Titans, S1 E1, Review By Case Wright (Dir. Brad Anderson)


titans

Titans isn’t your Dad’s superhero show, unless your Dad was awesome and loved Watchmen and if that’s the case he EARNED the World’s Best Dad mug!!! This is also different because it’s on the DC Universe subscription site and you’re like ….

But Case, I already already have Netflix and Hulu and Comcast and a burgeoning Methylphenidate habit because I’ve got this Calculus exam and I’m afraid of losing my funding….I mean …..smoking. 

My response is:

DROP HULU and get this subscription!!!! You get digital access to EVERY SINGLE DC Comics, Movie, show, anime, tv series, and this AWESOME SHOW!!!!

Back to the show!!!

The show takes place in Gotham? NOPE.  Metropolis? Nope! Vaguely Vancouver? Well….

It takes place in Detroit! The story revolves around an Angry PTSD Robin.  Honestly, it’s pretty accurate!  I have friends that have looked for trouble and found it.  They see a guy beating up his girlfriend or harassing a lady and they mete out the justice right there.  That’s who Robin is.  He’s angry and worked for Batman: a rich guy who liked to beat the snot out of troublemakers.  I am not saying it’s right and I never indulged in that kind of wrath, but I understand.  The law can be supine when it comes to justice, it’s good at order, but justice…not so much.  This is the world where Robin and the other Capes live.  A world where the justice is instantaneous and the world shrugs.  It comes from a real place.  Afghanistan and much of the World operates the same way: the criminal justice system is corrupt, incompetent, feckless or all three, leading people to embrace extra-judicial solutions, but their vigilantes wear surplus fatigues instead of costumes.  By far, that’s why we failed in Afghanistan, the Taliban could offer something we could not: instant brutal justice.

The show is brilliantly written by Geoff Johns and Greg Berlanti. If you don’t know who they are: Wonder Woman, Arrow, Smallville, Flash, and everything with the DC on it- they did.  If you notice the fast pace and lived-in dreariness, that’s all Brad Anderson. He directed the pilot as well as the Hawk and Dove episode.  Brad is a veteran of the show The Killing- a gritty dark murder mystery that takes place in the greatest city on Earth- SEATTLE. He is a David Fincher 2.0 with his brutal dystopian realism.  Every shot is almost always near winter as if the seasons themselves have given up.  The cities are as decaying and broken as their inhabitants.

The story starts rolling with Rachel Roth who is confused, angry, and on the run.  She watches her mother get killed by an unknown assassin and she goes scary as shit and whoops ass!  Then, she flees for Detroit and is nearly human trafficked, but her alter ego warns her in a reflection because it has to be done in the most creepy way possible.  I am not sure if keeping this girl alive is really in humanity’s best interest.

This forces her path to cross Dick Grayson (Robin) who has left Batman to become a Detroit Police Detective.  He tries to be on the right side of the law for awhile, but he sees child abusers go free and dons the cape again to mete out justice. By mete out justice, he beats people within an inch of their lives: see below! After Robin gets his 30 lbs of flesh, he gets pulled into a mystery surrounding a girl named Rachel Roth who just might be the harbinger of the apocalypse.   Side note: I have known A LOT of cops over the years; the Army’s lousy with them.  Brenton’s portrayal is very accurate for a long-term detective: he self-deprecates, but he’s really hard to know.  I would have him make some more practical jokes or kid around more a bit.  Most guys like that hide their feelings in humor a lot, but other than that, it’s flawless.

There is one scene, which is in a gif below: Robin is cleaning up his weapons after beating people nearly to death and that reminded me of my Soldier days.  You finish your training exercise or patrol.  Maybe you fought. In any case, it’s over.  Everyone gets quiet, some shirtless, all the cleaning implements are placed neatly, and you methodically clean your weapons in a very zen activity. This was a great and accurate detail.

weapons.gif

Our next hero is Koriand’r – she has no idea who she is, but she knows how to dress.  She’s a mix of badass, sexy, and neck breaking! She does all three.  There’s Russian dudes out of nowhere and she goes full-on Firestarter and burns them to DEATH! You feel almost kind of bad for them. Almost.  She has a 70s soundtrack wherever she goes.  I’m starting to blush.  Anyway. She ascertains that she needs to go to Detroit and find Rachel Roth.  In this show, who doesn’t realize that?!

