Here Are the 70 Songs That Are Eligible For Best Original Song of 2017!


 

Today, the Academy announced the 70 songs that will be eligible to be nominated for best original song!  So, if you’re putting down bets and making out your predictions, here are your best song possibilities:

“U.N.I (You And I)” from “And the Winner Isn’t”
“Love And Lies” from “Band Aid”
“If I Dare” from “Battle of the Sexes”
“Evermore” from “Beauty and the Beast
“How Does A Moment Last Forever” from “Beauty and the Beast
“Now Or Never” from “Bloodline: Now or Never”
“She” from “Bombshell: The Hedy Lamarr Story”
“Your Hand I Will Never Let It Go” from “The Book of Henry”
“Buddy’s Business” from “Brawl in Cell Block 99”
“The Crown Sleeps” from “The Breadwinner”
“World Gone Mad” from “Bright”
“Mystery Of Love” from “Call Me by Your Name”
“Visions Of Gideon” from “Call Me by Your Name”
“Captain Underpants Theme Song” from “Captain Underpants The First Epic Movie”
“Ride” from “Cars 3”
“Run That Race” from “Cars 3”
“Tell Me How Long” from “Chasing Coral”
“Broken Wings” from “City of Ghosts”
“Remember Me” from “Coco”
“Prayers For This World” from “Cries from Syria”
“There’s Something Special” from “Despicable Me 3”
“It Ain’t Fair” from “Detroit”
“A Little Change In The Weather” from “Downsizing”
“Stars In My Eyes (Theme From Drawing Home)” from “Drawing Home”
“All In My Head” from “Elizabeth Blue”
“Dying For Ya” from “Elizabeth Blue”
“Green” from “Elizabeth Blue”
“Can’t Hold Out On Love” from “Father Figures”
“Home” from “Ferdinand”
“I Don’t Wanna Live Forever” from “Fifty Shades Darker
“You Shouldn’t Look At Me That Way” from “Film Stars Don’t Die in Liverpool”
“This Is How You Walk On” from “Gifted”
“Summer Storm” from “The Glass Castle
“The Pure And The Damned” from “Good Time”
“This Is Me” from “The Greatest Showman”
“The Hero” from “The Hero
“How Shall A Sparrow Fly” from “Hostiles”
“Just Getting Started” from “If You’re Not in the Obit, Eat Breakfast”
“Truth To Power” from “An Inconvenient Sequel: Truth to Power”
“Next Stop, The Stars” from “Kepler’s Dream”
“The Devil & The Huntsman” from “King Arthur: Legend of the Sword
“Have You Ever Wondered” from “Lake of Fire”
“I’ll Be Gone” from “Lake of Fire”
“We’ll Party All Night” from “Lake of Fire”
“Friends Are Family” from “The Lego Batman Movie
“Found My Place” from “The Lego Ninjago Movie”
“Stand Up For Something” from “Marshall”
“Rain” from “Mary and the Witch’s Flower”
“Myron/Byron” from “The Meyerowitz Stories (New and Selected)”
“Longing For Summer” from “Moomins and the Winter Wonderland”
“Mighty River” from “Mudbound”
“Never Forget” from “Murder on the Orient Express”
“Hold The Light” from “Only the Brave”
“PBNJ” from “Patti Cake$”
“Tuff Love (Finale)” from “Patti Cake$”
“Lost Souls” from “The Pirates of Somalia”
“How A Heart Unbreaks” from “Pitch Perfect 3”
“The Promise” from “The Promise”
“Kaadanayum Kaalchilambe” from “Pulimurugan”
“Maanathe Maarikurumbe” from “Pulimurugan”
“Stubborn Angel” from “Same Kind of Different as Me”
“Dancing Through The Wreckage” from “Served Like a Girl”
“Keep Your Eyes On Me” from “The Shack”
“On The Music Goes” from “Slipaway”
“The Star” from “The Star”
“Jump” from “Step”
“Tickling Giants” from “Tickling Giants”
“Fly Away” from “Trafficked”
“Speak To Me” from “Voice from the Stone”
“Walk On Faith” from “Year by the Sea”

The Academy also announced that 141 films will be eligible for Best Original Score.  In the interest of space, I’m not going to post them all here.  You can check out the list on Awards Watch!

Rising From the Flame, The Phoenix Critics Circle Reveals Their Nominations For The Best of 2017!


 

Yesterday, the Phoenix Critics Circle revealed their nominations for the best films and performances of 2017!

Best Picture

  • “Dunkirk”
  • “The Florida Project”
  • “Lady Bird”
  • “The Shape of Water”
  • “Three Billboards Outside Ebbing, Missouri”

Best Comedy Film

  • “The Big Sick”
  • “The Disaster Artist”
  • “I, Tonya”
  • “Lady Bird”
  • “Logan Lucky”

Best Science Fiction Film

Best Horror Film

Best Mystery or Thriller Film

  • “The Beguiled”
  • “Get Out”
  • “The Killing of a Sacred Deer”
  • “mother!”
  • “Murder on the Orient Express”
  • “The Post”
  • “Split”
  • “Wind River”

Best Animated Film

Best Foreign Language Film

  • “BPM (Beats per Minute)”
  • “In the Fade”
  • Raw”
  • “The Square”
  • “Thelma”

Best Documentary

  • “City of Ghosts”
  • “Jane”
  • “Step”
  • “Whose Streets”

