Lisa Marie’s Thoughts On The Oscar Nominations


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Okay, I’ve had plenty of time to think about today’s Oscar nominations and now I’m ready to share my thoughts.  Obviously, my picks were a lot different from what the Academy selected.  That’s okay.  That’s the way it goes every year.  I don’t mind being a contrarian.

So, let’s take a look at what was nominated, category-by-category.

(If you need a refresher as to what was nominated, here’s a complete list of nominees!)

Best Live Action Short, Best Animated Short, Best Documentary Short: I’m sure that these three categories are full of wonderful nominees that were created by wonderful people but I don’t believe that I’ve seen a single one of them.  So, with that in mind, I can only imagine that the Academy did a perfect job selecting all 15 of these nominees!  Good work, Academy!

Best Foreign Language Film: Again, I have seen none of the nominees so I really can’t comment one way or another.  Normally, this would make me feel like a failure but I imagine that 90% of the people reading this post are in the same boat.  I imagine Toni Erdmann will win, just because of all the good things I’ve read about it.  But, since I haven’t actually seen any of the nominees, I will refrain from making any sort of prediction.

Best Documentary Feature: I’m disappointed that my favorite documentary, The Witness, was not nominated.  And, quite frankly, I’m shocked that Weiner was not nominated.  That said, I can’t complain about any of the documentaries that actually were nominated.  It was a good year for documentaries.  In fact, it could be argued that it was a better year for documentaries than for features.

Should Win: O.J.: Made in America

Will Win: 13th

Best Original Song: Not a single song from Sing Street was nominated and that is amazingly disappointing.  Original song can be surprising.  Remember last year when that terrible song from SPECTRE somehow won?  That said, I’m expecting that this year will see a huge sweep by La La Land and one of its nominated songs will probably win.

Should Win: Audition (The Fools Who Can Dream) from La La Land

Will Win: City of Stars from La La Land

Best Original Score: The Neon Demon deserved a nomination but I’m not surprised it was snubbed.  There’s no way the Academy was going to honor Nicholas Winding Refn’s subversive masterpiece.  La La Land is going to win this one easily.

Should Win: La La Land

Will Win: La La Land

Best Visual Effects: I was glad to see that Kubo and the Two Strings was nominated and I wish that Arrival had been nominated as well.  I’m going to go ahead and predict that Doctor Strange will be the first MCU film to win an Oscar.

Should Win: Doctor Strange

Will Win: Doctor Strange

Best Sound Editing and Best Sound Mixing: Let’s be honest.  I couldn’t explain the difference between sound editing and sound mixing and, unless you specifically work in the sound department, neither could you.  As a result, these categories are always difficult to predict.  But Hacksaw Ridge has to get some love somewhere and I bet it would happen here if not for La La Land.

Should Win (Both): Hacksaw Ridge

Will Win (Both): La La Land

Best Makeup and Hairstyling: As soon as I saw that Deadpool wasn’t nominated here, I knew it wouldn’t be nominated anywhere.  Can you believe that fucking Suicide Squad is now an Oscar nominee?  I haven’t seen A Man Called Ove but I’m going to predict its victory because I just can’t imagine the Academy honoring either Star Trek Beyond or Suicide Squad.

Should Win: Star Trek Beyond (that had good makeup in it, right?)

Will Win: A Man Called Ove

Best Film Editing: I can’t complain about any of the films nominated here.  La La Land is pretty much a guaranteed winner here.

Should Win: La La Land

Will Win: La La Land

Best Costume Design: I was shocked that Love & Friendship was not nominated.  If La La Land sweeps, it’ll win here.  When I made out my list of my personal picks for the Oscars, I gave the costuming Oscar to La La Land but now that I’m looking at the actual nominees, I’m remembering just how good everyone looked in Allied.

Should Win: Allied

Will Win: La La Land

Best Cinematography: My personal pick for this award was The Neon Demon but it wasn’t nominated.  Out of the nominated films, I would go with Moonlight but I think La La Land is going to sweep.