The show cuts back to Rachel who meets Dick, but she’s kidnapped by a very unlucky man.  Rachel wakes to see her mother’s killer.  Wow, did he pick the wrong lady to mess with! Dick goes to rescue her, but Rachel’s dark nature takes over, she enters and explodes her would-be killer!!!! It’s AWESOME AND GROSS!!! Dick becomes her protector.  Kordiand’r is on her way to Motown. We even meet Beast Boy who likes to commit petty theft as a green tiger.

This series is the best show on television. PERIOD.

If you like my work, read the rest of it, retweet it, re-blog it, tell my editor @lisamariebowman that you like my work.  Of course, if you hate my work, I suppose there’s got to be a pill for that.

Godzilla: King of the Monsters, Review by Case Wright, Dir: Michael Dougherty


GOD.jpg

Godzilla: King of the Monsters is like eating a huge handful of different colored Jelly Bellys all at once; it’s fun and kinda sticky.  It was written and directed by Michael Dougherty (Trick ‘r Treat, Krampus, or anything that’s filmed for a few hundred bucks and a sandwich).  Dougherty is known for inexpensive genre films like Krampus, which was kind of fun in a goofy way.  This is a much bigger budget and if it weren’t for the dialogue, it would’ve been great.  Honestly, you don’t really need to listen to the dialogue and Dougherty is a lousy writer; so you’re better off tuning the people out.

The cast was everyone you like: Coach Taylor, Eleven, Tywin Lannister, That Lady from the Conjuring, That Science Teacher from Stranger Things, West Wing Guy, What’s His Face, and the guy who was in the last one who wanted the monsters to fight.  On the monster side: there was Mothra, King Ghidora, Rodan, Michaelangelo, Godzilla, and the rest.  They were all thrown at the screen like water balloons hitting you in the face.

The movie opens with Dr Emma Russell (Vera Farmiga) and Madison (Millie Bobby Brown) at a Monarch facility where baby Mothra wakes up and everyone seems to want to touch it.  Gross.  They’re gonna get a dino-rash! Terrorists enter, kill everyone, and take ….. did I write take … I meant pick up Dr. Russell and Madison.

Why? Dr. Russell lost her son to the last Godzilla attack and has decided that everyone should die because that makes sense…somehow. So, she sets up her Doctor Doolittle machine to talk/wake up all the Kaijus to kill everyone.  Her argument is really annoying and has a makeshift powerpoint presentation.  She is the embodiment of every sanctimonious Seattleite, Vegan, Composting, Apologist, Whiner all rolled into one; she figures if the monsters kill all the people that the world will be better off- think if that horrible Lorax finally got the money to kill for the trees.  They’re why I refuse to recycle …. EVER!

Anywho….she wakes up all the monsters and Coach Taylor who is Dr Russell’s quasi-ex-husband scientist is granted crazy authority over the military to figure out how to stop all the monsters from killing everyone.  And man do they ever fight?!!! I mean it do they ever fight?  I counted only four monster on monster fight scenes- kinda skimpy.  Also, Godzilla had to be recharged with nukes or radioactive spa time to keep going; I guess Godzilla decided to upload the latest Apple Update.

Godzilla ends up on top….literally. He gets on top of a mound in Boston and all the other monsters bow down to Godzilla, except Mothra – She curtsies (she’s from another time).  There’s good CGI and Monster fighting- when they do fight.  Just don’t go trying to find deeper meaning.  I loved these movies because they’d be on tv for the nerd set when I was a kid.  I saw them all.  In fact, in King Ghidora v Godzilla, Godzilla tries to help the Japanese win world war II or at least one battle. It was awesome.  These movies are great because you can unplug and watch some awesome destruction.  This movie brings the boom.  Enjoy!

Clear eyes.gifgod3.gif

 

Chilling Adventures of Sabrina, S2 E9, Dir: Rob Seidenglanz, Review by Case Wright


sabrina

The finale!!! Don’t forget to check out Lisa’s review here!  This season was without a doubt a televised story that Netflix paid to make.  It had its downs and would roll credits.  By the end of this season, I am excited to speak with the show’s fan.

