TV Review: Twin Peaks 2.15 “Slaves and Masters” (dir by Diane Keaton)


“Get a life, punk!”

— Albert Rosenfield (Miguel Ferrer) in Twin Peaks 2.15 “Slaves and Masters”

Well, it had to happen some time.

We have reached the “Slave and Masters” episode of Twin Peaks.  Judging from what I’ve read online, most fans seem feel that this episoode was the worst in the show’s history.  Myself, I don’t know whether it is or isn’t.  I’m writing this introduction before watching the episode.  I guess I’ll know soon enough.

Interestingly enough, this episode was directed by actress Diane Keaton.  When I first saw Keaton’s name listed as director, I assumes that she must have been a fan of the show and that she lobbied for the chance to direct an episode.  However, according to Relections: An Oral History of Twin Peaks by Brad Dukes, the opposite was true.  While the cast all liked and respected Keaton as a director, there was also a feeling that she didn’t seem to actually know much about the show.  Considering that the show had suffered a severe ratings decline during the 2nd season, it seems probable that Keaton was hired to direct in an attempt to generate some new interest in the once hot show.

If that was the plan, it didn’t work.  Apparently, the ratings for this episode were so low that Twin Peaks was put on hiatus a week after it aired.  It was only due to a letter-writing campaign that ABC decided to air the last six episodes of the season.  In short, it can be argued that this episode was truly the beginning of the end for Twin Peaks‘s original network run.

So, with all that in mind, let’s take a look at the 23rd episode of Twin Peaks, “Slaves and Masters.”

As always, we begin with the haunting opening credits and Angelo Badalamenti’s lushly romantic (yet ominously threatening) score.  The mood has been set.  We have returned to the world of Twin Peaks.

After the credits, we immediately cut to a close-up of a chess board.  In slow motion, the camera glides over all of the pieces.  The Queen, The pawns, the King, the Bishop, the little horsey guy.  (I don’t know much about chess, sorry.)

Suddenly, we’re no longer looking at chess pieces.  Instead, the camera is panning up the legs of Evelyn Marsh (Annette McCarthy), who is dressed in black and even wearing a black veil and — OH MY GOD, HAS THIS STORYLINE NOT BEEN RESOLVED YET!?  Seriously, when people talk about Season 2 not being as inspired as Season 1, they’re talking about this half-assed film noir rip-off that James (James Marshall) rode into after he hopped on his motorcycle and left Twin Peaks.  From the minute that Evelyn first showed up, I knew exactly what was going to happen with her, James, and her husband.  Much like the whole Audrey kidnapping subplot, the Evelyn Marsh subplot should not have lasted any longer than an episode and a half.  Instead, it’s still going on!

Anyway, the cops are talking to Evelyn and Malcolm (Nicholas Love) about how someone might have killed her husband.  Malcolm is quick to blame James but Evelyn seems a little bit more conflicted about it.  There is a funny moment when Malcolm says that James was hired to fix the Jaguar and the cop can’t figure out how to spell Jaguar.  That made me laugh but, otherwise, this whole scene felt predictable and unnecessary.

Meanwhile, at Wallie’s Bar, a dozen cops are sitting at the bar, smoking cigars and listening to opera music.  (Weird image is weird but it’s just weirdness for the sake of weirdness.)  James and Donna (Lara Flynn Boyle) are in a corner of the bar.  Donna says that they need to get help but James is all like, “I don’t need nobody!”  He says that Malcolm framed him and that he just needs to talk to Evelyn.

Donna goes to call Ed but ends up having to talk to Nadine instead.  Though we only hear Donna’s side of the conversation, it sounds like Nadine is talking about her new boyfriend.  If her new boyfriend is Mike (Gary Hershberger) than that means that Nadine is now dating Donna’s ex and yet, Donna seems to be remarkably okay with that.

Back at the Sheriff’s station, Harry (Michael Ontkean) and Cooper (Kyle MacLachlan) are interrogating Bobby (Dana Ashbrook) and Shelly (Madchen Amick).  Bobby wants to know why Harry and Cooper aren’t making more of an effort to track down Leo.  Cooper asks Bobby about the night that the mill burned down.  Bobby lies and says that Hank Jennings shot Leo.

Harry says that he’ll have some deputies watch the house.  Bobby claims that he’s all the protection that Shelly needs.  (For some reason, Bobby is acting like a methhead in this scene.)  When Bobby and Shelly leave, they pass Albert Rosenfield (Miguel Ferrer), who takes one look at Bobby and shouts, “Get a life, punk!”

(We love you, Albert!)

After giving Harry an out-of-character bear hug (but that’s okay because I like it when dudes hug it out), Albert explains that he’s been sent to Twin Peaks by Gordon Cole.  He has brought with him a picture of Windom Earle, in which Windom looks like an extra in a 1930s gangster movie.  He also brings the news that Windom has been mailing different pieces of clothing to police agencies across the country.

Windom has mailed:

1. A white veil

2. A garter

3. A pair of white slippers

4. A peal necklace

5. A wedding dress

Oh my God, I said as Albert listed the items, Windom Earle is marrying Pippa Middleton!

Cooper says that the clothing belonged to Windom’s dead wife (and Cooper’s ex-lover), Caroline.  Albert says that Windom is definitely making his move and then says that Cooper looks good in the muted earth tones of a flannel shirt.  That was nice of Albert.

Meanwhile, in his cabin, Windom Earle (Kenneth Welsh) plays a flute while Leo (Eric Da Re) lies on the floor.  (I have to be honest that these cabin scenes between Windom and Leo made me think about Peter Boyle burning down Gene Hackman’s hut in Young Frankenstein.)  Once Leo wakes up, Windom — who was previously described as having a mind like a diamond, cold and precise — starts acting like a Satanic little wood sprite.  He jumps around the cabin.  He says a lot of evil quips.  He beats Leo with a flute and then reveals that he’s placed a collar around Leo’s neck.  Windom can electrocute Leo whenever he feels like it.  Windom forces Leo to eat gruel while Windom pretends to be a kitty cat.  “Purrrr,” he says.

(Windom’s a genius so why is he acting like a sadistic towel manager?)

We cut to Ed (Everett McGill) laying in bed with Norma (Peggy Lipton) and talking about how it’s been twenty years since they first fell in love.  They agree that it’s sucked not being together.  Suddenly, they hear Nadine (Wendy Robie) arriving home.  Norma starts to leave but Ed says, “No, no.  We may as well talk to her now.”  Sure, Ed — have this conversation with Nadine while you and Norma are laying in bed in your underwear.  That’ll really avoid any hurt feelings.

Suddenly, Nadine rips the bedroom door off of its hinges.  She comes into the room, carrying a wrestling trophy, and then jumps into bed with Ed and Norma.  Nadine apologizes for beating up Hank and then says that she knows about the two of them.  Nadine says it’s okay because she’s in love with Mike now.

Cut to the Martell house, where Harry and Cooper are talking to Josie (Joan Chen) about what happened to her in Seattle.  Josie says she doesn’t know who killed Jonathan.  Harry begs Josie to tell him the truth.  Out of nowhere, a surprisingly cheerful Cooper announces, “I think I’ll get another cup of Joe!”

(Somewhere, Joe Biden looks up and says, “Oh my God, they’re talking about me in an old episode of Twin Peaks!”  No, Joe, they’re not.  Sorry.  Maybe later.)

While Cooper’s getting more coffee, Pete (Jack Nance) stumbles in.  He has picked up the dry cleaning and can barely see above all of the clothes that he’s holding.  He and Cooper do that thing where, instead of being smart and putting the clothes somewhere first, they stand around and attempt to have a conversation, despite the fact that Pete is about fall over backwards.  When the phone rings, Pete gives the clothes to Cooper and now its Cooper’s turn to struggle to remain standing.  Eventually, Cooper puts the clothes on a chair (was that so hard!?) and then picks one thread off of a jacket.

Speaking of Josie, the phone call was for her.  It turns out that the call is from Thomas Eckhardt (David Warner) and he is wondering if he and Josie could get together.  Thomas reveals that he is responsible for Jonathan’s death.

After hanging up the phone, Thomas and his assistant, Jones (Brenda Strong), stare at a black trunk.

Meanwhile, Ben Horne (Richard Beymer) is apparently still convinced that he’s a Civil War general because he’s talking to Dr. Jacoby (Russ Tamblyn) about Stonewall Jackson.  Much like all that stuff with Evelyn Marsh, this is a plotline that should have been resolved after an episode and a half.  Instead, it’s been dragged out way past the point of being amusing.  The Ben-Goes-Crazy storyline is the epitome of how Season 2 abandoned surrealism in favor of just being weird for the sake of being weird.

It turns out that Ben and Jacoby have an audience.  Audrey (Sherilyn Fenn) and Jerry (David Patrick Kelly) are listening.  Johnny Horne (Robert Bauer) is rocking back and forth while wearing a Native American headdress.  And there’s a few members of the Hotel Staff, who have been transformed into some sort of marching band.

While Ben rants in his really crummy Southern accent, Jerry and Audrey leave the office.  Audrey is worried about her father but Jerry seems to be fairly indifferent.  (Needless to say, this goes against everything that we’ve previously seen about Jerry and his relationship with Ben.)  Audrey points out that, conveniently enough, she is set to inherit the entire Horne business empire if anything happens to Ben and that Jerry better do what she says or she’ll cut him off.

Audrey returns to Ben’s office, where Dr. Jacoby looks perplexed.  Audrey walks up to him and says she wants her father to turn back to normal. Jacoby says that he’s got it all taken care of.  Bobby shows up, dressed like a Confederate soldier.  Ben sings Dixie.  Can this storyline just end, please!?

Meanwhile, at Walli’s, Evelyn is still dressed in black.  Though the bar appears to be closed (there are chairs on the tables and everything), Evelyn is drinking.  Suddenly, Donna walks up to her.  Why is Donna still there?  How much school can you miss in Twin Peaks?  Why are Evelyn and Donna both hanging out in a bar that appears to be closed?

Suddenly, the bartender wanders by, lingering just long enough for Evelyn to order Donna a drink, “one that has a little umbrella in it.”  Okay, is this bar closed or open?  If it’s open, why are the tables covered in chairs?  This stuff is confusing, especially for a non-drinker like me.