Should Win: Moonlight

Will Win: La La Land

Best Production Design: Well, it won’t be Passengers!  How the Hell did that get nominated for anything?  I think, of the nominees, Arrival deserves the award for making science fiction feel and look like science fact.  But, again, I think La La Land is going to win here.  (Are you sensing a theme in my predictions?)

Should Win: Arrival

Will Win: La La Land

Best Animated Feature: I was happy that Kubo and the Two Strings, Zootopia, and Moana were all nominated.  I haven’t seen The Red Turtle or My Life as a Zucchini but, on the whole, the Academy has a record of nominating the right films for this award.  I loved Kubo and I think it might win, just because it picked up that Visual Effects nomination as well.  Zootopia, however, would allow the Academy to make a political point and Moana has Lin-Manuel Miranda.  I’m going to go out on a limb and predict a Kubo victory but I wouldn’t be surprised if any of these five nominees won.

Should Win: Kubo and the Two Strings

Will Win: Zootopia Kubo and the Two Strings Moana Zootopia Kubo and the Two Strings

Best Adapted Screenplay: With La La Land likely to sweep the technical awards and Manchester By The Sea and Moonlight set to pick up some acting awards, this category will give the Academy a chance to acknowledge Arrival.

Should Win: Arrival

Will Win: Arrival

Best Original Screenplay: I think this is one of the few awards that La La Land will not win.  This category gives the Academy a chance to honor Hell or High Water.

Should Win: Hell or High Water

Will Win: Hell or High Water

Best Supporting Actress: Viola Davis is a guaranteed winner, even though her performance was a lead role.

Should Win: Naomie Harris, Moonlight

Will Win: Viola Davis, Fences

Best Supporting Actor: I was really happy to see that Michael Shannon got a nomination because Shannon is a great actor who always seems to be taken for granted.  That said, Mahershala Ali is almost as much of a lock as Viola Davis.

Should Win: Mahershala Ali, Moonlight

Will Win: Mahershala Ali, Moonlight

Best Actress: Let’s just get this out of the way.  Amy Adams not only deserved a nomination, she also deserved the Oscar.  Arrival works because of a twist that occurs halfway through the film.  The twist works because of Amy Adams’s performance.  If not for Amy Adams, Arrival would never have been nominated for best picture.  The fact that she was not nominated will be remembered as one of the biggest mistakes in Academy history.

This morning, I was happy to see that a lot of people on twitter agreed with me about the Amy Adams snub.  What took me by surprise was how many people also agreed with me that Meryl Streep essentially took a spot that should have been given to Amy Adams.  This morning, among other things, I discovered that there’s actually a growing backlash against the annual tradition of automatically nominating Meryl Streep, regardless of whether the film was any good or not.

Could Meryl win yet again?  It depends on whether or not the Academy wants to hear another Meryl Streep speech.  Given the political climate, I wouldn’t discount that as a possibility.  Since I’m on the subject and it’s possible that everyone stopped reading a few categories ago, I’m going to go ahead and admit my unpopular opinion.  While I’m definitely not a fan of the new President, Meryl’s Golden Globe speech felt like almost a parody of upper class white liberalism.  Listening to her, it was easy to imagine Meryl at a cocktail party, bragging about how she’s on a first name basis with her maid.

But, I’m in the minority as far as that opinion is concerned.  The Industry loved Meryl’s speech and, after Donald Trump’s overreaction to it, giving an Oscar to Meryl and giving her a chance to repeat the speech on a much bigger stage would be the perfect way to give the finger to the current administration.

That said, I think Emma Stone will be carried along in the La La Land sweep.  Whether justified or not, many members of the Academy will look at her character and see themselves.

Should Win: Amy Adams in Arrival (Yes, she wasn’t nominated but she should still win, goddammit.)

