Hi! Lisa here, with today’s music video of the day!
Life as a ghost isn’t all that it’s cracked up to be and if you needed proof, just check out this otherworldly music video. The video mixes spirits with a good beat, so you know there’s no way that I’d be able to resist it.
This one was filmed in Toronto and it was directed by Colin O’Toole.
In 1994, Tim Burton released Ed Wood, a film that I consider to be his best. (In fact, it’s one of the few Tim Burton films that I feel actually improves with repeat viewings. Don’t start yelling at me about Beetlejuice.) The score, which so evocative of Wood’s style of filmmaking, was composed by Howard Shore. This video features the actress Lisa Marie (who played Vampira in Ed Wood) dancing to Shore’s theme music.
Before anyone says it, I did not pick this video just because it features a dancer named Lisa Marie. I’m not the egocentric … well, actually, I am. In fact, I’m so egocentric that I’m shocked that I have yet to dedicate an entire post to just listing words that rhyme with Lisa. (Sadly, there’s not many. Visa is a good one.) But still, I did have other reasons for picking this video than just the fact that I am also named Lisa Marie and I also enjoy dancing in cemeteries. Those reasons will hopefully become obvious as the day develops here on the Shattered Lens.
Anyway, both Tim Burton and Toni Basil are credited with directing this video. I’m going to assume that Burton’s directorial credit is largely due to all of the scene of Ed Wood that are spliced into the footage of Lisa Marie dancing. Toni Basil, who also did the choreographed this video, is one of our favorite people here at the Shattered Lens. Just check out my review of Head and Val’s review of Slaughterhouse Rock.
This past August, I got to see Alice Cooper perform live in concert (on a triple bill with classic rockers Deep Purple and Edgar Winter!). The Coop’s Grand Giugnol antics, complete with a ten-foot Frankenstein, a murderous danse macabre with a ballerina, the famous guillotine routine, loads of pyro, and the incredible shredding of guitar goddess Nita Strauss, stole the show. Alice has always been the most theatrical of rockers, and the man’s still got it!
In 1975, Alice released his first solo LP without his longtime backing band, “Welcome to My Nightmare”, featuring Cooper classics like “Cold Ethyl”, “Black Widow”, “Only Women Bleed”, and the title track. A videotaped TV special was made to coincide with the album, and horror icon Vincent Price was brought in to play ‘The Curator of The Nightmare’ (Price did narration for ‘Black Widow’ on the record, predating Michael Jackson’s “Thriller”). If you’ve got…
In an era of throbbing disco beats, ponderous prog rock, and angry loud punk, Tom Petty’s rootsy, guitar-jangling sound was like a breath of fresh air blowing through the late 70’s radio airwaves. Petty was a Southern boy, but didn’t fit the ‘Southern Rock’ mode of the Allman Brothers or Marshall Tucker. Instead, he and his band The Heartbreakers were influenced by the stylings of The Beatles and The Byrds, crafting tight-knit pop tunes for the ages.
The Florida-born Petty was an artsy type of kid, an outsider in a world of machismo. He met his idol Elvis Presley when The King was making the 1961 film FOLLOW THAT DREAM on location, and three years later, when The Beatles appeared on Ed Sullivan, Tom knew what he wanted to do with his life. By age 17, he’d dropped out of high school, and three years later started Mudcrutch, a…
The Monkees (Davy Jones, Mickey Dolenz, Peter Tork, and Mike Nesmith) brought rock’n’roll to TV with their mega-successful 1966-68 musical sitcom. Inspired by The Beatles’ onscreen antics in A HARD DAY’S NIGHT and HELP!, producers Bob Rafelson and Bert Schneider cast four fresh-faced youths (Jones was a Tony nominee for OLIVER!, Dolenz had starred in TV’s CIRCUS BOY, Tork and Nesmith were vets of the folk-rock scene), hired some of the era’s top songwriters (Gerry Goffin & Carole King, Tommy Boyce & Bobby Hart, Neil Diamond, Harry Nilsson) and session musicians (Hal Blaine, James Burton, Glen Campbell , Carol Kaye), and Monkeemania became a full-fledged teenybop pop phenomenon.
Detractors (and there were many) in the music biz called them ‘The Pre-Fab Four’, looking down their noses at The Monkees while looking up as hits like “I’m a Believer”, “Daydream Believer”, and “Pleasant Valley Sunday” climbed to the top of the…
I originally planned to do Overcome by Live since it’s one of the last two 9/11 themed videos I consider important enough to spotlight, but it doesn’t feel appropriate at the moment. It feels right to skip a day. I’ll be back tomorrow.
Since I did the Ryan Adams video for New York, New York last year on this day, I have embedded another one of my favorites of his that, to my knowledge, never got a video.