Last season was a triumph and this season was …. just trying.  Why? I didn’t mind that the characters separated and returned together; that’s a critical part of storytelling. I also don’t totally mind what Lisa pointed out: Sabrina sucks at her job.  She’s amazingly incompetent.  That’s kinda refreshing.  Usually, incompetence is just the purview of fat husbands married to pretty wives on sitcoms.  Sabrina blunders through everything she does and manages to survive because everyone cleans up her messes.  This time with Nick’s life, but I’m getting ahead of myself.  This is the finale so let’s get our flashlights out so we can see anything on our screens and try to figure out: Whaaa Happened?!

There was something different about this episode.  It wasn’t directed like it was done by an overtired cashier at The Last Blockbuster Video (Alaska) who couldn’t turn on the lights.  The direction popped and there was actual humor. Why? Am I watching the right show? Rob Seidenglanz directed this episode.  He is known for a number of dramas: The Following, Parenthood, BUT he also directed Party Down- a no kidding great comedy!

This episode and the season can be summed up in one word: burritos….wait, I’m kinda hungry….I meant failure.  Our heroine and her friends can barely tie their shoes correctly.  They should all get chaperones in case they try something challenging like getting their own mail or cutting up their own meat.

Last episode: Our heroine figured out that she was manipulated…oh wait she didn’t.  She unleashed Lucifer by “killing herself” her double.  In this episode, Lucifer gets released and Sabrina challenges him right off. Wait, no she…has dinner with him.  In fact, we learn that Lucifer is her father, but Hilda never thought to mention it. Ok, did the writers’ room just decide to eat bunch of turkey and nyquil sandwiches this season?!!!!!

Sabrina and the aunties try to kill Lucifer, but they bungle that too.  It’s kinda funny.  Sabrina’s friends also fail to keep the gates of hell closed.  Sabrina does a …. song and dance number?????  Huh??? But, Why? Why? Why?  It’s apparently a scheme to trap Lucifer in a puzzle box of her Adoptive Father’s design and it……fails.  Is someone around to bail out Sabrina? Yep, Nick! He makes Lucifer possess him and does a sleep spell.  Luckily, Ms. Wardwell is around to carry them both off to hell.  The shot is reminiscent of The Beyond, but no one goes blind from the revelation.

The episode ends with Sabrina and her friends planning out season 3 by deciding to try to go into Hell and rescue Nick. Poor, poor Nick.  Maybe you should stop doing…you know…things.  See you next season.  Maybe, Lisa will review it again if you beg her as I will!

This season as gif:

OKfail

Chilling Adventures of Sabrina, S2, Ep6, The Missionaries, Review by Case Wright


sabrina

This is the first time in a long time where I rooted for the “villains” to kill off every character.  It’s a hard thing to watch a show you love slowly fail.  It’s like a bad relationship that slouches on from inertia and the inconvenience of setting up a separate bank account.  This is how I feel about CAOS.  I was really hoping that this episode would be the last one, but….not so much.

I would normally describe the director’s technique, but it’s Alex Pillai again and…man it has all the subtlety of a Lifetime MOW.  Not to say that I don’t REALLY like a good guilty pleasure lifetime live tweet, BUT that’s a different animal.  Lifetime movies are supposed to be campy and over the top ridiculous, but CAOS is supposed to bridge comics and realism and instead it’s just giggle-inducing borefest.

The episode opens with Nick being tortured by a guy who looks like a Mormon missionary who is about to chop his hands off.  Oh well, Nick kinda got on my nerves; maybe they’ll have to write a soupy episode featuring Nick titled: Who needs the clap?  Ambrose is still locked up without a shirt doing pull-ups.  This show has more gratuitous beefcake than Arrow season 1 and that is saying A LOT!  I do give Chance Perdomo credit on his abs.  I’m developing my abs and it is a process.  Chance, tip of the hat to committing to the shred!