Best Actor

  • Timothée Chalamet, “Call Me by Your Name”
  • Daniel Day-Lewis, “Phantom Thread”
  • James Franco, “The Disaster Artist”
  • Daniel Kaluuya, “Get Out”
  • Gary Oldman, “Darkest Hour”
  • Harry Dean Stanton, “Lucky”

Best Actress

  • Jessica Chastain, “Molly’s Game”
  • Sally Hawkins, “The Shape of Water”
  • Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
  • Margot Robbie, “I, Tonya”
  • Saoirse Ronan, “Lady Bird”

Best Supporting Actor

  • Willem Dafoe, “The Florida Project”
  • Armie Hammer, “Call Me By Your Name”
  • Richard Jenkins, “The Shape of Water”
  • Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”
  • Michael Stuhlbarg, “Call Me by Your Name”

Best Supporting Actress

  • Mary J. Blige, “Mudbound”
  • Holly Hunter, “The Big Sick”
  • Allison Janney, “I Tonya”
  • Laurie Metcalf, “Lady Bird”
  • Octavia Spencer, “The Shape of Water”

Best Director

Best Screenplay

  • Greta Gerwig, “Lady Bird”
  • Liz Hannah and Josh Singer, “The Post”
  • Martin McDonagh, “Three Billboards Outside Ebbing, Missouri”
  • Jordan Peele, “Get Out”
  • Aaron Sorkin, “Molly’s Game”

Best Score

  • Alexandre Desplat, “The Shape of Water”
  • Jonny Greenwood, “Phantom Thread”
  • Benjamin Wallfisch and Hans Zimmer, “Blade Runner 2049”
  • Hans Zimmer, “Dunkirk”

 

Here Are The Nominations From The Houston Film Critics!


This year, Houston proved once again that Texas is better than the upper 48.  In the face of adversity, Texans came together and helped each other out and basically but the rest of America to shame.

Then to top it all off, The Houston Film Critics got together and came up with an intriguing list of the films and performances that they consider to be the best of 2017!

Love you, Houston!

Here are their nominations:

Picture:
The Big Sick
Call Me By Your Name
Dunkirk
The Florida Project
Get Out
Lady Bird
Logan
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Director:
Guillermo del Toro, “The Shape of Water”
Greta Gerwig, “Lady Bird”
Christopher Nolan, “Dunkirk”
Jordan Peele, “Get Out”
Steven Spielberg, “The Post”

Actor:
Timothee Chalamet, “Call Me By Your Name”
James Franco, “The Disaster Artist”
Daniel Kaluuya, “Get Out”
Robert Pattinson, “Good Time”
Andy Serkis, “War for the Planet of the Apes

Actress:
Sally Hawkins, “The Shape of Water”
Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
Brooklyn Prince, “The Florida Project”
Margot Robbie, “I, Tonya”
Saoirse Ronan, “Lady Bird”

Supporting Actor:
Willem Defoe, “The Florida Project”
Richard Jenkins, “The Shape of Water”
Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”
Patrick Stewart, “Logan
Michael Stuhlbarg, “Call Me By Your Name”

Supporting Actress:
Holly Hunter, “The Big Sick”
Allison Janney, “I, Tonya”
Dafne Keen, “Logan
Laurie Metcalf, “Lady Bird”
Octavia Spencer, “The Shape of Water”

Screenplay:
“The Big Sick,” Emily V. Gordon and Kumail Nanjiani
“Get Out,” Jordan Peele
“Lady Bird,” Greta Gerwig
“The Post,” Elizabeth Hanna and Josh Singer
“Three Billboards Outside Ebbing, Missouri,” Martin McDonagh

Cinematography:
Blade Runner 2049,” Roger Deakins
“Call Me By Your Name,” Sayombhu Mukdeeprom
“Dunkirk,” Hoyte van Hoytema
“The Shape of Water,” Dan Laustsen
“Wonder Wheel,” Vittoria Storaro

Animated Film:
“The Breadwinner”
“Coco”
“Despicable Me 3”
The Lego Batman Movie
“Loving Vincent”

Original Score:
Blade Runner 2049,” Ben Wallfisch and Hans Zimmer
“Dunkirk,” Hans Zimmer
“The Post,” John Williams
“The Shape of Water,” Alexandre Desplat
War for the Planet of the Apes,” Michael Giacchino

Best Original Song:
“Evermore” (“Beauty and the Beast”)
“I Get Overwhelmed” (“A Ghost Story”)
“Never Forget” (“Murder on the Orient Express”)
“Remember Me” (“Coco”)
“Visions of Gideon” (“Call Me By Your Name”)

Foreign Language Film:
“BPM”
“Blade of the Immortal”
“First They Killed My Father”
“The Square”
“Thelma”

Documentary Feature:
“Faces Places”
“Jane”
“Kedi”
“Step”
“The Work”

Visual Effects:
Blade Runner 2049
“The Shape of Water”
War for the Planet of the Apes

Poster:
Baby Driver
It
“Logan Lucky”
“Mother”
“The Shape of Water”

Texas Independent Film Award:
A Ghost Story
“Mr. Roosevelt”
“Mustang Island”
“The Secret Life of Lance Letscher”
Song to Song

Here Are The Seattle Film Critics Nominations!


