Lisa’s Oscar Predictions for July


At this point, who knows anything?

I’m making my monthly predictions on the assumption that most of these movies are even going to be released this year (and during the first two months of 2021).  I may be making an even bigger assumption when I predict that they’ll even give out Oscars for 2020.  Right now, it’s hard to know what’s going to happen.

But I am going to keep making these predictions because their fun to make and I believe that you do have to have some sort of normalcy in life.  You can’t just say, “OH MY GOD, EVERYTHING’S SO NEGATIVE!  I’M JUST GOING TO SIT IN FRONT OF TWITTER AND DRINK FOR THE REST OF MY LIFE!”  I mean, don’t get me wrong.  A lot of people are, in fact, saying and doing just that.  It’s kind of sad to think about the number of people who I once liked but who I have still, over the past few months, muted because I’m just sick of all the drama.  I suppose I could list them all here just to see if any of them are actually bothering to read my posts but …. no, no.  This post is about the movies and the performers and the Oscars who make every year a special year.

Be sure to check out my previous predictions for January, February, March, April, May, and June!

Best Picture

Ammonite

Da 5 Bloods

The Father

Hillbilly Elegy

Kajillionaire

News of the World

Nomadland

Respect

Soul

West Side Story

Best Director

Paul Greengrass for News of the World

Ron Howard for Hillbilly Elegy

Spike Lee for Da 5 Bloods

Steven Spielberg for West Side Story

Chloe Zhao for Nomadland

Best Actor

Tom Hanks in News of the World

Anthony Hopkins in The Father

Delroy Lindo in Da 5 Bloods

Bill Murray in On The Rocks

Gary Oldman in Mank

Best Actress

Amy Adams in Hillybill Elegy

Viola Davis in Ma Rainey’s Black Bottom

Jennifer Hudson in Respect

Frances McDormand in Nomadland

Kate Winslet in Ammonite

Best Supporting Actor

David Alvarez in West Side Story

Tom Burke in Mank

Richard E. Grant in Everybody’s Talking about Jamie

Forest Whitaker in Respect

Steven Yeun in Minari

Best Supporting Actress

Glenn Close in Hillbilly Elegy

Olivia Colman in The Father

Saoirse Ronan in Ammonite

Debra Winger in Kajillionaire

Helena Zengel in News of the World

Lisa Marie’s Oscar Predictions For June


Once again, even trying to predict the Oscars this year seems like a fool’s errand.

Our story so far:

  1. COVID-19 shut everything down, including both theaters and production on many of the films that were expected to be contenders for the 2020 Oscars.
  2. The Academy announced that, for this year only, VOD and streaming-only films would be considered eligible for the Oscars.  That’s good news for all of the films premiering on Netflix and Prime right now, right?
  3. It looked briefly as if theaters might start reopening in July.  Tenet awaits!
  4. Oh wait, there’s still a pandemic going on.  Keep those theaters closed.
  5. But what about Tenent!?  Tenet will open in July, no matter what!
  6. Tenet gets moved back to August.  Every other big production gets moved back to August and chances are they’ll get moved back again.
  7. The Academy, meanwhile, throws everything into even more disarray by announcing that they will be extending the eligibility window to the end of February of 2021.
  8. And now, we’re all waiting to see which films will be moved either back or forward to a January or February 2021 opening in order to qualify for the Oscars.

In other words, who knows what’s going to be eligible once the Academy finally gets around to selecting their nominees.  Personally, I wish they hadn’t moved the eligibility window.  It feels like a bunch of studios complained about the having to release all of their big movies via VOD so the Academy said, “Okay, we’ll give you an extra two months.”  With the way things are going, though, it’s totally possible that theaters could still be closed in January and February so joke’s on them.  ENJOY YOUR VOD OSCARS, YA BASTARDS!

Anyway, here are my monthly Oscar predictions.  I did the best I could with what little information is actually out there.  Normally, I would say that the Da 5 Bloods came out too early to be remembered at Oscar time but this is not a typical year.  Despite the best picture victories of 12 Years A Slave and Moonlight, no black director has ever won best director.  If there’s ever a year when the Academy is going to be motivated to rectify that, it will be this year.

