New beginnings and adventure versus intimacy and connection is the theme of Netflix’s latest straight to stream scifi think piece- IO. It makes sense that human connection is the main theme because this movie was written by a team. Rule of thumb: if you see Writer 1 and Writer 2 that was rewritten because writer 1 kinda sucked, BUT, if you see Writer 1 & Writer 2, this was written as a creative team. In this case, there were three writers working together: Clay Jeter, Charles Spano, & Will Basanta. I can’t imagine how challenging that would be for a film script mostly because I’m very solitary as a writer. I’m an extrovert in every other way, but my ideal writing space is a well-lit isolation cave. What is impressive to me is that Netflix took a chance on these writers because it was their first real feature. Normally, I would make a parenthesis next to the writers’ names, but here they haven’t really done anything prior. The director, Jonathan Helpert, has done short films, never a feature. Despite this being everyone’s first feature, they executed well and attracted some real talent to their piece: Margaret Qualley (The Leftovers) and Anthony Mackie (Captain America: Winter Soldier).
The film takes place in just two locations, has two principles, and essentially just a cameo by a third actor. The special effects were so minimalist that it made Another Earth (Lisa’s Review) look like Star Wars. 90% of the film takes place on a campsite, 5% in an empty neighborhood, and 5% in a museum. This film really ratchets up the intimacy and nothing can make two people closer than not having any other human beings around to distract them.
At first, I thought I was in for some Al Gore environmentalist porn because the film begins with a mass exodus of humanity from earth to an outpost to IO because runaway pollution changed our air to ammonia. Obviously, there’s not enough fabreeze in the world to get rid of that smell. Our heroine, Sam (Margaret Qualley) is up on a mountain campsite where the air is still breathable. She is working alone to further her father’s research to adapt bees and plants to the new atmosphere in order to make the world habitable for humans again. She makes trips down to the city below to scavenge for parts and to finally get decent tickets to see Hamilton. This sounds like it would be dull, but it’s totally engaging because Margaret Qualley is such a talent that she plays the claustophic loneliness so you can feel it yourself.
Sam has a REALLY long distance relationship with Elon her engineer boyfriend who is determined to find humanity a new home. His life is in the unknown and the stars; whereas, Sam’s is one earthbound and lonely. Her loneliness is ended with the arrival of Micah (Anthony Mackie) a much older man than she, but there are obvious sparks. They share an interest in the humanities and mourn our lost paradise. Micah followed Sam’s father’s advice and attempted to stay on earth and survive and adapt, but doing so cost him his wife’s life and anyone else’s who listened to him. He spent years floating around earth on a hot air balloon, seeing humanity’s fall from above. When Micah met Sam, their age difference, the poisoned earth, or the uncertain future didn’t matter because they made a connection and developed concern for one another.
A lot has been discussed about the quasi-ambiguous ending because I suppose people are really good at missing the point. It never was about whether humanity retook the earth or colonized a new home beyond the stars; it was about humans rediscovering their humanity. In fact, the last lines of the film discussed exploration, coming to where you began, and re-discovering your starting point as if it were new because it is: you have changed, you have grown, the meaning has evolved. By the end of the film, Sam and Micah had learned that they were still human. These connections are why we fight a Trojan War to bring our loved ones home because we are connected to them, they matter, and because we are human. The end was not about whether she survived and lived on earth on not; it was heartbreaking because alive or dead, we knew that the roads Micah and Sam would walk would not be together.
Moving right along with my look back at 2018, here are 10 good things that I saw on television.
Please note, I did not say that these were the ten “best” things on television in 2018. Instead, these are ten things that I enjoyed enough that, in January of 2019, they still pop to my mind whenever I ask myself, “What did I enjoy last year?” As always, this is just my opinion and you’re free to agree or disagree.
Got it? Okay, let’s go!
- Showtime reran Twin Peaks: The Return
Okay, so maybe I’m cheating a little here. Twin Peaks: The Return originally aired in 2017. You may remember that, for about 6 months, the Shattered Lens essentially became a Twin Peaks fan site. Still, I can’t begin to describe how excited I was to discover that, over the course of a weekend, Showtime would be reairing the entire series. I binged every episode and I discovered that, even with the benefit of hindsight, it’s still one of the greatest shows of all time. Unfortunately, the Emmy voters did not agree. Bastards.
