A (Not-So) Brief Note On WELCOME TO MOOSEPORT (20th Century Fox 2004)


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Sometimes while scrolling through the channels one come across a pleasant surprise. So it’s Saturday afternoon,a thundershower has cancelled my plan to hit the beach, the Red Sox don’t start for awhile, and I’m clicking the old clicker when I land on WELCOME TO MOOSEPORT. I wasn’t expecting much, just a way to kill time; instead, I found an underrated little gem of a comedy that kept me watching until the very end.

Don’t get me wrong, I’m not saying WELCOME TO MOOSEPORT is an undiscovered classic or anything like that. It’s just a solidly made piece of entertainment about small-town life starring Ray Romano (riding high at the time thanks to his successful sitcom EVERYBODY LOVES RAYMOND) and Oscar winning Gene Hackman. Romano uses his nebbishy TV persona to portray Mooseport, Maine’s local hardware store owner “Handy” Harrison, who gets involved in a mayoral campaign against Hackman’s Monroe “Eagle”…

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Is LADY STREET FIGHTER The Worst Movie Ever Made? (American General 1981)


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In all my years of watching movies, I’ve seen more than my share of stinkers. But nothing quite prepared me for the total ineptitude that is LADY STREET FIGHTER, starring the immortal Renee Harmon. This wretchedly made film features an incoherent script, horrific cinematography, murky sound, no direction, really bad acting, and an ersatz synth theme ripped off from Morricone’s THE GOOD, THE BAD, & THE UGLY . Let’s put it this way… when Jody McCrea (Bonehead of the Beach Party series) takes your film’s best acting honors, you KNOW you’re in for trouble!!

This senseless excuse for a movie finds Renee out to avenge the death of her sister at the hands of a gang called Assassins Incorporated, or something like that. I’m really not too sure, as the convoluted plot isn’t well defined. The movie starts off promising for Grindhouse fans with a gruesome torture scene (including a…

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One Hit Wonders #26: “We’ll Sing in the Sunshine” by Gale Garnett (RCA Victor 1964)


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New Zealand born, Canadian bred Gale Garnett sang her way to #4 on the Billboard charts during the summer of 1964 with a song that’s since become a summertime folk-rock classic, “We’ll Sing in the Sunshine”:

Gale herself penned the tune and performed it with her band The Gentle Reign. Folk music was still big in those early days of Beatlemania, and Gale’s song, with it’s liltingly lovely harmonica and whistling refrains, had young lovers swooning in the summer breeze. Gale and her group copped a Grammy for Best Traditional Folk Recording, and made the rounds of all the TV shows, but “We’ll Sing in the Sunshine” was their one and only hit record.

But that didn’t stop Gale Garnett! She was already a starlet of note, appearing on TV shows like HAWAIIAN EYE, 77 SUNSET STRIP, and BONANZA, and would soon be featured in animated form as the beautiful…

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Goodnight, Vienna: THE THIRD MAN (British Lion 1949)


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I’m just gonna come right out and say it: THE THIRD MAN is one of the greatest movies ever made. How could it not be, with all that talent, from producers Alexander Korda and David O. Selznick, director Carol Reed , screenwriter Graham Green, and cinematographer Robert Krasker, to actors Orson Welles, Joseph Cotten, Alida Valli , and Trevor Howard. It’s striking visuals, taut direction, and masterful acting transcend the film noir genre and make THE THIRD MAN one of the must-see films of 20th Century cinema.

The story starts simply enough, as American pulp novelist Holly Martins arrives in post-war Vienna to meet up with his old pal Harry Lime, only to learn that Harry was recently killed in a car accident. He attends the graveside service, meeting Harry’s mysterious actress girlfriend Anna Schmidt, and is quickly pulled down a rabbit hole of intrigue and deception involving the British…

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Off-Brand Spaghetti: MORE DEAD THAN ALIVE (United Artists 1969)


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It’s hanging day at a remote Arizona prison outpost, and four men are scheduled to swing from the gallows. After they’re executed, the four pine boxes pop open, and outlaw Luke Santee and his gang commence firing, their six-guns blazing, as they try to free Luke’s baby brother. The escape attempt is an epic fail as ‘Killer’ Cain, a prisoner for 18 years now up for parole, stops the brother from leaving his cell and getting slaughtered, with Luke vowing revenge…

That opening scene, a violent, gory bloodbath, makes one think MORE DEAD THAN ALIVE is going to be a Sergio Leone-inspired American Spaghetti Western. It even stars a former TV Western hero named Clint – big Clint (CHEYENNE) Walker ! But the episodic nature of George Schenck’s script kills that idea, as the film doesn’t quite know what it wants to be. Spaghetti or Traditional Western? Character study, comedy…

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4 Shots From 4 Films: Rest in Peace, Sylvia Miles (1924-2019)


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking. Character actress Sylvia Miles passed away today at age 94. Though never a household name, movie lovers knew they were in for a treat whenever Sylvia appeared onscreen, as did her peers, nominating her twice for the Best Supporting Actress Oscar. In her honor, we present 4 shots from the films of Sylvia Miles.

Midnight Cowboy (1969; D; John Schlesinger)

Andy Warhol’s Heat (1972; D: Paul Morrissey)

Farewell, My Lovely (1975; D: Dick Richards)

The Funhouse (1981; D: Tobe Hooper)

Ro-Man Holiday: ROBOT MONSTER (Astor Pictures 1953)


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My friends at The Film Detective are hosting a Drive-In Monster Movie Party all this month, and asked me to join in on the fun! When I received the list of movies they’re showing, I jumped at the chance to watch and review ROBOT MONSTER, that infamous no-budget classic directed by Phil Tucker, featuring an alien called Ro-Man who looks like a gorilla wearing a diving helmet. And honestly, how can you not love that!!

ROBOT MONSTER consistently makes critics’ all-time worst movie lists, derided for its technical ineptitude, overwrought acting, absurd dialog, and flat-out senselessness. It’s all that, to be certain, but I look at things through a different (some would say “shattered”) lens. First, did I enjoy it? The answer: a resounding yes! The movie may not be on a par with CASABLANCA or THE SEARCHERS , but it didn’t bore me or make me want to shut…

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