Anyway, be sure to check out my equally useless predictions for January, February, March, April, and May!

Best Picture

Ammonite

Da 5 Bloods

The Father

Hillbilly Elegy

News of the World

Nomadland

On The Rocks

Respect

Soul

West Side Story

Best Director

Ron Howard for Hillbilly Elegy

Paul Greengrass for News of the World

Spike Lee for Da 5 Bloods

Steven Spielberg for West Side Story

Chloe Zhao for Nomadland

Best Actor

Benedict Cumberbatch in The Courier

Tom Hanks in News of the World

Sir Anthony Hopkins in The Father

Delroy Lindo in Da 5 Bloods

Bill Murray in On the Rocks

Best Actress

Amy Adams in Hillbilly Elegy

Jennifer Hudson in Respect

Angelina Jolie in Those Who Wish Me Dead

Frances McDormand in Nomadland

Kate Winslet in Ammonite

Best Supporting Actor

David Alvarez in West Side Story

Tom Burke in Mank

Richard E. Grant in Everybody’s Talking About Jamie

Mark Rylance in The Trial of the Chicago 7

Forest Whitaker in Respect

Best Supporting Actress

Abigail Breslin in Stillwater

Glenn Close in Hillbilly Elegy

Ariana DeBose in West Side Story

Saoirse Ronan in Ammonite

Helena Zengel in News of the World

Lisa Marie’s Oscar Predictions For May (For What They’re Worth)


Are we even going to have an Oscar ceremony next year?

Who knows?  I hope we do because I think that it would provide some sort of normalcy.  Even if everyone chooses not to watch it, at least they’ll have that choice.  (People tend to forget how important, psychologically and emotionally, it is for people to have a choice.  All of these cheery “We’re all in it together” commercials don’t mean shit if people are feeling imprisoned.)  Up until this week, I was pretty confident that we would because COVID-19 was in decline and restrictions were being lifted and things seemed like they were heading in the right direction.  (Or, at least, that’s the way it seemed in my part of the world.  I know that some people disagreed with my assessment.)  Now, we’re in the middle of nation-wide rioting and a divisive presidential election so who knows what’s going to happen with the rest of this year.  Will theaters even want to risk reopening before 2021?  Will they be able to?  The Academy has said that streaming films will qualify this year but how many studios want to release all of their big productions VOD?

I’m going to continue to make my monthly Oscar predictions, though.  My reasons are pretty selfish: making them helps to keep me centered.  I’m a compulsive scheduler and keeping that schedule (which is really what I’m doing with these monthly predictions) helps me deal with my ADD.

So, with that in mind, here are my Oscar predictions.  Take them with a grain of salt.  And be sure to check out my previous predictions for January, February, March, and April!

Best Picture

Ammonite

The Father

Hillbilly Elegy

Minari

News of the World

Nomadland

Respect

Soul

The Trial of Chicago 7

West Side Story

Best Director

Paul Greengrass for News of the World

Ron Howard for Hillbilly Elegy

Francis Lee for Ammonite

Steven Spielberg for West Side Story

Chloe Zhao for Nomadland

Best Actor

Matt Damon in Stillwater

Tom Hanks in News of the World

Anthony Hopkins in The Father

Bill Murray in On The Rocks

Gary Oldman in Mank

Best Actress

Jennifer Hudson in Respect

Angelina Jolie in Those Who Wish Me Dead

Sofia Loren in The Life Ahead

Frances McDormand in Nomadland

Kate Winslet in Ammonite

Best Supporting Actor

David Alvarez in West Side Story

Tom Burke in Mank

Delroy Lindo in Da 5 Bloods

Forest Whitaker in Respect

Steven Yeun in Minari

Best Supporting Actress

Abigail Breslin in Stillwater

Glen Close in Hillbilly Elegy

Olivia Colman in The Father

Saoirse Ronan in Ammonite

Helena Zengel in News of the World

That’s it for this month!  Hopefully, next month will bring a bit more clarity.

 

Lisa Marie’s Possibly Pointless and Totally Random Oscar Predictions for April


To do Oscar predictions during a pandemic or not?

That’s the question.

Erik Anderson at Awards Watch announced on twitter that he’s not doing his monthly Oscar predictions for April and May.  (He is, however, focusing on the Emmys so be sure to visit the site and check out his thoughts!)  Over at Clayton Davis’s Awards Circuit, the Oscar predictions have been taken down and replaced by an ominous (though definitely needed) counter of how many people are currently infected with the Coranavirus.  As of right now, there’s a lot of uncertainty.  Are theaters even going to reopen before the year ends and if they do reopen, will people be willing to run the risk of going outside to see a movie?  So many of the big films of 2020 have been moved back to 2021 that one could legitimately wonder whether any of the big “Oscar” films are even going to come out this year. Most ominously, for me, is that we could get hit by a second wave of the Coronavirus.  It’s easy to imagine a situation where theaters reopen in the summer and, regardless of how business goes, are forced to close again in December.

The Academy is aware that the future is uncertain.  Earlier this week, they loosened the eligibility rules.  Films that premiere on VOD or a streaming service are now eligible for Oscar consideration as long as it can been proven that the film would have also gotten a theatrical release if not for the pandemic.  I’m not sure how exactly that could be proven but it does show that the Academy is, as of now, planning to give out some Oscars next February.

(Of course, just because the rules have been temporarily loosened, that doesn’t mean that every studio and director is going to want to put their huge blockbusters out on Prime or Netflix or VOD.  I doubt Spielberg wants to premiere West Side Story in your living room.)

So, for that reason, I’m going to continue to do my monthly Oscar predictions.  Needless to say, these are even more random than usual. The predictions below are also being made on the assumption that theaters will be open in November, December, and January.  Again, there are no guarantees, other than perhaps Netflix.

So, without further ado, here are my predictions.  Also, be sure to check out my predictions from January, February, and March!

Best Picture

Ammonite

The Father

Hillbilly Elegy

Mank

Minari

News of the World

Nomadland

On The Rocks

Respect

West Side Story

Best Director

Sofia Coppola for On The Rocks

Paul Greengrass for News of the World

Ron Howard for Hillbilly Elegy

Francis Lee for Ammonite

Steven Spielberg for West Side Story

Best Actor

Ben Affleck in The Way Back

Tom Hanks in News of the World

Anthony Hopkins in The Father

Bill Murray in On The Rocks

Gary Oldman in Mank

Best Actress

Amy Adams in Hillbilly Elegy

Jennifer Hudson in Respect

Sofia Loren in The Life Ahead

Frances McDormand in Nomadland

Kate Winslet in Ammonite

Best Supporting Actor

David Alvarez in West Side Story

Tom Burke in Mank

Bo Hopkins in Hillybilly Elegy

Forest Whitaker in Respect

Steve Yeun in Minari

Best Supporting Actress

Glen Close in Hillbilly Elegy

Ariana DeBose in West Side Story

Saoirse Ronan in Ammonite

Amanda Seyfried in Mank

Helena Zengel in News of the World

We’ll see what happens.  Right now, your guess is as good as mine.  In fact, your guess is probably better.

Lisa Marie’s Possibly Pointless Oscar Predictions For March


I’ve been going back and forth on whether or not I should even bother to continue my monthly Oscar predictions.  With the current Coronavirus pandemic, it’s not unreasonable to wonder if there will even be an Oscar ceremony next year.  Many completed films have been taken off the schedule so that they can be released at a time when people aren’t scared to leave their house.  Meanwhile, production on several other films — some of them expected to be Oscar contenders — has been suspended.  New films are continuing to premiere on the streaming services but the Academy has always insisted that films also play in a theater if they want to contend for an Oscar.  That’s going to be difficult with the majority of the country’s theaters currently being closed.

Unlike a lot of people, I’m not necessarily apocalyptic or even that pessimistic in my outlook.  I think that, one way or another, we will eventually be able to leave our homes again and that at least some of the movie theaters will reopen.  So, I think that we will be able to have some sort of Oscar ceremony.  For that reason, I’m going to make my predictions for March but, needless to say, take all of these with an even bigger grain of salt than usual.

If you’re curious to see what my Oscar thinking was in the months before the world went crazy, check out my predictions for January and February!

(I’ve tried to take the fact that the Coronavirus led to the suspension of many ongoing productions while making out my list below.  As far as I know, filming wrapped on all of the films listed below before the outbreak.)

Best Picture

Ammonite

Annette

Hillbilly Elegy

The Father

Minari

News of the World

Nomadland

On the Rocks

Tenet

West Side Story

Best Director

Isaac Lee Chung for Minari

Paul Greengrass for News of the World

Christopher Nolan for Tenet

Steven Spielberg for West Side Story

Florian Zeller for The Father

Best Actor

Tom Hanks in News of the World

Anthony Hopkins in The Father

Bill Murray in On the Rocks

Gary Oldman in Mank

Will Smith in King Richard

Best Actress

Amy Adams in Hillbilly Elegy

Clare Dunne in Herself

Jennifer Hudson in Respect

Frances McDormand in Nomadland

Kate Winslet in Ammonite

Best Supporting Actor

Tom Burke in Mank

Richard E. Grant in Everybody’s Talking About Jamie

Mark Rylance in The Trial of the Chicago 7

Forest Whitaker in Respect

Steve Yeun in Minari

Best Supporting Actress

Abigail Breslin in Stillwater

Glenn Close in Hillybilly Elegy

Vera Farmiga in The Many Saints of Newark

Saoirse Ronan in Ammonite

Helena Zengel in News of the World

 

Lisa’s Way, Way, Way, Way, Way, Way, Way Too Early Oscar Predictions For February


It’s a fool’s errand to try to predict next year’s Oscars nominees this early but we’re all about taking risks here at the Shattered Lens.  So, with that in mind, here is my latest set of monthly predictions.

If you look over these names, you’ll see a lot of familiar ones.  That’s because it’s early in the year and familiarity is really the only thing that a lot of these unreleased films have going for them.  Some of the films mentioned below were hits at Sundance.  From what I’ve read, I really do think Minari could be a contender because, along with being loved by critics, it sounds like it’s very much of the current cultural moment.

But the important thing to remember is that, last year at this time, no one expected Joker to become the film of the year.  No one had even heard of Parasite.  Most people were still predicting the Oscars would be dominated by Harriet.  So, my point is — take this stuff with several grains of salt.

To be honest, I think a lot depends on how the presidential election goes.  If Trump is reelected, I think you’ll see the Academy voting for angry, political films, if just as a way to get back at Trump and the people who voted for him.  (Think about the otherwise baffling love that was previously shown to a movie like Vice.)  The Trial of the Chicago 7 sounds incredibly tedious to me but I could imagine people voting for it and thinking to themselves, “This is so going to piss off the Republicans.”  If Trump is defeated, I imagine the Academy will be a bit more upbeat in their selections.

If you want to see how my thinking has evolved, check out my predictions for January here!    (It’s only been a month so my thinking hasn’t really evolved at all.  Still, we could always use the clicks.)

Best Picture

Dune

Happiest Season

Hillybilly Elegy

Ironbark

Minari

News of the World

Respect

Stillwater

The Trial of the Chicago 7

West Side Story

Best Director

Isaac Lee Chung for Minari

Paul Greengrass for News of the World

Ron Howard for Hillybilly Elegy

Steven Spielberg for West Side Story

Denis Villeneuve for Dune

Best Actor

Benedict Cumberbatch in Ironbark

Matt Damon in Stillwater

Tom Hanks in News of the World

Anthony Hopkins in The Father

Will Smith in King Richard

Best Actress

Amy Adams in Hillbilly Elegy

Olivia Colman in The Father

Clare Dunne in Herself

Jennifer Hudson in Respect

Angelina Jolie in Those Who Wish Me Dead

Best Supporting Actor

Bo Hopkins in Hillbilly Elegy

Merab Ninidze in Ironbark

Mark Rylance in The Trial of the Chicago 7

Forest Whitaker in Respect

Steven Yeun in Minari

Best Supporting Actress

Abigail Breslin in Stillwater

Glenn Close in Hillybilly Elegy

Vera Farmiga in The Many Saints of Newark

Mary Steenburgen in Happiest Season

Helena Zengel in News of the World

Lisa’s Way, Way, Way, Way, Way, Way, Way Too Early Oscar Predictions for January


It’s a new year and that means that it’s once again time for me to do something spectacularly stupid.

Below, you’ll find a list of Oscar predictions.  However, this is not a list of what I think will be nominated on January 13th.  No, instead, these are my predictions for the upcoming year.  This the first installment of my monthly predictions for which 2020 films will be nominated next year at this time.

Just in case it’s not already obvious how foolish this is, consider the following: Last year, at this time, no one had heard of Parasite.  Maybe a handful of people knew that Noah Baumbach’s next film was going to be called Marriage Story.  There were vague rumors about 1917 and there were still serious doubts as to whether Scorsese would ever finish putting together The Irishman.  In short, trying to predict the Oscars 12 months out is impossible.

Needless to say, I haven’t seen a single one of these films listed below so I can’t tell you one way or the other whether or not they’re going to set the world on fire.  Instead, what is listed below is a combination of random guesses and my own gut feelings.  You’ll notice that there are a lot of big names listed, Spielberg, Anthony Hopkins, Ron Howard, and Glenn Close.  Yes, all of them could very well be Oscar contenders.  At the same time, they’re all also a known quantity.  They’ve all got a good track record with the Academy and, as of right now, that’s all that I have to go on.

You may also notice that I’ve listed several films that will, in just a few weeks, be playing at the Sundance Film Festival.  Again, it’s not that I know anything about these films that the rest of the world doesn’t.  Instead, it’s simply a case of I looked at the list of Sundance films, I read the plots, and a few times I said, “That sounds like it could potentially be a contender.”  After all, it seems like at least one nominee comes out of Sundance every year.  Why shouldn’t it happen again?

My point is that you shouldn’t take these predictions too seriously.  Some of the films and performers below may be nominated.  Some definitely will not be.  But, next year, we will at least be able to look back at this list and have a laugh!

So, without further ado, here are my Oscar predictions for January!

Best Picture

Dune

Hillbilly Elegy

The Many Saints of Newark

Minari

News of the World

Respect

Tenet

The Personal History of David Copperfield

The Trial of the Chicago 7

West Side Story

Best Director

Paul Greengrass for News of the World

Ron Howard for Hillbilly Elegy

Christopher Nolan for Tenet

Steven Spielberg for West Side Story

Denis Villeneuve for Dune

Best Actor

Bradley Cooper in Bernstein

Tom Hanks in News of the World

Lance Henriksen in Falling

Anthony Hopkins in The Father

Michael Keaton in Worth

Best Actress

Amy Adams in Hillbilly Elegy

Glenn Close in Four Good Days

Jennifer Hudson in Respect

Elisabeth Moss in Shirley

Amy Ryan in Lost Girls

Best Supporting Actor

Willem DaFoe in The Last Thing He Wanted

Richard E. Grant in Everybody’s Talking About Jamie

Mark Rylance in The Trial of the Chicago 7

Forest Whitaker in Respect

Steven Yeun in Minari

Best Supporting Actress

Glenn Close in Hillbilly Elegy

Vera Farmiga in The Many Saints of Newark

Tilda Swinton in The Personal Life of David Copperfield

Marisa Tomei in The King of Staten Island

Helena Zengel in News of the World

Lisa Reviews An Oscar Nominee: Captain Phillips (dir by Paul Greengrass)


tom-hanks-barkhad-abdi-captain-phillips

Here’s an interesting and often overlooked fact:

It has been 17 years since Tom Hanks was last nominated for Best Actor.

When I discovered this fact, I was shocked because Tom Hanks is one of those actors who has a reputation for always getting nominated.  We tend to think of him as almost being a male Meryl Streep, an actor who will be nominated simply for showing up.  But, actually, the Academy last nominated Tom Hanks, for his performance in Cast Away, in the year 2000.

Hanks has given plenty of strong performances since then and he’s continued to appear in acclaimed and Oscar-nominated films.  And you would think, considering his apparent popularity in Hollywood, Tom Hanks would have been nominated for everything from Charlie Wilson’s War to Bridge of Spies.  But no.

Personally, I think Hanks should have been nominated this year for Sully.  But you know what Hanks performance truly deserved some Oscar recognition?

Captain Phillips.

Playing the title role in this 2013 Best Picture nominee, Hanks gave perhaps the best performance of his career.  That he was snubbed by the Academy is not only shocking but it’s actually a bit unforgivable.  Perhaps Hanks was so good that the Academy took him for granted.  Perhaps they thought that since both Hanks and Richard Phillips are decent, down-to-Earth guys, that Hanks was just playing himself.  For whatever reason, Tom Hanks deserved, at the very least, a nomination.

Captain Phillips was based on a true story.  This is another docudrama from director Paul Greengrass, filmed in his signature (and potentially nausea-inducing) handheld style.  (Actually, if any aspiring director wants to understand how to effectively use the handheld style, Greengrass is the filmmaker to study.)  In 2009, a four Somali pirates hijacked the Maersk Alabama and took its captain, Richard Phillips, hostage.  Captain Phillips was eventually rescued by a group of Navy SEALS.  Three of the pirates were killed while their leader, Muse (Barkhad Abdi), was captured and is currently serving a 33 year sentence in a federal penitentiary.

This was a huge news story in 2009 with the rescue being described as being the first major foreign policy victory for the new presidential administration.  When Phillips was rescued, people took to the streets and the “USA!  USA!” chant was heard.  “That’s right,” the media and the government and the chanters seemed to be exclaiming in unison, “America’s back!  We were abused and it’s never going to happen again!”

A lot of that jubilation was because, at the time, the term “Somali pirates” conjured up visions of cinematic villains who would be more at home in Mad Max: Fury Road than in the real world.  The reality of the situation, of course, was that the “pirates,” whose deaths were celebrated as some sort of political victory for the government, were actually poverty-stricken Somali teenagers, the majority of which worked for warlords who remained (and still remain) safely hidden away.

One of the more interesting things about Captain Phillips is that it devotes almost as much time to the Somali pirates as it does to Phillips and his crew.  Rather than presenting them as a nameless and personalityless threat, the film allows Muse and his men to emerge as individuals.  Much as Phillips spends the movie trying to keep both himself and his crew safe, Muse spends much of the movie trying to keep an increasingly out-of-control situation stable.  Both Phillips and Muse are in over their heads.  Barkhad Abdi gives a smart and intimidating performance as Muse.  The film never makes the mistake of excusing the actions of Muse or the other pirates but, at the same time, it does provide a more nuanced view of them than one would normally expect.

But really, this film totally belongs to Tom Hanks.  Captain Phillips works because of Tom Hanks.  It earned its best picture nomination on the strength of Hanks’s performance.  As an actor, Hanks could have easily coasted on the good will that the audience would have already had for him but instead, he fully commits himself to playing not Tom Hanks but instead Captain Richard Phillips.  The film’s final scene — in which Phillips goes into a state of shock and can’t stop talking — is a masterclass in great acting.  How the Academy ignored it, I will never understand.

Captain Phillips was nominated for best picture of 2013.  However, it lost to 12 Years a Slave.

 

Film Review: Jason Bourne (2016, dir. Paul Greengrass)


Jason_Bourne_Poster_1

I most certainly do know his name. It’s John Rambo. I kept thinking of that fake ad for a Rambo style movie from Grand Theft Auto: Vice City throughout the film.

Take the beginning of Rambo III (1988), and make it the whole movie. That being tracking him down to bring him in, so he can be sent out on a mission. Throw in that surveillance thing from the TV Show Person of Interest. Add a little of the 60 Minutes fueled paranoia about technology that filled the movie Blackhat (2015). Copy the ending of Terminator: Genisys (2015), but make it about swapping out love interests to reboot the franchise. Make sure to shake the camera a bunch, put in unnecessary zooms, and editing that at times gets so frantic you lose track of what is happening. Endless action must be there too since people paid to see spectacle rather than just setup. That’s Jason Bourne in a nutshell. It is a film cobbled together from elements you are already familiar with from other films, you get some action for your money, and then are sequel baited before the credits roll.

Don’t see it in theaters like I did. If you are a big movie lover or an action junkie, then check it out on DVD. If you aren’t, then don’t watch it in any form whatsoever. It’s not worth it for the casual viewer.

That’s my short review, which I know I can’t be the only one who likes to read about a film that is brand new.

Now if you want to hear more about the film, then read on. I will do my best without physical access to the film, or proper screenshots. I refuse to use promotional ones. I want to be able to show you goofs like making an IP Address be internal by being 192 at the start, but still making the second number 256 for no reason at all. They won’t show that kind of thing in promo material. I will also spoil the ending that really isn’t a spoiler. You already know simply by the fact that there are clearly planned sequels that can’t exist without Bourne.

————————–

First, I have to confess that I did not see the last entry in the series. I have seen all the ones before that, but not the Jeremy Renner one. I doubt it makes any difference, but I thought you should know.

The movie starts off the way Casino Royale (2006) does by giving us a recap of Bourne’s previous kills. Just like Bond, it means he is in, and isn’t going to get back out again. That’s when it cuts to him fighting in an organized fight club type thing a la Rambo to get away from it all. At the same time, we are introduced to the two main people who will be chasing after Bourne. That’s Heather Lee played by Alicia Vikander and the director of the CIA played by Tommy Lee Jones.

Bourne is in Greece, which is in turmoil. They get hot his trail very quickly courtesy of Julia Stiles who makes a return, so she can lead Lee to Bourne before making sure she gets shot and killed. No joke. She hacks her way into a system they are monitoring to find Bourne herself, they catch on, they catch up, and she gets shot. There’s your setup for the movie. Bourne is drawn back into things whether he likes it or not while he is being hunted.

The next important thing isn’t really important at all, but will take up time in the movie nonetheless. It’s Tommy Lee Jones harassing a tech giant that he apparently gave money to so that he could start his company. He wants him to put in a backdoor in his very popular social network so that the CIA can spy on everyone. Yes, they do bring up Snowden because of course they do. This part of the story exists in the movie, but honestly plays very little into things except to give a purpose for drawing Bourne into something good rather than simply being the super solider who came in from the cold. It’s how Lee and Tommy Lee Jones handle the situation that tells Bourne where he stands, and sets up the sequel.

At a certain point the action takes over the film completely. Yes, there is quite a bit of fast-paced tracking sequences early on, but by the time the real action starts, you get to see a SWAT van act like a snow plow going down the street knocking cars left and right. I went with two friends, and neither of them could stop talking about the action. Things like “how did they do that” kept coming up. Obviously it’s a mix of practical effects and CGI, but there is just so much of it filled with quick cuts that you are overwhelmed as they were. It made me long for something simple like The Dark Knight (2008). However, I want to make it clear that I never lost a sense of space. That’s a deathblow to action sequences. It’s when the film isn’t shot properly so that instead of understanding the space in which the action takes place and the relation between the characters, you wind up with a bunch of disconnected actions scenes. I never felt that way watching this movie.

In the end, the tech giant is nearly assassinated, but rescued, and only gets shot in the chest. Tommy Lee Jones is killed off in a scene that reminded me of when RoboCop confronted Ronny Cox. Heather Lee is now situated as a go-between Bourne and the people who want to use him. They barely scratch at those special behind the scenes people with some flashbacks and a few documents. I figure that is what we will get a more fleshed out version of in the follow-up films.

That’s my longer review. Bourne walks away not telling Lee how she will get in touch with him. She does get into her car, and picks up some sort of device, but I honestly don’t recall what it was. The point is, she is both the new point-man, and probably a love interest down the road.

If that sounds like something you want to see, then more power to you!

Jason Bourne Is Back


Jason Bourne is back and uses the biggest sporting event to showcase in an action-packed tv spot why people should care that he’s back.

Yes, we know who he is. He definitely knows who he is, but this time around it looks like he remembers everything. If that’s the case then the CIA may be in for another beating Paul Greengrass-style with all the shaky-cam we can shake a stick at.

Looks like, if this tv spot is any indication, that Jason Bourne wasn’t taking it easy physically while he was gone. He definitely didn’t skimp on the lifting.

Jason Bourne is set for a July 29, 2016 release.