The “Missionaries”of the episode aren’t really missionaries per se, but they ARE gorgeous blonde angels named Jerathmiel and Mehitable (Spencer Treat Clark and Bayley Corman)! I guess it makes sense that angels would be pretty, but WHOA!  It turns out these angels are avenging angels armed with the latest in …..Ancient Weaponry… wait, what?!  Why?!  Really, why are they armed with crossbows?  Most states just require a driver’s license to purchase any gun you want; let alone what you can get on craigslist.  This just seemed unnecessarily antiquated and dumb like really dumb….really!  Crossbows are heavy, awkward, take a long time load, hard to aim, and are ridiculous.  Bleh.

Jerathmiel and Mehitable spent most of the episode blundering through town trying to kill all of the witches of Greendale.  Why bother?  We already learned in previous episodes that the teenagers are unvaccinated and catch the Chicken Pox.  Just send in Jenny MacArthy’s measles carrying minions into town and you’ll have the whole town on its knees in matter of hours!

Jerathmiel and Mehitable catch most of the witches and start purifying the town.  I guess this says a lot about how the show has degraded because I really rooted for the Angels.  I thought to myself…Self, maybe they could just go full-on Hamlet?!!!!

This main plot is interwoven with the more compelling love story between Wardwell and Adam.  He wants to take her to Tibet.  She is about to accept when the Devil finds out about their escape plan, so the Devil turns Adam in Wardwell’s diner.  REALLY.  It’s really sad, but sets up a great revenge arc for Wardwell that looks MUCH more interesting than the primary storyline.

Jerathmiel and Mehitable have all the witches cornered and even put a few arrow bolts into Sabrina, but the Devil resurrects Sabrina and gets the Angels to renounce God and envelopes the angels in flames.  Honestly, I thought this scene was just plain terrible.  The angels spent the whole episode being intrepid crusaders, but they were easily cowed by a floating Sabrina?!  Really?! It came across as contrived.  The angels were so brave for the entire episode and then… nope.  It was just awful in an awful way, not like Lifetime which is bad in an AWESOME way.

I’m not sure what the show should do or where it should go, but it needs artistic honesty because without it, the suspense withers away like a dried out orange.

 

Chilling Adventures of Sabrina, S2 E5, “Blackwood” (Dir: Alex Pillai) Review By Case Wright


sabrina

First of all, it’s always so fun to read Lisa’s reviews.   I hope she wants to review another one of these episodes.  She always sees things that I don’t like HERE!!!! and HERE!!!!.  It has been a true pleasure working with/for her over these years.  This series is making me already plan for my October reviews!!!  Weren’t they awesome last October?! Yes…Yes…They were.

Is this season getting better? Yes, but that’s mostly because the first episode of the second season was so very unsatisfying and disappointing. The series seems to be evolving into a Tales From The Crypt over the top fest.  I loved TFTC, but that’s not what I expected Sabrina to become.  I saw this series as a scary in your face we’re mad as hell at the patriarchy and we’re not gonna take it anymore!  The feminism is still there, but it really hits you over the head with its agenda ….every….single…episode; It comes across as a PSA sometimes.  When done right, like last season, you root for the agenda, but now I’m lectured by it.  It’s kind of annoying when you already agree.

This episode was directed by Alex Pillai (Riverdale) and he did a fine paint by numbers job with the episode.  It got the job done….fine, not great, but definitely fine like the Chicago Cubs in the 2000s or Two Buck Chuck (Charles Shaw).  The episode was all about marriage, the loss of feminine identity, and misogyny…lots and lots of misogyny.  Really, this Church of Night is a bunch of knuckle dragging dirtbags.  I get the whole- we’re evil bit, but it doesn’t really work all the time.  The characters are mostly strong women and the constant subjugation that the Church imposes seems kinda silly that anyone would put up with it let alone these powerful heroines.   Also, the constant “for Hell’s Sake” “Your Unholiness” “Your Dishonor” just makes me laugh;  I look like loon when I’m on the elliptical watching this.

In the episode, Aunt Z is getting married and she’s all jittery and worried about being exposed for stealing one of the Blackwood babies.  Also, Father Blackwood is going full-on misogynist pig. He wants the church of night to go back to its old ways of chauvinism.  His plan is to write up the basic philosophy and give it to the Anti-Pope (Ray Wise). (Side Note: God, I love Ray Wise.  He’s awesome in everything he does and was the best devil ever in Reaper. Unfortunately, he’s only in the show for a couple of minutes.) Sabrina catches wind of Blackwood’s Misogynist plan because Ambrose tells her .

