8 Sure Shot Best Picture Nominees That Were Not


Let’s be honest.

Predicting the Oscar nominees is not an exact science.  The fact of the matter is that a lot of it is guesswork, especially in the early months of the year.

“Oh, Scorsese has a movie coming out?  Well, Martin Scorsese’s movies are always nominated!”

“Last year’s best seller is being adapted into a movie?  The Academy loves best sellers!”

“David Fincher’s directing High School Musical 4?  I LOVE DAVID FINCHER!  Best Picture for sure!”

That’s why, every year, there are films that seem like they’re guaranteed to reap Oscar glory.  These are the films that, in July, are listed on all of the awards sites as probable best picture nominees.  And every year, several of those sure shots turn out to actually be long shots.

Since Arleigh founded Through the Shattered Lens back in 2009, there’s been many guaranteed Best Picture contenders that, when the nominations were announced, were nowhere to be found.  Here are just 8 examples:

1. J. Edgar (dir by Clint Eastwood)

Remember how Leonardo DiCaprio was going finally win his first Oscar for playing J. Edgar Hoover in the 2011 Oscar biopic?  There was also some speculation that Armie Hammer would pick a supporting nod and, of course, the film was going to be a best picture nominee.  Then the movie came out, fell flat, and received not a single Oscar nomination.

2. The Dark Knight Rises (dir by Christopher Nolan)

I was not as big of a fan of this movie as some people who write for this site.  In fact, I thought it was kind of a mess.  Still, back in 2012, a lot of people assumed the Academy would make up for not nominating The Dark Knight by nominating the sequel.  (In a particular noxious example of fanboy culture, Christy Lemire was attacked online when she gave The Dark Knight Rises its first negative review.)  For all of the hyper and controversy, The Dark Knight Rises was totally ignored when the 2012 Oscar nominations were announced.

3. The Monuments Men (dir by George Clooney)

As strange as it may seem today, this now-forgotten World War II film was originally considered to be a surefire Oscar contender.  Throughout most of 2013, the majority of the experts on Gold Derby listed The Monuments Men as their number one prediction for Best Picture.  The logic was that it was based on an interesting true story, it featured Bill Murray in a serious role, and it was directed by George Clooney.  Then, suddenly, the release date was pushed back to 2014.  That was the first sign of trouble.  Then the movie came out and it turned out to be a complete mess, one that underused Murray and which reminded us that, regardless of his skill as an actor, George Clooney is a remarkably dull director.

4. Lee Daniel’s The Butler (dir by Lee Daniels)

From 2013, this is a good example of a film that tried so hard to be an Oscar contender that it basically knocked itself right out of contention.  Between the blind and dated worship of JFK and John Cusack’s performance as Richard Nixon, this film almost seemed like a parody of a bad Oscar contender.

5. Interstellar (dir by Christopher Nolan)

Personally, I liked 2014’s Interstellar more than I liked The Dark Knight Rises but ultimately, this turned out to be just another Christopher Nolan film that didn’t get much of a reaction from the Academy.  (Despite the nominations given to both Dunkirk and Inception, it’s hard not to feel that the Academy will always resent Nolan for being both successful and ambitious.)

6. Joy (dir by David O. Russell)

Many of us thought it would be one of the films to be nominated for best picture of 2015.  That was until we actually saw the damn thing.  David O. Russell’s worst movie still managed to net Jennifer Lawrence a nomination but not much else.

7. Silence (dir by Martin Scrosese)

Martin Scrosese’s 2016 passion product was expected to be a major contender and, on many sites, it was listed as a probable winner all the way through December.  However, when the nominations were announced, Silence only received one nomination, for cinematography.

8. Logan (dir by James Mangold)

At the start of 2017, a lot of critics stated that Logan might be the first comic book movie ever nominated for Best Picture.  For a month or two, I certainly thought it would be.  Ultimately, though, it only picked up a nomination for adapted screenplay.

Which 2018 sure short will turn into a long shot?  We’ll find out next year!

Lisa Marie’s Thoughts On The Oscar Nominations


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Okay, I’ve had plenty of time to think about today’s Oscar nominations and now I’m ready to share my thoughts.  Obviously, my picks were a lot different from what the Academy selected.  That’s okay.  That’s the way it goes every year.  I don’t mind being a contrarian.

So, let’s take a look at what was nominated, category-by-category.

(If you need a refresher as to what was nominated, here’s a complete list of nominees!)

Best Live Action Short, Best Animated Short, Best Documentary Short: I’m sure that these three categories are full of wonderful nominees that were created by wonderful people but I don’t believe that I’ve seen a single one of them.  So, with that in mind, I can only imagine that the Academy did a perfect job selecting all 15 of these nominees!  Good work, Academy!

Best Foreign Language Film: Again, I have seen none of the nominees so I really can’t comment one way or another.  Normally, this would make me feel like a failure but I imagine that 90% of the people reading this post are in the same boat.  I imagine Toni Erdmann will win, just because of all the good things I’ve read about it.  But, since I haven’t actually seen any of the nominees, I will refrain from making any sort of prediction.

Best Documentary Feature: I’m disappointed that my favorite documentary, The Witness, was not nominated.  And, quite frankly, I’m shocked that Weiner was not nominated.  That said, I can’t complain about any of the documentaries that actually were nominated.  It was a good year for documentaries.  In fact, it could be argued that it was a better year for documentaries than for features.

Should Win: O.J.: Made in America

Will Win: 13th

Best Original Song: Not a single song from Sing Street was nominated and that is amazingly disappointing.  Original song can be surprising.  Remember last year when that terrible song from SPECTRE somehow won?  That said, I’m expecting that this year will see a huge sweep by La La Land and one of its nominated songs will probably win.

Should Win: Audition (The Fools Who Can Dream) from La La Land

Will Win: City of Stars from La La Land

Best Original Score: The Neon Demon deserved a nomination but I’m not surprised it was snubbed.  There’s no way the Academy was going to honor Nicholas Winding Refn’s subversive masterpiece.  La La Land is going to win this one easily.

Should Win: La La Land

Will Win: La La Land

Best Visual Effects: I was glad to see that Kubo and the Two Strings was nominated and I wish that Arrival had been nominated as well.  I’m going to go ahead and predict that Doctor Strange will be the first MCU film to win an Oscar.

Should Win: Doctor Strange

Will Win: Doctor Strange

Best Sound Editing and Best Sound Mixing: Let’s be honest.  I couldn’t explain the difference between sound editing and sound mixing and, unless you specifically work in the sound department, neither could you.  As a result, these categories are always difficult to predict.  But Hacksaw Ridge has to get some love somewhere and I bet it would happen here if not for La La Land.

Should Win (Both): Hacksaw Ridge

Will Win (Both): La La Land

Best Makeup and Hairstyling: As soon as I saw that Deadpool wasn’t nominated here, I knew it wouldn’t be nominated anywhere.  Can you believe that fucking Suicide Squad is now an Oscar nominee?  I haven’t seen A Man Called Ove but I’m going to predict its victory because I just can’t imagine the Academy honoring either Star Trek Beyond or Suicide Squad.

Should Win: Star Trek Beyond (that had good makeup in it, right?)

Will Win: A Man Called Ove

Best Film Editing: I can’t complain about any of the films nominated here.  La La Land is pretty much a guaranteed winner here.

Should Win: La La Land

Will Win: La La Land

Best Costume Design: I was shocked that Love & Friendship was not nominated.  If La La Land sweeps, it’ll win here.  When I made out my list of my personal picks for the Oscars, I gave the costuming Oscar to La La Land but now that I’m looking at the actual nominees, I’m remembering just how good everyone looked in Allied.

Should Win: Allied

Will Win: La La Land

Best Cinematography: My personal pick for this award was The Neon Demon but it wasn’t nominated.  Out of the nominated films, I would go with Moonlight but I think La La Land is going to sweep.

Should Win: Moonlight

Will Win: La La Land

Best Production Design: Well, it won’t be Passengers!  How the Hell did that get nominated for anything?  I think, of the nominees, Arrival deserves the award for making science fiction feel and look like science fact.  But, again, I think La La Land is going to win here.  (Are you sensing a theme in my predictions?)

Should Win: Arrival

Will Win: La La Land

Best Animated Feature: I was happy that Kubo and the Two Strings, Zootopia, and Moana were all nominated.  I haven’t seen The Red Turtle or My Life as a Zucchini but, on the whole, the Academy has a record of nominating the right films for this award.  I loved Kubo and I think it might win, just because it picked up that Visual Effects nomination as well.  Zootopia, however, would allow the Academy to make a political point and Moana has Lin-Manuel Miranda.  I’m going to go out on a limb and predict a Kubo victory but I wouldn’t be surprised if any of these five nominees won.

Should Win: Kubo and the Two Strings

Will Win: Zootopia Kubo and the Two Strings Moana Zootopia Kubo and the Two Strings

Best Adapted Screenplay: With La La Land likely to sweep the technical awards and Manchester By The Sea and Moonlight set to pick up some acting awards, this category will give the Academy a chance to acknowledge Arrival.

Should Win: Arrival

Will Win: Arrival

Best Original Screenplay: I think this is one of the few awards that La La Land will not win.  This category gives the Academy a chance to honor Hell or High Water.

Should Win: Hell or High Water

Will Win: Hell or High Water

Best Supporting Actress: Viola Davis is a guaranteed winner, even though her performance was a lead role.

Should Win: Naomie Harris, Moonlight

Will Win: Viola Davis, Fences

Best Supporting Actor: I was really happy to see that Michael Shannon got a nomination because Shannon is a great actor who always seems to be taken for granted.  That said, Mahershala Ali is almost as much of a lock as Viola Davis.

Should Win: Mahershala Ali, Moonlight

Will Win: Mahershala Ali, Moonlight

Best Actress: Let’s just get this out of the way.  Amy Adams not only deserved a nomination, she also deserved the Oscar.  Arrival works because of a twist that occurs halfway through the film.  The twist works because of Amy Adams’s performance.  If not for Amy Adams, Arrival would never have been nominated for best picture.  The fact that she was not nominated will be remembered as one of the biggest mistakes in Academy history.

This morning, I was happy to see that a lot of people on twitter agreed with me about the Amy Adams snub.  What took me by surprise was how many people also agreed with me that Meryl Streep essentially took a spot that should have been given to Amy Adams.  This morning, among other things, I discovered that there’s actually a growing backlash against the annual tradition of automatically nominating Meryl Streep, regardless of whether the film was any good or not.

Could Meryl win yet again?  It depends on whether or not the Academy wants to hear another Meryl Streep speech.  Given the political climate, I wouldn’t discount that as a possibility.  Since I’m on the subject and it’s possible that everyone stopped reading a few categories ago, I’m going to go ahead and admit my unpopular opinion.  While I’m definitely not a fan of the new President, Meryl’s Golden Globe speech felt like almost a parody of upper class white liberalism.  Listening to her, it was easy to imagine Meryl at a cocktail party, bragging about how she’s on a first name basis with her maid.

But, I’m in the minority as far as that opinion is concerned.  The Industry loved Meryl’s speech and, after Donald Trump’s overreaction to it, giving an Oscar to Meryl and giving her a chance to repeat the speech on a much bigger stage would be the perfect way to give the finger to the current administration.

That said, I think Emma Stone will be carried along in the La La Land sweep.  Whether justified or not, many members of the Academy will look at her character and see themselves.

Should Win: Amy Adams in Arrival (Yes, she wasn’t nominated but she should still win, goddammit.)

Will Win: Emma Stone in La La Land

Best Actor: Could anyone other than Casey Affleck win this one?  Denzel Washington is popular and giving him an Oscar for Fences would be a nice to way to reward all of the effort that he put into bringing this acclaimed play to the screen.  Affleck was sued for sexual harassment by a producer and a cinematogrpaher and ended up settling with both of them.  However, I doubt if it will stop him from winning the Oscar.  If the allegations were going to hurt Affleck’s chances, it would have happened long before now.

As for the nominees — well, I have no complaints.  While I wasn’t as impressed with Affleck’s performance as some, I think he did well enough. I would have liked to have seen either Sully‘s Tom Hanks or Hell or High Water‘s Chris Pine nominated.  I’m glad that Andrew Garfield picked up his first nomination.

Should Win: Denzel Washington, Fences

Will Win: Casey Affleck, Manchester By The Sea

Best Director: I’m going to go out on a limb and predict a minor upset.  I think La La Land is going to win in a lot of categories but I think that Moonlight‘s Barry Jenkins will win this Oscar.  Best Picture and Director have been split fairly regularly over the past few years and, after both the #OscarsSoWhite controversy and the 2016 presidential election, it may be felt that it’s time for a black director to finally win the Oscar.  Based on the skill shown in Whiplash and La La Land, Damien Chazelle will have other opportunities.

Should Win: Denis Villeneuve, Arrival

Will Win: Barry Jenkins, Moonlight

Best Picture: Though I don’t necessarily think it was one of the best films of the year, I would have loved it if Deadpool had actually scored a nomination.  It would have been an unexpected surprise and it would have shaken up a race that’s gotten rather predictable.

But no.  Deadpool received no nominations and the expected films were nominated.  Perhaps the only thing that could be considered surprising (though not that surprising)  was that Martin Scorsese’s passion project, Silence, was not only snubbed for best picture but also only picked up one nomination. Passengers picked up more nominations that Martin Scorsese’s latest film.  When it comes to total number of nominations, Silence is tired with Suicide Squad.

La La Land is going to win.  It’s probably going to win nearly all 14 of the Oscars it has been nominated for.  My pick for the best film of 2016 was American Honey.  Of the nominees, I think Arrival is the one that deserves to win.  But La La Land is an exuberant valentine to both the Academy and the industry.

La La Lands going to win.

Should Win: Arrival

Will Win: La La Land

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Here Are The Nominations of the Costume, Make-Up, and Cinematography Guilds!


Oscars

Three more guilds announced their nominees for the best of 2016 last week and while none of them may have gotten as much attention as the DGA or the PGA, they all play in role in our attempts to predict which films will actually be nominated when the Oscar nominations are announced on Tuesday!

So, to help you out when you’re making your bets, here are the guilds!

Costume Designers Guild

Excellence in Contemporary Film

Absolutely Fabulous: The Movie – Rebecca Hale

Captain Fantastic – Courtney Hoffman

La La Land – Mary Zophres

Lion – Cappi Ireland

Nocturnal Animals – Arianne Phillips

Excellence in Period Film

The Dressmaker – Marion Boyce, Margot Wilson

Florence Foster Jenkins – Consolata Boyle

Hail, Caesar! – Mary Zophres

Hidden Figures – Renee Ehrlich Kalfus

Jackie – Madeline Fontaine

Excellence in Fantasy Film

Doctor Strange – Alexandra Byrne

Fantastic Beasts and Where to Find Them – Colleen Atwood

Kubo and the Two Strings – Deborah Cook

Miss Peregrine’s Home for Peculiar Children – Colleen Atwood

Rogue One: A Star Wars Story – David Crossman, Glyn Dillion

American Society of Cinematographers

Make-up And Hairstylists Guild

1. FEATURE-LENGTH MOTION PICTURE – BEST CONTEMPORARY MAKE-UP

CAPTAIN FANTASTIC
Make-Up Artists: Karen McDonald, Akemi Hart
LA LA LAND
Make-Up Artists: Torsten Witte, Angel Radefeld-Wright
MANCHESTER BY THE SEA
Make-Up Artists: Liz Bernstrom, Sherryn Smith
NOCTURNAL ANIMALS
Make-Up Artists: Donald Mowat, Malanie J. Romero, Elaine Offers
ZOOLANDER 2
Make-Up Artist: Maurizio Silvi

2. FEATURE-LENGTH MOTION PICTURE – BEST CONTEMPORARY HAIR STYLING

LA LA LAND
Hair Stylists: Barbara Lorenz, Jackie Masteran, Frida Aradottir
NOCTURNAL ANIMALS
Hair Stylists: Yolanda Toussieng, Jules Holdren
SULLY
Hair Stylists: Patricia Dehaney, Jose Zamora
THE GIRL ON THE TRAIN
Hair Stylist: Alan D’Angerio
ZOOLANDER 2
Hair Stylist: Aldo Signoretti

3. FEATURE-LENGTH MOTION PICTURE – BEST PERIOD AND/OR CHARACTER MAKE-UP


DOCTOR STRANGE
Make-Up Artist: Jeremy Woodhead
FANTASTIC BEASTS AND WHERE TO FIND THEM
Make-Up Artists: Fae Hammond, Marilyn MacDonald
HAIL, CAESAR!
Make-Up Artists: Jean Ann Black, Julie Hewett, Zoe Hay
LOVING
Make-Up Artists: Julia Lallas, Katie Middleton
SUICIDE SQUAD
Make-Up Artist: Alessandro Bertolazzi

4. FEATURE-LENGTH MOTION PICTURE – BEST PERIOD AND/OR CHARACTER HAIR STYLING

FANTASTIC BEASTS AND WHERE TO FIND THEM
Hair Stylists: Fae Hammond, Marilyn MacDonald
FLORENCE FOSTER JENKINS
Hair Stylist: J. Roy Helland
HAIL, CAESAR!
Hair Stylists: Cydney Cornell, Pauletta Lewis-Irwin, Matt Danon
JACKIE
Hair Stylists: Catherine Leblanc-Caraes, Tony Rochetti
LOVING
Hair Stylists: Kenneth Walker, Elizabeth Paschall

5. FEATURE-LENGTH MOTION PICTURE – BEST SPECIAL MAKE-UP EFFECTS

DEADPOOL
Make-Up Artists: Bill Corso, Andrew Clement
DOCTOR STRANGE
Make-Up Artist: Jeremy Woodhead
FANTASTIC BEASTS AND WHERE TO FIND THEM
Make-Up Artist: Fae Hammond
STAR TREK BEYOND
Make-Up Artists: Joel Harlow, Richie Alonzo
SUICIDE SQUAD
Make-Up Artists: Christopher Nelson, Sean Sansom, Greg Nicotero

Here Are The DGA nominations!


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The Director’s Guild announced their feature film nominations earlier today.

A DGA nomination is one of the biggest prizes of the precursor season.  In general, if the DGA nominates a film then it’s likely that film will also get nominated for best picture.  There have been exceptions, of course.  (David Fincher was nominated for his bastardized rehash of Girl With The Dragon Tattoo.)  But, for the most part, the DGA is the most reliable precursor available.

Five directors were nominated.  The usual suspects were there — Lonergan, Jenkins, and Chazelle.  Fortunately, Denis Villeneuve picked up a nomination, which is good news for Arrival.  The fifth nominee was a bit of a surprise.  Garth Davis was nominated for Lion, which I guess means I’ll have to go see that movie now, even though I have little real desire to do so.

Martin Scorsese was not nominated for Silence, which probably means that the film will be dead-in-the-water as far as Oscar nominations are concerned.

Also not nominated — Tim Miller for Deadpool, a film that’s been doing surprisingly well with the precursors.  If Tim Miller had been nominated, heads would have exploded.  It would have been fun to watch the twitter reaction.

Instead, we just got this —

Just to make it official, here are the five DGA nominees:

Denis Villeneuve — Arrival

Damien Chazelle — La La Land

Garth Davis — Lion

Kenneth Lonergan — Manchester By The Sea

Barry Jenkins — Moonlight

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The Visual Effects Society Snubs Arrival, Those Bastards


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The Visual Effect Society announced their nominees today.  Now, there were quite a few categories and a lot of nominations and they’re actually kinda interesting to look at but, in the interest of space, I’m not going to post all of the nominees.  Instead, I’m going to post the three main categories because these are the categories that could potentially give some guidance as far as predicting the Oscar nominations is concerned.

If you want to see a full list of nominations, please click here and check out this list on AwardsCircuit.

Looking over the nominations, what’s interesting is that Arrival, the most acclaimed Sci-Fi film of the year, was totally and completely snubbed.  I don’t know if that’s a bad sign or not.  Arrival is a great sci-fi film and it features some great visual effects.  But — and this is especially true when compared to films like Rogue One and Dr. Strange — the visuals are also rather low-key.  Arrival is not a splashy film.  That’s one reason why it’s also a great film.

Anyway, here are the nominations!

Outstanding Visual Effects in a Photoreal Feature

Doctor Strange         

Stephane Ceretti

Susan Pickett

Richard Bluff

Vincent Cirelli

Paul Corbould

Fantastic Beasts and Where to Find Them

Christian Manz

Olly Young

Tim Burke

Pablo Grillo

David Watkins

Miss Peregrine’s Home For Peculiar Children       

Frazer Churchill

Hal Couzens

Andrew Lockley

Jelmer Boskma

Hayley Williams

Rogue One: A Star Wars Story        

John Knoll

Erin Dusseault

Hal Hickel

Nigel Sumner

Neil Corbould

The Jungle Book       

Robert Legato

Joyce Cox

Andrew R. Jones

Adam Valdez

JD Schwalm

Outstanding Supporting Visual Effects in a Photoreal Feature

Allied  

Kevin Baillie

Sandra Scott

Brennan Doyle

Viktor Muller

Richard Van Den Bergh

Deepwater Horizon

Craig Hammack

Petra Holtorf-Stratton

Jason Snell

John Galloway

Burt Dalton

Jason Bourne

Charlie Noble

Dan Barrow

Julian Gnass

Huw Evans

Steve Warner

Silence           

Pablo Helman

Brian Barlettani

Ivan Busquets

Juan Garcia

Bruce Steinheimer

Sully   

MIchael Owens

Tyler Kehl

Mark Curtis

Bryan Litson

Steven Riley

Outstanding Visual Effects in an Animated Feature

Finding Dory 

Angus MacLane

Lindsey Collins- p.g.a.

John Halstead

Chris J. Chapman

Kubo and the Two Strings   

Travis Knight

Arianne Sutner

Steve Emerson

Brad Schiff

Moana           

Kyle Odermatt

Nicole P. Hearon

Hank Driskill

Ian Gooding

The Little Prince       

Mark Osborne

Jinko Gotoh

Pascal Bertrand

Jamie Caliri

Zootopia        

Scott Kersavage

Bradford S. Simonsen

David Goetz

Ernest J. Petti

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Oscar Season Continues With The 2016 Phoenix Film Critics Society Nominations!


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The winners will be announced on the 20th!

BEST PICTURE
A Monster Calls
Arrival
Florence Foster Jenkins
Hacksaw Ridge
Hell or High Water
La La Land
Manchester By The Sea
Moonlight
Nocturnal Animals
Sing Street

BEST DIRECTOR
Mel Gibson – Hacksaw Ridge
David Mackenzie – Hell or High Water
Damien Chazelle – La La Land
Kenneth Lonergan – Manchester By The Sea
Barry Jenkins – Moonlight

BEST ACTOR IN A LEADING ROLE
Andrew Garfield – Hacksaw Ridge
Casey Affleck – Manchester By The Sea
Denzel Washington – Fences
Ryan Gosling – La La Land
Tom Hanks – Sully

BEST ACTRESS IN A LEADING ROLE
Amy Adams – Arrival
Emma Stone – La La Land
Meryl Streep – Florence Foster Jenkins
Natalie Portman – Jackie
Ruth Negga – Loving

BEST ACTOR IN A SUPPORTING ROLE
Ben Foster – Hell or High Water
Hugh Grant – Florence Foster Jenkins
Jeff Bridges – Hell or High Water
Mahershala Ali – Moonlight
Michael Shannon – Nocturnal Animals

BEST ACTRESS IN A SUPPORTING ROLE
Felicity Jones – A Monster Calls
Greta Gerwig – 20th Century Women
Michelle Williams – Manchester by the Sea
Naomie Harris – Moonlight
Viola Davis – Fences

BEST ENSEMBLE ACTING
Fences
Hell or High Water
Hidden Figures
La La Land
Manchester by the Sea
Moonlight

BEST ORIGINAL SCREENPLAY
Hell or High Water
La La Land
Manchester by the Sea
Moonlight
The Lobster

BEST SCREENPLAY ADAPTED
FROM OTHER MATERIAL
Arrival
Fences
Hacksaw Ridge
Lion
Love & Friendship

THE OVERLOOKED FILM OF THE YEAR
Anthropoid
Captain Fantastic
Hunt for the Wilderpeople
Sing Street
The Lobster

BEST ANIMATED FILM
Finding Dory
Kubo and the Two Strings
Moana
Trolls
Zootopia

BEST FOREIGN LANGUAGE FILM
A Man Called Ove
Between Sea and Land
Desierto
Elle
The Handmaiden

BEST DOCUMENTARY
13th
Gleason
Oasis: Supersonic
OJ: Made in America
Weiner

BEST ORIGINAL SONG
La La Land – Audition (The Fools Who Dream)
La La Land – City Of Stars
Moana – How Far I’ll Go
Rules Don’t Apply – The Rules Don’t Apply
Sing Street – Drive it Like You Stole It

BEST ORIGINAL SCORE
Arrival
Jackie
La La Land
Lion
Nocturnal Animals

BEST CINEMATOGRAPHY
Arrival
Hacksaw Ridge
La La Land
Lion
Silence

BEST FILM EDITING
Hacksaw Ridge
La La Land
Moonlight
Nocturnal Animals
Sully

BEST PRODUCTION DESIGN
Fantastic Beasts and Where to Find Them
Hacksaw Ridge
Jackie
La La Land
Silence

BEST COSTUME DESIGN
Fantastic Beasts and Where to Find Them
Florence Foster Jenkins
Hacksaw Ridge
Jackie
La La Land

BEST VISUAL EFFECTS
Arrival
Captain America: Civil War
Doctor Strange
Fantastic Beasts and Where to Find Them
The Jungle Book

BREAKTHROUGH PERFORMANCE
Anya Taylor-Joy – The Witch
Lewis MacDougall – A Monster Calls
Lucas Hedges – Manchester by the Sea
Mahershala Ali – Moonlight
Ruth Negga – Loving

BEST PERFORMANCE BY A YOUTH
Alex R. Hibbert – Moonlight
Lewis MacDougall – A Monster Calls
Lucas Hedges – Manchester by the Sea
Neel Sethi – The Jungle Book
Sunny Pawar – Lion

The Dallas-Fort Worth Film Critics Association Honors Moonlight!


Dallas is my home -- deal with it, haters!

The Dallas-Forth Worth Film Critics Association met today and the critics from my hometown named Moonlight the best film of 2016!

Hey, DFWFCA — why haven’t I been invited to join yet!?

Anyway, here are the winners in Dallas:

BEST PICTURE

Winner: MOONLIGHT
Runners-up: MANCHESTER BY THE SEA; LA LA LAND; HELL OR HIGH WATER; ARRIVAL; JACKIE; LOVING; 20TH CENTURY WOMEN; HACKSAW RIDGE; SILENCE

BEST ACTOR

Winner: Casey Affleck, MANCHESTER BY THE SEA
Runners-up: Denzel Washington, FENCES; Joel Edgerton, LOVING; Ryan Gosling, LA LA LAND; Tom Hanks, SULLY

BEST ACTRESS

Winner: Natalie Portman, JACKIE
Runners-up: Emma Stone, LA LA LAND; Ruth Negga, LOVING; Amy Adams, ARRIVAL; Annette Bening, 20TH CENTURY WOMEN

BEST SUPPORTING ACTOR

Winner: Mahershala Ali, MOONLIGHT
Runners-up: Jeff Bridges, HELL OR HIGH WATER; Michael Shannon, NOCTURNAL ANIMALS; Lucas Hedges, MANCHESTER BY THE SEA; Ben Foster, HELL OR HIGH WATER

BEST SUPPORTING ACTRESS

Winner: Viola Davis, FENCES
Runners-up: Naomie Harris, MOONLIGHT; Michelle Williams, MANCHESTER BY THE SEA; Greta Gerwig, 20TH CENTURY WOMEN; Judy Davis, THE DRESSMAKER

BEST DIRECTOR

Winner: Barry Jenkins, MOONLIGHT
Runners-up: Damien Chazelle, LA LA LAND; Kenneth Lonergan, MANCHESTER BY THE SEA; David Mackenzie, HELL OR HIGH WATER; Denis Villeneuve, ARRIVAL

BEST FOREIGN LANGUAGE FILM

Winner: THE HANDMAIDEN
Runners-up: TONI ERDMANN; ELLE; NERUDA; THE SALESMAN

BEST DOCUMENTARY

Winner: TOWER
Runners-up: 13TH; GLEASON; I AM NOT YOUR NEGRO; WEINER

BEST ANIMATED FILM

Winner: ZOOTOPIA
Runners-up: KUBO AND THE TWO STRINGS; MOANA

BEST SCREENPLAY

Winner: Kenneth Lonergan, MANCHESTER BY THE SEA
Runner-up: Barry Jenkins, MOONLIGHT

BEST CINEMATOGRAPHY

Winner: Linus Sandgren, LA LA LAND
Runner-up: Rodrigo Prieto, SILENCE

BEST MUSICAL SCORE

Winner: Justin Hurwitz, LA LA LAND
Runner-up: Mica Levi, JACKIE

RUSSELL SMITH AWARD (best low-budget or cutting-edge independent film)

Winner: MOONLIGHT