2. The Alienist
It took me a little while to really get into The Alienist but, once I did, I found myself growing obsessed with not only the sets and the costumes but the mystery as well! Daniel Bruhl, Luke Evans, and Dakota Fanning all did excellent work and I can’t wait for the sequel!
3. Jesus Christ Superstar Live
I was skeptical. I had my doubts. I thought I’d spend the entire two and a half hours rolling my eyes. Jesus Christ Superstar proved me wrong.
4. The Americans
One of the best shows on television went out on a high note.
Barry premiered on HBO and it quickly became a favorite of mine. While I agree that Bill Hader and Henry Winkler deserve all of the attention that they’ve received, I’d also say that Stephen Root continues to prove himself to be one of our greatest character actors.
6. Big Brother
The reality show that so many love to hate finally had another good season. Since I get paid to write about the show for another site, that made me happy. Seriously, some of the previous seasons were painful to watch so Big Brother 20 was a huge relief. (Plus, BB 20 inspired everyone’s favorite twitter game: “Will Julie Chen Moonves show up tonight?”)
As much fun as it is to complain about Netflix, occasionally they justify the price of their existence by giving us something like Maniac.
Sometimes, I loved this show. Sometimes, I absolutely hated it. However, I was always intrigued and never bored. I can’t wait to see what happens during season 2.
For all the attention that was given to The Assassination of Gianni Versace, Trust was the best FX true crime series of 2018. Along with an intriguing story, it also featured great performances from Donald Sutherland, Hillary Swank, and Brendan Fraser. (Yes, Brendan Fraser.)
I know a lot of people didn’t care much for the latest season of Westworld. I loved it and, in the end, isn’t that what really matters?
That’s it for television! Coming up next, it’s the entry in Lisa’s look back at 2018 that we’ve all been waiting for, my picks for the best 26 films of the year!
Lisa Looks Back At 2018
- Ten Worst Films of 2018
- Best of Lifetime
- Best of Syfy
- 10 Favorite Novels
- 12 Favorite Non-Fiction Books
- 10 Favorite Songs
Tonight, before the premier of the 3rd season of True Detective, HBO aired the teaser for eighth and final season of Game of Thrones.
Now, I’m not even going to try to pretend like I have some sort of special insight into what this teaser means. To be honest, I always struggle a bit when it comes to keeping up with who is plotting against who on Game of Thrones. Whenever I try to speculate about what’s happening on the show, I’m always proven wrong. Back during the first season, I even used to get Robb Stark confused with Jon Snow. Just try living that down….
Here’s what I will say. The trailer has a lot of atmosphere and it’s all appropriately ominous. If anyone’s still alive by the end of the show, I’ll be surprised. And, really, that’s the way it should be. The teaser takes place in a crypt and features a lot of death statues so even the teaser seems to be warning us that nobody’s going to get out of this season untouched.
Here’s the teaser:
In the past, HBO show have occasionally struggled during their final seasons. I’m never going to get over what happened to True Blood during its final season. Hopefully, Game of Thrones will be the exception to that rule.
As always, we’ll see what happens!
TSL writer Patrick Smith has referred to The Critics Choice Awards as being his “fifth favorite awards show” and that seems like the perfect description of where they fall in awards season. People do pay attention to them and, in the past, they’ve been a pretty good precursor as far as the Oscars are concerned. At the same time, there always seem to be confusion as just who exactly votes for the Critics Choice Awards.
Well, the answer to that question is that the Critics’ Choice Awards are voted on by the Broadcast Film Critics Association and, tonight, they announced their picks on the CW.
It was interesting night — two ties and Christian Bale was named Best Actor twice, which of course meant we had to suffer through his “I’m just an ordinary working bloke!” routine two times too many. By far, my favorite winner was Amy Adams for Sharp Objects.
(On another note: Taye Diggs was an interesting choice to host. I thought he did okay but, with his talent, he really should be receiving the awards instead of talking about them. Someone write a great role for Taye Diggs ASAP!)
Here are tonight’s winners! (Check out the nominees here!)