The Solution: Sabrina gets her Dad’s manifesto that’s all women and men are equal, witches should marry mortals, and powertrain warranties are bullshit.  Sabrina has Nick retrieve it from the bottom of the sea.  Just as the Anti-Pope will read it, Father Blackwood has him murdered and frames Ambrose for it!!! DUN DUN DUN!!!!  Basically, all of Sabrina’s plans fail: Aunt Z and Blackwood marry, Blackwood has Aunt Z walk behind him (bleh), Ambrose is jailed, Sabrina and Nick are expelled, and Aunt Hilda becomes lactose intolerant.  Bad all the way around.

I normally don’t get into subplots, but spring is in the air.  Ms Wardwell and Adam are falling in love. It’s really sweet.  She explains that marriage is a complete destruction of a woman’s identity. Wardwell looks at Adam expecting a fight, but instead he accepts her, her values, and just wants to be with her. It’s …well….sweet.  I was a bit moved.  Satan gets jealous and wants her to kill him, but instead she makes him a ring of protection.  I hope these crazy kids make it work.

The show is moving in the right direction, but the show seems to collapse under its own weight sometimes.  It has these big themes and plots, but can’t quite deliver them this season because of the campiness, clunky dialogue, and endless subplots that grind the suspense and gravitas to dust.  Maybe this is the way Riverdale is?  I never wanted to watch that show and now I really don’t want to.  My guess is that season 1 was Ruth Chris Steakhouse and season 2 is Red Robin and yes I did get food poisoning from them once.

 

The Chilling Adventures of Sabrina, S2,Ep2 Review By Case Wright


sabrina

Hello friends. Last time we spoke, it was really hard.  I wondered if my second favorite show after Santa Clarita Diet went Lost Season 2 on me.  The season opener was bad…really bad.  It was scary for me to watch the second episode.  I was actually worried that the show was a season 1 fluke or maybe I misread or willfully blinded myself to a meh show. Well, I’m happy to write that this episode was a solid …. Not Bad.  Its flaws were LEGION (and we’ll go over those), but the story had a theme, character growth, and despair.  Honestly, through in some Adele and Ben and Jerry’s and you got the makings of a lonely night in as you watch yourself age and love sulks away from you, broken, and never to return.

The episode is all about unrequited love and who We should be, but who We really are.  It’s fun, if you’re in the mood for it.  It was written by new writer Mj Kaufman and Christina Ham (Orphan Black) and these writers capture the loneliness of all of the most interesting characters.

The Devil talks to Ms Wardwell who we know is Lilith (Adam’s First Wife).  He not too gently casts her aside and tells Wardwell/Lilith that Sabrina is to be Satan’s Prophet and Queen, not Her.  The heartbreak is palpable, but the Devil’s  Costume looks like a step above Party City and it really takes me out of it.  Lilith asserts that Sabrina is too goody goody to be the Devil’s main squeeze and they wager on it: have Sabrina steal a stick of gum.  Sabrina resists.

I gotta ask why? She seemed all on board the Midnight Train to Gethsemane with Old Scratch, but she just can’t bring herself to steal the forbidden Fruit Stripe.  I would’ve been all in for the Freshen Up gum…ya know the one with the goo inside…I liked it….Whatever.  Because she refused, Satan starts hurting people around Sabrina by giving them Chickenpox.  WHAAAA?  Chickenpox?! What kind of anti-vax town is Greendale?! Let it burn to the ground! They’ll give us all measles!  To make amends to Satan, she starts to burn the school down as per Satan’s command.  Well, why bother?! They’ll all get Whooping Cough soon enough away.  Come on, Lucifer…this town is doomed and weird.

There are good subplots the Lilith story, which is a nice evil love story where Ms Wardwell watches her life portrayed as entertainment.  The Evil Dean wrote and produces a play of Lilith and Satan falling in sort of love.  It might of brought her a smile, but instead it brings tears because Satan has found a new special lady and Lilith’s destined to be eternally alone. We see in Ms Wardwell AKA Lilith how love is supposed to be, but how it withers and dies.