Anyway, Donna gets mad when Evelyn says that she won’t help James.  Evelyn explains that life is crap.  (Her words.)  Suddenly, Malcolm (Nicholas Love) shows up and tells Evelyn to go home.  He then threatens Donna and Donna reacts by yelling and then crying.

Back at the station, Albert reveals that the thread that Cooper found was from the carpet outside of Cooper’s hotel room.  Apparently, this proves that it was Josie who shot Cooper at the end of Season 1.  Bad Josie!

After swearing Albert to secrecy, Cooper heads to Harry’s office, where Harry is playing darts.  Harry tells Cooper that the dead vagrant has been identified as being Eric Powell, a former member of the Merchant Marines.

“Powell was Caroline’s maiden name!” Cooper says.

Cooper says that this is all a big chess game to Windom.  Harry says that, if Cooper needs a chess expert, they have one of the best right in town.  And his name is Pete Martell!

At the diner, Pete shows of his mad chess skills by playing and winning four games at once.  Cooper is impressed and invites Pete to help him play Windom’s chess game.  Pete better be good because, every time that Cooper loses a piece, Windom is going to kill an innocent person.

Shelly walks into the diner and asks Norma if she needs any help.  Norma hires her back.  Then Harry shows up and says that he needs to talk to Norma.  They slip into the kitchen where Harry explains that Hank is going away for a long time.  Norma’s okay with that but I’m not.  Hank may be a sociopath but he’s hella charming.

That night, Thomas shows up at the Martell house, where he is greeted by Catherine (Piper Laurie).  Thomas appears to be slightly surprised by the sight of Josie in her maid’s uniform.  Thomas and Catherine drink wine, eat dinner, and discuss art and killing.  It quickly becomes apparent that Thomas has shown up to take Josie and that Catherine is more than willing to allow him to do that, for a price.

Meanwhile, at the Marsh house, Evelyn is stunned when James shows up in the living room and demands to know why Evelyn killed her husband and attempted to frame him.  James says that it was hella lame to manipulate him with everything that he’s been going through.  Evelyn confesses to everything.  She says that she set James up.  She says she did it for the money and also just because she felt like doing it.

Suddenly, Malcolm barges into the room and knocks James out.  Malcolm says that they can now kill James and claim that it was self-defense.   And you know what?  He has a point.  Bye, James.

Meanwhile, Ben and the gang recreate another Civil War battle.  This whole Civil War subplot is so freaking stupid that I don’t even feel like talking about it anymore.  While pretending to be General U.S. Grant, Dr. Jacoby announces that he’s surrendering.  Having won the Civil War, Ben proceeds to faint.  When he wakes up, Ben says that he had the strangest dream about being a general during the Civil War.  He even does the whole “And you were there …. and you … and you!” thing.  Anyway, Ben appears to be back to normal.

At the cabin, Windom is putting on a disguise.  He continues to torment Leo with the electroshock collar.

At the Marsh mansion, James is still unconscious on the floor while Malcolm and Evelyn look down on him.  Donna watches from outside the window.  When Malcolm repeats that they can kill James and make it look like self-defense, Donna runs into the living room and screams, “NO!”

As Evelyn watches Donna cry over a motionless James, she stands up.  Uh-oh, she’s got a gun.  Evelyn shoots Malcolm and then says that she’ll frame Malcolm for her husband’s death though I don’t think it’ll be that difficult a frame-up because Malcolm is actually guilty.

At the Great Northern, Cooper walks down a hallway and stops in front of an elevator.  He looks at a picture of Caroline that he has in his wallet.  As he does this, a poorly disguised Windom Earle steps off the elevator.  Windom goes to the front desk an drops off a note for Audrey.  (Oh, goddamnit, is this going to be the start of yet another Audrey-gets-kidnapped storyline?)  He also notices several postcards that all feature owls.  “Owls,” he says.

Cooper arrives back at his room.  He finds a white mask on his bed.  Windom Earle has been there and he’s left a taunting message.  The episode ends with Windom’s line: “It’s your move.”

Agck!

As for this episode, it definitely felt a bit off.  The main problem is that it focused on two largely uninteresting subplots — Evelyn Marsh and the Civil War — and portrayed Windom Earle as so cartoonishly evil that it’s hard to believe that he could also be the villainous mastermind that Cooper’s spent the last few episodes describing.  It was a weak episode but at least it finished off the whole Evelyn Marsh thing.

Always look on the bright side of life.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland

 

 

 

TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel)


Welcome back to Twin Peaks!

Last episode, Major Briggs (Don S. Davis) returned from the land of missing and brought with him a tale of the White Lodge.  Ben Horne (Richard Beymer) obsessed over the Civil War.  James Hurley (James Marshall) found himself trapped in a second-rate film noir.  Jean Reanult (Michael Parks) was finally killed but, when Cooper (Kyle MacLachlan) and Harry (Michael Ontkean) returned to the sheriff’s station, they discovered that someone had left them a present: a dead man sitting in front of a chess board.

Things start with the station still in darkness.  Doctor Hayward (Warren Frost), Harry, and Cooper are looking over the dead man’s body.  The first thing that they discover is that a chess pawn has been stuffed in his mouth.  When Cooper correctly guesses that the dead man will have a stab wound in his chest, severing the aorta, Harry deduces that this is not the first time that Cooper has seen something like this.

Cooper says that he knows that his former partner, Windom Earle, is responsible.  He guesses that the victim was a vagrant who was offered a lift by Earle.  (In reality, the victim was played by Craig MacLachlan, brother of Kyle.)  Earle stabbed the man and then set off the explosion in the woods.  When everyone was distracted, Earle carried the body into the station.  “Windom Earle has been in this room,” Cooper says, “I can still feel his presence.”

At the Great Northern, Audrey (Sherilyn Fenn) makes a deal with Bobby (Dana Ashrbook).  She wants Bobby to help her bring her father back from “limbo land.”  “From now on, Bobby,” Audrey says, “I’m the one you suck up to.”

“What about Shelly?” Bobby asks.

“What about Shelly?” Audrey replies.

Speaking of Shelly, she is in trouble because Leo (Eric Da Re) has suddenly woken up and now she’s trapped in a dark house, with no power and a very angry husband.  Fortunately, Bobby arrives home right when Leo is about to attack Shelly with an axe.  When Leo attacks Bobby instead, Shelly stabs Leo in the leg with a kitchen knife.  Like an unmasked Jason Voorhees, the wounded Leo staggers off into the woods while Bobby and Shelly embrace.

The next morning, back at the station, Cooper watches as the body is wheeled away.  Harry gives Cooper a cup of coffee and tells Cooper that, until he is reinstated in the FBI, he is still a deputy.  “If you want this case,” Harry says, “it’s yours.”

Out in the front lobby, Andy (Harry Goaz) tells Lucy (Kimmy Robertson) that he has to talk to her about Nicky.  Andy explains that he and Dick have been doing some detective work and they think that Nicky may have murdered his parents.

“He’s nine years old,” Lucy says.

“We know,” Andy nods, “we think he was six at the time of the crime.”

Lucy is not amused.

At the Marsh place, James is working on another one of classic cars when Jeffrey Marsh (John Apicella) walks up and introduces himself.  He says that he’s envious of James’s carefree lifestyle.  He says that he’d love to talk to James about the cars later in the day but James says that he should probably be moving on.  Evelyn (Annette McCarthy) walks up and says that she is sure that she can find all sorts of things for James to do around the house.  James walks back inside the garage and Jeffrey drives away in the car that James just finished working on.  As Evelyn looks off in the distance, there is the sound of screeching tires and a car crash.

At the diner, Ed (Everett McGill) is having a cup of coffee of Doctor Hayward.  Ed is worried because Nadine wants to start dating boys and, since she’s She-Hulk now, Ed worries that Nadine could kill them with her sex drive.  Doctor Hayward suggests that Ed tell her to be home by 9:00 on school nights.  I could be wrong but I don’t think Doctor Hayward is taking Nadine’s condition very seriously.

Doctor Hayward is actually more concerned about Donna, who took the van that morning to go see James.  Ed explains that Donna is taking James some money, presumably all twelve of the dollars that were in James’s bank account.

After the doctor leaves, Norma (Peggy Lipton) sits down across from Ed.  She says that Hank is in the hospital.  He says that a tree fell on him but Ed tells her that Nadine actually beat him up.  Norma is happy because, once Hank gets out of the hospital, he will be going back to prison for violating his parole.

At the sheriff’s station, Cooper and Harry are staring at the chess board that Windom Earle placed in front of the dead man.  Cooper explains that he and Earle played a game of chess every day for three years.  Earle thought that all the answers to life’s mysteries could be found in the game of chess.

Cooper explains that Windom Earle was his first partner.  Everything that he learned about the law and the bureau he learned from Windom Earle.  Cooper tells the story (the same one that he told Audrey earlier) of how, four years ago, he fell in love with a woman named Caroline who was a material witness to a federal crime and how, when she was attacked, Cooper was not prepared and could not save her life.  Cooper adds the detail that she was stabbed, in the same way as the vagrant.  Cooper also reveals that Caroline was Windom Earle’s wife.

Donna (Lara Flynn Boyle) arrives at a bar called Wallies, looking for James.  James is not there but Evelyn is.  “You look like someone who needs help,” Evelyn says.  When Donna says she’s looking for James, Evelyn says that James did some work for her and then left for Mexico.  Donna leaves, presumably taking James’s twelve dollars with her.

At the Great Northern, Dr. Jacoby (Russ Tamblyn), Audrey, and Jerry (David Patrick Kelly) watch as Ben continues to play with his little army men.  Ben thinks that Jerry is General J.E.B. Stuart.  Ben assures everyone that they are marching forward and only God can stop them.  “The almighty is a Southerner,” Ben declares.  Dr. Jacoby explains that if Ben can reverse the defeat of the Confederacy then he will also reverse his own recent mental defeats.  Jacoby and Ben start to sing Dixie.

At the sheriff’s station, Major Briggs stumbles in, says that he needs to see Harry, and then collapses.

When he comes to, Major Briggs explains to Harry and Cooper that, when his superiors questioned him about his disappearance, they exhibited a degree of “intolerance and suspicion” that apparently left Briggs feeling traumatized.  Briggs goes on to explain that, during his disappearance, he believes that he was taken to the White Lodge.  Briggs goes on to say that there will be much trouble ahead.  “I will return,” Briggs says, “but until that time, I will be in the shadows if you need me.”

