her normal voice.

Back at the booth, Harry and Cooper are debating cars when Annie (Heather Graham) comes over and pours them both a cup of coffee.  Cooper and Annie flirt while Harry Days music plays in the background.  Annie notices that Cooper has drawn a picture of the three marks on Major Briggs’s neck and tells him that the same design can be found at Owl Cave.  Cooper tells Harry that he has to see this Owl Cave.

At the Hayward house, Donna gets a postcard from James.  He says that he is in San Francisco.  When Dr. Hayward steps into the room, Donna tells him that Ben visited yesterday.  Dr. Hayward tells her that Eileen and Ben are probably just working on a charity together.  Suddenly, roses arrive.  They are for Eileen.  There’s no card.

At the library, Audrey is getting a book on political science and civil disobedience when she runs into pipe-smoking Edward Perkins, who is actually Windom Earle in disguise.  Perkins says that he is a professor who teaches a class in poetry so Audrey asks him about the poem that she received.  Perkins tells her that it is by Shelley and that Audrey looks like a queen.  Realizing that there is something strange about Edward Perkins, Audrey says that she has to go and makes a hasty exit.

At the diner, Annie finds an advertisement for Miss Twin Peaks.  Shelly asks her if she is going to enter but Annie says life is already strange enough without wearing high heels and a bathing suit.  Annie says that it’s also strange being around men again and asks Shelley what she knows about Cooper.  Shelly tells Annie to go for it.

Back at station, Lucy (Kimmy Robertson) thanks Andy (Harry Goaz) for helping out during yesterday’s weasel riot.  “That’s more than a certain Dick did,” Lucy says.

At the Great Northern, Ben is talking to Audrey about the Kennedy Brothers.  Ben says that he needs Audrey to be his Bobby Kennedy.  He needs her to be by his side, always willing to tell him the truth.  Ben apologizes for not being a better father and then says that he needs Audrey to go to Seattle to meet with the environmentalists.  When Wheeler steps into the office, Audrey says she is not sure that she can leave on short notice but Ben will hear nothing of it.

After Audrey leaves, Ben confesses to Wheeler that he is not really sure how to be good.  Ben asks Wheeler, “What’s the secret?”  Wheeler tells him to keep his eye on his heart and always tell the truth.  Wheeler confesses that he is falling in love with Audrey.  He and Ben eat a carrot.

Meanwhile, Johnny Horne (Robert Bauer) is outside, shooting rubber arrows at wooden buffaloes.

That night, at Owl Cave, Cooper, Andy, Harry, and Hawk (Michael Horse) explore.  They find the markings on the cave and discover that they are a combination of the markings on the Major’s neck and the Log Lady’s leg.

Thanks to wonders of incredibly primitive CGI, an owl flies around the cave.  Andy panics and swings his pickaxe, accidentally embedding it in the symbol.  Part of the wall falls away, revealing a stone lever that is decorated with a petroglyph on an owl.  Cooper smiles and says he does not know where this is going to lead but he is sure it will be somewhere “both wonderful and strange.”

Annie sits alone in the Great Northern cocktail lounge, when Cooper, fresh from Owl Cave, enters.  Annie tells Cooper that it is strange being back in the real world.  Cooper notices the scars on her wrist.  Annie says that she worries that she might try again.  Annie tells Cooper that some people think that she is strange.  Cooper says that he knows the feeling.

Back at Owl Cave, Earle sneaks in and sees the lever.  He turns it and, as the episode ends, the entire cave starts to shake.

This episode, which played like a cross between Picket Fences and Lost, shows just how much of an identity crisis Twin Peaks suffered during its second season.  Is it a comedy? Is it a romance?  Is it supernatural?  No one seems to know.

The best part of the episode was the trip to the Owl Cave and Ben’s conversation with Audrey.  The worst part of the episode?  Annie, who spent a few years in a convent but is written like an Amish girl on rumspringa.

Up next: Variations on Relations.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman

TV Review: Twin Peaks 2.17 “Wounds and Scars” (dir by James Foley)


“It was like taking a hike to your favorite spot and finding a hole where the lake used to be.”

— Deputy Hawk (Michael Horse) in Twin Peaks 2.17 “Wounds and Scars”

The year was 1991 and all was not well in the world of Twin Peaks.  While, on the show, Leland Palmer murdered his daughter and Josie Packard died after killing Thomas Eckhardt, there was even more drama occurring behind-the-scenes.

Since the first season, the plan had always been for Agent Dale Cooper (Kyle MacLachlan) and Audrey Horne (Sherilyn Fenn) to end up together.  MacLachlan and Fenn had serious chemistry in their scenes together.  As characters, Cooper and Audrey seemed like they belonged together.  Even Cooper’s concerns about the age difference didn’t seem like that much of a problem.  (After all, Audrey may have been a teenager but Sherilyn Fenn was not.)  The show’s audience wanted them to end up together.

However, there was one problem.

Lara Flynn Boyle.