Will Win: Emma Stone in La La Land

Best Actor: Could anyone other than Casey Affleck win this one?  Denzel Washington is popular and giving him an Oscar for Fences would be a nice to way to reward all of the effort that he put into bringing this acclaimed play to the screen.  Affleck was sued for sexual harassment by a producer and a cinematogrpaher and ended up settling with both of them.  However, I doubt if it will stop him from winning the Oscar.  If the allegations were going to hurt Affleck’s chances, it would have happened long before now.

As for the nominees — well, I have no complaints.  While I wasn’t as impressed with Affleck’s performance as some, I think he did well enough. I would have liked to have seen either Sully‘s Tom Hanks or Hell or High Water‘s Chris Pine nominated.  I’m glad that Andrew Garfield picked up his first nomination.

Should Win: Denzel Washington, Fences

Will Win: Casey Affleck, Manchester By The Sea

Best Director: I’m going to go out on a limb and predict a minor upset.  I think La La Land is going to win in a lot of categories but I think that Moonlight‘s Barry Jenkins will win this Oscar.  Best Picture and Director have been split fairly regularly over the past few years and, after both the #OscarsSoWhite controversy and the 2016 presidential election, it may be felt that it’s time for a black director to finally win the Oscar.  Based on the skill shown in Whiplash and La La Land, Damien Chazelle will have other opportunities.

Should Win: Denis Villeneuve, Arrival

Will Win: Barry Jenkins, Moonlight

Best Picture: Though I don’t necessarily think it was one of the best films of the year, I would have loved it if Deadpool had actually scored a nomination.  It would have been an unexpected surprise and it would have shaken up a race that’s gotten rather predictable.

But no.  Deadpool received no nominations and the expected films were nominated.  Perhaps the only thing that could be considered surprising (though not that surprising)  was that Martin Scorsese’s passion project, Silence, was not only snubbed for best picture but also only picked up one nomination. Passengers picked up more nominations that Martin Scorsese’s latest film.  When it comes to total number of nominations, Silence is tired with Suicide Squad.

La La Land is going to win.  It’s probably going to win nearly all 14 of the Oscars it has been nominated for.  My pick for the best film of 2016 was American Honey.  Of the nominees, I think Arrival is the one that deserves to win.  But La La Land is an exuberant valentine to both the Academy and the industry.

La La Lands going to win.

Should Win: Arrival

Will Win: La La Land

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Here’s A Complete List Of The Oscar Winners!!!!


 

Spotlight

Best Picture: Spotlight

Best Director: Alejandro G. Inarritu for The Revenant

Best Actor: Leonardo DiCarpio in The Revenant

Best Actress: Brie Larson in Room

Best Supporting Actor: Mark Rylance in Bridge of Spies

Best Supporting Actress: Alicia Vikander in The Danish Girl

Best Original Screenplay: Tom McCarthy and Josh Singer. Spotlight

Best Adapted Screenplay: Adam McKay and Charles Randolph.  The Big Short

Best Animated Film: Inside Out

Best Documentary Feature: Amy

Best Foreign Language Film: Son of Saul

Best Cinematography: Emmanuel Lubezki, The Revenant

Best Costume Design: Jenny Bevan, Mad Max: Fury Road

Best Editing: Margaret Sixel, Mad Mad: Fury Road

Best Make-up and Hairstyling: Mad Max: Fury Road

Best Original Score: Ennio Morricone, The Hateful Eight

Best Original Song: “Writing’s On The Wall” from SPECTRE

Best Production Design: Colin Gibson and Lisa Thompson, Mad Max: Fury Road

Best Sound Editing: Mad Max: Fury Road

Best Sound Mixing: Mad Max: Fury Road

Best Visual Effects: Ex Machina

Best Animated Short Film:Bear Story

Best Documentary Short Film: The Girl In The River: The Price of Forgiveness

Best Live Action Short: Stutterer

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Here Are The Oscar Nominees!


