Concert Film Review: Pink Floyd: Live in Venice (dir by Wayne Isham and Egbert van Hees)


I’m actually a bit embarrassed to say that Venice is my favorite city in Italy.

I mean, it’s such a cliché, isn’t it?  Tourists always fall in love with Venice, even though the majority of us really don’t know much about the city beyond the canals and the gondolas.  I spent a summer in Italy and Venice was definitely the city that had the most American visitors.  Sadly, the majority of them didn’t do a very good job representing the U.S. in Europe.  I’ll never forget the drunk frat boys who approached me one night, all wearing University of Texas t-shirts.  One of them asked, “Are you from Texas?”

“No, sweetie, ah’m from up north.” I lied.

“You sound like you’re from Texas!” his friend said.

“No, ah’m not from Texas,” I said, “Sorry, y’all.”

I mean, that’s not something that would have happened in Florence or even Naples!  In Rome, handsome men on motor scooters gave me flowers.  In Venice, on the other hand, I had to deal with the same jerks that I dealt with back home!

That said, I still fell in love with Venice.  And yes, it did happen while I was riding in a gondola.  At that moment, I felt like I was living in a work of art.  I can still remember looking over the side of the gondola and watching as a small crab ran across someone’s front porch.  That’s when I realized that, by its very existence, Venice proved that anything was possible.

I’ve often heard that Venice is slowly sinking.  That Venice has a reputation as being a dying city would probably have come to a surprise to the drunk Americans who were just looking for a girl from Texas that summer.  And it would certainly come as a surprise to anyone who watched the 1989 concert film, Pink Floyd Live In Venice.

Just as with last week’s Pink Floyd concert in Pompeii, this was something that I watched more because of where it took place than who was performing.  There are some very good Pink Floyd songs and there are others that are just silly and overly portentous.  As well, I’ll always have mixed feelings about Pink Floyd due to the fact that — bleh! — Roger Waters was a founding member.  Whenever I hear any of their songs, I automatically find myself looking for coded moments of anti-Semitism.  Fortunately, by the time the band played in Venice, Waters had left the group.  As a result, I didn’t feel quite as conflicted over watching the Venice concert as I did the Pompeii concert.

As for the show, the band performed while floating on a barge while some members of the audience sat in gondolas.  It was a lovely sight that captured the otherworldly romance of Venice.  The concert itself was a bit uneven, with the first half in particular dominated by songs that just seemed to go on and on and which often exposed the limits of lead singer David Gilmour’s vocal range.  The second half was a greatest hits collection and it was a notable improvement.  If Gilmour’s raspy vocals seemed limited during the first half of the concert, they were perfect for songs like Comfortably Numb and Money.  The highlight of the concert and the film was undoubtedly the performance of The Great Gig In The Sky, which created a feeling of the heavens descending upon Venice.

In the end, Venice was the true star of the concert.  For a dying city, it looked beautiful and vibrant.  I can’t wait to return.

Music Video of the Day: Jet City Woman by Queensryche (1991, directed by ????)


This song is straight forward by Queensryche standards.  Jet City is a nickname for the band’s then-hometown of Seattle and, at the time this song was written and recorded, Geoff Tate was married to a flight attendant.

The video is also straight forward, focusing on the band performing in front of a crowd of appreciative fans.

Enjoy!

Music Video Of The Day: Lay It Down by Ratt (1985, directed by Marshall Berle)


What did young Stephen Pearcy wish for his birthday?  He wished to be a rock star with a girlfriend who had appeared in Playboy and today’s music video of the day indicates that his fantasy came true.  (Or at least it came true for a while.)

Young Stephen Pearcy was played by child actor Whit Hertford.  The woman that the adult Stephen sings to was played by model Marianne Gravatte, who also appeared on the cover of Ratt’s Invasion Of Your Privacy album.

The video was directed by Marshall Berle, who was also known for his work with Van Halen and for being Milton Berle’s nephew.

Enjoy!

Music Video of the Day: Best of Both Worlds by Van Halen (1986, directed by ????)


This song and this video finds Sammy Hagar filled with optimism about his future with Van Halen.  That optimism wouldn’t last for long but both Sammy and Van Halen still went on to create a lot of great music, both together and separately.

This performance is taken from Live Without A Net, a concert video that was recorded at a show in New Haven, Connecticut.

Enjoy!

Music Video of the Day: I Wanna Be Somebody by W.A.S.P. (1984, directed by ????)


It’s a good thing that skeleton was there to cut through the chain that was holding the door closed or you might have missed this performance from W.A.S.P.

This music video seems tame today but, back in the 80s, this was exactly the sort of thing that was sending Tipper Gore and the other members of the PMRC into a panic.

What does W.A.S.P. stand for?  We Are Sexual Perverts was one popular guess but not a correct one.  In an interview, Blackie Lawless said it stood for, “We ain’t sure, pal.”

Enjoy!

Music Video of the Day: Fly to the Angels by Slaughter (1990, directed by John Shea)


The music video for this power ballad opens with a reminder that it’s good to be a star.  Then the action moves from black-and-white color to let us know that Slaughter is still a sensitive band, one that can still performer in an airplane hangar after facing hundreds of record store groupies.

This video was directed by Jim Shea, who has worked with almost everyone from the 80s forward.  He also directed the video for The Bangles’s cover of Hazy Shade of Winter and has worked with Martika, Winger, Brad Paisley, Barbra Streisand, John Fogerty, and others.

Enjoy!

Music Video of the Day: Johnny B. Goode by Judas Priest (1988, directed by Wayne Isham)


In 1988, Judas Priest became one of the many bands that have covered this classic tune from Chuck Berry.  Their version reached number 64 on the UK Singles chart.

This video was directed by Wayne Isham, who worked with everyone who was anyone in the 80s and 90s.

Enjoy!