Earlier today, the Seattle Film Critics Society announced their nominations for the best of 2017!  The winners will be announced on December 18th.

The most interesting thing about Seattle’s nominations?  The amount of love that they showed to Blade Runner 2049, an acclaimed film that, with the exception of Roger Deakins’s cinematography, was running the risk of being forgotten during the precursor season.  They also showed some love to Logan and The Disaster Artist, which made me happy.

With a tip of the hat to AwardsWatch, here are their nominations:

BEST PICTURE OF THE YEAR:

Blade Runner 2049 (Warner Bros.)

The Disaster Artist (A24)

Dunkirk (Warner Bros.)

The Florida Project (A24)

Get Out (Universal)

Lady Bird (A24)

Logan (20th Century Fox)

Phantom Thread (Focus Features)

The Post (20th Century Fox)

Three Billboards Outside Ebbing, Missouri (Fox Searchlight)

 

BEST DIRECTOR:

Sean Baker – The Florida Project

Greta Gerwig – Lady Bird

Christopher Nolan – Dunkirk

Jordan Peele – Get Out

Denis Villeneuve – Blade Runner 2049

 

BEST ACTOR in a LEADING ROLE:

Daniel Day-Lewis – Phantom Thread

James Franco – The Disaster Artist

Daniel Kaluuya – Get Out

Gary Oldman – Darkest Hour

Robert Pattinson – Good Time

 

BEST ACTRESS in a LEADING ROLE:

Sally Hawkins – The Shape of Water

Frances McDormand – Three Billboards Outside Ebbing, Missouri

Margot Robbie – I, Tonya

Saoirse Ronan – Lady Bird

Meryl Streep – The Post

 

BEST ACTOR in a SUPPORTING ROLE:

Willem Dafoe – The Florida Project

Barry Keoghan – The Killing of a Sacred Deer

Sam Rockwell – Three Billboards Outside Ebbing, Missouri

Michael Shannon – The Shape of Water

Patrick Stewart – Logan

 

BEST ACTRESS in a SUPPORTING ROLE:

Tiffany Haddish – Girls Trip

Holly Hunter – The Big Sick

Allison Janney – I, Tonya

Lesley Manville – Phantom Thread

Laurie Metcalf – Lady Bird

 

BEST ENSEMBLE CAST:

Call Me by Your Name

Get Out

Lady Bird

The Post

Three Billboards Outside Ebbing, Missouri

 

BEST SCREENPLAY:

The Big Sick – Emily V. Gordon & Kumail Nanjiani

The Disaster Artist – Scott Neustadter & Michael H. Weber

Get Out – Jordan Peele

Lady Bird – Greta Gerwig

Three Billboards Outside Ebbing, Missouri – Martin McDonagh

 

BEST ANIMATED FEATURE:

The Breadwinner – Nora Twomey, director

Coco – Adrian Molina, Lee Unkrich, directors

The LEGO Batman Movie – Chris McKay, director

Loving Vincent – Dorota Kobiela, Hugh Welchman, directors

Your Name. – Makoto Shinkai, director

 

BEST FOREIGN LANGUAGE FILM:

Blade of the Immortal – Takashi Miike, director
BPM (Beats Per Minute) – Robin Campillo, director

Frantz – François Ozon, director

Raw – Julia Ducournau, director

Thelma – Joachim Trier, director

 

BEST DOCUMENTARY FEATURE:

City of Ghosts – Matthew Heineman, director

Ex Libris: The New York Public Library – Frederick Wiseman, director

Faces Places – JR, Agnès Varda, co-directors

LA 92 – Daniel Lindsay, T.J. Martin, directors

Step – Amanda Lipitz, director

 

BEST CINEMATOGRAPHY:

Blade Runner 2049 – Roger A. Deakins

Columbus – Elisha Christian

Dunkirk – Hoyte von Hoytema

The Florida Project – Alexis Zabé

The Shape of Water – Dan Laustsen

 

BEST COSTUME DESIGN:

Beauty and the Beast – Jacqueline Durran

Blade Runner 2049 – Rénee April

Darkest Hour – Jacqueline Durran

Phantom Thread – Mark Bridges

The Shape of Water – Luis Sequeira

 

BEST FILM EDITING:

Baby Driver – Paul Machliss, Jonathan Amos

Blade Runner 2049 – Joe Walker

Dunkirk – Lee Smith

Get Out – Gregory Plotkin

Lady Bird – Nick Houy

 

BEST ORIGINAL SCORE:

Blade Runner 2049 – Benjamin Wallfisch, Hans Zimmer

Dunkirk – Hans Zimmer

Phantom Thread – Jonny Greenwood

War for the Planet of the Apes – Michael Giacchino

Wonderstruck – Carter Burwell

 

BEST PRODUCTION DESIGN:

Blade Runner 2049 – Dennis Gassner (Production Designer); Alessandra Querzola (Set Decorator)

Dunkirk – Nathan Crowley (Production Designer); Gary Fettis (Supervising Set Decorator)

Murder on the Orient Express – Jim Clay (Production Designer); Rebecca Alleway (Set Decorator)

Phantom Thread – Mark Tildesley (Production Designer); Véronique Melery (Set Decorator)

The Shape of Water – Paul Denham Austerberry (Production Designer); Shane Vieau, Jeff Melvin (Set Decorators)

 

BEST VISUAL EFFECTS:

Blade Runner 2049 – John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer
Dunkirk – Andrew Jackson, Andrew Lockley, Scott Fisher, Paul Corbould

The Shape of Water – Dennis Berardi, Luke Groves, Trey Harrell, Kevin Scott

Valerian and the City of a Thousand Planets – Scott Stokdyk, Jérome Lionard

War for the Planet of the Apes – Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

 

BEST YOUTH PERFORMANCE (18 years of age or younger upon start of filming):

Dafne Keen – Logan
Sophia Lillis It

Brooklynn Prince – The Florida Project

Millicent Simmonds – Wonderstruck

Jacob Tremblay – Wonder

 

VILLAIN OF THE YEAR:

Dennis and various multiple personalities – Split – portrayed by James McAvoy

Martin – The Killing of a Sacred Deer – portrayed by Barry Keoghan

Pennywise – It – portrayed by Bill Skarsgård

Philip Krauss – Detroit – portrayed by Will Poulter

Richard Strickland – The Shape of Water – portrayed by Michael Shannon

Here Are The Nominations For the 23rd Annual Critics Choice Awards!


Awards season is in full swing!  I’m running a little bit behind in updating all of the precursor awards here on the Shattered Lens but hopefully, I’ll have the site up-to-date by the end of today!

For instance, today, the Broadcast Film Critics Association announced their nominations and, just judging from the number of nominations it received, it looks like they really, really liked Guillermo Del Toro’s The Shape of Water!

Here are the film nominees:

BEST PICTURE

“The Big Sick”
“Call Me by Your Name”
“Darkest Hour”
“Dunkirk”
“The Florida Project”
“Get Out”
“Lady Bird”
“The Post”
“The Shape of Water”
“Three Billboards Outside Ebbing, Missouri”

BEST ACTOR

Timothée Chalamet – “Call Me by Your Name”
James Franco – “The Disaster Artist”
Jake Gyllenhaal – “Stronger”
Tom Hanks – “The Post”
Daniel Kaluuya – “Get Out”
Daniel Day-Lewis – “Phantom Thread”
Gary Oldman – “Darkest Hour”

BEST ACTRESS

Jessica Chastain – “Molly’s Game”
Sally Hawkins – “The Shape of Water”
Frances McDormand – “Three Billboards Outside Ebbing, Missouri”
Margot Robbie – “I, Tonya”
Saoirse Ronan – “Lady Bird”
Meryl Streep – “The Post”

BEST SUPPORTING ACTOR

Willem Dafoe – “The Florida Project”
Armie Hammer – “Call Me By Your Name”
Richard Jenkins – “The Shape of Water”
Sam Rockwell – “Three Billboards Outside Ebbing, Missouri”
Patrick Stewart – “Logan
Michael Stuhlbarg – “Call Me by Your Name”

BEST SUPPORTING ACTRESS

Mary J. Blige – “Mudbound
Hong Chau – “Downsizing”
Tiffany Haddish – “Girls Trip”
Holly Hunter – “The Big Sick”
Allison Janney – “I, Tonya”
Laurie Metcalf – “Lady Bird”
Octavia Spencer – “The Shape of Water”

BEST YOUNG ACTOR/ACTRESS

Mckenna Grace – “Gifted”
Dafne Keen – “Logan”
Brooklynn Prince – “The Florida Project”
Millicent Simmonds – “Wonderstruck”
Jacob Tremblay – “Wonder”

BEST ACTING ENSEMBLE

“Dunkirk”
“Lady Bird”
“Mudbound”
“The Post”
“Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR

Guillermo del Toro – “The Shape of Water”
Greta Gerwig – “Lady Bird”
Martin McDonagh – “Three Billboards Outside Ebbing, Missouri”
Christopher Nolan – “Dunkirk”
Luca Guadagnino – “Call Me By Your Name”
Jordan Peele – “Get Out”
Steven Spielberg – “The Post”

BEST ORIGINAL SCREENPLAY

Guillermo del Toro and Vanessa Taylor – “The Shape of Water”
Greta Gerwig – “Lady Bird”
Emily V. Gordon and Kumail Nanjiani – “The Big Sick”
Liz Hannah and Josh Singer – “The Post”
Martin McDonagh – “Three Billboards Outside Ebbing, Missouri”
Jordan Peele – “Get Out”

BEST ADAPTED SCREENPLAY

James Ivory – “Call Me by Your Name”
Scott Neustadter and Michael H. Weber – “The Disaster Artist”
Dee Rees and Virgil Williams – “Mudbound
Aaron Sorkin – “Molly’s Game”
Jack Thorne, Steve Conrad, Stephen Chbosky – “Wonder”

BEST CINEMATOGRAPHY

Roger Deakins – “Blade Runner 2049”
Hoyte van Hoytema – “Dunkirk”
Dan Laustsen – “The Shape of Water”
Rachel Morrison – “Mudbound
Sayombhu Mukdeeprom – “Call Me By Your Name”

BEST PRODUCTION DESIGN

Paul Denham Austerberry, Shane Vieau, Jeff Melvin – “The Shape of Water”
Jim Clay, Rebecca Alleway – “Murder on the Orient Express”
Nathan Crowley, Gary Fettis – “Dunkirk”
Dennis Gassner, Alessandra Querzola – “Blade Runner 2049
Sarah Greenwood, Katie Spencer – “Beauty and the Beast
Mark Tildesley, Véronique Melery – “Phantom Thread”