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I am so happy that Mad Max, Brooklyn, and Room were nominated but considering how many great films were released in 2015, it’s hard not to be disappointed with the nominees for Best Picture.  No Carol.  No Ex Machina.  No Sicario or Inside Out.  No Straight Out Of Compton, Creed, or Beasts of No Nation.  Is The Martian the only best picture winner to even have more than one African-American prominently featured in the cast?  10 years from now, when people can see past the politics and concentrate on the filmmaking, The Big Short will be recognized as one of the worst best picture nominees of all time.

As for other snubs, I am so sad to see that Kristen Stewart and Benicio Del Toro were not nominated in the supporting races.  For that matter, Rooney was the lead in Carol and that’s where she should have been nominated.  It’s also interesting to note that Mark Ruffalo was nominated for giving the worst performance in Spotlight.

I know that Spotlight is the official front runner but, looking at the nominations, I wouldn’t be surprised to see The Revenant win.  Or maybe even (bleh!)  The Big Short.

Best Picture
“The Big Short”
“Bridge of Spies”
“Brooklyn”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Room”
“Spotlight”

Best Director
Lenny Abrahamson, “Room”
Alejandro Gonzalez Inarritu, “The Revenant”
Tom McCarthy, “Spotlight”
Adam McKay, “The Big Short”
George Miller, “Mad Max: Fury Road”

Best Actor
Bryan Cranston, “Trumbo”
Matt Damon, “The Martian”
Leonardo DiCaprio, “The Revenant”
Michael Fassbender, “Steve Jobs”
Eddie Redmayne, “The Danish Girl”

Best Actress
Cate Blanchett, “Carol”
Brie Larson, “Room”
Jennifer Lawrence, “Joy”
Charlotte Rampling, “45 Years”
Saoirse Ronan, “Brooklyn”

Best Supporting Actor
Christian Bale, “The Big Short”
Tom Hardy, “The Revenant”
Mark Ruffalo, “Spotlight”
Mark Rylance, “Bridge of Spies”
Sylvester Stallone, “Creed”

Best Supporting Actress
Jennifer Jason Leigh, “The Hateful Eight”
Rooney Mara, “Carol”
Rachel McAdams, “Spotlight”
Alicia Vikander, “The Danish Girl”
Kate Winslet, “Steve Jobs”

Best Original Screenplay
“Bridge of Spies”
“Ex Machina”
“Inside Out”
“Spotlight”
“Straight Outta Compton”

Best Adapted Screenplay
“The Big Short”
“Brooklyn”
“Carol”
“The Martian”
“Room”

Best Cinematography
“Carol”
“The Hateful Eight”
“Mad Max: Fury Road”
“The Revenant”
“Sicario”

Best Costume Design
“Carol”
“Cinderella”
“The Danish Girl”
“Mad Max: Fury Road”
“The Revenant”

Best Film Editing
“The Big Short”
“Mad Max: Fury Road”
“The Revenant”
“Spotlight”
“Star Wars: The Force Awakens”

Best Makeup and Hairstyling
“Mad Max: Fury Road”
“The 100-Year-Old Man Who Climbed out the Window and Disappeared”
“The Revenant”

Best Production Design
“Bridge of Spies”
“The Danish Girl”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”

Best Score
“Bridge of Spies”
“Carol”
“The Hateful Eight”
“Sicario”
“Star Wars: The Force Awakens”

Best Song
“Fifty Shades of Grey” – “Earned It”
“The Hunting Ground” – “Til it Happens to You”
“Racing Extinction” – “Manta Ray”
“Spectre” – “Writing’s on the Wall”
“Youth” – “Simple Song #3”

Best Sound Editing
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Sicario”
“Star Wars: The Force Awakens”

Best Sound Mixing
“Bridge of Spies”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Star Wars: The Force Awakens”

Best Visual Effects
“Ex Machina”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Star Wars: The Force Awakens”

Best Animated Feature
“Anomalisa”
“Boy and the World”
“Inside Out”
“Shaun the Sheep Movie”
“When Marnie Was There”