As Briggs leaves, Andy enters the office and tells Cooper and Harry that he needs to show them something.  He leads them to the conference room, where Dr. Jacoby announces that he has spent the last few hours talking to Lana Milford (Robyn Lively) and he has found no evidence of her being crazy or cursed.  There is no way that Lana is responsible for Dougie’s death, Jacoby says.  Jacoby goes on to say that Lana has a heightened sexual drive and skills that few men could ever hope to experience.  Jacoby announces that he and Lana are going to go bowling but, as soon as they step out of the office, they run into Mayor Milford (John Boylan), who was a rifle and who demands that nobody move.

The Mayor wants blood but Cooper has a solution.  He takes the rifle and then locks Milford and Lana in the conference room together.  After a few minutes, Lana and the Mayor are in love and talking about adopting a child.

At the Martell house, Pete (Jack Nance) tells Catherine (Piper Laurie) that they forgot to pick up the hot dogs.  Catherine is more interested in telling Pete the true story of how she survived the fire and marshaled the resources to defeat Ben.  She reveals that her brother (and Josie’s husband), Andrew Packard (Dan O’Herlihy), is not actually dead and he’s sitting in the study.  Andrew explains that he and Catherine faked his death in a boating accident because a contract had been taken out on Andrew’s life by Andrew’s former business partner, Thomas Eckhardt.  Catherine also reveals that Josie works for Thomas Eckhardt and that Eckhardt will be returning to Twin Peaks to rescue her from having to work as Catherine’s maid.

At the exact same time, Thomas Eckhardt (DAVID WARNER!) and his assistant, Jones (Brenda Strong), are checking into the Great Northern.

At the sheriff’s station, Lucy is sick of both Andy and Dick (Ian Buchanan) so she brings Doctor Hayward in to talk to both of them.  Doctor Hayward explains that he called the orphanage and that Nicky is no murderer.  Nicky’s mother was a chamber maid at the Great Northern and his father was a man who fled back to Canada following the back alley assault that led to Nicky’s conception.  Hayward explains that Nicky’s mom died in childbirth.  Nicky was adopted by a loving couple who died in an icy car crash.  Six year-old Nicky heroically attempted to pull his adoptive parents to safety but failed.  Andy and Dick both start to cry.

Harry gets an alert from Seattle, telling him that the man who Josie left with, the one who Josie claims that she merely escaped from, has been found murdered.  Since Cooper is now a deputy, Harry orders Cooper to find out if Josie killed him.  For once, Harry gets to order Cooper around.

At the Marsh house, James is packing his stuff when Evelyn comes in and swears the she is in love with him.  Evelyn says that there’s been an accident and Jeffrey’s dead.  James immediately figures out that Evelyn killed her husband and set him up to take the fall.  Evelyn says that it was Malcolm’s idea and that Malcom isn’t really her brother.  As the police arrive outside, Evelyn tells James to run and go find “that young girl who loves you.”

As James tries to sneak out of the house without being spotted by the cops, he runs into Donna, who is hiding behind a tree.  They run off while Evelyn talks to the police.

In the woods, a dazed and confused Leo comes across a cabin.  Inside the cabin, a man (Kenneth Welsh) plays a flute and invites Leo to enter.  The man sits down in front of a chess board and introduces himself as Windom Earle.

End credits.

This episode shares the same flaws as a lot of season 2.  There are a lot of good scenes, like Leo menacing Shelly and Bobby or the introduction of Windom Earle, but there are also scenes that are just too cartoonish, like anything involving the Mayor and Lana.  This episode was the first and only episode to be directed by German director Uli Edel and he does a pretty good job, putting his own unique spin on the show’s signature style.

Tomorrow: “Slaves and Masters,” in which Cooper gets unexpected help in his chess game against Windom Earle.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland

TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland)


Welcome back to Twin Peaks!

This episode starts with Major Briggs (Don S. Davis) explains what happened the night that he disappeared.  He says that he remembers “stepping from the flame, seeing a vague shape in the darkness, and then nothing until I found myself standing next to the cooled remains of our campfire the next morning.”  While Briggs is saying this, he’s sitting on a stone throne in the middle of what appears to be a lush rain forest.  Briggs says that hypnotism will not help him conquer his amnesia because his memories are “immune to regression.”  He does, however, remember seeing a giant owl.

Suddenly, Briggs is in the conference room at the sheriff’s office, describing the owl to Cooper (Kyle MacLachlan), Doctor Hayward (Warren Frost), and Harry (Michael Ontkean).  Harry asks Briggs what exactly his work involves.  Briggs replies that information is classified but some information has to be revealed for the good of the soul.  Briggs asks if they are familiar with Project Blue Book, the Air Force investigation into UFOs.  Briggs explains that Project Blue Book was officially disbanded in 1969 but it still continues in an unofficial capacity.  Briggs says that they are looking for a place called “The White Lodge.”

At that exact moment, two MPs step into the room and announce that they have arrived to take the major back to the base.  “Colonel O’Reilly’s orders,” they say.  (Colonel O’Reilly or The Cigarette Smoking Man?)  Despite Harry’s objections, Briggs leaves with the MPs.

In another office, Denise (David Duchovny, who would later continue the work of Project Blue Book in Twin Peaks‘s spiritual successor, The X-Files) is pressuring Ernie (James Booth) to make the call to Jean Renault.  Cooper comes in and eats doughnut while Ernie finally makes the call.

(This episode was directed by Todd Holland, who also directed several episodes of another show famous for its David Duchovny guest spots, The Larry Sanders Show.)

With the call having been made, Cooper checks with Lucy (Kimmy Robertson), who says that she checked all of the personal ads in all of the national newspapers that Cooper listed and she did not find any mention of Windom Earle or any chess moves.

At the diner, Ed (Everett McGill) gives Norma (Peggy Lipton) a five dollar tip and also slips her a note telling her that they need to talk.

At the Johnson house, Leo (Eric Da Re) is still spitting up on Shelly (Madchen Amick) and Shelly is still complaining to Bobby (Dana Ashbrook) about having to do all the work.  Bobby tells Shelly that she is looking at Ben Horne’s new apprentice and that he has better things to do than hang out with her and give Leo bubble bath.  Shelly slaps him.  Bobby leaves.

As the Marsh house, James (James Marshall) finally calls Ed and lets him know that he’s okay.  James says that he needs a favor.  As Evelyn (Annette McCarthy) listens, James says that he needs Ed to get all of the money out of his savings account.

“That’s only $12, James,” Ed says.

Once James has arranged to receive all twelve of his dollars, Evelyn asks him to tell her about his life in Twin Peaks.  James talks about Laura and, how after she died, he felt as if she had stolen his life.  James and Evelyn kiss and James notices that Evelyn is wearing sunglasses to hide a bruise on her face.  Evelyn tells James that she needs his help.

Back at the diner, Nadine (Wendy Robie) sits down at the counter next to Mike (Gary Hershberger) and asks him if he wants to share a piece of cherry pie with her.  “Oh Lord!” a horrified Mike shouts.  Mike explains that he wants nothing to do with Nadine.  He doesn’t want to talk to her.  He doesn’t want to walk with her.  He doesn’t want to see her.

Nadine replies with, “Mike Nelson, you are the handsomest boy I know and I would really like it if you and I could go out on a date.”  She kisses him, leaving Mike stunned.

After being questioned by a suspicious Hank (Chris Mulkey), Norma leaves to see Ed.

Harry comes to the Martell house and demands to know why Josie (Joan Chen) did not move into his place and why she is working as Catherine’s maid.  Josie says she is no good for Harry.  Harry disagrees and soon, they’re kissing as passionately as Nadine tossing a teenager at wrestling practice.

At the Great Northern, Audrey (Sherilyn Fenn) discovers Ben (Richard Beymer) on the floor of his office,  wearing a gray Confederate uniform and recreating the Civil War with miniature army men.  Ben explains that a war has broken out between the States and that he can not do anything until the war is over.

Norma arrives at the Hurley house and tells Ed that he is the last thing she thinks of before she goes to bed and the first thing that she thinks of when she wakes up.  She wants to be with him.  Ed has no problem with that.

At the Sheriff’s station, Cooper and Harry watch as Hawk (Michael Horse) gets Ernie wired up for his meeting with Jean Renault.  Ernie talks about serving in the Korean War.  Cooper tells him to focus on the here and now and they talk about how they’re going to set up Jean Renault.  Cooper says that he wishes he could take part in the operation but he’s been suspended by the FBI.  Harry deputizes Cooper.  Denise steps into the office and is now wearing a suit.  “You can call me Dennis,” he announces.

Andy (Harry Goaz) and Dick (Ian Buchanan) are breaking into an orphanage, searching for information on Little Nicky’s parentage.  Dick finds Nicky’s file but then a happy couple step into the office.  They are the Burnstons and they have arrived to see Donnie, the child that they will be adopting.

“Where is Donnie?” Mr. Bursotn asks.

“Little Donnie is dead,” Dick replies.  “Dead-tired, I mean!  I’m afraid Little Donnie isn’t feeling up to snuff.”

Andy suggests that maybe they should leave but Dick insists on “helping out these nice people.”

While this is going on, Donna (Lara Flynn Boyle) is knocking on the door of the Hurley house.  When Ed answer, Donna says that she needs his help.  She says that she can’t find James.  Ed says that James has left town but not to worry because he will soon have $12.

Donna leaves and then Norma slips out the back door.  No sooner has Ed finished saying goodbye to Norma then Hank pops up and punches Ed.  Nadine comes home from cheerleading practice, just in time to see Hank beating up Ed.  Since Nadine is now She-Hulk, she has little difficulty beating the crap out of Hank.

At the Great Northern, Ben is discussing Confederate war strategy with Bobby.  Bobby leaves the office and tells Audrey that her father has gone insane.  Audrey says that Dr. Jacoby is going to see Ben tomorrow.  “Don’t worry, baby,” Bobby says, “Bobby’s on the case.”  While they talk, Catherine sneaks past them and enters Ben’s office.  Ben recognizes Catherine and asks if she’s come to gloat.  “Well, go ahead and gloat,” Ben says, “I have defeated General Meade.”  Catherine says that, despite the whole attempted murder/insanity thing, she still loves Ben.