Best Song — Shallow from A Star is Born
Best Young Actor or Actress — Elsie Fisher, Eighth Grade
Best Supporting Actor — Mahershala Ali, Green Book
Best Supporting Actress — Regina King, If Beale Street Could Talk
Best Sci-Fi or Horror Movie — A Quiet Place
Best Acting Ensemble — The Favourite
Best Action Film — Mission Impossible: Fallout
Best Animated Film — Spider-Man Into The Spider-Verse
Best Foreign Language Film — Roma
Best Original Screenplay — Paul Schrader, First Reformed
Best Adapted Screenplay — Barry Jenkins, If Beale Street Could Talk
Best Actress In A Comedy — Olivia Colman, The Favourite
Best Actor In A Comedy — Christian Bale, Vice
Best Comedy — Crazy Rich Asians
Best Cinematography — Alfonso Cuaron, Roma
Best Production Design — Hannah Beachler and Jay Hart, Black Panther
Best Editing — Tom Cross, First Man
Best Costume Design — Ruth Carter, Black Panther
Best Hair and Makeup — Vice
Best Visual Effects — Black Panther
Best Original Score — Justin Hurwitz, First Man
Best Director — Alfonso Cuaron, Roma
Best Actress (tie) — Glenn Close, The Wife and Lady Gaga, A Star is Born
Best Actor — Christian Bale, Vice
Best Motion Picture — Roma
Best Supporting Actor (Drama) — Noah Emmerich, The Americans
Best Supporting Actress (Drama) — Thandie Newton, Westworld
Best Supporting Actor (Comedy) — Henry Winkler, Barry
Best Supporting Actress (Comedy) — Alexis Borstein, The Marvelous Mrs. Maisel
Best Supporting Actor (Limited Series or Made-For-TV Movie): Ben Whishaw, A Very English Scandal
Best Supporting Actress (Limited Series or Made-For-TV Movie): Patricia Clarkson, Sharp Objects
Best Movie Made For Television — Jesus Christ Superstar Live In Concert
Best Animated Series — BoJack Horseman
Best Actor (Limited Series or Movie Made-For-TV): Darren Criss, American Crime Story: The Assassination of Gianni Versace
Best Actress (Limited Series or Movie Made-For-TV): (Tie) Amy Adams, Sharp Objects and Patricia Arquette, Escape at Dannemora
Best Actor (Comedy Series) — Bill Hader, Barry
Best Actress (Comedy Series) — Rachel Brosnahan, The Marvelous Mrs. Maisel
Best Actor (Drama Series) — Matthew Rhys, The Americans
Best Actress (Drama Series) — Sandra Oh, Killing Eve
Best Limited Series — American Crime Story: The Assassination of Gianni Versace
Best TV Drama Series — The Americans
Best TV Comedy Series — The Marvelous Mrs. Maisel
The first season of The Punisher on Netflix ended up being better than what had been advertised. The series and it’s ultraviolent tone became a divisive factor in how the show was scene.
Some saw it as the true adaptation of the titular character and his anti-hero status within the Marvel Cinematic Universe. Others saw it as poor taste considering the rash of mass shootings and gun violence that’s plagued the country the last couple of years.
There was no disagreement in that Jon Bernthal owned and seemed born to play the role of vengeance-fueled and grief-stricken Marine veteran Frank Castle. His portrayal not just of Frank Castle but his vigilante alter-ego, The Punisher, was like watching a force of nature on screen.
It was a no-brainer that a second season of the series would be set into production and Netflix didn’t hesitate. It’s a bit bittersweet knowing that no matter how good season 2 turns out there’s a high probability that this will be the final season of The Punisher on Netflix as every Netflix-produced Marvel show has been cancelled the past year with only the upcoming seasons of The Punisher and Jessica Jones left.
Season 2 is set of a January 18, 2019 release date on Netflix worldwide.
Yes, I know it’s another trailer for a zombie series. Even with my love for all things zombie fiction, I must admit that we’ve reached beyond the point of oversaturation. There’s more and more bad zombie fiction (in TV, film, books, etc.) than there are good ones. Once in awhile we will get something that puts a new spin or adds something new to the zombie genre.
We saw this with 2016’s The Girl with All the Gifts and South Korea’s Train to Busan. Even the darling of all things zombie fiction, AMC’s The Walking Dead has hit a new low in ratings (yet still continues to be the highest rated cable series).
Netflix is now jumping into the zombie pool to take it’s pound of flesh with it’s South Korean production of a zombie series set during Korea’s medieval Joseon dynastic period. It’s a blend of court intrigue and survival horror.
The series is called Kingdom and from all promotional materials released since it was first announced, the series looks to bring the zombie genre into a time period we rarely see the genre appear. Rarely do we see zombie fiction on the big or small screen set in a time period other than modern times.
Netflix will release Kingdom worldwide on January 25, 2019 with a second season already set for production early 2019.