BEST EDITING

Michael Kahn, Sarah Broshar – “The Post”
Paul Machliss, Jonathan Amos – “Baby Driver
Lee Smith – “Dunkirk”
Joe Walker – “Blade Runner 2049”
Sidney Wolinsky – “The Shape of Water”

BEST COSTUME DESIGN

Renée April – “Blade Runner 2049
Mark Bridges – “Phantom Thread”
Jacqueline Durran – “Beauty and the Beast
Lindy Hemming – “Wonder Woman
Luis Sequeira – “The Shape of Water”

BEST HAIR AND MAKEUP

Beauty and the Beast
“Darkest Hour”
“I, Tonya”
“The Shape of Water”
“Wonder”

BEST VISUAL EFFECTS

Blade Runner 2049
“Dunkirk”
“The Shape of Water”
“Thor: Ragnarok”
War for the Planet of the Apes
Wonder Woman

BEST ANIMATED FEATURE

“The Breadwinner”
“Coco”
“Despicable Me 3”
“The LEGO Batman Movie”
“Loving Vincent”

BEST ACTION MOVIE

Baby Driver”
Logan”
“Thor: Ragnarok”
War for the Planet of the Apes”
“Wonder Woman”

BEST COMEDY

“The Big Sick”
“The Disaster Artist”
“Girls Trip”
“I, Tonya”
“Lady Bird”

BEST ACTOR IN A COMEDY

Steve Carell – “Battle of the Sexes”
James Franco – “The Disaster Artist”
Chris Hemsworth – “Thor: Ragnarok”
Kumail Nanjiani – “The Big Sick”
Adam Sandler – “The Meyerowitz Stories (New and Selected)”

BEST ACTRESS IN A COMEDY

Tiffany Haddish – “Girls Trip”
Zoe Kazan – “The Big Sick”
Margot Robbie – “I, Tonya”
Saoirse Ronan – “Lady Bird”
Emma Stone – “Battle of the Sexes”

BEST SCI-FI OR HORROR MOVIE

Blade Runner 2049
“Get Out”
It
“The Shape of Water”

BEST FOREIGN LANGUAGE FILM

“BPM (Beats Per Minute)”
“A Fantastic Woman”
“First They Killed My Father”
“In the Fade”
“The Square”
“Thelma”

BEST SONG

“Evermore” – “Beauty and the Beast
“Mystery of Love” – “Call Me By Your Name”
“Remember Me” – “Coco”
“Stand Up for Something” – “Marshall”
“This Is Me” – “The Greatest Showman”

BEST SCORE

Alexandre Desplat – “The Shape of Water”
Jonny Greenwood – “Phantom Thread”
Dario Marianelli – “Darkest Hour”
Benjamin Wallfisch and Hans Zimmer – “Blade Runner 2049”
John Williams – “The Post”
Hans Zimmer – “Dunkirk”

Lisa’s Early Oscar Predictions For September


To see how my thinking has progressed, be sure to check out my predictions for January, February, March, April, May, JuneJuly, and August!

 

Best Picture

Call Me By Your Name

Darkest Hour

Detroit

The Disaster Artist

Dunkirk

The Florida Project

It

Goodbye Christopher Robin

Logan

Three Billboards Outside Ebbing Missiouri

Wonderstruck

 

Best Director

Sean Baker for The Florida Project

Kathryn Bigelow for Detroit

Martin McDonagh for Three Billboards Outside Ebbing Missouri

Christopher Nolan for Dunkirk

Joe Wright for Darkest Hour

 

Best Actor

Chadwick Boseman in Marshall

Willem DaFoe in The Florida Project

Hugh Jackman in The Greatest Showman

Gary Oldman in Darkest Hour

Donald Sutherland in The Leisure Seeker

 

Best Actress

Judi Dench in Victoria and Abdul

Kirsten Dunst in Woodshock

Frances McDormand in Three Billboards Outside of Ebbing Missouri

Emma Stone in Battle of the Sexes

Meryl Streep in The Papers

 

Best Supporting Actor

Steve Carell in Battle of the Sexes

James Franco in The Disaster Artist

Armie Hammer in Call Me By Your Name

Will Poulter in Detroit

Patrick Stewart in Logan

 

Best Supporting Actress

Penelope Cruz in Murder on the Orient Express

Holly Hunter in The Big Sick

Melissa Leo in The Novitiate

Julianne Moore in Wonderstuck

Margot Robbie in Goodbye Christopher Robin

Lisa’s Early Oscar Predictions for August!


 

To see how my thinking has progressed, be sure to check out my predictions for January, February, March, April, May, June, and July!