At the Marsh mansion, James reveals that he has fixed Evelyn’s car.  They drink champagne to celebrate.  Evelyn tells James that she can always tell what he’s thinking and then asks him for his plans.  She asks where he will go and James says he doesn’t know.  Evelyn tells him not to leave.  They kiss, with James not realizing that they are being watched by Evelyn’s brother, Malcolm. (Nicholas Love).

Outside of a farmhouse, Cooper watches through a pair of binoculars as Ernie and Dennis talk to Jean Renault (Michael Parks) and Preston King (Gavan O’Herlihy).  Renault notices that Ernie is sweating, like a man wearing a wire.  Ernie explains that he is naturally a heavy sweater.  However, the sweat causes the wire to short circuit and soon, smoke is coming from Ernie’s shirt.

Realizing that Cooper is watching, Renault comes out of the farmhouse, holding Dennis and Ernie as hostages.  He demands that Cooper show himself.  When Cooper steps out from hiding, Renault demands safe passage across the border.  Cooper offers a trade.  If Jean releases Dennis and Ernie, Cooper will agree to take their place as the hostage.  While this goes on, Harry orders Hawk to call in the state police.

That night, at the Marsh mansion, Evelyn leaves behind a sleeping James and goes to Malcom.  “How’s our baby boy?” her brother asks, “Lucky baby boy.  Lucky lucky lucky lucky lucky lucky….”

Back at the hostage standoff, the state police have arrived and even Andy is aiming a gun at the farmhouse.  Inside the farmhouse, King tells Jean that he wants to make a deal and then make a run for it.  Cooper, who has been beaten up, replies that the police will not make a deal and they will not let them run.  Surrender is the only option.

“Okay,” Jean says.  The only question is whether they give up quietly or if they kill Cooper first.

“Then we both die,” Cooper says.

Jean says he doesn’t care if he dies.  He just wants to avenge his two brothers.  He explains that everything was quiet until Cooper showed up.  After Cooper showed up, Bernie was shot in the woods and Jacques was smothered in a hospital.  Jean knows that Cooper did not kill either one of them but he suspects that Cooper brought “the nightmare” with him.  Maybe, Jean explains, the nightmare will stop if Cooper dies.

King says that he doesn’t know what Jean’s talking about but that they have a problem and it has to be solved.  King looks outside and sees a waitress approaching the farmhouse.  Is it Norma?  Could it be Shelley?  No, it’s Denise and, as soon as she entered the farmhouse, she reveals that she has a gun in her garter.  As Denise slams King against the wall, Cooper grabs the gun and kills Jean.

At the Johnson house, Shelly lies on the couch while the power goes on and off.  When Shelly gets up to investigate, she discovers that Leo is not in his bed or his wheelchair.  Instead, Leo’s standing in a corner, smiling at her and saying her name.  Shelly screams as the lights go out.

At the Sheriff’s office, Cooper, Harry, Hawk, and Andy arrive and Lucy tells them that someone called in to say that there was a bomb hidden in the woods.  Then there was a huge explosion and all of the lights went out.  As Hawk goes to turn on the backup generator, Cooper steps into the darkened station.  Using his lighter for illumination, Cooper discovers something.  He calls Harry into the station and tells him to come alone.

In Harry’s office, a dead man (played by Kyle MacLachlan’s brother, Craig) has been propped up in front of Harry’s desk.  On the desk, in front of the man, is a chess game.

Windom Earle has come to Twin Peaks!

This was an okay episode.  I can’t bring myself to care about anything that’s happening with James but “Checkmate” did a good job of wrapping up the Jean Renault plot and setting up the show’s next big storyline, Windom Earle.  Again, I was surprised to see that the whole Nadine goes to high school subplot holds up a lot better than I thought it would.

Tomorrow, I’ll be back with “Double Play,” in which the history of Windom Earle will be revealed!

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson

TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone)


The 10th episode of the 2nd season of Twin Peaks opens with a shot of Laura and Leland Palmer’s pictures on the mantle and a title card telling us that it has been three days since Leland’s death.

At the Palmer house, Mrs. Palmer (Grace Zabriskie) is preparing to bury her husband.  Doctor Hayward (Warren Frost) tries to give her a shot, which she refuses.  Agent Cooper (Kyle MacLachlan) assures her that Leland did not actually kill her daughter.

(It’s interesting to note that this episode was directed by Tina Rathone, whose last episode also featured a funeral.)

At Leland’s wake, the entire cast has shown up and they’ve all brought food.  Nadine (Wendy Robie) is dressed like a 1950s teenager.  Audrey (Sherilyn Fenn) wonders if people are invited to wakes or if they just show up.  Hank (Chris Mulkey) grabs all the food that he can.  Donna (Lara Flynn Boyle) tells Ed (Everett McGill) that James is blaming himself for everything that happened.  Ed promises Donna that James will eventually come back.  Speaking of coming back, Doctor Jacoby (Russ Tamblyn) has finally returned from Hawaii and arrived just in time for the wake.

Cooper tells Harry (Michael Ontkean) and Major Briggs (Don S. Davis) that he has some vacation time coming up so he will be sticking around town for at least a few more days.  The Major invites Cooper to go night fishing.

Twin Peaks’s elderly mayor, Dwayne Milford (John Boylan) throws a swing at his equally elderly brother, Dougie (Tony Jay), the owner of the town’s newspaper.  As Harry and Ed pull them apart, Pete (Jack Nance) tells Cooper that Dougie and Dwayne have had a running feud for over 50 years.  Cooper says he’s really going to miss Twin Peaks.

Fade to commercial.

When the show returns, Ed and Jacoby are at Twin Peaks High School and trying to talk the vice principal (Don Calfa) into admitting 35 year-old Nadine as a member of the senior class.  Nadine runs into the office and tells them to hurry up because class is about to start and she wants to try out for cheerleader.

Cooper is in his hotel room, packing.  Audrey comes in, says that she’s from customer relations, and asks if his stay has been satisfactory.  Audrey asks if Cooper’s just going to leave and break her heart.  Cooper explains that he can’t get involved with anyone who was involved in any of his cases.  Cooper explains that he once fell in love with a material witness.  He was supposed to protect her but, when the attempt was made on her life, he was not prepared and she died in his arms.

At the Johnson house, Bobby (Dana Ashbrook) is trying on Leo’s (Eric Da Re) suit.  Bobby is going to try to convince Ben into giving him a job.  Shelly (Madchen Amick) is already getting bored with her new life.

At the sheriff’s station, Harry walks into his office and finds Catherine (Piper Laurie) waiting for him.

“Hello, Harry,” Catherine says.

“Forgive me for saying so, Catherine,” Harry replies, “but aren’t you dead?”

Catherine shrugs.  She explains that, after the explosion at the mill, she woke up in the woods with no knowledge of how she got there.  She says that a guardian angel must have rescued her.  She spent a week living in the woods, eating only tuna fish.  Harry asks what made her come back.  Catherine says that she ran out of tuna fish.

In the lobby, Dick (Ian Buchanan) tells Lucy (Kimmy Robertson) that he wants to talk about their “bambino.”  Dick says he wants to be a father, he believes the child is his, and that he’s enrolled in parenting classes.  After hiding around the corner and listening to the conversation, Andy (Harry Goaz) walks into the lobby and says that, for the sake of the baby, they should all be friends.  As Andy later explains to Hawk (Michael Horse), the key to Lucy’s heart lies in “morals and manly behaviors.”

Cooper stops by Harry’s office to say goodbye.  Harry gives Cooper a parting gift of a special fishing lure and a Book House Boy patch.  Cooper then says goodbye to Hawk, Andy, and Lucy.  However, the goodbyes are interrupted by the arrival of FBI Agent Roger Hardy (Clarence Williams IIIand Preston King (Gavan O’Herlihy) of the Royal Canadian Mounted Police.

(Long before they both appeared on Twin Peaks, Clarence Williams III and Peggy Lipton co-starred on The Mod Squad.  Gavan O’Herlihy is the son of Dan O’Herlihy.  Best known for playing Conal Cochran in Halloween III, Dan will join the cast of Twin Peaks in one more episode.  As for Gavan, he is probably best known for playing Chuck Cunningham during the first season of Happy Days and getting shot by Charles Bronson in Death Wish II.)

Roger tells Cooper that he has been suspended from the FBI.  Cooper’s raid on One-Eyed Jack’s was a violation of FBI policy because it involved crossing the border into Canada.  Roger says that there are other allegations as well but they’re waiting for the evidence to arrive.  Roger explains that King was involved in a sting operation to capture Jean Renault and that Cooper’s actions screwed it up.  Also, the cocaine that King was using as a part of the operation disappeared after Cooper’s raid.  Roger tells Cooper that he has 24 hours to assemble his defense.

At the Great Northern, Audrey helps Bobby get into Ben’s office but Ben (Richard Beymer) immediately has Bobby tossed out.  Audrey saves Bobby from Ben’s goons.  In order to thank her, Bobby buys Audrey an ice cream cone.  “I like to lick,” Audrey says.

At Twin Peaks High School, Nadine tries out for cheerleader.  Nadine now has Hulk-like super strength now, which she demonstrated by picking up a student and throwing him through the air.

Bobby calls Shelly to tell her about the meeting.  While Shelly talks on the phone about how they have to put Leo in a home, Leo moves forward in his wheel chair.  “He moved!” Shelly says, shocked.

At the diner, Norma (Peggy Lipton) takes the fancy table cloths off the tables and complains to Vera (Jane Greer) about a bad review that the Double R got from the mysterious travel writer, M.T. Wentz.  Vivian reveals that she’s M.T. Wentz and she gave her own daughter’s diner a negative review.  Vera says that she can’t violate her professional ethics.

At One-Eyed Jack’s, Hank and Ernie (James Booth) are chasing women and acting like fools.  Hank is pressuring Ernie to steal Vera’s money.  Ernie says he could never do that, he’s gone straight.  That’s when Hank introduces Ernie to his new employer, Jean Renault (Michael Parks).  Jean is looking for someone to serve as a money launderer and Ernie agrees, bragging that he has set up deals for everyone from the Colombians to the Bolivians.  Jean is pleased and introduces Ernie to his other partner, Preston King of the Royal Canadian Mounted Police.