Suzie is now Theo is the focus of the other subplot. She should be accepted as a boy, but it doesn’t quite work out that way.  Theo tries to change in the boy’s locker room and is mocked by some, but gawked at by all.  The shot is done very well. We close up on the known bullies from the previous episodes, but then the camera pulls back and ALL of the boys are gawking silently, waiting to see female nudity regardless of her gender identity.  They simply can’t help it.  Where we should be, but who we are.  It’s disappointing, realistic, and sad.

Sabrina and Harvey react to a sensual spark and begin making out, but her tie to Satan destroys the encounter and ends their love affair forever.  What their love should be and the reality cannot be.

This was a good episode overall.  It allowed you to see and not be told Lilith’s story and the struggles that everyone has against loneliness and despair.

Adele

Sabrina S2 Ep1, Epiphany, Review with Spoilers by Case Wright


sabrina

October came early this year! It’s time to once again get down with the baddest witch this side of Massachusetts.  As you know from my previous reviews of this show, I’m a bit biased: I am a fan.  In fact, I was looking forward to this next installment since October. Well, I can say without a doubt that the Season 2 Premiere of The Chilling Adventures of Sabrina, “Epiphany”, was an episode that was made.

A lot of shows go through a Sophomore Slump- the underwhelming return of a beloved show.  By the end of the episode, all the characters that were the most interesting were diminished.  It was still fun to watch and is very entertaining and it’s not Season 2 Stranger Things terrible, but I hold this show to a higher standard: and I mean it!!!!

Season 1 was all about failure and corruption.  Sabrina set out to save her town and herself.  Not only did she endanger her town, she became so corrupted by ego and hubris that the price was her very soul.  It was Shakespearean with a David Lynch vibe.  Season 2 was less than, not to say it can’t or won’t get back on track because it likely will, but this was not great.

The episode was written by Roberto Aguirre-Sacasa (Showrunner) and directed by Kevin Rodney Sullivan who did ….. okay. The direction had the suspense of wet toast.  Not everyone can do suspense and horror and this was sub-awesome.  It sufficed as a recap episode, but not much more.

The plot is that Sabrina wanted to become the “Top Boy” of the witch academy and her love interest Nick is the favorite because he’s a dude.  Suzie who is now Theo wanted to try out for the all-boys basketball team.  I was excited to see them fight the patriarchy and all that, but they did so in the weakest way possible: they cheated.  Sabrina needed to complete three trials versus Nick.  The first one: she won because the Weird Sisters (including Zelda) who for no reason at all like Sabrina now and gave her the answers.  This really bugged because it was not fair to her character.  She’s Sabrina! She’s supposed to be this badass; anyone can win by cheating.

This theme is further reinforced by Sabrina fixing a basketball game so Suzie could win.  Suzie wanted to get on the boy’s team, which is a fair challenge and a good one for this show to tackle, but she was legit terrible at the sport and could only win because Sabrina cheated for her.  This is not empowering. It showed that Sabrina had no faith in Suzie and most importantly it made Suzie look stupid because she never noticed that she went from the beginning of the game from being the Generals to the Globetrotters?!  Suzie was diminished, Sabrina was diminished, and I was insulted by it.  It would have been so much better if Suzie was like WTF?! Why am I so great all of a sudden and then saw that Sabrina was cheating for her, the smile fades from her face, and then Suzie walks off the court.  This would have set up some good conflict with Sabrina, especially since she doesn’t really have any foes right now.

Roberto Sacasa needs to understand the characters he created.  Suzie, Ros, and even Harvey to a MUCH lesser degree were very aware of what was going on around them throughout season 1, making Sabrina’s unnoticed intervention on Suzie’s behalf a lot tougher sell.

There was a subplot of  Evil Three King Demons trying to mess with Sabrina because they were afraid she would ascend.  This could get interesting.  My hopes are high on that one.   This series is still fun, but if it continues down this lazy path it will be more of a guilty pleasure that I watch on the elliptical or something on while I fold the laundry.