 

Best Picture

Call Me By Your Name

Darkest Hour

Detroit

The Disaster Artist

Dunkirk

The Florida Project

Goodbye Christopher Robin

The Greatest Showman

Logan

Wonderstruck

 

Best Director

Sean Baker for The Florida Project

Kathryn Bigelow for Detroit

Michael Gracey for The Greatest Showman

Christopher Nolan for Dunkirk

Joe Wright for Darkest Hour

 

Best Actor

Chadwick Boseman in Marshall

Willem DaFoe in The Florida Project

Hugh Jackman in The Greatest Showman

Gary Oldman in Darkest Hour

Donald Sutherland in The Leisure Seeker

 

Best Actress

Judi Dench in Victoria and Abdul

Kirsten Dunst in Woodshock

Frances McDormand in Three Billboards Outside of Ebbing Missouri

Emma Stone in Battle of the Sexes

Meryl Streep in The Papers

 

Best Supporting Actor

Steve Carell in Battle of the Sexes

James Franco in The Disaster Artist

Armie Hammer in Call Me By Your Name

Will Poulter in Detroit

Patrick Stewart in Logan

 

Best Supporting Actress

Penelope Cruz in Murder on the Orient Express

Holly Hunter in The Big Sick

Melissa Leo in The Novitiate

Julianne Moore in Wonderstuck

Margot Robbie in Goodbye Christopher Robin

 

Lisa’s Early Oscar Nominations for July


With each passing month, the Oscar race becomes just a little bit clearer.  We are still a few months away from the true Oscar season but a few contenders have emerged.

My predictions are below.  Previously, my predictions were all based on wishful thinking and instinct.  Well, there’s still a lot of wishful thinking to be found below but, at the same time, the festival season is providing a guide and there are some early reviews that have started to come in.  I’ve never been a 100% correct in my predictions and I doubt this year is going to be any different.  (For one thing, I always predict 10 best picture nominees, even though that’s close to being a mathematical impossibility under the current Academy rules.)

One final note: Some day, the Academy will get over their resistance to Netflix and streaming.  I don’t think that’s going to happen this year, though.  I kept that in mind while considering the chances of such heavily hyped (and, for that matter, less heavily hyped) contenders as Mudbound and The Meyerowitz Stories.

Anyway, here are my predictions for July!  Be sure to check out my predictions for January, February, March, April, May, and June as well!

Best Picture

Call Me By Your Name

Darkest Hour

Detroit

The Disaster Artist

Dunkirk

The Florida Project

Goodbye Christopher Robin

The Greatest Showman

Logan

Wonderstruck

Best Director

Sean Baker for The Florida Project

Kathryn Bigelow for Detroit

Michael Gracey for The Greatest Showman

Christopher Nolan for Dunkirk

Joe Wright for Darkest Hour

Best Actor

Chadwick Boseman in Marshall

Willem DaFoe in The Florida Project

Hugh Jackman in The Greatest Showman

Gary Oldman in Darkest Hour

Donald Sutherland in The Leisure Seeker

Best Actress

Judi Dench in Victoria and Abdul

Kirsten Dunst in Woodshock

Frances McDormand in Three Billboards Outside of Ebbing Missouri

Emma Stone in Battle of the Sexes

Meryl Streep in The Papers

Best Supporting Actor

Steve Carell in Battle of the Sexes

James Franco in The Disaster Artist

Armie Hammer in Call Me By Your Name

Will Poulter in Detroit

Patrick Stewart in Logan

Best Supporting Actress

Penelope Cruz in Murder on the Orient Express

Holly Hunter in The Big Sick

Melissa Leo in The Novitiate

Julianne Moore in Wonderstuck

Margot Robbie in Goodbye Christopher Robin

 

Lisa’s Way Too Early Oscar Predictions For January


2013 oscars

Why are these Oscar predictions “way too early?”

Well, unlike every other movie blogger right now, I am not attempting to predict who and what will be nominated on January 24th.  Instead, with this post, I am attempting to predict which 2017 releases will be nominated next year!  In short, I am attempting to predict what movies and which performers will emerge as Oscar contenders over the next 12 months.

Needless to say, this is more than a little bit foolish on my part.  I haven’t seen any of the films listed below.  Some of these films don’t have release dates and others are coming out so early in the year that, in order to be contenders, they’ll have to be so spectacular that neither the Academy nor the critics end up forgetting about them.  For the most part, the true picture of the Oscar race usually doesn’t start to emerge until the summer.

For now, these predictions are, for the most part, wild guesses and they should be taken with more than just a grain of salt.  Each month, I will revise my predictions.  At the very least, next year, we’ll probably be able to look back at this post and laugh.

(Whenever trying to make early Oscar predictions, one should remember all of the award bloggers who predicted Nicole Kidman would win an Oscar for Grace of Monaco, just to then see the movie make its long-delayed premiere on Lifetime.)

With all that in mind, here are my way too early Oscar predictions for January!

Best Picture

All Eyez on Me

Battle of the Sexes

The Beguiled

Blade Runner 2047

Crown Heights

Darkest Hour

Downsizing

Dunkirk

T2: Trainspotting

War Machine

Again, for the most part, these predictions are a combination of wild guesses, instinct, and wishful thinking.  It’s entirely possible that none of these films will actually be nominated for best picture.  (Some might even end up premiering on Lifetime, you never know.)  Here’s why I think that some of them might be remembered next year at this time:

All Eyez On Me is a biopic of Tupac Shakur.  Assuming the film is done correctly, Shakur’s life would seem to have all the elements that usually go into an Oscar-winning film.

Battle of the Sexes is a film based on a true incident, a 1970s tennis match between a feminist and a self-declared male chauvinist.  It’s directed by the team behind the Oscar-nominated Little Miss Sunshine and it stars two former nominees, Emma Stone and Steve Carell.