Best Documentary Feature
“Amy”
“Cartel Land”
“The Look of Silence”
“What Happened, Miss Simone?”
“Winter on Fire: Ukraine’s Fight for Freedom”

Best Foreign Language Film
“Embrace of the Serpent”
“Mustang”
“Son of Saul”
“Theeb”
“A War”

Best Animated Short
“Bear Story”
“Prologue”
“Sanjay’s Super Team”
“We Can’t Live without Cosmos”
“World of Tomorrow”

Best Documentary Short
“Body Team 12”
“Chau, Beyond the Lines”
“Claude Lanzmann: Spectres of the Shoah”
“A Girl in the River: The Price of Forgiveness”
“Last Day of Freedom”

Best Live Action Short
“Ave Maria”
“Day One”
“Everything Will Be Okay (Alles Wird Gut)”
“Shok”
“Stutterer”

Here’s What Won At The Golden Globes!


The Golden Globes just ended and here’s what won the film categories this year.  (Check out a full list of nominees here.)

Best Motion Picture (Drama) — The Revenant

Best Motion Picture (Comedy) — That freaking hilarious comedy The Martian

Best Actor (Comedy) — Matt Damon in that freaking hilarious comedy The Martian

Best Actor (Drama) — Leonardo DiCaprio in The Revenant

Best Actress (Comedy) — Jennifer Lawrence in Joy

Best Actress (Drama) — Brie Larson in Room

Best Supporting Actor — Sylvester Stallone in Creed

Best Supporting Actress — Kate Winslet in Steve Jobs

Best Director — Alejandro G. Inarritu for The Revenant

Best Screenplay — Aaron Sorkin for Steve Jobs

Best Original Score — Ennio Morricone for The Hateful Eight

Best Original Song — Writing’s on the Wall, that boringass song from Spectre

Best Animated Film: Inside Out

Best Foreign Language Film: Son of Saul

 

 

The ADG Nominates Crimson Peak … and some other films…


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The PGA wasn’t the only guild to announce nominations today!  The Art Director’s Guild announced their nominees for the best of 2015 as well.  And here they are!  (And yay to the ADG for nominating Crimson Peak!)

THE NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2015 ARE:

1. PERIOD FILM

BRIDGE OF SPIES
Production Designer: ADAM STOCKHAUSEN

CRIMSON PEAK
Production Designer: THOMAS E. SANDERS

THE DANISH GIRL
Production Designer: EVE STEWART

THE REVENANT
Production Designer: JACK FISK

TRUMBO
Production Designer: MARK RICKER

2. FANTASY FILM

CINDERELLA
Production Designer: DANTE FERRETTI

JURASSIC WORLD
Production Designer: EDWARD VERREAUX

MAD MAX: FURY ROAD
Production Designer: COLIN GIBSON

STAR WARS: THE FORCE AWAKENS
Production Designers: RICK CARTER, DARREN GILFORD

TOMORROWLAND
Production Designer: SCOTT CHAMBLISS

3. CONTEMPORARY FILM

EX MACHINA
Production Designer: MARK DIGBY

JOY
Production Designer: JUDY BECKER

THE MARTIAN
Production Designer: ARTHUR MAX

SICARIO
Production Designer: PATRICE VERMETTE

SPECTRE
Production Designer: DENNIS GASSNER

The Seattle Film Critics Survey Is Mad For Max! We Love You, Seattle!


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The Seattle Film Critics Survey announced their nominees for the best of 2015 earlier today and I have to say, their nominations are pretty interesting!  (Also interesting to note is that they did not nominate Oscar front runner Spotlight.) Way to go, Seattle!