Kyle MacLachlan was dating Lara Flynn Boyle and, according to several people who worked on the show, Fenn and Boyle did not get along.  With Boyle not particularly excited about the prospect of watching her boyfriend play love scenes with her rival, Kyle MacLachlan complained to the show’s producers that Cooper would never get together with Audrey because of their age difference.  As a result, Billy Zane was hastily brought in to replace Cooper as Audrey’s love interest.

Personally, I’m not really sure that Cooper needed a love interest.  During the first season, he was written as being so old-fashioned and upright that he was nearly asexual.  (The only indication that Cooper even had a sex drive came when Laura kissed him in his dream and he smiled.)  In the second season, Cooper became a little more, for lack of a better word, “human.”  But he was still traumatized by the death of Caroline and he put his devotion to the Bureau above all else.  Ideally, Cooper would have spent the entire show as a chaste Galahad.

Obviously, ABC disagreed.  They wanted Cooper to have a girlfriend.  We’ll see how this was handled in today’s episode.

So, without any further ado, let’s look at “Wounds and Scar!”

Following the opening credits, we get an extreme close-up of Harry Truman’s (Michael Ontkean) bloodshot eyes.  He’s drinking at the Bookhouse.  A saxophone wails on the soundtrack.  That’s never a good sign.  He’s having flashbacks to his time with the now dead Josie.  Deputy Hawk (Michael Horse) brings Harry a breakfast from the diner.  Hawk tells Harry that everyone at the station is concerned.

“You and Cooper can handle it,” Harry says, “It’s a pretty simple town.”

Really?  Twin Peaks is a simple town?  What show have you been watching, Harry?

At the Diner, a new character steps through the front doors and — OH MY GOD!  IT’S HEATHER GRAHAM!  She’s playing Annie.  It turns out that she’s Norma’s (Peggy Lipton) sister and she has just left a convent.  Annie is going to be working at the diner.  Heather Graham has really pretty hair.

Meanwhile, Major Briggs (Don S. Davis) is finishing his breakfast when the Log Lady (Catherine Coulson) walks up to him and touches the marks on his neck.

Back at the sheriff’s station, Hawk tells Cooper that Harry is about hit bottom.  Cooper is frustrated with his lack of success in tracking down Windom Earle.  Luckily, Hawk speaks exclusively in wise sayings.  He suggests letting the rain fall where it may.

At the cabin (which, somehow, no one else seems to have stumbled across), Windom (Kenneth Welsh) sniffs the country air and tells his slave, Leo (Eric Da Re), that you can’t understand how wonderful country life is until you’ve lived it.  It plays like a nice little parody of Cooper and Harry’s conversation about whittling in the pilot.

Windom checks the newspaper and gets upset over Cooper’s latest move.  He says that Cooper is playing a stalemate game but he doesn’t know the meaning of stalemate.  Neither do I, to be honest.  I prefer checkers to chess.  Windom then realizes that Cooper must be getting help and he throws a fit because he cannot stand people who don’t play by the rules.  “Many people are going to regret this!”

Meanwhile, at the Great Northern, Audrey is demonstrating a proper runway walk while Dick (Ian Buchanan) hits on the models.  Mr. Pinkle (David L. Lander) — the same guy who sold Bobby and Shelly the porto-patient device that didn’t really work out that well — shows up to tell Dick about the pine weasel.  Mr. Pinkle is carrying a stuffed pine weasel but Dick says that they need a living pine weasel.  Showing a stuffed animal at a benefit for an endangered species?  That would be totally gauche.

Wheeler (Billy Zane) shows up to talk to Audrey about their dinner.  They both try to apologize at the same time.  Wheeler asks her to go on a picnic with him.  And, hey — Billy Zane is cute and all but the Wheeler/Audrey romance feels totally forced.  We all know that Audrey should either be with Cooper or killing ninjas in Hong Kong.  Those are really the only two options.

Harry is still drinking at the Bookhouse.  Cooper approaches and tells him about Josie’s sordid past.  He says that Harry has to understand that Josie was a hardened killer.  Harry yells at Cooper to go.

In her office, Catherine (Piper Laurie) looks over the plans for the Ghostwood Estatea when Jones (Brenda Strong) suddenly steps into the office and says that she’s there to expedite the transfer of Thomas and Josie’s bodies to Hong Kong.  Jones says she has a gift from Thomas, so Catherine promptly pulls a gun.  Calmly, Jones hands over a black box.

At the Hayward house, someone knocks on the door.  Donna answer, only to find a friendly old man who claims to be named Dr. Gerald Craig.  Dr. Craig says that he is an old friend of her father’s and he was just stopping by to see if old Doc Hayward was around and — wait a minute!  That’s not Gerald Craig!  That’s Windom Earle in disguise!

Donna asks Dr. Craig if he’d like to come inside and — DONNA, YOU IDIOT!  DON’T JUST INVITE STRANGE MEN INTO YOUR HOUSE!  In less than a month, a dozen people have died in Twin Peaks and Donna is still letting strange men into her house.  Anyway, Dr. Craig gives Donna a small gift for her dad, makes her promise not to open it, and then leaves.