The Beguiled might be wishful thinking on my part but, at this point, wishful thinking is all I have to go on for most of these predictions.  The Beguiled is a remake of a Clint Eastwood film and it’s directed by one of my favorite directors, Sofia Coppola!  Much like Battle of the Sexes, its misogynist-gets-what’s-coming-to-him storyline might make it the perfect film for the first year of the Trump presidency.

Blade Runner 2047 is one of the most eagerly anticipated films of 2017 and it’s directed by Denis Villeneuve, who is hot off of Arrival.  The Oscar success of Mad Max: Fury Road proved that a sequel can be a contender.

Every year, at least one contender emerges out of Sundance and this year, it could very well be Crown Heights.  It tells a fact-based story, about a man trying to win his best friend’s release from prison after the latter is wrongly convicted.  That all sounds very Oscar baity.

Speaking of Oscar bait, Darkest Hour stars Gary Oldman as Winston Churchill.  If that doesn’t sound like Oscar bait, I don’t know what does.

Downsizing is Alexander Payne’s latest film.  It’s about a man (Matt Damon), who shrinks himself.  It may not sound like typical Oscar bait but Payne is definitely a favorite of the Academy’s.

Dunkirk is Christopher Nolan’s big epic for 2017.  Will it be another huge success or will it just be bombastic?  We’ll see.  The Academy has a weakness for World War II films and it could be argued that the very successful yet never nominated Nolan is overdue for some Academy recognition.  (It is true that Inception received a nomination for best picture but Nolan himself was snubbed.)

T2: Trainspotting is probably coming out too early in the year to be a legitimate contender but who knows?  The trailer was great.  Danny Boyle is directing it.  And, much as with Blade Runner 2047, Mad Max: Fury Road proved that a well-made and intelligent sequel can find favor with the Academy.

War Machine is described as being a satire about the war in Afghanistan.  Could it be another Big Short?  With Obama out of office, the Academy might be more open to political satire than they’ve been in the past.

Best Director

Danny Boyle for T2: Trainspotting

Sofia Coppola for The Beguiled

Christopher Nolan for Dunkirk

Alexander Payne for Downsizing

Denis Villeneuve for Blade Runner 2047

Again, there’s a lot of random guessing here.  Personally, I’d love to see Sofia Coppola receive a second nomination for best director.  Payne and Boyle are always possibilities and, if Villeneuve’s work on Arrival is ignored this year, nominating him for Blade Runner would be a good way to make up for it.  As for Nolan, he’s going to get nominated some day.   Why not for Dunkirk?

Best Actor

Tom Cruise in American Made

Sam Elliott in The Hero

Hugh Jackman in The Greatest Showman

Logan Lerman in Sidney Hall

Gary Oldman in Darkest Hour

In American Made, Tom Cruise plays a real-life drug runner.  It sounds like one of those change-of-pace roles that often results in an Oscar nomination.  Gary Oldman has never won an Oscar and has only been nominated once.  The Academy might want to rectify that situation by nominating him for playing Winston Churchill.  And finally, Hugh Jackman as P.T. Barnum in a big budget musical that’s scheduled to open on Christmas Day?  It sounds like either a total disaster or the formula for Oscar gold!

Logan Lerman is one of those actors who appears to be destined to eventually be nominated for an Oscar and, in Sidney Hall, he ages over thirty years.  Finally, Sam Elliott is a beloved veteran who has never been nominated.  If The Hero is a hit at Sundance, it’s easy to imagine the Oscar campaign that will follow.

Best Actress

Jessica Chastain in The Zookeeper’s Wife

Judi Dench in Victoria and Abdul

Nicole Kidman in The Beguiled

Emma Stone in Battle of the Sexes

Naomi Watts in The Book of Henry

As of this writing, Meryl Streep does not have a movie scheduled to be released in 2017, which means that another actress will get the sport usually reserved for her.  But who?  Jessica Chastain could be nominated because she’s Jessica Chastain and the Academy loves her.  Judi Dench plays Queen Victoria for a second time in Victoria and Abdul.  The Academy loves movies about British royalty and Dench has already been nominated once for bringing Victoria to life.  Naomi Watts plays a loving but possibly crazy mother in The Book of Henry, which again sounds like a very Oscar baity role.  If Emma Stone doesn’t win for La La Land, the Academy could make it up to her by nominating her for Battle of the Sexes.

As for Nicole Kidman in The Beguiled — well, let’s call that wishful thinking.  My hope is that Sofia Coppola will do great things with The Beguiled and she will get another great performance out of Nicole Kidman.  We’ll see if I’m right.

 

Best Supporting Actor

Robert Carlyle in T2: Trainspotting

Johnny Depp in Murder on The Orient Experss

James Franco in The Masterpiece

Bill Skarsgard in It

Kevin Spacey in Billionaire Boys Club

Admittedly, the guesses here are fairly random but there is a logic behind each nominee.  Robert Carlyle was great in Trainspotting so he might be just as great in T2.  In Billionaire Boys Club, Kevin Spacey plays a sleazy con artist and that sounds like the type of role with which he could do wonders.  If It is to be a success, Bill Skarsgard is going to have to be a terrifying Pennywise.  If Heath Ledger could win for playing the Joker, surely Skarsgard could be nominated for playing Pennywise.

As for James Franco in The Masterpiece … yes, it’s more wishful thinking on my part.  Franco will be playing Tommy Wiseau, the director of the notorious The Room.  Wiseau is, needless to say, an eccentric figure.  Not only do I think James Franco could give an award-worthy performance in the role but I also just like the idea of someone getting an Oscar for playing Tommy Wiseau.

Finally, we have Johnny Depp in Murder on The Orient Express.  Why not?  It seems like someone from that film’s huge cast is destined to be nominated so why not Johnny Depp?

 

Best Supporting Actress

Jennifer Aniston in The Yellow Birds

Danai Guirra in All Eyez On Me

Kelly MacDonald in T2: Trainspotting

Kristin Scott Thomas in Darkest Hour

Tilda Swinton in War Machine

These guesses are even more random than my guesses for supporting actor.  Jennifer Aniston and Danai Guirra will both be playing mothers who lose their sons.  A lot of people were surprised when Aniston was not nominated for Cake so here’s a chance for the Academy to make it up to her.  As for Kristin Scott Thomas, she’ll be playing Winston Churchill’s wife and the Academy loves historical wives (i.e., Helena Bonham Carter in The King’s Speech and Felicity Jones in The Theory of Everything).

As for the last two predictions, Tilda Swinton is listed because she’s Tilda Swinton.  Kelly MacDonald is listed for the same reason that I put Robert Carlyle down for supporting actor.  She was just so good in the first film.

So, there you go!  Those are my too early Oscar predictions for January!  Will they prove to be accurate?  Probably not.

But we’ll see how things change over the next couple of months.  At the very least, you’ll be able to look back at this post and laugh at me for thinking that … oh, let’s say Battle of the Sexes … would ever be nominated for an Academy Award.

As for me, I’ll be revising my predictions in February.  At least by that point, maybe the Sundance Film Festival will have provided some guidance…

Tommy_Wiseau_in_The_Room

Rest In Peace: Sidney Lumet


Sad news came across the news wire this morning as it was confirmed that one of the most esteemed filmmaker in America has passed away at the age of 86. Sidney Lumet was considered by many as one of the best filmmakers of all-time. He definitely is one of the best, if not the best, American filmmaker of all-time.

Lumet was quite prolific as a filmmaker since he began to work behind the camera starting in 1957 with the classic drama 12 Angry Men and ending with his most recent work in 2007 with Before the Devil Knows Your Dead. In between these two films he would direct another 43 films with all of them received positively by critics and audiences everywhere. He was the consummate professional and never waited for the perfect project to come along. He always went into a film project because he either liked the script or, barring being in one which didn’t have a script he liked, it had actors he wanted to work with or he wanted to test his abilities as a filmmaker with new techniques.

Sidney Lumet began his career directing Off-Broadway plays and summer stock productions. He would soon move into directing tv shows in 1950. It would be his time as a tv director where turn-arounds between episodes were so short that a director had to work quite fast that he would earn the reputation as a filmmaker who didn’t spend too much time shooting too many takes of a scene. Lumet became known as a filmmaker who would shoot one to two takes of a scene and move onto the next. Another tool he learned as a tv director that served him well once he moved into film was to rehearse for several weeks with his actors the script before starting up actual production behind the camera.

It was in 1957 when he finally moved into filmmaking with 12 Angry Men (itself previously a teleplay for a TV drama) which would catapult him into prominence in the film community. The film was well-received and still considered by many as one of the most influential films of its kind as it highlighted social injustice in a time when such themes were not considered profitable by studios and the people who ran them. This was the film which would help build the foundation of Lumet’s filmmaking-style as he would continue to use filmmaking as a way to tell the audience about social injustices not just in his preferred film location of New York, but in America and the world, in general. Some of the best films in American history were done by him during the 1970’s when he would take the chaos and public distrust of long-standing public institutions in the US and crafted three of the finest films of the 70’s and America as it was during that decade with Serpico, Dog Day Afternoon and Network.

Sidney Lumet’s legacy as a filmmaker will continue to inspire young filmmakers long after his passing. He was a man who looked at filmmaking as an artform and not just a way to entertain the audience. His films never talked down or pandered to the very general public who watched them unlike some of the filmmakers working in the industry today. His legacy as being the consummate “actor’s director” meant that one didn’t need to be dictatorial with his cast and crew to create a great piece of filmmaking. That there were other ways to make a film and do it in such a way that everyone were still able to give their best without being alienated to do so.

My very first experience when it came to Sidney Lumet had to have been watching his Cold War classic, Fail-Safe, in high school history and it was one of those films which got me looking at film as something more than a form of entertainment. Here was a film that was entertaining but also one so well-made and acted that it’s ideas and themes were not lost. It opened up my eyes to the possibility of film as a medium that could be used to teach, raise issues to debate in society and highlight both the good and the bad of the human experience.

Sidney Lumet has made such an impact not just on those who were fans of films and grow up to become players in the industry, but also those people who would work in other fields of life whether they were lawyers, judges, police officers or politicians (professionals he would use over and over in his films throughout his career). Even Supreme Court Justice SOnia Sotomayor would look at Lumet as an inspiring figure in convincing her that she made the correct choice in choosing law as the path for her professional life.

I find it one of the most fitting tribute for Sidney Lumet that his time as a filmmaker and doing what he enjoyed doing the most became inspirational for people of all color, stripe and creed. This was a man who didn’t just take from the public but gave back just as much in the end. America has truly lost one of its best artists.

Serpico

The Hill

Dog Day Afternoon

Network

The Verdict

Before The Devil Knows You’re Dead