BEST PICTURE OF THE YEAR:

BEST DIRECTOR:

BEST ACTOR in a LEADING ROLE:

BEST ACTRESS in a LEADING ROLE:

  • Cate Blanchett – CAROL
  • Nina Hoss – PHOENIX
  • Brie Larson – ROOM
  • Rooney Mara – CAROL
  • Saoirse RonanBROOKLYN

BEST ACTOR in a SUPPORTING ROLE:

  • Benicio del ToroSICARIO
  • Tom Hardy – THE REVENANT
  • Oscar IsaacEX MACHINA
  • Mark Rylance – BRIDGE OF SPIES
  • Sylvester StalloneCREED

BEST ACTRESS in a SUPPORTING ROLE:

  • Jennifer Jason Leigh – THE HATEFUL EIGHT
  • Kristen Stewart – CLOUDS OF SILS MARIA
  • Mya Taylor – TANGERINE
  • Alicia VikanderEX MACHINA
  • Kate WinsletSTEVE JOBS

BEST ENSEMBLE CAST:

BEST ORIGINAL SCREENPLAY:

  • EX MACHINAAlex Garland
  • THE HATEFUL EIGHTQuentin Tarantino
  • INSIDE OUTPete Docter, Meg LeFauve, and Josh Cooley (screenplay); Pete Docter and Ronnie del Carmen (story)
  • SICARIO Taylor Sheridan
  • SPOTLIGHTJosh Singer & Tom McCarthy

BEST ADAPTED SCREENPLAY:

BEST ANIMATED FEATURE:

  • ANOMALISACharlie Kaufman and Duke Johnson, directors
  • INSIDE OUTPete Docter, director
  • THE PEANUTS MOVIESteve Martino, director
  • SHAUN THE SHEEP MOVIE Mark Burton, Richard Starzak, Julie Lockhart and Paul Kewley, directors
  • WHEN MARNIE WAS THEREHiromasa Yonebayashi, director

BEST DOCUMENTARY FEATURE:

  • AMYAsif Kapadia, director
  • CARTEL LANDMatthew Heineman, director
  • GOING CLEAR: SCIENTOLOGY AND THE POWER OF BELIEF Alex Gibney, director
  • KURT COBAIN: MONTAGE OF HECKBrett Morgen, director
  • THE LOOK OF SILENCEJoshua Oppenheimer, director

BEST FOREIGN LANGUAGE FILM:

  • THE ASSASSINHou Hsiao-Hsien, director
  • MUSTANGDeniz Gamze Ergüven, director
  • PHOENIXChristian Petzold, director
  • SON OF SAULLászló Nemes, director
  • WHITE GODKornél Mundruczó, director

BEST CINEMATOGRAPHY:

  • CAROLEdward Lachman
  • THE HATEFUL EIGHTRobert Richardson
  • MAD MAX: FURY ROADJohn Seale
  • THE REVENANTEmmanuel Lubezki
  • SICARIORoger Deakins

BEST COSTUME DESIGN:

BEST FILM EDITING:

BEST MAKEUP & HAIRSTYLING:

  • CAROLPatricia Regan, Jerry DeCarlo
  • MAD MAX: FURY ROAD Lesley Vanderwalt, Damian Martin, Elka Wardega
  • THE REVENANTGraham Johnston, Robert Pandini

BEST ORIGINAL SCORE:

BEST ORIGINAL SONG:

  • CREED – “Grip”, Ludwig Göransson, Sam Dew, Tessa Thompson (composers)
  • FIFTY SHADES OF GREY – “Earned It (Fifty Shades of Grey)”, Abel Tesfaye, Stephan Moccio, Jason  Quenneville, Ahmad Balshe (composers)
  • FURIOUS 7 – “See You Again”, Justin Franks, Andrew Cedar, Charlie Puth, Cameron Thomaz (composers)
  • THE HUNTING GROUND – “Til It Happens To You”, Lady Gaga, Diane Warren (composers)
  • SPECTRE – “Writing’s On The Wall”, Sam Smith, James Napier (composers)

BEST PRODUCTION DESIGN:

  • CAROLJudy Becker (production design); Heather Loeffler (set decorator)
  • CRIMSON PEAK Tom Sanders (production design); Shane Vieau, Jeffrey A. Melvin (set decorator)
  • MAD MAX: FURY ROADColin Gibson (production design); Lisa Thompson (set decorator)
  • THE REVENANTJack Fisk (production design); Hamish Purdy (set decorator)
  • STAR WARS: THE FORCE AWAKENSRick Carter and Darren Gilford (production design); Lee Sandales (set decorator)

BEST SOUND DESIGN:

  • MAD MAX: FURY ROADBen Osmo, Chris Jenkins, Gregg Rudloff (sound mixing); Scott Hecker, Mark Mangini, David White (sound editing)
  • THE MARTIANMac Ruth, Paul Massey, Mark Taylor (sound mixing); Oliver Tarney (sound editing)
  • THE REVENANTChris Duesterdisk, Jon Taylor, Frank A. Moñtano, Randy Thom (sound mixing); Martin Hernandez, Randy Thom, Lon Bender (sound editing)
  • SICARIOJohn Reitz, Tom Ozanich, William Sarokin (sound mixing); Alan Robert Murray (sound editing)
  • STAR WARS: THE FORCE AWAKENSAndy Nelson, Christopher Scarabosio, Stuart Wilson (sound mixing); Matthew Wood, David Acord (sound editing)

BEST VISUAL EFFECTS:

Spotlight Wins In St. Louis!


Spotlight

You can check out the full nominations of the St. Louis Film Critics by clicking here.  And you can see the winners below!

Best Film of 2015: SPOTLIGHT
Runner Up: INSIDE OUT

Best Director of 2015: TOM MCCARTHY – SPOTLIGHT
Runner Up: George Miller – Mad Max: Fury Road

Best Actress of 2015: BRIE LARSON – ROOM
Runner Up: SAOIRSE RONAN – BROOKLYN

Best Actor of 2015: Leonardo DiCaprio – THE REVENANT
Runner Up: Ian McKellen – MR. HOLMES

Best Supporting Actress of 2015: Alicia Vikander – EX MACHINA
Runner Up: (TIE) – KRISTEN STEWART – CLOUDS OF SILS MARIA, Rooney Mara, CAROL

Best Supporting Actor of 2015: Sylvester Stallone – CREED
Runner Up: Mark Rylance – BRIDGE OF SPIES

Best Cinematography of 2015: EMMANUEL LUBEZKI – THE REVENANT
Runner Up: CAROL

Best Original Screenplay: JOSH SINGER AND TOM MCCARTHY – SPOTLIGHT
Runner Up: Alex Garland, Ex Machina

Best Adapted Screenplay of 2015: DREW GODDARD: THE MARTIAN
Runner Up: Nick Hornby: Brooklyn

Best Editing: MARGARET SIXEL: MAD MAX: FURY ROAD
Runner Up: THE REVENANT

Best Art Direction of 2015: COLIN GIBSON – MAD MAX: FURY ROAD
Runner Up: (A 3-Way Tie) CAROL, BROOKLYN, THE DANISH GIRL

Best Visual Effects of 2015: MAD MAX: FURY ROAD
Runner Up: THE WALK

Best Film Score of 2015: Ennio Morricone – THE HATEFUL EIGHT
Runner Up: INSIDE OUT

Best Film Soundtrack of 2015: ATTICUS ROSS – LOVE AND MERCY
Runner Up: STRAIGHT OUTTA COMPTON

Best Foreign Language Film: GOODNIGHT MOMMY
Runner Up: SON OF SAUL

Best Documentary of 2015: AMY
Runner Up: The Look of Silence

Best Comedy: TRAINWRECK
Runner Up: Me and Earl and the Dying Girl

Best Song: WRITING’S ON THE WALL (Spectre)
Runner Up: SEE YOU AGAIN (Furious 7)

Best Scene of 2015: Hugh mauled by grizzly in THE REVENANT
Runner Up: Walk between Twin Towers in THE WALK

Worst film of 2015: “FANTASTIC FOUR
Runner up: “ALOHA”