Music Video of the Day: Go Away by Jakalope (2005, dir by Lisa Mann)


Hi, everyone!

Normally, this is Val’s feature but she’s currently in recovery after overdosing on Abba-related videos and attempting to watch Rob Zombie’s Halloween, all in the same night.  So, I’m going to take this opportunity to toss in a music video from my favorite Canadian band, Jakalope!

(Jakalope was not only heavily featured on Degrassi but they even did a version of that show’s timeless theme song.)

From their debut album, It Dreams, here is Go Away!

The video for Go Away continues the story that was started in the video for Feel It.  Both videos were directed by Lisa Mann.

It Dreams was produced by Trent Reznor and his also one of the five writers credited for this song.  His influence certainly is felt, in both the song and the video!

Enjoy!

2016 In Review: Lisa Marie’s 14 Favorite Songs of 2016


Every January, I list my fourteen favorite songs of the previous year and, every January, I include the same disclaimer.  My fourteen favorite songs are not necessarily the fourteen favorite songs of any of the other writers here at the Shattered Lens.  We are a large and diverse group of people and, as such, we all have our own individual tastes.

If you ever visited the TSL Bunker, you would be shocked by the different music coming out of each office.  You would hear everything from opera to death metal to the best of Frank Sinatra and Dean Martin.  And then, of course, you would reach my office and you would discover that my taste in music pretty much runs the gamut from EDM to More EDM.

Now, usually, I do try to listen to a variety of music.  You can go to my Song of the Day site — Lisa Marie’s Song of the Day — and see that I do occasionally listen to other types of music.  But, I have to be honest.  2016 was not a year that inspired me to really leave me comfort zone.  If anything, music provided me with some much needed consistency in an otherwise chaotic year.  2016 was a year that made me want to dance until it was all over and, for the most part, my favorite songs of the year reflect that fact.

Before I list my 14 songs, I should make something else very clear.  These are my 14 favorite songs of 2016.  I’m not saying that they’re necessarily the best songs of 2016.  I’ll leave that debate for others.  Instead, there are the songs that I found myself listening to over and over again.  These are the songs made me dance.  These are the songs that made me sing.  A few of these songs relaxed me when I needed to be relaxed.  One of the songs made me cry but I’m not going to say which one.

It might make you cry too.

Or it might not.

That’s the beautiful thing about art.  Everyone experiences it in their own individual way.

Here are my 14 favorite songs of 2016:

14) David Bowie — Lazarus

13) Afrojack & Hardwell — Hollywood

12) Cedric Gervais (ft. Juanes) — Este Amor

11) Matoma (ft. Becky Hall) — False Alarm

10) Radiohead — Burn the Witch

9) Gorgon City (feat Vaults) — All Four Walls

8) Penthox — Give It Away

7) Britney Spears — Clumsy

6) Martin Garrix (feat Mesto) — WIEE

5) Tiesto, Oliver Heldens (feat Natalie LaRose) — The Right Song

4) The Weekend (feat Daft Punk) — Starboy

3) Radiohead — Daydreaming

2) Coldplay — Up&Up

1) The Chemical Brothers — C-h-e-m-i-c-a-l

For my previous picks, check out 2011, 2012, 2013, 2014, and 2015!

Tomorrow, I will be posting some of my favorite things that I saw on television in 2016!

Previous Entries In The Best of 2016:

  1. TFG’s 2016 Comics Year In Review : Top Tens, Worsts, And Everything In Between
  2. Anime of the Year: 2016
  3. 25 Best, Worst, and Gems I Saw In 2016
  4. 2016 in Review: The Best of SyFy
  5. 2016 in Review: The Best of Lifetime
  6. 2016 in Review: Lisa Picks the 16 Worst Films of 2016!
  7. Necromoonyeti’s Top Ten Albums of 2016

My Top 10 Albums of 2016


*taps the mic*

This thing still work?

Hi! Yeah, I exist. It’s been a busy year.

For one thing, the lovely Ms. Phoebe Lucille was born on June 29th. 🙂

A two year old and a six month old do not make for many leisurely afternoons exploring new music, and besides that, my competing addictions to Forum Mafia and Overwatch have consumed virtually all of what little free time I have. Suffice to say, I’m not exactly well informed on music in 2016. In fact, I can’t name 10 metal albums that came out last year off the top of my head, so my traditional top metal list just isn’t going to happen.

But I’ve been posting some sort of year-end music list every year since 2002, and I’ll be damned if I let ignorance stop me. So here goes nothing:

10. Krallice – Prelapsarian

Prelapsarian was released on December 21st. I didn’t find out about its existence until quite recently, and like every Krallice albums, it’s going to take a good 30 listens to fully appreciate. But after a few early spins I can confidently say that it’s good, and because it’s Krallice, that probably means I’ll be kicking myself half a year from now for not giving it my #1 slot. My initial take-away is that the band has continued to pursue the more mathy/avant-garde approach they took on Ygg Huur in place of the progressive opuses of their first four albums, and while that might not make for the same degree of eternal replay value, they’re still the best in the business at what they do. I could argue that I liked the Hyperion EP released earlier this year more, but that’s hardly fair given the amount of time I’ve had to listen to Prelapsarian. I’m going to err on the side of reason here and say this album will be firmly cemented in my top 10 of 2016 a month from now.

9. Martröð – Transmutation of Wounds

Is it another cop out to include a 16 minute EP in my year end list? Maybe. Whatever the play time limits, Transmutation of Wounds takes me on a pretty diverse and chaotic ride. In a lot of ways it felt like a more complete work to me than many full length black metal albums I heard this year, because it’s always going somewhere. The destinations aren’t particularly inviting, but they’re consistently fascinating. A solid debut from a band that could really kill it if they put together a full length album.

8. Skáphe – Skáphe²

This one is a brilliantly discordant and meandering take on black metal. It borders on unlistenable for all the right reasons, and leaves me feeling a little sick to my stomach every time I give it a spin. I suppose that doesn’t sound like a compliment, but it’s an artistic accomplishment that really very few bands out there can pull off. I mutually adore and abhor it. On an amusing note, I just realized as I was writing this that the line-up includes members of Misþyrming and Martröð. Misþyrming’s Söngvar elds og óreiðu would have easily made my 2015 list if I hadn’t only discovered it this past January, and I placed Martröð one slot up, so at least my tastes are consistent. <_<

7. Sumac – What One Becomes

I need to get off my ass and buy a physical copy of this album. Post-metal god Aaron Turner finally found a worthy follow-up to Isis when he joined forces in 2015 with Nick Yacyshyn and Brian Cook to create The Deal, a sludgy masterpiece that might be what Isis would have sounded like had they tied a brick to every guitar string. The Deal has been my go-to album for car rides for quite a while now, and it’s hard for me to compare its quality to What One Becomes because I’ve only ever listened to the latter at home. But I’ve heard it enough to know it’s excellent, and it’s only going to keep on growing on me in years to come.

6. Radiohead – A Moon Shaped Pool

I don’t suppose this needs much explanation. Half a year ago, I might have considered it for my top choice of the year. Sitting here right now, I can’t honest remember any of the songs besides “Burn the Witch” and the absolutely beautiful revision of “True Love Waits” without putting the album on to remind myself. That’s been the simple difference for me between post-Hail to the Thief Radiohead and all that came before. I love it when I’m experiencing it; I can’t really remember it a few weeks removed. But it’s more a testimony to Thom and company’s longevity that the music they released in 2016 still earns an easy placement in my top 10 of the year.

5. Run the Jewels – 3

This is where my list is going to start getting a little unconventional to people who’ve known me for a long time. I was really into Anticon back in the early 2000s (I gave Buck 65’s Secret House Against the World my #1 slot in 2005), but by and large hip hop has remained one of those genres I massively respected but never really got around to expansively engaging. Kendrick Lamar’s To Pimp a Butterfly in 2015 hit me hard enough to affect a more lasting change in my listening habits. I listened to more hip hop than metal in 2016. So there’s the preface.

When I say I don’t know hip hop though, I mean it. El-P and Killer Mike were nothing to me but names I’d heard people mention a million times before I picked up this album. I can’t compare this to their past albums. I can’t speak from experience. I can’t even talk about its appeal over time, because this album just dropped on Christmas Eve. But it hit me for all the reasons I was digging Aesop Rock this time 15 years ago, and in a year when hip hop was my go-to genre it was the perfect album to close things out.

4. Danny Brown – Atrocity Exhibition

That was the easy part. Now it gets hard. The rest of these could go in any order. They’re so mutually different that I don’t really know where to begin in ranking them. So I’m going to do the stupid thing and put the album I’m most likely to love longest at the bottom of the pile.

Is this the most intelligent album of 2016? Probably. I don’t have to be well versed in a genre to recognize a piece of art when I see it. Atrocity Exhibition shows extreme attention to lyrical and musical detail in crafting its grim cautionary descent into drug abuse and street violence. Brown pulled together a collection of sounds that projected his vision in astoundingly visual ways. No one should ever realistically be able to rap to this, but he managed to lay his eccentric and expressive voice over top of it anyway. It’s one of those packages that takes extreme care to ensure that it’s barely holding itself together at any given moment. If I was strictly picking the “best” album of 2016, Brown would be my boy, but what good is a year end list if I can’t kick myself for how stupid my ordering was afterwards?

3. Deathspell Omega – The Synarchy of Molten Bones

Besides, metal has always hit closest to home for me. It’s the sound I find easiest to embrace, whatever its abrasiveness, and once again France has served as the source of its finest cuts. For better than a decade, friends whose tastes I trust have been praising Deathspell Omega, but I could never quite catch the hype. That changed this year. Far and away my favorite metal album of 2016, The Synarchy of Molten Bones is a complex and captivating black metal masterpiece that’s really perfectly mixed to bring out the robustness of their sound in a full and fleshy way. The song progression is delightfully abstract without ever teetering into the abyss of wankery. A lot of its success stands on their ability to remain relentlessly aggressive no matter how far they delve into experimentation. Too obscure for me to ever fully wrap my head around, I’ve put it on more than 50 times expecting the sort of bore that excessively abstract metal tends to convey on me, and every time I’m just immediately swept away, not fully cognizant of what my ears are hearing but thoroughly in love. These guys crafted an exceptional album on their own, but they owe their studio staff a lot of respect for delicious production too.

2. Bon Iver – 22, A Million

From here I’ve got to vote with my heart, and that begins with the 34 minute heartbreak that is 22, A Million. This album reminds me more of Lost in Translation than of any particular album. It’s packed with disjointed vignettes that don’t serve an apparent purpose towards progressing the album. They often start or end abruptly. It almost comes off as a compilation of half-finished works that got mashed together in an abbreviated 34 minute package with all the meat left behind, but I think it works well that way. Fleeting moments of digital indie folk that always manage to feel simultaneously depressed and comforting–the end result is something beautiful. I put my kids to sleep with it at night.

1. Chance the Rapper – Coloring Book

I’ve been trying my hardest to overplay this album for ten months now, but it just won’t grow old. I don’t know if past artists have incorporated gospel into hip hop to this extent or not, but if they’re half as effective at it, lead the way. I don’t have to share Chance’s religious beliefs to find this album entirely uplifting from start to finish. It beams positivity from end to end without any of the pop sunshine and flowers that turn me off to the vast majority of “happy” music. Chance is at his best when he’s passionately and arrogantly busting out religious lines (and he kills it just as hard on Kanye’s “Ultralight Beam”, whatever I think of the rest of that album). That’s the focus for the grand bulk of this work. It’s not perfect by a long shot. Where he diverts to more worldly themes, he’s often shallow and cliche. “All Night” for instance is really fun to jam along to but leaves me feeling more than modestly cheated on the lyrical front.

But I don’t really care. I fell in love with the spirituality of this album right from the get-go, and close to a year later it still brightens me up every time I put it on. It won’t go down among my top albums of all time, but it earned its place as my favorite of 2016.

Previous years on Shattered Lens:

2011 / 2012 / 2013 / 2014 / 2015

Previous Entries In The Best of 2016:

  1. TFG’s 2016 Comics Year In Review : Top Tens, Worsts, And Everything In Between
  2. Anime of the Year: 2016
  3. 25 Best, Worst, and Gems I Saw In 2016
  4. 2016 in Review: The Best of SyFy
  5. 2016 in Review: The Best of Lifetime
  6. 2016 in Review: Lisa Picks the 16 Worst Films of 2016!

A Movie A Day #1: Stop Making Sense (1984, directed by Jonathan Demme)


stop_making_sense_poster_originalA pair of immaculate white sneakers, being worn by the lead singer of The Talking Heads, David Byrne, walk out onto a bare stage while an unseen audience applauds.  Byrne places a radio on the stage beside him and says, “I have a tape I want to play for you.”  Accompanied only by a drum machine and an acoustic guitar, Byrne launches into a performance of Psycho Killer that ends with him lurching across the stage like a marionette that is losing its strings.

So begins the greatest concert film of all time, Stop Making Sense.

As Psycho Killer comes to an end, Byrne is joined on stage by bassist Tina Weymouth.  While Byrne and Weymouth perform Heaven, the black-clad stage crew sets up a drum kit behind them.  Drummer Chris Frantz comes out for the third song, Thank You For Sending Me An Angel.  The fourth member of the Talking Heads, Jerry Harrison, appears on stage for Found A Job and is then followed by several touring members of the band, including legendary keyboardist Bernie Worrell, guitarist Alex Weir, percussionist Steve Scales, and backup singers, Lynn Mabry and Ednah Holt.  It’s not until the concert’s sixth song, Burning Down The House, that the entire band is on stage.

Pieced together from three separate shows performed at the Pantages Theater in Los Angeles, Stop Making Sense showcases one of the most important bands of the 80s at their absolute best.  Eschewing any candid footage of the band backstage and only occasionally showing any shots of the audience, Jonathan Demme keeps the focus on the music and David Byrne’s amazing showmanship.  Even more than the music, what really makes Stop Making Sense stand out is Byrne’s physicality.  During one instrumental passage, Byrne even runs around the stage in circles before jumping back to his microphone without missing a beat.

Though the entire band is in great form, Byrne is almost always the focus of attention.  The only time he’s not is when he goes backstage during a performance of Genius Of Love by Weymouth and Frantz’s side project, The Tom Tom Club.  During that time, Byrne is changing into the “big suit,” the costume that continues to define the Talking Heads to this day.

Along with Burning Down The House, highlights include Life During Wartime,

Swamp,

Once in a Lifetime,

and Stop Making Sense‘s most famous moment, David Byrne performing Girlfriend is Better while wearing the iconic “big suit.”

Stop Making Sense is a fun, exhilarating, and sometimes exhausting concert film and, given all the bad feelings that exist between Byrne and the other three members of the band, it’s probably as close as any of us will ever get to experiencing The Talking Heads live.

For tomorrow’s movie a day, I’ll be explaining why Blue Chips always makes me think of England.

Song of the Day: Father Figure (by George Michael)


george-michael

The year of 2016 has taken many of the music scene’s greatest. Prince, David Bowie and Glenn Frey just to name a few taken too soon. Now, George Michael joins his musical brethren as news of his passing on Christmas Day was announced and confirmed.

There’s not much to say other than any kid growing up during the late 80’s knew and listened to George Michael in some capacity or another. While he became famous as part of the British boy band WHAM! it was when he branched out on his own as a solo act that he hit megastar status. His solo debut album, Faith, would reach multi-platinum levels and each single released from the album and each video that ran in circulation on MTV would become instant hits.

My favorite song of his and this goes to his many excellent post-modern videos, would be the third single released from his debut album, “Father Figure.”.

Father Figure

That’s all I wanted
Something special, something sacred
In your eyes

For just one moment
To be bold and naked
At your side

Sometimes I think that you’ll never
Understand me (understand me)
Maybe this time is forever
Say it can be, woah

That’s all you wanted
Something special, someone sacred
In your life

Just for one moment
To be warm and naked
At my side

Sometimes I think that you’ll never
Understand me (understand me)
But something tells me together
We’d be happy, woah baby

I will be your father figure (oh baby)
Put your tiny hand in mine (I’d love to)
I will be your preacher teacher (be your daddy)
Anything you have in mind (it would make me)

I will be your father figure (very happy)
I have had enough of crime (please let me)
I will be the one who loves you
Till the end of time

That’s all I wanted
But sometimes love can be mistaken
For a crime

That’s all I wanted
Just to see my baby’s
Blue-eyed shine

This time I think that my lover
Understands me (understands me)
If we have faith in each other
Then we can be strong, baby

I will be your father figure
Put your tiny hand in mine (my baby)
I will be your preacher teacher
Anything you have in mind

I will be your father figure
I have had enough of crime
I will be the one who loves you
Till the end of time

If you are the desert, I’ll be the sea
If you ever hunger, hunger for me
Whatever you ask for, that’s what I’ll be

So when you remember the ones who have lied
Who said that they cared
But then laughed as you cried

Beautiful darling
Don’t think of me
Because all I ever wanted
It’s in your eyes
Baby, baby
And love can’t lie, no

(Greet me with the eyes of a child)
My love is always telling me so
(Heaven is a kiss and a smile)
Just hold on, hold on
And won’t let you go, my baby

I will be your father figure
Put your tiny hand in mine
I will be your preacher teacher
Anything you have in mind

I will be your father figure
And I have had enough of crime
So I am gonna love you
Till the end of time

(I will be your father) I will be your
(I will be your preacher) Father
(I will be your father) I’ll be your daddy, whoa
I will be the one who loves you
Till the end of time

Hooray for Santa Claus! (And Hooray for Milton DeLugg and the Little Eskimos!)


Did everyone have a good Christmas?  Did everyone get everything that they wanted?

If the answer’s yes, you have one man to thank for that!

Hooray for Santy Claus!

(You might recognize this song from one of our favorite holiday classics, Santa Claus Conquers The Martians!  Apparently, it was performed by Milton DeLugg and the Little Eskimos.)

(Be careful listening to this song.  As TSL contributor and Late Night Movie Gang founder Patrick Smith can tell you, once this song gets stuck in your head, it’ll never leave.)