That night, Harry is woken up by someone knocking on the door to his cabin.  When he opens the door, Josie (Joan Chen), who was supposed to be in Seattle, stumbles in and collapses.

In the woods, Cooper and Major Briggs are camping, roasting marshmallows, and discussing right and wrong.  Briggs says that it is some men’s fate to face great darkness.  Briggs asks if Cooper has ever heard of the White Lodge.  Cooper says he hasn’t but he looks forward to hearing more about it.  Cooper then goes off to relieve himself.  There is a flash of white light.  “Cooper!” Briggs shouts as a hooded man appears in the woods.  Cooper runs back to the camp, just to discover that Briggs has vanished.

This uneven episode finds Twin Peaks struggling to establish an identity after the conclusion of the Laura Palmer storyline.  For me, the highlight was Leland’s wake, which showed Twin Peaks as a community.  Nadine’s adventures in high school may be cartoonish but they hold up better than I thought they would.  Finally, this was the first episode to mention that all-important White Lodge.

Tomorrow, both David Duchovny and Dan O’Herlihy join the cast in Masked Ball.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman

TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter)


“Fire, walk with me!”

— Leland/Bob (Ray Wise) in Twin Peaks 2.9 “Arbitrary Law”

Well, this is it.

This is the episode where the “Who Killed Laura Palmer?” storyline was finally resolved.  So, let’s jump right into it:

Following the haunting opening credits, the show opens with a shot of the dead body of Maddy Ferguson (Sheryl Lee), still wrapped in plastic.  A flashlight shines on her face.  It’s a very disturbing shot, for all the obvious reason.  It is perhaps not a coincidence that this episode was directed by Tim Hunter, who previously directed River’s Edge, an entire movie that revolves around a lifeless body that is dumped next to a river.

This fades into a shot of Cooper (Kyle MacLachlan), Harry (Michael Ontkean), Albert (Miguel Ferrer), and Hawk (Michael Horse).  It’s the morning and they are walking through the woods.  It’s an interestingly framed shot and the fact that it’s done in slow motion gives it a dream-like feel.  It’s as if they’re four gunslingers walking towards some alien version of the O.K. Corral.

Albert is holding the letter “O” that was put underneath Maddy’s fingernail.  Albert tells them what they already know.  The same man who killed Laura also killed Maddy.  White strands of fur, perhaps from a rug, where also found on Maddy’s body.

Harry says that they need to call Maddy’s family.  “Leland should have their number…”

NO, HARRY, LELAND’S THE MURDERER!

Fortunately, Cooper speaks up.  He asks Harry to give him 24 hours so that Cooper can “finish this.”  Albert says that only Cooper knows where he’s going but that he needs to do whatever needs to be done “before this beast bites again.”  Albert has such a way with words.

Cut to a restaurant that I don’t think we’ve seen before.  Donna (Lara Flynn Boyle) is sitting in a booth when James (James Marshall) comes to meet her.  Wait — are Donna and James meeting somewhere other than the Double R or the Roadhouse!?  Well, just stab Norma in the back, why don’t ya?

Anyway, James is all happy because he went for a drive on his motorcycle.  He then gives Donna a ring and says that he just feels that they should be together all the time.  Donna agrees but I have a feeling that this won’t last.

Meanwhile, at the Double R, Norma (Peggy Lipton) is probably wondering where Donna and James are.  She’s also having to deal with Vivian (Jane Greer), who is eating her food and being just as critical as ever.  Norma complains that nothing she does is ever good enough.  Vivian, who is pretty obvious M.T. Wentz, gives Norma advice on how to make the perfect omelette.

Andy (Harry Goaz) eats a slice of pie and keeps repeating “I am a lonely soul,” in French.  Donna and James walk up to him so I guess they were at the diner all the time.  That’s weird because that booth that they were sitting in earlier looked nothing like anything we’ve ever seen in the Double R before.  Anyway, they want to know what Andy’s talking about, like it’s any of their business.  Andy tells Donna that he’s repeating the words of Harold Smith’s suicide note and that, of course, reminds Donna that she’s essentially responsible for Harold killing himself.  Donna says that she needs to find Agent Cooper.

Apparently, she manages to do just that because, in the next scene, Donna is leading Cooper up to the house of Mrs. Tremond.  Fortunately, for all of us who had forgotten, Donna explains that Mrs. Tremond told her about Harold Smith and, also, that Mr. Tremond had a strange grandson who performed magic and said the same French phrase — J’ai une âme solitaire — that Harold used in his suicide note.  Donna says that the note had to be a message.

(Yes, Donna, the message was probably something like, “Someone who pretended to be my friend totally betrayed me and now I’m dead.”)

Reaching the Tremond House, Donna is shocked when the door is answered by a woman that she’s never seen before.  Yes, the woman is named Mrs. Tremond.  No, there is no old woman or little boy living in the house.  However, this Mrs. Tremond does have an envelope that was left in her mailbox on the day that Harold killed himself.  The envelope is addressed to Donna.

And what’s in the envelope?  A page from Laura’s secret diary!

Laura wrote that, on February 22nd, she had a strange dream.  She was sitting in a chair in a red room, with a small man (Michael Anderson) and an old man.  Laura wanted to tell the old man who BOB was but she couldn’t make herself understood.  Cooper realizes that he and Laura had the same dream!  Laura also wrote that BOB was only scared of one man, a man named MIKE.

On February 23rd, Laura wrote, “Tonight is the night that I die.  I know I have to because it’s the only way to keep BOB away from me.”

(If you’re not already totally disturbed by all this, just reminds yourself that Laura is writing about her father.)

Cooper goes to see MIKE (Al Strobel).  Doc Hayward (Warren Frost) is there, which is not surprising since Doc Hayward appears to be everywhere.  He explains that Gerard/MIKE is in pretty bad shape.  Cooper asks how he can find BOB.  MIKE says that Cooper must ask the Giant but he is not clear on just how exactly Cooper can find the Giant.  MIKE tells Cooper that 1) he has all the clues that he needs and 2) Cooper has “so much responsibility.”

Cooper steps out into one of the Great Northern hallways and sees the old waiter (Hank Worden) carrying a tray that has one glass of milk on it.  “I know about you,” the waiter says.  “That milk’ll cool down on you but it’s getting warmer now.”

“Getting warmer now,” Cooper repeats before heading over to Ben’s office.  Harry is in the process of searching Ben’s office and is super excited because he thinks that he’s found more evidence proving Ben’s guilt.   Both Harry and Cooper notice the white fox rug, which would seem to indicate that Maddy was in Ben’s office.

“He killed Maddy here!” Harry says.

As if by magic, Albert pops up and reveals that Maddy died the night before last, between 10 pm and midnight.  “That fits,” Harry said, “we didn’t take Ben in until after midnight…”

Cooper nods but you can tell he’s thinking, “Nope, the Giant would totally disagree with you on this point.”

At the Sheriff’s station, Andy approaches Lucy (Kimmy Robertson) and says he wants to talk about “his” child.  Not now, Andy!  I mean, I think you and Lucy are a cute couple and all but there’s some important stuff going on….

In the holding cell, Ben (Ricard Beymer) is visited by Catherine (Piper Laurie), who is still poorly disguised as a Japanese man.  (So, I guess anyone can just wander around the sheriff’s station whenever they feel like it?)  Not realizing that he’s talking to Catherine, Ben says that he cannot proceed on the Ghostwood Estates deal until he gets a better lawyer and gets out of prison.  Catherine then reveals her painted toenails and says that she intends to make the rest of Ben’s “pathetic existence” miserable.  Ben signs over the mill and Ghostwood Estates to Catherine, hoping that she’ll give him an alibi for the night Laura was murdered.  Catherine says she’ll consider it and then leaves.

(Silly Ben!  You should have signed over the Mill first and then held off on Ghostwood until after Catherine talked to the Sheriff.  Of course, if Twin Peaks took place today, DNA testing would have already gotten Ben out of jail.)

At the Palmer house, Leland (Ray Wise) greets Donna, who is dropping off a tape of a song that she and Maddy did with James.  Donna is wearing a pair of Laura’s old sunglasses.  She also lights a cigarette in the Palmer house.  Donna’s the best!

Anyway, Donna tells Leland about Laura’s secret diary.  Needless to say, Leland is disturbed by the news.  Suddenly, he gets a call from Maddy’s mother.  Maddy hasn’t shown up in Montana.  As Donna listens, Leland says that he took Maddy down to the bus station.

After hanging up, Leland pops a stick of gum in his mouth and announces that Maddy never made it home.  (“That gum you like is going to come back in style.”)  Anyway, Donna is worried but Leland tells her not to worry.  He goes over to a mirror and straightens his tie.  BOB (Frank Silva) stares back at him.

Leland goes to get a glass of lemonade.  When he returns, Donna is staring at all of the pictures of Laura on the mantle.  Leland walks up behind her and — AGCK! — strokes her hair.  He tells her that he knows the “cure for what ails you.”  He puts some cocktail music on the phonograph and, suddenly, we’re no longer seeing Leland.  Instead, we’re seeing BOB and he is pure nightmare fuel.  However, Donna still just sees Leland acting like goofy old Leland.

Leland starts to dance with Donna in the middle of the living room but suddenly, he yanks her close to him and violently embraces her.

The doorbell rings.  Leland goes to answer it, leaving a very shaken Donna.  Fortunately, it’s Harry at the door.  He explains that they need Leland’s help.  There’s been another murder.  Harry says he can’t go into specifics but he needs Leland to go with him.  Leland and Harry leave and Donna is able to make her escape.

Donna meets with James at the park.  (James rides up on his motorcycle and — well, I’ve defended James in the past but here, he just looks like kinda dorky.  Sorry, James.)  Donna tells James that Maddy’s dead.

“I gotta go,” James says, “Nothing matters.  Nothing we do matters.”

Having discovered ennui, James jumps on her motorcycle and leaves Donna behind.

Night rolls in.  Thunder.  Lightning.

At the otherwise deserted Roadhouse, Ben sits in a booth.  Cooper and Albert sit at the bar.  Everything important happens at the Roadhouse, apparently.