Meanwhile, Pete Martell (Jack Nance) is studying a dozen or so chess boards.  Cooper comes in and Pete tells him that he’s studied every stalemate game in history but that there’s no way to play chess without losing at least a few pieces.  No matter what happens, Pete says, at least six people are going to die.  Cooper tells Pete to stick with it.

In the lobby, Lucy (Kimmy Robertson) and Andy (Harry Goaz) play chess.  Lucy gets mad because Andy moved his knight “without doing the little hook thing.”  “You don’t have to the little hook thing, that’s optional,” Andy says.  Sound good to me, Andy!  But, no, Pete explains that the hook thing is not optional.

Suddenly, Maj. Briggs and the Log Lady both step into the station.  They’re concerned because both of them have the same three triangle pattern, Briggs on his neck and the Log Lady on the back of her leg.  The Log Lady says that she got her mark when she was seven years old.  She was walking in the woods when she saw a flash of light and heard an owl.  When she returned home, she was told that she had been missing for a day.

Audrey and Wheeler are at their picnic.  Wheeler is singing.  C’mon, Audrey, are you actually falling for this?  Go see Cooper before he meets Annie…

At the Hayward House, Doc Hayward (Warren Frost) returns home with Mrs. Hayward (Mary Jo Deschanel) rolling along beside him.  Donna tells them that Gerald Craig visited.  Doc Hayward says that’s not possible.  Gerald Craig was Doc’s roommmate.  He drowned after a rafting accident.  (So?  Drowning never stopped Andrew Packard.)  Mrs. Hayward calls the contact number that Dr. Craig left and it turns out to be the number of a cemetery.  Doc Hayward unwraps Dr. Craig’s gift and it’s a chess piece!

At the gas station, Ed (Everett McGill) tries to talk to Nadine (Wendy Robie) about breaking up.  Unfortunately, Ed needs a divorce but Nadine still thinks they’re in high school.  Dr. Jacoby (Russ Tamblyn) is there to try to help her understand what’s happening but he’s not much help.  Nadine is more concerned about the fact that she just now noticed that she’s missing an eye.

Back at the Hayward House, someone else knocks on the door.  This time, Mrs. Hayward answers and it’s Ben Horne (Richard Beymer).  As Donna watches from the stairs, Ben whispers something in her mother’s ear and then kisses her.

At the diner, Peggy encourages Shelly (Madchen Amick) to enter the Miss Twin Peaks pageant.  Meanwhile, Cooper has entered the diner and seen Annie and he’s immediately so overwhelmed by her attraction to him that he actually stammers.  No, Cooper — AUDREY!

Before Cooper can fall any further in love, Hawk enters and tells him that they have a problem at the Bookhouse.  Harry is destroying all of the furniture!  When Cooper shows up, Harry calls him Deputy Dale and yells at him some more.  This is the most emotion we’ve seen from Harry since the series began.

Uh-oh, Harry’s holding a gun and he doesn’t want to give it to Cooper.  However, Harry eventually breaks down, shouts that Josie didn’t have to die, and then falls into Cooper’s arms.  Cooper and Hawk put Harry to bed.  Hawk says that Harry has never been like this before.

At the Great Northern, Mike (Gary Hershberger) and Nadine are getting a room under the name “Mr. and Mrs. Hinkman.”  Seriously, the Great Northern looks way too expensive for just a one night stay.  They should have gone to the motel and gotten an hourly room.  Knowing Mike, they probably would have only needed it for 8 minutes or so.

In the ballroom, Ben Horne is thanking everyone for showing up at this charity fashion show.  This is one of those plotlines that you’d never see today.  Nobody has the guts to make fun of rich (and fake) environmentalists anymore.  It’s a shame.

Anyway, the fashion show starts and there’s Dick describing each outfit.  (I really love Ian Buchanan’s performance in this episode.  He makes Dick into such a likable phony.)  Lucy and Andy are two of the models.  Good for them!

While the model walk the runway, Catherine approaches Ben and tells him that she knows he’s a just faking all of his environmental concern.  Ben says that the experience of being accused of Laura’s murder and his subsequent bout with insanity have truly changed him.

Dick has Mr. Pinkle bring out a living pine weasel.  Pinkle explains that the pine weasel is attracted to certain sells, like very cheap cologne.  Of course, this immediately leads to the pine weasel leaping at Dick and biting down on his nose.  Panic breaks out!  Audrey nearly gets run over but luckily, Wheeler is there to literally sweep her off her feet and kiss her.

Meanwhile, at the Bookhouse, one deputy looks over the sleeping Harry.  Jones sneaks up behind him and quickly knocks him unconscious.  She places a gun on the nightstand beside Harry’s bed.  She then undresses, lets down her hair, and lay down beside him…

End credits.

Overall, this was a pretty good episode except for the fact that we all know that Cooper and Audrey belong together.  While I can understand Audrey’s flirtation with Wheeler, Cooper’s sudden attraction to Annie felt a bit out of character, a case of Twin Peaks trying a bit too hard.

Some would probably argue that the bit with the Pine Weasel was a bit overboard as well but I actually enjoyed that.  Ian Buchanan’s performance saved that bit for me.  Plus, wealthy environmentalists tend to be kind of smug so it’s always fun to see them satirized.

Up until this episode, I’ve had mixed feeling about Windom Earle but his scene with Donna was brilliantly creepy.

Tomorrow, we have “On the Wings of Love.”

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson

 

TV Review: Twin Peaks 2.15 “Slaves and Masters” (dir by Diane Keaton)


“Get a life, punk!”

— Albert Rosenfield (Miguel Ferrer) in Twin Peaks 2.15 “Slaves and Masters”

Well, it had to happen some time.

We have reached the “Slave and Masters” episode of Twin Peaks.  Judging from what I’ve read online, most fans seem feel that this episoode was the worst in the show’s history.  Myself, I don’t know whether it is or isn’t.  I’m writing this introduction before watching the episode.  I guess I’ll know soon enough.

Interestingly enough, this episode was directed by actress Diane Keaton.  When I first saw Keaton’s name listed as director, I assumes that she must have been a fan of the show and that she lobbied for the chance to direct an episode.  However, according to Relections: An Oral History of Twin Peaks by Brad Dukes, the opposite was true.  While the cast all liked and respected Keaton as a director, there was also a feeling that she didn’t seem to actually know much about the show.  Considering that the show had suffered a severe ratings decline during the 2nd season, it seems probable that Keaton was hired to direct in an attempt to generate some new interest in the once hot show.

If that was the plan, it didn’t work.  Apparently, the ratings for this episode were so low that Twin Peaks was put on hiatus a week after it aired.  It was only due to a letter-writing campaign that ABC decided to air the last six episodes of the season.  In short, it can be argued that this episode was truly the beginning of the end for Twin Peaks‘s original network run.

So, with all that in mind, let’s take a look at the 23rd episode of Twin Peaks, “Slaves and Masters.”

As always, we begin with the haunting opening credits and Angelo Badalamenti’s lushly romantic (yet ominously threatening) score.  The mood has been set.  We have returned to the world of Twin Peaks.

After the credits, we immediately cut to a close-up of a chess board.  In slow motion, the camera glides over all of the pieces.  The Queen, The pawns, the King, the Bishop, the little horsey guy.  (I don’t know much about chess, sorry.)

Suddenly, we’re no longer looking at chess pieces.  Instead, the camera is panning up the legs of Evelyn Marsh (Annette McCarthy), who is dressed in black and even wearing a black veil and — OH MY GOD, HAS THIS STORYLINE NOT BEEN RESOLVED YET!?  Seriously, when people talk about Season 2 not being as inspired as Season 1, they’re talking about this half-assed film noir rip-off that James (James Marshall) rode into after he hopped on his motorcycle and left Twin Peaks.  From the minute that Evelyn first showed up, I knew exactly what was going to happen with her, James, and her husband.  Much like the whole Audrey kidnapping subplot, the Evelyn Marsh subplot should not have lasted any longer than an episode and a half.  Instead, it’s still going on!

Anyway, the cops are talking to Evelyn and Malcolm (Nicholas Love) about how someone might have killed her husband.  Malcolm is quick to blame James but Evelyn seems a little bit more conflicted about it.  There is a funny moment when Malcolm says that James was hired to fix the Jaguar and the cop can’t figure out how to spell Jaguar.  That made me laugh but, otherwise, this whole scene felt predictable and unnecessary.

Meanwhile, at Wallie’s Bar, a dozen cops are sitting at the bar, smoking cigars and listening to opera music.  (Weird image is weird but it’s just weirdness for the sake of weirdness.)  James and Donna (Lara Flynn Boyle) are in a corner of the bar.  Donna says that they need to get help but James is all like, “I don’t need nobody!”  He says that Malcolm framed him and that he just needs to talk to Evelyn.

Donna goes to call Ed but ends up having to talk to Nadine instead.  Though we only hear Donna’s side of the conversation, it sounds like Nadine is talking about her new boyfriend.  If her new boyfriend is Mike (Gary Hershberger) than that means that Nadine is now dating Donna’s ex and yet, Donna seems to be remarkably okay with that.

Back at the Sheriff’s station, Harry (Michael Ontkean) and Cooper (Kyle MacLachlan) are interrogating Bobby (Dana Ashbrook) and Shelly (Madchen Amick).  Bobby wants to know why Harry and Cooper aren’t making more of an effort to track down Leo.  Cooper asks Bobby about the night that the mill burned down.  Bobby lies and says that Hank Jennings shot Leo.

Harry says that he’ll have some deputies watch the house.  Bobby claims that he’s all the protection that Shelly needs.  (For some reason, Bobby is acting like a methhead in this scene.)  When Bobby and Shelly leave, they pass Albert Rosenfield (Miguel Ferrer), who takes one look at Bobby and shouts, “Get a life, punk!”

(We love you, Albert!)

After giving Harry an out-of-character bear hug (but that’s okay because I like it when dudes hug it out), Albert explains that he’s been sent to Twin Peaks by Gordon Cole.  He has brought with him a picture of Windom Earle, in which Windom looks like an extra in a 1930s gangster movie.  He also brings the news that Windom has been mailing different pieces of clothing to police agencies across the country.

Windom has mailed:

1. A white veil

2. A garter

3. A pair of white slippers

4. A peal necklace

5. A wedding dress

Oh my God, I said as Albert listed the items, Windom Earle is marrying Pippa Middleton!

Cooper says that the clothing belonged to Windom’s dead wife (and Cooper’s ex-lover), Caroline.  Albert says that Windom is definitely making his move and then says that Cooper looks good in the muted earth tones of a flannel shirt.  That was nice of Albert.

Meanwhile, in his cabin, Windom Earle (Kenneth Welsh) plays a flute while Leo (Eric Da Re) lies on the floor.  (I have to be honest that these cabin scenes between Windom and Leo made me think about Peter Boyle burning down Gene Hackman’s hut in Young Frankenstein.)  Once Leo wakes up, Windom — who was previously described as having a mind like a diamond, cold and precise — starts acting like a Satanic little wood sprite.  He jumps around the cabin.  He says a lot of evil quips.  He beats Leo with a flute and then reveals that he’s placed a collar around Leo’s neck.  Windom can electrocute Leo whenever he feels like it.  Windom forces Leo to eat gruel while Windom pretends to be a kitty cat.  “Purrrr,” he says.

(Windom’s a genius so why is he acting like a sadistic towel manager?)

We cut to Ed (Everett McGill) laying in bed with Norma (Peggy Lipton) and talking about how it’s been twenty years since they first fell in love.  They agree that it’s sucked not being together.  Suddenly, they hear Nadine (Wendy Robie) arriving home.  Norma starts to leave but Ed says, “No, no.  We may as well talk to her now.”  Sure, Ed — have this conversation with Nadine while you and Norma are laying in bed in your underwear.  That’ll really avoid any hurt feelings.

Suddenly, Nadine rips the bedroom door off of its hinges.  She comes into the room, carrying a wrestling trophy, and then jumps into bed with Ed and Norma.  Nadine apologizes for beating up Hank and then says that she knows about the two of them.  Nadine says it’s okay because she’s in love with Mike now.

Cut to the Martell house, where Harry and Cooper are talking to Josie (Joan Chen) about what happened to her in Seattle.  Josie says she doesn’t know who killed Jonathan.  Harry begs Josie to tell him the truth.  Out of nowhere, a surprisingly cheerful Cooper announces, “I think I’ll get another cup of Joe!”

(Somewhere, Joe Biden looks up and says, “Oh my God, they’re talking about me in an old episode of Twin Peaks!”  No, Joe, they’re not.  Sorry.  Maybe later.)

While Cooper’s getting more coffee, Pete (Jack Nance) stumbles in.  He has picked up the dry cleaning and can barely see above all of the clothes that he’s holding.  He and Cooper do that thing where, instead of being smart and putting the clothes somewhere first, they stand around and attempt to have a conversation, despite the fact that Pete is about fall over backwards.  When the phone rings, Pete gives the clothes to Cooper and now its Cooper’s turn to struggle to remain standing.  Eventually, Cooper puts the clothes on a chair (was that so hard!?) and then picks one thread off of a jacket.

Speaking of Josie, the phone call was for her.  It turns out that the call is from Thomas Eckhardt (David Warner) and he is wondering if he and Josie could get together.  Thomas reveals that he is responsible for Jonathan’s death.

After hanging up the phone, Thomas and his assistant, Jones (Brenda Strong), stare at a black trunk.

Meanwhile, Ben Horne (Richard Beymer) is apparently still convinced that he’s a Civil War general because he’s talking to Dr. Jacoby (Russ Tamblyn) about Stonewall Jackson.  Much like all that stuff with Evelyn Marsh, this is a plotline that should have been resolved after an episode and a half.  Instead, it’s been dragged out way past the point of being amusing.  The Ben-Goes-Crazy storyline is the epitome of how Season 2 abandoned surrealism in favor of just being weird for the sake of being weird.

It turns out that Ben and Jacoby have an audience.  Audrey (Sherilyn Fenn) and Jerry (David Patrick Kelly) are listening.  Johnny Horne (Robert Bauer) is rocking back and forth while wearing a Native American headdress.  And there’s a few members of the Hotel Staff, who have been transformed into some sort of marching band.

While Ben rants in his really crummy Southern accent, Jerry and Audrey leave the office.  Audrey is worried about her father but Jerry seems to be fairly indifferent.  (Needless to say, this goes against everything that we’ve previously seen about Jerry and his relationship with Ben.)  Audrey points out that, conveniently enough, she is set to inherit the entire Horne business empire if anything happens to Ben and that Jerry better do what she says or she’ll cut him off.

Audrey returns to Ben’s office, where Dr. Jacoby looks perplexed.  Audrey walks up to him and says she wants her father to turn back to normal. Jacoby says that he’s got it all taken care of.  Bobby shows up, dressed like a Confederate soldier.  Ben sings Dixie.  Can this storyline just end, please!?

Meanwhile, at Walli’s, Evelyn is still dressed in black.  Though the bar appears to be closed (there are chairs on the tables and everything), Evelyn is drinking.  Suddenly, Donna walks up to her.  Why is Donna still there?  How much school can you miss in Twin Peaks?  Why are Evelyn and Donna both hanging out in a bar that appears to be closed?

Suddenly, the bartender wanders by, lingering just long enough for Evelyn to order Donna a drink, “one that has a little umbrella in it.”  Okay, is this bar closed or open?  If it’s open, why are the tables covered in chairs?  This stuff is confusing, especially for a non-drinker like me.

Anyway, Donna gets mad when Evelyn says that she won’t help James.  Evelyn explains that life is crap.  (Her words.)  Suddenly, Malcolm (Nicholas Love) shows up and tells Evelyn to go home.  He then threatens Donna and Donna reacts by yelling and then crying.

Back at the station, Albert reveals that the thread that Cooper found was from the carpet outside of Cooper’s hotel room.  Apparently, this proves that it was Josie who shot Cooper at the end of Season 1.  Bad Josie!

After swearing Albert to secrecy, Cooper heads to Harry’s office, where Harry is playing darts.  Harry tells Cooper that the dead vagrant has been identified as being Eric Powell, a former member of the Merchant Marines.

“Powell was Caroline’s maiden name!” Cooper says.

Cooper says that this is all a big chess game to Windom.  Harry says that, if Cooper needs a chess expert, they have one of the best right in town.  And his name is Pete Martell!

At the diner, Pete shows of his mad chess skills by playing and winning four games at once.  Cooper is impressed and invites Pete to help him play Windom’s chess game.  Pete better be good because, every time that Cooper loses a piece, Windom is going to kill an innocent person.

Shelly walks into the diner and asks Norma if she needs any help.  Norma hires her back.  Then Harry shows up and says that he needs to talk to Norma.  They slip into the kitchen where Harry explains that Hank is going away for a long time.  Norma’s okay with that but I’m not.  Hank may be a sociopath but he’s hella charming.

That night, Thomas shows up at the Martell house, where he is greeted by Catherine (Piper Laurie).  Thomas appears to be slightly surprised by the sight of Josie in her maid’s uniform.  Thomas and Catherine drink wine, eat dinner, and discuss art and killing.  It quickly becomes apparent that Thomas has shown up to take Josie and that Catherine is more than willing to allow him to do that, for a price.

Meanwhile, at the Marsh house, Evelyn is stunned when James shows up in the living room and demands to know why Evelyn killed her husband and attempted to frame him.  James says that it was hella lame to manipulate him with everything that he’s been going through.  Evelyn confesses to everything.  She says that she set James up.  She says she did it for the money and also just because she felt like doing it.

Suddenly, Malcolm barges into the room and knocks James out.  Malcolm says that they can now kill James and claim that it was self-defense.   And you know what?  He has a point.  Bye, James.

Meanwhile, Ben and the gang recreate another Civil War battle.  This whole Civil War subplot is so freaking stupid that I don’t even feel like talking about it anymore.  While pretending to be General U.S. Grant, Dr. Jacoby announces that he’s surrendering.  Having won the Civil War, Ben proceeds to faint.  When he wakes up, Ben says that he had the strangest dream about being a general during the Civil War.  He even does the whole “And you were there …. and you … and you!” thing.  Anyway, Ben appears to be back to normal.

At the cabin, Windom is putting on a disguise.  He continues to torment Leo with the electroshock collar.

At the Marsh mansion, James is still unconscious on the floor while Malcolm and Evelyn look down on him.  Donna watches from outside the window.  When Malcolm repeats that they can kill James and make it look like self-defense, Donna runs into the living room and screams, “NO!”

As Evelyn watches Donna cry over a motionless James, she stands up.  Uh-oh, she’s got a gun.  Evelyn shoots Malcolm and then says that she’ll frame Malcolm for her husband’s death though I don’t think it’ll be that difficult a frame-up because Malcolm is actually guilty.

At the Great Northern, Cooper walks down a hallway and stops in front of an elevator.  He looks at a picture of Caroline that he has in his wallet.  As he does this, a poorly disguised Windom Earle steps off the elevator.  Windom goes to the front desk an drops off a note for Audrey.  (Oh, goddamnit, is this going to be the start of yet another Audrey-gets-kidnapped storyline?)  He also notices several postcards that all feature owls.  “Owls,” he says.

Cooper arrives back at his room.  He finds a white mask on his bed.  Windom Earle has been there and he’s left a taunting message.  The episode ends with Windom’s line: “It’s your move.”

Agck!

As for this episode, it definitely felt a bit off.  The main problem is that it focused on two largely uninteresting subplots — Evelyn Marsh and the Civil War — and portrayed Windom Earle as so cartoonishly evil that it’s hard to believe that he could also be the villainous mastermind that Cooper’s spent the last few episodes describing.  It was a weak episode but at least it finished off the whole Evelyn Marsh thing.

Always look on the bright side of life.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland

 

 

 

TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel)


Welcome back to Twin Peaks!

Last episode, Major Briggs (Don S. Davis) returned from the land of missing and brought with him a tale of the White Lodge.  Ben Horne (Richard Beymer) obsessed over the Civil War.  James Hurley (James Marshall) found himself trapped in a second-rate film noir.  Jean Reanult (Michael Parks) was finally killed but, when Cooper (Kyle MacLachlan) and Harry (Michael Ontkean) returned to the sheriff’s station, they discovered that someone had left them a present: a dead man sitting in front of a chess board.

Things start with the station still in darkness.  Doctor Hayward (Warren Frost), Harry, and Cooper are looking over the dead man’s body.  The first thing that they discover is that a chess pawn has been stuffed in his mouth.  When Cooper correctly guesses that the dead man will have a stab wound in his chest, severing the aorta, Harry deduces that this is not the first time that Cooper has seen something like this.

Cooper says that he knows that his former partner, Windom Earle, is responsible.  He guesses that the victim was a vagrant who was offered a lift by Earle.  (In reality, the victim was played by Craig MacLachlan, brother of Kyle.)  Earle stabbed the man and then set off the explosion in the woods.  When everyone was distracted, Earle carried the body into the station.  “Windom Earle has been in this room,” Cooper says, “I can still feel his presence.”

At the Great Northern, Audrey (Sherilyn Fenn) makes a deal with Bobby (Dana Ashrbook).  She wants Bobby to help her bring her father back from “limbo land.”  “From now on, Bobby,” Audrey says, “I’m the one you suck up to.”

“What about Shelly?” Bobby asks.

“What about Shelly?” Audrey replies.

Speaking of Shelly, she is in trouble because Leo (Eric Da Re) has suddenly woken up and now she’s trapped in a dark house, with no power and a very angry husband.  Fortunately, Bobby arrives home right when Leo is about to attack Shelly with an axe.  When Leo attacks Bobby instead, Shelly stabs Leo in the leg with a kitchen knife.  Like an unmasked Jason Voorhees, the wounded Leo staggers off into the woods while Bobby and Shelly embrace.

The next morning, back at the station, Cooper watches as the body is wheeled away.  Harry gives Cooper a cup of coffee and tells Cooper that, until he is reinstated in the FBI, he is still a deputy.  “If you want this case,” Harry says, “it’s yours.”

Out in the front lobby, Andy (Harry Goaz) tells Lucy (Kimmy Robertson) that he has to talk to her about Nicky.  Andy explains that he and Dick have been doing some detective work and they think that Nicky may have murdered his parents.

“He’s nine years old,” Lucy says.

“We know,” Andy nods, “we think he was six at the time of the crime.”

Lucy is not amused.

At the Marsh place, James is working on another one of classic cars when Jeffrey Marsh (John Apicella) walks up and introduces himself.  He says that he’s envious of James’s carefree lifestyle.  He says that he’d love to talk to James about the cars later in the day but James says that he should probably be moving on.  Evelyn (Annette McCarthy) walks up and says that she is sure that she can find all sorts of things for James to do around the house.  James walks back inside the garage and Jeffrey drives away in the car that James just finished working on.  As Evelyn looks off in the distance, there is the sound of screeching tires and a car crash.

At the diner, Ed (Everett McGill) is having a cup of coffee of Doctor Hayward.  Ed is worried because Nadine wants to start dating boys and, since she’s She-Hulk now, Ed worries that Nadine could kill them with her sex drive.  Doctor Hayward suggests that Ed tell her to be home by 9:00 on school nights.  I could be wrong but I don’t think Doctor Hayward is taking Nadine’s condition very seriously.

Doctor Hayward is actually more concerned about Donna, who took the van that morning to go see James.  Ed explains that Donna is taking James some money, presumably all twelve of the dollars that were in James’s bank account.

After the doctor leaves, Norma (Peggy Lipton) sits down across from Ed.  She says that Hank is in the hospital.  He says that a tree fell on him but Ed tells her that Nadine actually beat him up.  Norma is happy because, once Hank gets out of the hospital, he will be going back to prison for violating his parole.

At the sheriff’s station, Cooper and Harry are staring at the chess board that Windom Earle placed in front of the dead man.  Cooper explains that he and Earle played a game of chess every day for three years.  Earle thought that all the answers to life’s mysteries could be found in the game of chess.

Cooper explains that Windom Earle was his first partner.  Everything that he learned about the law and the bureau he learned from Windom Earle.  Cooper tells the story (the same one that he told Audrey earlier) of how, four years ago, he fell in love with a woman named Caroline who was a material witness to a federal crime and how, when she was attacked, Cooper was not prepared and could not save her life.  Cooper adds the detail that she was stabbed, in the same way as the vagrant.  Cooper also reveals that Caroline was Windom Earle’s wife.

Donna (Lara Flynn Boyle) arrives at a bar called Wallies, looking for James.  James is not there but Evelyn is.  “You look like someone who needs help,” Evelyn says.  When Donna says she’s looking for James, Evelyn says that James did some work for her and then left for Mexico.  Donna leaves, presumably taking James’s twelve dollars with her.

At the Great Northern, Dr. Jacoby (Russ Tamblyn), Audrey, and Jerry (David Patrick Kelly) watch as Ben continues to play with his little army men.  Ben thinks that Jerry is General J.E.B. Stuart.  Ben assures everyone that they are marching forward and only God can stop them.  “The almighty is a Southerner,” Ben declares.  Dr. Jacoby explains that if Ben can reverse the defeat of the Confederacy then he will also reverse his own recent mental defeats.  Jacoby and Ben start to sing Dixie.

At the sheriff’s station, Major Briggs stumbles in, says that he needs to see Harry, and then collapses.

When he comes to, Major Briggs explains to Harry and Cooper that, when his superiors questioned him about his disappearance, they exhibited a degree of “intolerance and suspicion” that apparently left Briggs feeling traumatized.  Briggs goes on to explain that, during his disappearance, he believes that he was taken to the White Lodge.  Briggs goes on to say that there will be much trouble ahead.  “I will return,” Briggs says, “but until that time, I will be in the shadows if you need me.”

As Briggs leaves, Andy enters the office and tells Cooper and Harry that he needs to show them something.  He leads them to the conference room, where Dr. Jacoby announces that he has spent the last few hours talking to Lana Milford (Robyn Lively) and he has found no evidence of her being crazy or cursed.  There is no way that Lana is responsible for Dougie’s death, Jacoby says.  Jacoby goes on to say that Lana has a heightened sexual drive and skills that few men could ever hope to experience.  Jacoby announces that he and Lana are going to go bowling but, as soon as they step out of the office, they run into Mayor Milford (John Boylan), who was a rifle and who demands that nobody move.

The Mayor wants blood but Cooper has a solution.  He takes the rifle and then locks Milford and Lana in the conference room together.  After a few minutes, Lana and the Mayor are in love and talking about adopting a child.

At the Martell house, Pete (Jack Nance) tells Catherine (Piper Laurie) that they forgot to pick up the hot dogs.  Catherine is more interested in telling Pete the true story of how she survived the fire and marshaled the resources to defeat Ben.  She reveals that her brother (and Josie’s husband), Andrew Packard (Dan O’Herlihy), is not actually dead and he’s sitting in the study.  Andrew explains that he and Catherine faked his death in a boating accident because a contract had been taken out on Andrew’s life by Andrew’s former business partner, Thomas Eckhardt.  Catherine also reveals that Josie works for Thomas Eckhardt and that Eckhardt will be returning to Twin Peaks to rescue her from having to work as Catherine’s maid.

At the exact same time, Thomas Eckhardt (DAVID WARNER!) and his assistant, Jones (Brenda Strong), are checking into the Great Northern.

At the sheriff’s station, Lucy is sick of both Andy and Dick (Ian Buchanan) so she brings Doctor Hayward in to talk to both of them.  Doctor Hayward explains that he called the orphanage and that Nicky is no murderer.  Nicky’s mother was a chamber maid at the Great Northern and his father was a man who fled back to Canada following the back alley assault that led to Nicky’s conception.  Hayward explains that Nicky’s mom died in childbirth.  Nicky was adopted by a loving couple who died in an icy car crash.  Six year-old Nicky heroically attempted to pull his adoptive parents to safety but failed.  Andy and Dick both start to cry.

Harry gets an alert from Seattle, telling him that the man who Josie left with, the one who Josie claims that she merely escaped from, has been found murdered.  Since Cooper is now a deputy, Harry orders Cooper to find out if Josie killed him.  For once, Harry gets to order Cooper around.

At the Marsh house, James is packing his stuff when Evelyn comes in and swears the she is in love with him.  Evelyn says that there’s been an accident and Jeffrey’s dead.  James immediately figures out that Evelyn killed her husband and set him up to take the fall.  Evelyn says that it was Malcolm’s idea and that Malcom isn’t really her brother.  As the police arrive outside, Evelyn tells James to run and go find “that young girl who loves you.”

As James tries to sneak out of the house without being spotted by the cops, he runs into Donna, who is hiding behind a tree.  They run off while Evelyn talks to the police.

In the woods, a dazed and confused Leo comes across a cabin.  Inside the cabin, a man (Kenneth Welsh) plays a flute and invites Leo to enter.  The man sits down in front of a chess board and introduces himself as Windom Earle.

End credits.

This episode shares the same flaws as a lot of season 2.  There are a lot of good scenes, like Leo menacing Shelly and Bobby or the introduction of Windom Earle, but there are also scenes that are just too cartoonish, like anything involving the Mayor and Lana.  This episode was the first and only episode to be directed by German director Uli Edel and he does a pretty good job, putting his own unique spin on the show’s signature style.

Tomorrow: “Slaves and Masters,” in which Cooper gets unexpected help in his chess game against Windom Earle.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland