Music Video Of The Day: Funk Dat by Sagat (1994, directed by Kurt and Bart)


Today’s music video of the day comes from the Baltimore-born rapper and producer, Sagat.

There’s actually two versions of this song.  The first one was called Fuk Dat and was a list of things that annoyed Sagat in ’93 and which are still annoying today.  That version became a club hit but, when it was time to release the song commercially, it was obvious that the song would need a title that wouldn’t get radio stations fined by the FCC.  Hence, Fuk Dat became the slightly cleaner Funk Dat.

The music video for Funk Dat was filmed on the streets of New York.  The video features not only Sagat but also a really cool kid who has it up to here with the radio playing the same five songs over and over again.  This video achieved perhaps its greatest exposure when it was featured on an episode of Beavis and Butthead.

Enjoy!

Music Video of the Day: True Faith by New Order (1987, directed by Philippe Decouflé)


This video was directed by the French mime, dancer, and choreographer, Philippe Decouflé.  Starting with a slap fight to end all slap fights, it also features a person in green makeup hand signing the song’s lyrics.  As is so often the case with New Order, what it all actually means is open to interpretation.

Philippe Decouflé went on to direct the video for the Fine Young Cannibals’ She Drives Me Crazy, as well as choreographing the opening ceremony of the 1992 Winter Olympics.

Enjoy!

Music Video Of The Day: Dr. Feelgood by Mötley Crüe (1989, directed by Wayne Isham)


This song spent 109 weeks on the charts after its release and it remains one of Mötley Crüe’s most popular singles.

Nikki Sixx, who wrote the song, later told Rolling Stone that the song was based on several different drug dealers that he had done business with before getting sober.  Just two years before Dr. Feelgood became a hit, Sixx had been a notorious junkie who, after a heroin overdose, was actually legally dead for two minutes before a paramedic was able to revive him with two shots of adrenaline.

Dr. Feelgood became Mötley Crüe’s first and, to date, only gold single in the United States.  The video follows the song’s title character as he goes from working the streets to owning a mansion.  In a repeat of what happened to Tony Montana, Dr. Feelgood’s own hubris eventually brings him down.  As for why Mötley Crüe is performing in a revival tent, it probably just looked cool.

Director Wayne Isham is one of the most recognizable names when it comes to music video directors.  If you were someone who was anyone in the music business, Isham probably directed at least one video for you.

Enjoy!

 

Music Video of the Day: Drive My Car by Breakfast Club (1988, directed by Bill Fishman)


A New York-based band that once featured Madonna on drums, Breakfast Club’s biggest hit was Drive My Car, a cover of a song that had previously been made famous by The Beatles.  The cover appeared on the soundtrack of License to Drive, one of the better films to co-star Corey Haim and Corey Feldman.

The video is the usual combination of clips from the film and scenes of the band acting crazy.  Since they were already covering a Beatles song, it made sense to go ahead and put Breakfast Club in a 1980s version of Hard Day’s Night and have them spend most of the video trying to escape their obsessed fans.  Luckily, they’ve got an invisible car.

Breakfast Club split up shortly after the release of License to Drive.

Enjoy!

Music Video of the Day: Sacred Emotion by Donny Osmond (1989, directed by Michael Bay)


This song was a part of an attempt to rebrand Donny Osmond as a contemporary rocker.  The song was a hit and the video was popular on MTV but once an Osmond, always an Osmond.

The video is pure Michael Bay.  Donny, several hot women, and a group of construction workers drive out to the middle of the desert.  While Donny looks over blue prints and gives orders, the models and the day laborers start carrying boards and hammering nails.  Are they building a house or a temple?  No, it turns out that they’re building a stage so that Donny can perform in front of an audience that spontaneously shows up.  Donny does such a good job performing that it starts to rain and the video goes from being in black and white to being in color.  Bay directs with the same style that he would later bring to his feature films.  This video presents Donny Osmond as an epic hero and it nearly works.

It would be easy to mistake this video for being the most wholesome beer commercial ever made.

Enjoy!

Music Video of the Day: I Wanna Be A Lifeguard by Blotto (1981, directed by ????)


Who were Blotto?  A new wave band from Albany, New York, they had a strong cult following among college students in the late 70s and early 80s.  Much like the Ramones, all the band members used pseudonyms and took Blotto as their last name.  Among the members were: Bowtie Blotto, Broadway Blotto, Cheese Blotto, Lee Harvey Blotto, Sergeant Blotto, Blanche Blotto, and Chevrolet Blotto.

I Wanna Be A Lifeguard was probably their best known song, as it was adopted as an anthem by the Jones Beach lifeguards.  Blotto and I Wanna Be A Lifeguard were championed by Dr. Demento and, like all good, quirky New York bands, they appeared on both The Joe Franklin Show and the Uncle Floyd Show.  Today, it’s clear to see that Blotto were ahead of their time.  The band’s mix of humor and music are tailor-made for the age of YouTube and social media.

As for the video, it was filmed by video production students at SUNY Albany.  It was also the 36th music video to be played on MTV, airing during the first day of MTV’s existence.  MTV didn’t have many music videos to choose from in 1981 and the majority of the videos that they did play on their first day came from Rod Stewart.  But MTV still found time for this quirky band from Albany and their song about being a lifeguard.

 

Music Video of the Day: Hip To Be Square by Huey Lewis and the News (1986, directed by Godley & Creme)


“Everyone thinks I’m the boy next door because I look like the boy next door. But look at my parents, and look where I come from. I’m a beatnik kid.”

— Huey Lewis

For the record, Huey Lewis has always insisted that the lyrics of Hip To Be Square are meant to be ironic.  They were originally written in the third person and were meant to satirize the band’s clean-cut image.  Because Huey Lewis and the News were older than the average rock band when they hit it big, they were often considered to be safe or conservative.  In real life, Huey Lewis was the stepson of beat poet Lew Welch, whom Lewis has described as being a major influence on his life and music.  (Huey, who was born Hugh Cregg III, even paid tribute to Lew Welch with his stage name.)  After high school, Lewis hitchhiked through Europe and he spent several years as a part of San Francisco’s decidedly unsquare music scene.

Despite what Patrick Bateman might try to tell you, Hip To Be Square was never meant to be an anthem for square people.  In concert, Lewis usually makes this point square by signing the song as Too Hip to Be Square.

The video was directed by the team of Kevin Godley and Lol Creme, who directed several memorable music videos in the 80s.  Godley and Creme directed this video using the type of medical cameras that are typically inserted into a human body to allow doctor to get a closer look at what might be ailing you.  The video was nominated for Best Experimental Video at the 1987 MTV Music Video Awards.

Enjoy!

Music Video of the Day: Your Love by The Outfield (1986, directed by John Jopson)


This is a song that I will always associate with Grand Theft Auto: Vice CityYour Love is on the Flash FM playlist.  It’s not a great song to listen to when you’re in the middle of a police chase but it is nice when you’re just stealing cars on a rainy night.

The video was shot, over the course of a day, on a soundstage in Astoria.  While the band is playing, an artist played by JoAnne Willette finger paints the cover of The Outfield’s first album, Play Deep.  Willette would later co-star on the Growing Pains spin-off, Just The Ten Of Us.  She also appeared in episodes of The Facts of Life, T. J. Hooker, Santa Barbara, Growing Pains, Melrose Place, Chicago Hope, Becker, ER, The Young and the Restless, My Sister Sam, Private Practice, and The New Adventures of Old Christine.  Among her film credits are small roles in both Welcome to 18 and A Nightmare on Elm Street 2: Freddy’s Revenge.

Even though The Outfield was a British band, they never found much success in the UK.  Their popularity was almost solely centered in the U.S., where Your Love reached #6 on the Billboard Hot 100 and #7 on the Mainstream Rock chart in 1986.

Music Video Of The Day: Shout By Tears For Fears (1984, directed by Nigel Dick)


Tears For Fears frontman Roland Orzabal and keyboardist Ian Stanley were both practitioners of primal scream therapy, in which people confronted their fears and insecurities by shouting.  This song was inspired by both the treatment and political protest.

The video, which was put in heavy rotation on MTV and become one of the defining videos and songs of the 1980s, features Orazbal and Curt Smith letting it all out on the cliffside at Durdle Door in Dorset.  The video was one of the 300-something videos to have been directed by Nigel Dick, who has done videos for almost everyone.

Shout spend three weeks as the number one single in the US and has since become Tears for Fears signature song, along with Everybody Wants To Rule The World.