Leland, escorted by Harry and Ed (Everett McGill), enters.  After telling Leland that they are going to be meeting someone, perhaps the killer, Cooper has all the tables and chairs cleared off the floor.  While this goes in, Hawk enters with the catatonic Leo (Eric Da Re) and Bobby Briggs (Dana Ashbrook).  Everyone who has been a serious suspect in the murder of Laura Palmer is now in the Roadhouse.

“Hail, hail,” Ben says, “the gang’s all here.”

Cooper then proceeds to do the Agatha Christie thing, announcing that the killer is someone in the room.  He talks about his duty as a member of the FBI.  He seeks simple answer to difficult questions.  (Don’t we all?) Dale says that, after employing all of his other deductive techniques, he is going to try to something new.  “For a lack of a better word,” he says, “magic.”

Suddenly, Major Briggs (Don S. Davis) shows up with the waiter.  Major Briggs says that he was on his way home when the waiter flagged him down and asked for a ride to the roadhouse.

The waiter gives Cooper a stick of gum.  Leland/BOB smiles and says, “I know that gum.  I used to chew it when I was a kid.”

(That’s an interesting line, for many reasons.  Last episode, Jerry wondered how he and Ben had grown up to be who they were.  Leland is now talking about the gum that he used to chew as a child, which presumably would be the same time that BOB was living next door to his summer house.  Throughout Twin Peaks, the innocence and hope of youth is contrasted with the dark secrets of adulthood.)

The waiter tells Leland that the gum is going to come back in style, which leads to several freeze frames.  Time has stopped for everyone but Cooper, who is now seeing the Man from Another Place dancing in the room with the red curtains.  Laura is whispering in Cooper’s ear but this time, he hears what she has to say.  “My father killed me.”  The Giant appears and hands the ring back to Cooper.  The Giant vanishes.

“Ben Horne!” Cooper announces, “I would like you to accompany me back to the station!  You might like to bring along Leland Palmer as your attorney.”

At the station, Ben is forcefully led to down to interrogation.  Leland/BOB follows behind them.  However, once they reach the interrogation room, Harry suddenly shoves Leland into the interrogation room, slamming and locking the door behind him.

Leland/BOB starts to howl like a wild animal while pounding on the walls.  Cooper tells Hawk to release Ben.

“Leland?” a stunned Ben says.

“That’s not Leland,” Cooper says.

Cooper then explains that Laura told him that Leland killed her in a dream.  Always the master of the understatement, Harry says, “We’re going to need stronger evidence than that.”  That’s okay.  Cooper’s sure that he can get a confession.

While Hawk aims a gun at Leland’s head, Cooper interrogates him.  It quickly becomes obvious that Leland is now totally possessed by BOB.  BOB taunts Cooper about something that happened in Pittsburgh and then says that Leland was a good ride but he’s too old and weak now.  BOB says that it’s time to “shuffle off to Buffalo…”

(The implication, throughout both the show and the feature film that followed, is that Leland — as BOB — had been molesting Laura since she was a child.  Since most child molesters were themselves molested as children, the suggestion that BOB used to live next door to Leland would suggest that BOB previously possessed someone who molested Leland.  Twin Peaks has such a reputation for being a “strange” show that I think people overlook just how disturbing its portrait of the “perfect” family truly was.)

Having gotten their confession, Harry, Cooper, and Hawk leave Leland alone in the interrogation room.

Meanwhile, Dick Tremayne (Ian Buchanan) shows up to see Andy and … no, I’m sorry.  I love Andy and Lucy and I enjoy Ian Buchanan’s performance as the hilariously shallow Dick but now is not that time for the baby subplot.  There’s some serious stuff going down with Leland/BOB right now…

(Lucy does say, “I’m going to keep my baby.”  Papa don’t preach…I’m in trouble now…papa don’t preach…)

Outside the interrogation room, Cooper reveals that 1) Ben had the wrong blood type and 2) both Leland and the Man from Another Place danced.  In other words, it’s a pretty good thing that they got that confession because I’m not sure dream dancing would hold up in court.

Uh-oh, Leland/BOB is shouting in the interrogation room.  It’s the fire walk with me poem!  That’s never good!

“I’LL CATCH YOU WITH MY DEATH BAG!” Leland/BOB shouts, “I WILL KILL AGAIN!”

Suddenly, the smoke detector goes off and the sprinklers come to life.  With water raining down upon him, Leland/BOB rams his head into the door, leaving a mix of blood, skin, and probably brains behind.

Harry and Cooper rush into the room, to discover Leland lying on the floor, dying.  Leland, who now seems to be Leland again, cries for his daughter and begs for forgiveness.  Leland says that he saw BOB in a dream and that he invited BOB in.  And when BOB “came inside” him, he made Leland kill Laura.  As Leland died, Cooper tells him that it’s time to walk down the narrow path and enter the light.  Leland says that he can see Laura and then dies.

(That may sound silly but I had tears in my eyes.  MacLachlan and Wise are brilliant in this episode.)

We cut to daylight.  Cooper, Harry, and Albert walk through the woods, where they run into Maj. Briggs.  Harry says that Leland was insane but Albert argues that people actually did see BOB in visions.

Maj. Briggs says, “Gentlemen, there is more in Heaven and Earth, than is dreamt of in our philosophy.”

Harry says he’s having a hard time believing that BOB existed.  Cooper asks — and this question gets to the heart of the David Lynch aesthetic — whether it’s any more comforting to believe that a man would, of his own free will, rape and murder his own daughter.

Major Briggs asks if it matter what causes evil.  Cooper says that it does.  “It’s our job to stop it.”

Albert suggests that BOB may have just been “the evil that men do.”

(Meanwhile, the spirit of Shakespeare looks up and says, “I sense that I am being quoted without attribution…”)

“Where’s BOB now?” Harry wonders.

Cut to an owl flying straight to the camera.  End with a freeze frame!

AGCK!

Seriously, that was a great episode.  I wonder how people reacted to it in 1990.  From what I’ve read, a lot of people stopped watching before this episode, which is a shame.

Well, Laura’s murder has been solved.  I guess the show’s over now.  Thanks for reading everyone and…

What?

Oh.  Apparently, the show did go on and we’ve got 13 more episodes to review.

So, join us tomorrow for another review!  And until then, why not check out the story so far:

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman

What do you think, Cooper?

TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel)


“In our world, he’s a shoe salesman and lives among the shadows.”

— Special Agent Dale Cooper (Kyle MacLachlan) in Twin Peaks 2.8 “Drive With a Dead Girl”

As always, this episode of Twin Peaks starts with the opening credits and, after 15 episodes, Angelo Badalamenti’s theme music has never sounded more haunting and the images of life in Twin Peaks — that mix of machinery and nature — has never seemed more ominous.  Things that seemed quaintly beautiful when they were first seen — like the waterfall or that bird sitting in trees — now seem threatening.

The opening credits give us time to reflect on what we’ve seen so far.  We’ve seen the venal Ben Horne (Richard Beymer) repeatedly ignore his own family in the pursuit of money.  We’ve seen Leo Johnson (Eric Da Re) abuse his wife, Shelly (Madchen Amick).  As of the previous episode, we now know Leland Palmer (Ray Wise), previously one of the show’s most sympathetic characters, not only murdered and raped his own daughter but then killed his niece as well.

You have to wonder if Dale Cooper (Kyle MacLachlan) still considers Twin Peaks to be “heaven,” just because it’s a town where “a yellow light means slow down instead of speed up.”

We open with an exterior shot of the Palmer house.  We can hear Maddy (Sheryl Lee), once again, screaming for help.

The next morning, the Palmer house is quiet.  Inside the living room, the camera moves over several pictures of Laura.  One is of her as a child.  Another is that famous homecoming photo.  We hear the sound of Leland laughing and immediately notice that there seem to be a lot of golf balls on the floor.  The camera pulls back to show us Leland, wearing a suit and looking disturbing cheerful, practicing his golf swing.

James (James Marshall) and Donna (Lara Flynn Boyle) knock on the front door.  They say that they came by to say goodbye to Maddy but Leland tells them that Maddy has already left.  He tells them that she thought they were going to come by the previous night and that she was a little bit disappointed that she didn’t get a chance to say goodbye to them.  Smiling like a father from a 1950s sitcom (and, at this point, it’s definitely not a coincidence that Twin Peaks, as a town, often seems to be a relic of a decade that is often thought of as being both “the good old days” and a symbol of repression), Leland says that they could write to her in Montana if they want.

(Today, Leland would never get away with this.  James and Donna would be texting Maddy like crazy.)

After James and Donna leave, Leland glances in a mirror and sees BOB (Frank Silva) staring back at him.  From upstairs, Mrs. Palmer (Grace Zabriskie), who apparently remembers nothing about the previous night, asks Leland to remember to sign them up for “Glenn Miller Night at the club.”

“Don’t worry, dear,” Leland says, with a big and creepy grin, “I won’t forget.”

Before leaving  for the club, Leland grabs his golf bag out of the closet.  Briefly, we catch a glimpse of Maddy, stuffed inside the bag.

(AGCK!  Seriously, Leland/BOB has got to be one of the scariest things ever.)

In his holding cell, Ben Horne (Richard Beymer) wins my sympathy by 1) being an innocent man accused of a terrible crime and 2) obsessively trying to wipe down the bars of his cell.  Seriously, that’s one reason why I could never handle being arrested.  Put me in one of the filthy cells and I can guarantee you that I’d do whatever I had to do to get out of there.

A cheerful Jerry (David Patrick Kelly) shows up to see Ben and I was happy that he did.  Jerry may be one of the most cartoonish characters on Twin Peaks (and that’s saying something!) but, after spending all that time with Leland/BOB, Jerry’s silliness is a relief.  Jerry has just returned from Japan and he even has a small Japanese flag pinned to his suit.

Jerry explains that, since Leland has been charged with murdering Jacques Renault, he will be handling Ben’s case personally.  (Of course, neither realizes that Leland is also responsible for the murder that Ben has been charged with.)  Unfortunately, Jerry doesn’t appear to be a very good attorney.

However, Jerry is impressed by the fact that Ben has bunk beds, which leads to an odd flashback of Ben and Jerry, as children, watching a woman named Louise Dombroski dancing in their bedroom while holding a flashlight.  (Even as children, Ben wore  suit and Jerry wore a bowtie.)

“Lord,” Jerry says, from the top bunk in Ben’s jail cell, “what’s become of us?”

Meanwhile, Lucy’s (Kimmy Robertson) back!  She shows up with her sister, Gwen (Kathleen Wilhoite), who is telling a long story involving a rusty nail and a purple toe.  (I tuned her out because rusty nails freak me out.)  Lucy asks Hawk (Michael Horse) if he’s seen Andy (Harry Goaz).  Gwen, meanwhile, worries that Hawk “must hate all of us white people after all that we’ve done to you.”

(Did I mention that Gwen had a crying baby with her and how much I was hoping that Gwen would only be around for a scene or two?  She’s kind of annoying.)

At the Great Northern, Harry (Michael Ontkean) and Cooper have just finished talking to the One-Armed Man.  As they walk past the lobby, they see Leland dancing with a golf club.

(Over the course of watching Twin Peaks, one thing that I’ve really grown to enjoy doing is spotting all of the strange guests who appear to stay at the Great Northern.  This episode, the guests appear to be a cross-section of gruff fishermen and Catholic schoolgirls.)

When Harry approaches Leland, Leland apologizes for creating a commotion with his dancing.  “Just call me Fred,” Leland says, which might be a reference to Fred Astaire but could just as easily be a reference to the fact that, at this point, Leland has been possessed for so long that it’s debatable whether Leland Palmer even exists at this point.  He’s either BOB or he’s Fred but he’s definitely not Leland.

Harry tells Leland that they’ve arrested Ben.  Leland says that they’re must be some sort of mistake but then promises Harry and Cooper that he will allow the law to handle it.  Leland stumbles out of the lobby.  As soon as he’s away from prying eyes, Leland starts to cry but then starts laughing.  He is nearly caught by Cooper, who steps up behind him and asks Leland to let him know if he can remember anything unusual about Ben’s behavior on the night of Laura’s death.

(Ray Wise, by the way, gives an absolutely amazing performance in this episode.  I don’t care if this episode aired nearly 30 years ago, give that man an Emmy.)

Harry and Cooper return to the sheriff’s station, where they watch as Doc Hayward (Warren Frost) draws blood from Ben’s finger.  (Twin Peaks was obviously made before DNA testing became commonplace.)

Jerry is there, protesting Ben’s treatment.  It’s obvious that everyone is enjoying making Ben’s life difficult, which actually makes me feel even more sorry for Ben.  Cooper reveals that Jerry graduated last in his class, passed the bar on his third attempt, and that his license has been revoked in several states.  Hey, Cooper — that’s fine and all but Jerry is absolutely right when he says that Ben is being deprived of his constitutional rights.

Cooper tosses Laura’s diary down in front of Ben, demanding to know if Ben knows what it is.  Cooper reads from the diary and tries to goad Ben into confessing.  It’s interesting to watch this scene because it’s hard not to feel that the normally upright Cooper has a hidden agenda here.  Cooper has become a father figure to Audrey and here’s his chance to get rid of Audrey’s actual father.  Twin Peaks is full of bad fathers, both literally and figuratively.

At the Johnson house, Bobby (Dana Ashbrook) listens to that microcassette that he found during the previous episode.  It’s a recording of Ben hiring Leo to burn down the Packard Mill.  Bobby is excite because this is his chance to blackmail Ben.  Meanwhile, Leo (Eric Da Re) spits up all over Shelly and her pretty blue nightgown.  BAD LEO!

At the Double R, Norma (Peggy Lipton) is shocked when her mother, Vivian, suddenly shows up!  Not only does Vivian appear to be rich but she’s played by Jane Greer, who starred in the classic film noir, Out of the Past.  By her presence alone, Greer serves to remind us of the huge debt that Twin Peaks has always owed to the conventions of film noir.

It turns out that Norma’s mom is very critical of both Norma’s cooking and Hank (Chis Mulkey).  It is also revealed that Norma’s mom has married a man named Ernie (James Booth), who appears to still be stuck in the 70s.

Norma says that she’s feeling nervous because there’s a food critic coming and that, with Shelly having quit to take care of Leo, she’s short of help.  “That’s why you made the place look nice,” her mom says.  (Passive aggressive for the win!)

At the Great Northern, the One-Armed Man (Al Strobel) wakes up when his armless shoulder starts to twitch.  “He’s close….” he says.  Unfortunately, the only other person in the room is a nurse and she doesn’t really seem to be paying attention.  The One-Armed Man asks her for a glass of water.  When she leaves the room, she passes a deputy.

Now, we’ve never seen this deputy before so I assume that he’s mostly there so he can be killed later on.  He walks into the One-Armed Man’s room and the One-Armed attacks him from behind.  Bye bye, Deputy Redshirt.  “I’m so sorry,” the One-Armed Man says before climbing out a window.

(Actually Deputy Redshirt is just knocked to the floor and doesn’t die but you can still be sure that this would never have happened to Hawk.)

Hank finally shows up at the Double R Diner, apologizing for being late.  It turns out that Hank has been missing for a few days.  Norma gets mad at Hank but seriously, Hank is the most charming ex-con in Twin Peaks.  Hank gets Norma to forgive him but then realizes that Vivian is working in the kitchen.  Uh-oh!

Pete (Jack Nance) comes by the sheriff’s office and catches Harry birdwatching.  As Pete talked to Harry, I noticed that Harry has a large picture of the other Harry S Truman — the mafia-connected President, old Give ‘Em Hell Harry — hanging in his office.  Pete tells Harry that Josie has left Twin Peaks.  Pete and Harry both talk about how they both loved Josie.  Harry laments that he stood there and watched as Josie left with her assistant.  Pete realizes that the “assistant” was probably Catherine in disguise.  The fact that Harry has yet to realize any of this gives us some insight into why the FBI has basically taken over the role of law enforcement in Twin Peaks.

Andy finally returns to the sheriff’s station and is shocked to see Lucy, holding Gwen’s baby.  Andy sees the baby and, assuming that Lucy somehow gave birth to a 4-month old baby over the weekend, he promptly faints.

Pete sneaks into the holding cells and plays a tape for Ben.  Ben listens to Catherine (Piper Laurie) explaining that she’s alive and that she remembers that Ben was with her on the night that Laura Palmer died.  Catherine is willing to provide an alibi but only if Ben signs over both the mill and Ghostwood Estates over to her.  Pete starts to giggle like a maniac.  (Pete!  I thought you were a nice guy!)  As an angry Ben tears apart his jail cell, another deputy that we’ve never seen before stares in at him.

Meanwhile, Leland is happily driving down a street.  He’s singing.  Sorry, I’m not going to look up which song that he’s singing.  He’d driving rather recklessly, which will certainly bring him to the attention of Cooper and Harry, who are currently driving along the same street.  Cooper is even whistling the same song that Leland is singing, a reminder that Cooper is not quite as upright as everyone thinks.  He has secrets of his own.

(I was tempted to point out that the scenes of Leland driving are shot in much the same way as the driving scenes in Lost Highway but, seeing as how David Lynch did not direct this episode, I’m going to assume it’s just a coincidence.  That said, Caleb Deschanel does a good job of recreating Lynch’s unique visual style throughout this episode.)

Just as I predicted, Leland nearly collides with Harry and Cooper.  They pull him over, right next to the golf course.  As the three of them talk, we hear the sound of golf balls being hit in the distance, and we are reminded that there is a golf bag in Leland’s trunk and that Maddy is currently in that bag.

Leland lies and says that, on the night Laura was murdered, Ben got a phone call and had an angry conversation with someone about a “dairy.”

“A diary?” Cooper corrects him.

“That could be!” Leland says.

Lucy calls for Harry.  While Harry goes back to the police cruiser, Leland asks Cooper if he’d like to see his new golf club.  Leland leads Cooper to the trunk of his car.  While he’s getting the club, Harry shouts that the One-Armed Man has been found.  Cooper looks away from Leland just as Leland sneaks up behind him with the golf club raised…

AGCK!

And yet, I have to admit that I laughed when I saw Leland about to bash the unsuspecting Cooper with that club.  It all comes down to Ray Wise’s brilliant performance as Leland/BOB.  Wise does such a good job of playing the role that we totally believe that he could successfully fool everyone in town.  We know that he was fully capable of killing Cooper at that moment but no one else would ever suspect such a thing to be true.  Even though everyone knows that he killed Jacques, everyone still thinks of him as being Leland Palmer, the somewhat goofy 1950s sitcom dad.

At the police station, Andy has recovered.  Gwen is talking to him about a time that she fainted in the produce section.  “People want terrible things to happen to you,” Gwen tells him, “I know.”  Meanwhile, Hawk leads the One-Armed Man through the police station.

In the interrogation room, Harry, Cooper, and Jerry watch as the One-Armed Man walks in a circle around Ben.  The One-Armed Man announces that “He’s been close but BOB is not here now!”  Jerry demands that Harry either charge Ben or let him go.  That may have been a mistake because Harry promptly steps forward and charges Ben with murdering Laura.

Cooper pulls Harry outside and says that they’re “saddling the horse before we’re ready to ride.”  Now, suddenly, Cooper thinks that Ben is innocent.  Harry tells Cooper that they can’t base the entire investigation on dreams and giants.  They need hard evidence and, what little evidence they have, all points to Ben Horne.

At the Great Northern, Vivian is eating dinner with Norma, Hank, and Ernie and critiquing all of the food.  OH MY GOD, could Vivian be M.T. Wentz!?  While Norma and Vivian excuse themselves to go to the ladies room, we discover that Hank and Ernie were in prison together.   Ernie used to be a gambler but he says that he’s “out of it” now.

That night, in his hotel room, Cooper talks into his tape recorder.  He says that Ben Horne is in custody and that the investigation is nearly done.  The trail, Cooper says, is narrowing but the last few steps are always the most difficult and dangerous.

Someone knocks on the door.  No surprise, it’s Audrey (Sherilyn Fenn).  She wants to come in and talk to the man who will be her new father figure if Ben is sent to prison.  Audrey asks if Cooper arrested her father.  Yep.  Did he do it?  That’s for a court to decide.  (Awww, Dale.  Your faith in the system is so touching, if misplaced.  Never change.)   Audrey says that all she ever wanted was for her father to love her and not be ashamed of her.

I watched that little scene with tears in my eyes, becoming so overcome with emotion that it was a bit of a relief when Cooper’s phone rang.  After answering it, a suddenly alarmed Cooper orders Audrey to go back to her room and lock the door.

At the waterfall, the police are in full force.  Maddy’s body, wrapped in plastic, has been found.

Between Ray Wise’s brilliant performance and that haunting final shot of Maddy, this episode left me exhausted.  As uneven as the second season was, this episode (and the one that preceded it) are as strong as anything seen during the first season.

 

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland

 

 

 

TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch)


Who killed Laura Palmer?

That was the question that made Twin Peaks famous and it was also the question that proved to be the show’s undoing.   It is easy to forget that each episode of Twin Peaks only covered a day in the investigation of Laura’s murder.  On Twin Peaks, it only took two weeks for Cooper and Harry to solve the mystery.  But, in the real world, it took David Lynch and Mark Frost seven months to finally reveal the identity of Laura’s murderer.  Today, audiences take serialization for granted and even appreciate shows that take their time to tell a complex story but that was not the case in 1990.  In 1990, most television dramas still featured mysteries and plots that could easily by resolved in an hour.  Viewers were intrigued by Twin Peaks but, when it became apparent that neither Lynch nor Frost were in any hurry to provide a solution to its central mystery, the ratings started to fall.

Laura’s killer was finally revealed on October 10th, 1990, during the seventh episode of the second season.  Mark Frost wrote the episode.  David Lynch directed it.  It is an episode that nobody who has seen it will ever be able to forget.

The episode starts with Harry (Michael Ontkean), Cooper (Kyle MacLachlan), Cole (David Lynch), MIKE (Al Strobel), Andy (Harry Goaz), and Hawk (Michael Horse) standing in the lobby of the sheriff’s station and drinking coffee.  Since Cole is nearly deaf, he politely yells at everyone before leaving.

At the Great Northern, all of the guests have been led into the lobby so that MIKE can look at them and try to determine whether or not they are possessed by BOB.  For some reason, half of the guests are in the Navy.  MIKE does not see BOB in any of them.  Ben (Richard Beymer) walks into the lobby and MIKE starts to have a seizure.

At Harold Smith’s house, Hawk arrives and discovers that the house has been trashed and that Harold has hung himself in his greenhouse.

At the Palmer house, Maddy (Sheryl Lee) is drinking coffee with Leland (Ray Wise) and Sarah (Grace Zabriskie) while Louis Armstrong’s haunting What a Beautiful World plays on the phonograph.  Maddy tells them that, tomorrow, she is going to go back home.  Leland and Sarah tell her that they understand and that they appreciate all of her help.  This scene is shot as if from the point of view of someone (BOB?) hiding in the room and eavesdropping on the conversation.

Back at Harold’s house, Harry and Cooper are heading up the investigation into his apparent suicide.  While Hawk comes across the secret diary of Laura Palmer in the debris of Harold’s house, Cooper and Harry discover a note pinned to Harold’s body.  “J’ai un homme solitaire,” it reads.  I’m a lonely soul.  

At the Johnson House, Bobby (Dana Ashbrook) and Shelly (Madchen Amick) discover that, after paying bills and even with the insurance money, Shelly is only going to have $42 left over for the month.  Bobby and Shelly argue while Leo (Eric Da Re) sits at the table with oatmeal on his chin.  Leo suddenly starts yells.  “He’s alive!” Shelly screams.  “New shoes,” Leo says.

At the Great Northern, Audrey (Sherilyn Fenn) tells Ben that she knows all about One-Eyed Jack’s.  She tells Ben that she saw him there.  “Remember Prudence?  I wore a little white mask.”  After trying to play dumb, Ben admits that he owned One-Eyed Jack’s for five years but he denies ever encouraging Laura to work there.  Audrey also gets Ben to admit that he had an affair with Laura.

“Did you kill her?” Audrey asks.

“I loved her,” Ben replies.

At the diner, Shelly tells Norma (Peggy Lipton) that she’s going to have to quit her job so that she can take care of Leo.  Norma tells Shelly that it’s okay and that her job will still be there whenever Shelly is able to return.  They have a sweet moment, that it is ruined when Ed (Everett McGill) and Nadine (Wendy Robie) enter the diner.  Nadine still thinks that she is a teenager and Ed is supporting her delusion by telling her that her parents are in Europe and that Norma has only been working at the diner for six months.

At the Johnson house, Bobby and the other Mike (Gary Hershberger) taunt Leo.  Bobby has figured out that “new shoes” refers to Leo’s boots so he and Mike rip them apart, searching for drugs.  Instead, they find a small audio tape hidden under the sole.

At the sheriff’s department, Cooper goes through the shredded remains of Laura’s diary.  He tells “Diane” that he has found repeated references to BOB, littered throughout the diary.  Laura wrote that BOB was a friend of her father’s and, two days before death, Laura wrote, “Someday, I am going to tell the world about Ben Horne.”

At that exact moment, Audrey steps into the conference room.  She tells Cooper about her conversation with her father, revealing that Ben and Laura were having an affair and that Ben owned One-Eyed Jack’s.  Cooper tells her not to say a word about this to anyone and sends her home.  Obviously, Cooper feels that he may have just discovered the identity of Laura’s killer.  Cooper tells Harry that they need a warrant.  “A warrant for the arrest of Benjamin Horne.”

That night, at the Great Northern, Ben is talking to Mr. Tojamura and happily agreeing to accept Tojamura’s proposal to invest in the Ghostwood Development.  Just as Tojamura hands over a contract for Ben’s signature, Harry, Cooper, Hawk, and Andy enter the office.  Harry orders Ben to come with them.  He’s wanted for questioning in the murder of Laura Palmer.  When Ben tells them to leave, Hawk and Andy grab him and drag him out of the office.

Handcuffed but defiant, Ben is taken to the station and deposited in a holding cell.  As Harry and Cooper watch Ben being led off, the Log Lady (Catherine Coulson) appears behind them.

“We don’t know what will happen or when,” the Log Lady says, “but there are owls in the Roadhouse.”

At the Martell house, Mr. Tojamura meets with Pete (Jack Nance) and it is revealed, just as Lisa Marie predicted three episodes ago, that Mr. Tojamura is actually Catherine (Piper Laurie) in disguise!

At this point, there’s only 15 minutes left in this episode.  These 15 minutes are some of the most intense in the history of television.  Suffused in dread and danger, these 15 minutes constitute David Lynch at his absolute best.

At the Palmer house, Sarah crawls down the stairs, in the throes of another vision.  Lying on the floor, Sarah sees a white horse standing in the middle of the living room.  The horse vanishes and Sarah passes out.  Suddenly, Leland is standing in the living room, staring at himself in the mirror.  He ignores Sarah.

At this point, everyone watching the show says, “Oh shit, something terrible is going to happen.”

At the Roadhouse, Julee Cruise sings an upbeat song.  Donna (Lara Flynn Boyle) meets with James (James Marshall).  Donna is feeling guilty over Harold’s suicide.  James says that it wasn’t anyone’s fault.  He says that Harold was a sick man.

“Everybody’s hurt inside,” James said and I’d make the obvious REM joke but, right now, I’m too worried about what is about to happen at the Palmer house.

Cooper, Harry, and the Log Lady step into the Roadhouse, searching for the owls.  They grab a table and watch Julee Cruise.

“Tell your heart, don’t let me die,” Julee sings.

There’s a shot of the dead Harold Smith (Lenny von Dohlen) bartending.  It’s such a quick shot that I had to go back and make sure that it was actually him.

Suddenly, everyone but Cooper freezes.  Julee Cruise disappears.  The Giant stands on stage and looks directly out at Cooper.

“It is happening again,” the Giant says.

Everyone watching the show says, “Oh, shit!”

At the Palmer house, Leland stares at himself in the mirror but — HOLY SHIT! — it is BOB (Frank Silva) who he sees reflected back at him.  Leland smiles.  His face turns into the laughing BOB and then transforms back into smiling Leland.

Leland looks towards the front door.  He reaches into his suit and pulls out rubber gloves.

Maddy runs downstairs, shouting that it smells like something’s burning.  She sees Sarah lying on the floor and Leland staring at her.  Leland turns into BOB and then turns back into Leland.  Maddy runs screaming from the room and Leland chases after her.

The next four minutes of this episode, in which Maddy is murdered by Leland/BOB, are among the most nightmarish that I have ever seen.  Even by the standards of 2017, it is a shocking scene and I can only imagine how people in 1990 reacted.  While attacking and killing Maddy, Leland and Bob constantly switch places.  Leland sobs while Bob laughs.  While Maddy struggles to breathe, Leland holds her body and dances in a circle with her.  “Laura,” he moans.  The BOB who Laura wrote was molesting her was never a friend of her father.  Instead, BOB was her father.  Even though I knew it was coming and what was going to happen, rewatching this scene for this recap still left me feeling emotionally drained.

Sheryl Lee, Frank Silva, and Ray Wise are all amazing in this scene.  Three version of this scene were filmed.  One featured BOB chasing Maddy while another featured Leland attacking her.  The final scene was created by editing those two scenes together.  The third version, which was filmed just as a decoy, featured Ben attacking Maddy.  According to David Lynch, Richard Beymer was relieved to later discover that he was not actually playing the murderer but Ray Wise was very upset by both what he had to do in the scene and the revelation that Leland had been a child molester.

After killing her by smashing her into a picture frame, Leland places an O underneath Maddy’s fingernail.

At the Roadhouse, the Giant still stares at Cooper.  Finally, he vanishes.  Julee Cruise is back and singing a much more somber song.

The same elderly waiter (Hank Worden) from the Great Northern approaches Cooper’s table.  “I’m so sorry,” he says.

Sitting at the bar, the previously unseen Bobby starts to cry.  At her table, Donna starts to cry.  On stage, Julee Cruise cries.  Everyone knows that it has happened again, even if they do not know what it is.

Cooper stares into the distance as the scene fades into a shot of the red drapes.

It has been nearly 27 years since this episode was originally broadcast.  It is Twin Peaks at both its best and most disturbing.

Tomorrow, Lisa will review the 8th episode of season 2, Drive With A Dead Girl.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson