Lisa’s Oscar Predictions For October


The big news this month is that Respect will no longer be getting released in January.  It’s been moved back so drop it from your Oscar predictions.

Here are my current predictions.  Take them with grain of salt and all the rest.  The more and more I think about it, the more annoyed I am with the Academy extending the eligibility window.  With all of the biggest contenders delaying their opening for a year, that extension seems more and more silly.

To be honest, I’m starting to have my doubts whether the film industry, as we know it, will even exist in another year or so.  I think eventually, we’ll just have a propaganda industry with the government subsidizing Hollywood on the condition that Hollywood only make certain types of films.  It’s going to suck.  The worst part is that most of the people who should speak out against that sort of thing won’t.  So many critics have down the partisan rabbit hole that they’re now more concerned with keeping the politicians happy than with actually writing about movies.

After looking at these, please check out my predictions for JanuaryFebruaryMarchAprilMayJune, July, August, and September!

Best Picture

Da 5 Bloods

The Father

Hillbilly Elegy

Mank

Minari

News of the World

Nomadland

One Night in Miami

On the Rocks

The Trial of the Chicago 7

 

Best Director

David Fincher for Mank

Ron Howard for Hillbilly Elegy

Regina King for One Night in Miami

Spike Lee for Da 5 Bloods

Chloe Zhao for Nomadland

 

Best Actor

Tom Hanks in News of the World

Anthony Hopkins in The Father

Delroy Lindo in Da 5 Bloods

Gary Oldman in Mank

Steven Yeun in Minari

 

Best Actress

Amy Adams in Hillbilly Elegy

Viola Davis in Ma Rainey’s Black Bottom

Vanessa Kirby in Pieces of a Woman

Frances McDormand in Nomadland

Kate Winslet in Ammonite

 

Best Supporting Actor

Sacha Baron Cohen in The Trial of the Chicago 7

Chadwick Boseman in Da 5 Bloods

Bill Murray in On The Rocks

Leslie Odom Jr. in One Night In Miami

David Strathairn in Nomandland

 

Best Supporting Actress

Glenn Close in Hillbilly Elegy

Olivia Colman in The Father

Saoirse Ronan in Ammonite

Amanda Seyfried in Mank

Helena Zengel in News of the World

Lisa’s Oscar Predictions for September


As of a few weeks ago, West Side Story is now officially out of this year’s Oscar race.  Steven Spielberg’s musical was one of the many major studio productions to be moved all the way back to late 2021.  So, scratch West Side Story from your lists, everyone.  It’s gone for now.

The more I think about it, the more I think the Academy made a mistake extending the eligibility window.  As you may remember, this year’s eligibility window now extends to February of 2021.  When this was first announced, I felt that it was the Academy’s way of keeping the big studios happy.  “You folks don’t want the Oscars to be dominated by streaming films,” the Academy seemed to be saying, “so we’ll just give you some extra time to get your movies out into the theaters.”  Well, joke’s on the Academy because, even with the extended time period, it still looks like the Oscar race is going to be dominated by streaming titles.

Personally, I wish that the Academy would just admit they made a mistake and go back to the old eligibility window.  Or, at the very least, just answer the question as to whether or not the 2021’s Oscar eligibility period is going to end at the end of December of that year or in February of 2022.  I’m a big believer in having a set schedule so all this uncertainty is annoying the Hell out of me.

Anyway, with all that in mind, here are my updated predictions for September.  After looking at these, feel free to check out my predictions for JanuaryFebruaryMarchAprilMayJune, July, and August!

Best Picture

Da 5 Bloods

The Father

Hillbilly Elegy

Mank

Minari

News of the World

Nomadland

One Night in Miami

Respect

The Trial of the Chicago 7

Best Director

David Fincher for Mank

Paul Greengrass for News of the World

Ron Howard for Hillbilly Elegy

Spike Lee for Da 5 Bloods

Chloe Zhao for Nomadland

Best Actor

Tom Hanks in News of the World

Anthony Hopkins in The Father

Delroy Lindo in Da 5 Bloods

Gary Oldman in Mank

Steven Yeun in Minari

Best Actress

Viola Davis in Ma Rainey’s Black Bottom

Jennifer Hudson in Respect

Vanessa Kirby in Pieces of a Woman

Frances McDormand in Nomadland

Kate Winslet in Ammonite

Best Supporting Actor

Sacha Baron Cohen in The Trial of the Chicago 7

Chadwick Boseman in Da 5 Bloods

Bill Murray in On The Rocks

Leslie Odom Jr. in One Night In Miami

David Strathairn in Nomandland

Best Supporting Actress

Glenn Close in Hillbilly Elegy

Olivia Colman in The Father

Saoirse Ronan in Ammonite

Debra Winger in Kajillionaire

Helena Zengel in News of the World

Lisa’s Oscar Predictions for August


As this very strange year enters into the home stretch, it does seem like, almost despite itself, the Oscar picture is becoming a little bit clearer.  The Venice and Toronto film festivals have announced their lineups.  Theaters are tentatively reopening and, assuming that there isn’t a spike in moviegoers contracting the Coronavirus as a result, the majority of them could be reopen by December.  For all the talk about how this year was going to be the Streaming Oscars, it’s totally possible that, with the eligibility window being extended to February and assuming theaters don’t have to close again, the Oscars could, once again, be dominating by traditional theatrical releases.

Anyway, here are my predictions for this month.  Though the picture may have cleared a little, the year is still pretty uncertain so take these with a grain of salt.  I imagine, over the next month, we’ll see a lot of movies scheduled for that January/February window of eligibility.

Be sure to check out my predictions for January, February, March, April, May, June, and July!

Best Picture

Ammonite

Da 5 Bloods

The Father

Hillbilly Elegy

Minari

News of the World

Nomadland

Respect

Soul

West Side Story

Best Director

Paul Greengrass for News of the World

Ron Howard for Hillbilly Elegy

Spike Lee for Da 5 Bloods

Steven Spielberg for West Side Story

Chloe Zhao for Nomadland

Best Actor

Tom Hanks in News of the World

Anthony Hopkins in The Father

Delroy Lindo in Da 5 Bloods

Gary Oldman in Mank

Denzel Washington in The Tragedy of MacBeth

Best Actress

Amy Adams in Hillybilly Elegy

Viola Davis in Ma Rainey’s Black Bottom

Jennifer Hudson in Respect

Frances McDormand in Nomadland

Kate Winslet in Ammonite

Best Supporting Actor

Chadwick Boseman in Da 5 Bloods

Richard E. Grant in Everybody’s Talking About Jamie

Mark Rylance in The Trial of Chicago 7

Forest Whitaker in Respect

Steven Yeun in Minari

Best Supporting Actress

Glenn Close in Hillbilly Elegy

Natasha Lyonne in The United States vs. Billie Holiday

Saoirse Ronan in Ammonite

Meryl Streep in The Prom

Helena Zengel in News of the World

Music Video of the Day: I Forgive It All By Mudcrutch (2016, directed by Sean Penn and Samuel Bayer)


This was one of Tom Petty’s final songs and it’s also one of his best.  This somber song features Petty looking back on his own past and forgiving his father, with whom he had a difficult relationship while he was growing up.

The video was shot on location in Los Angeles and simply features a man driving while thinking about the past.  Of course, in the video, that man is played by Sir Anthony Hopkins, who grew up not in Los Angeles but in Wales.  However, Hopkins has spoken of having a similarly difficult childhood to Petty’s.

This video was directed by actor Sean Penn, who was a friend of Petty’s, and Samuel Bayer.  Bayer has directed several music videos but will probably always be best known for directing Nirvana’s Smells Like Teen Spirit.

Enjoy!

Lisa’s Oscar Predictions for July


At this point, who knows anything?

I’m making my monthly predictions on the assumption that most of these movies are even going to be released this year (and during the first two months of 2021).  I may be making an even bigger assumption when I predict that they’ll even give out Oscars for 2020.  Right now, it’s hard to know what’s going to happen.

But I am going to keep making these predictions because their fun to make and I believe that you do have to have some sort of normalcy in life.  You can’t just say, “OH MY GOD, EVERYTHING’S SO NEGATIVE!  I’M JUST GOING TO SIT IN FRONT OF TWITTER AND DRINK FOR THE REST OF MY LIFE!”  I mean, don’t get me wrong.  A lot of people are, in fact, saying and doing just that.  It’s kind of sad to think about the number of people who I once liked but who I have still, over the past few months, muted because I’m just sick of all the drama.  I suppose I could list them all here just to see if any of them are actually bothering to read my posts but …. no, no.  This post is about the movies and the performers and the Oscars who make every year a special year.

Be sure to check out my previous predictions for January, February, March, April, May, and June!

Best Picture

Ammonite

Da 5 Bloods

The Father

Hillbilly Elegy

Kajillionaire

News of the World

Nomadland

Respect

Soul

West Side Story

Best Director

Paul Greengrass for News of the World

Ron Howard for Hillbilly Elegy

Spike Lee for Da 5 Bloods

Steven Spielberg for West Side Story

Chloe Zhao for Nomadland

Best Actor

Tom Hanks in News of the World

Anthony Hopkins in The Father

Delroy Lindo in Da 5 Bloods

Bill Murray in On The Rocks

Gary Oldman in Mank

Best Actress

Amy Adams in Hillybill Elegy

Viola Davis in Ma Rainey’s Black Bottom

Jennifer Hudson in Respect

Frances McDormand in Nomadland

Kate Winslet in Ammonite

Best Supporting Actor

David Alvarez in West Side Story

Tom Burke in Mank

Richard E. Grant in Everybody’s Talking about Jamie

Forest Whitaker in Respect

Steven Yeun in Minari

Best Supporting Actress

Glenn Close in Hillbilly Elegy

Olivia Colman in The Father

Saoirse Ronan in Ammonite

Debra Winger in Kajillionaire

Helena Zengel in News of the World

Lisa Marie’s Oscar Predictions For June


Once again, even trying to predict the Oscars this year seems like a fool’s errand.

Our story so far:

  1. COVID-19 shut everything down, including both theaters and production on many of the films that were expected to be contenders for the 2020 Oscars.
  2. The Academy announced that, for this year only, VOD and streaming-only films would be considered eligible for the Oscars.  That’s good news for all of the films premiering on Netflix and Prime right now, right?
  3. It looked briefly as if theaters might start reopening in July.  Tenet awaits!
  4. Oh wait, there’s still a pandemic going on.  Keep those theaters closed.
  5. But what about Tenent!?  Tenet will open in July, no matter what!
  6. Tenet gets moved back to August.  Every other big production gets moved back to August and chances are they’ll get moved back again.
  7. The Academy, meanwhile, throws everything into even more disarray by announcing that they will be extending the eligibility window to the end of February of 2021.
  8. And now, we’re all waiting to see which films will be moved either back or forward to a January or February 2021 opening in order to qualify for the Oscars.

In other words, who knows what’s going to be eligible once the Academy finally gets around to selecting their nominees.  Personally, I wish they hadn’t moved the eligibility window.  It feels like a bunch of studios complained about the having to release all of their big movies via VOD so the Academy said, “Okay, we’ll give you an extra two months.”  With the way things are going, though, it’s totally possible that theaters could still be closed in January and February so joke’s on them.  ENJOY YOUR VOD OSCARS, YA BASTARDS!

Anyway, here are my monthly Oscar predictions.  I did the best I could with what little information is actually out there.  Normally, I would say that the Da 5 Bloods came out too early to be remembered at Oscar time but this is not a typical year.  Despite the best picture victories of 12 Years A Slave and Moonlight, no black director has ever won best director.  If there’s ever a year when the Academy is going to be motivated to rectify that, it will be this year.

Anyway, be sure to check out my equally useless predictions for January, February, March, April, and May!

Best Picture

Ammonite

Da 5 Bloods

The Father

Hillbilly Elegy

News of the World

Nomadland

On The Rocks

Respect

Soul

West Side Story

Best Director

Ron Howard for Hillbilly Elegy

Paul Greengrass for News of the World

Spike Lee for Da 5 Bloods

Steven Spielberg for West Side Story

Chloe Zhao for Nomadland

Best Actor

Benedict Cumberbatch in The Courier

Tom Hanks in News of the World

Sir Anthony Hopkins in The Father

Delroy Lindo in Da 5 Bloods

Bill Murray in On the Rocks

Best Actress

Amy Adams in Hillbilly Elegy

Jennifer Hudson in Respect

Angelina Jolie in Those Who Wish Me Dead

Frances McDormand in Nomadland

Kate Winslet in Ammonite

Best Supporting Actor

David Alvarez in West Side Story

Tom Burke in Mank

Richard E. Grant in Everybody’s Talking About Jamie

Mark Rylance in The Trial of the Chicago 7

Forest Whitaker in Respect

Best Supporting Actress

Abigail Breslin in Stillwater

Glenn Close in Hillbilly Elegy

Ariana DeBose in West Side Story

Saoirse Ronan in Ammonite

Helena Zengel in News of the World

Lisa Marie’s Oscar Predictions For May (For What They’re Worth)


Are we even going to have an Oscar ceremony next year?

Who knows?  I hope we do because I think that it would provide some sort of normalcy.  Even if everyone chooses not to watch it, at least they’ll have that choice.  (People tend to forget how important, psychologically and emotionally, it is for people to have a choice.  All of these cheery “We’re all in it together” commercials don’t mean shit if people are feeling imprisoned.)  Up until this week, I was pretty confident that we would because COVID-19 was in decline and restrictions were being lifted and things seemed like they were heading in the right direction.  (Or, at least, that’s the way it seemed in my part of the world.  I know that some people disagreed with my assessment.)  Now, we’re in the middle of nation-wide rioting and a divisive presidential election so who knows what’s going to happen with the rest of this year.  Will theaters even want to risk reopening before 2021?  Will they be able to?  The Academy has said that streaming films will qualify this year but how many studios want to release all of their big productions VOD?

I’m going to continue to make my monthly Oscar predictions, though.  My reasons are pretty selfish: making them helps to keep me centered.  I’m a compulsive scheduler and keeping that schedule (which is really what I’m doing with these monthly predictions) helps me deal with my ADD.

So, with that in mind, here are my Oscar predictions.  Take them with a grain of salt.  And be sure to check out my previous predictions for January, February, March, and April!

Best Picture

Ammonite

The Father

Hillbilly Elegy

Minari

News of the World

Nomadland

Respect

Soul

The Trial of Chicago 7

West Side Story

Best Director

Paul Greengrass for News of the World

Ron Howard for Hillbilly Elegy

Francis Lee for Ammonite

Steven Spielberg for West Side Story

Chloe Zhao for Nomadland

Best Actor

Matt Damon in Stillwater

Tom Hanks in News of the World

Anthony Hopkins in The Father

Bill Murray in On The Rocks

Gary Oldman in Mank

Best Actress

Jennifer Hudson in Respect

Angelina Jolie in Those Who Wish Me Dead

Sofia Loren in The Life Ahead

Frances McDormand in Nomadland

Kate Winslet in Ammonite

Best Supporting Actor

David Alvarez in West Side Story

Tom Burke in Mank

Delroy Lindo in Da 5 Bloods

Forest Whitaker in Respect

Steven Yeun in Minari

Best Supporting Actress

Abigail Breslin in Stillwater

Glen Close in Hillbilly Elegy

Olivia Colman in The Father

Saoirse Ronan in Ammonite

Helena Zengel in News of the World

That’s it for this month!  Hopefully, next month will bring a bit more clarity.

 

Lisa Marie’s Possibly Pointless and Totally Random Oscar Predictions for April


To do Oscar predictions during a pandemic or not?

That’s the question.

Erik Anderson at Awards Watch announced on twitter that he’s not doing his monthly Oscar predictions for April and May.  (He is, however, focusing on the Emmys so be sure to visit the site and check out his thoughts!)  Over at Clayton Davis’s Awards Circuit, the Oscar predictions have been taken down and replaced by an ominous (though definitely needed) counter of how many people are currently infected with the Coranavirus.  As of right now, there’s a lot of uncertainty.  Are theaters even going to reopen before the year ends and if they do reopen, will people be willing to run the risk of going outside to see a movie?  So many of the big films of 2020 have been moved back to 2021 that one could legitimately wonder whether any of the big “Oscar” films are even going to come out this year. Most ominously, for me, is that we could get hit by a second wave of the Coronavirus.  It’s easy to imagine a situation where theaters reopen in the summer and, regardless of how business goes, are forced to close again in December.

The Academy is aware that the future is uncertain.  Earlier this week, they loosened the eligibility rules.  Films that premiere on VOD or a streaming service are now eligible for Oscar consideration as long as it can been proven that the film would have also gotten a theatrical release if not for the pandemic.  I’m not sure how exactly that could be proven but it does show that the Academy is, as of now, planning to give out some Oscars next February.

(Of course, just because the rules have been temporarily loosened, that doesn’t mean that every studio and director is going to want to put their huge blockbusters out on Prime or Netflix or VOD.  I doubt Spielberg wants to premiere West Side Story in your living room.)

So, for that reason, I’m going to continue to do my monthly Oscar predictions.  Needless to say, these are even more random than usual. The predictions below are also being made on the assumption that theaters will be open in November, December, and January.  Again, there are no guarantees, other than perhaps Netflix.

So, without further ado, here are my predictions.  Also, be sure to check out my predictions from January, February, and March!

Best Picture

Ammonite

The Father

Hillbilly Elegy

Mank

Minari

News of the World

Nomadland

On The Rocks

Respect

West Side Story

Best Director

Sofia Coppola for On The Rocks

Paul Greengrass for News of the World

Ron Howard for Hillbilly Elegy

Francis Lee for Ammonite

Steven Spielberg for West Side Story

Best Actor

Ben Affleck in The Way Back

Tom Hanks in News of the World

Anthony Hopkins in The Father

Bill Murray in On The Rocks

Gary Oldman in Mank

Best Actress

Amy Adams in Hillbilly Elegy

Jennifer Hudson in Respect

Sofia Loren in The Life Ahead

Frances McDormand in Nomadland

Kate Winslet in Ammonite

Best Supporting Actor

David Alvarez in West Side Story

Tom Burke in Mank

Bo Hopkins in Hillybilly Elegy

Forest Whitaker in Respect

Steve Yeun in Minari

Best Supporting Actress

Glen Close in Hillbilly Elegy

Ariana DeBose in West Side Story

Saoirse Ronan in Ammonite

Amanda Seyfried in Mank

Helena Zengel in News of the World

We’ll see what happens.  Right now, your guess is as good as mine.  In fact, your guess is probably better.

Film Review: Alexander (dir by Oliver Stone)


Before I really get into talking about Oliver Stone’s 2004 film, Alexander, I should acknowledge that there’s about four different version of Alexander floating around.

There’s the widely ridiculed theatrical version, which was released in 2004 and which got terrible reviews in the United States, though it was apparently a bit more popular in Europe.  This version of Alexander was a notorious box office bomb and Oliver Stone’s career has never quite recovered from it.  Though Stone’s still making movies, it’s been a while since he’s really been taken as seriously as you might expect a two-time Oscar winner to be taken.  The box office and critical failure of Alexander is a big reason for that.

There’s also the Director’s Cut of Alexander, which is slightly shorter than the version that was released into theaters and which apparently emphasizes the action scenes more than the original film did.  For an Oscar-winning director to release a director’s cut that’s actually shorter than the version that he originally sent into theaters is rare and it shows that the film’s subject matter was one that Stone was still trying to figure out how to deal with.

There is also the “Final Unrated Cut,” which lasts 3 hours and 45 minutes and which Stone described as being the Cecil B. DeMille-version of the story.  At the time the Final Unrated Cut was released in 2007, Stone announced that he had put everything back into the movie and that we were finally able to see the version of the story that he wanted to tell.

However, Stone apparently still left some stuff out because, in 2009, we got the Final Cut, which goes on for 206 minutes and which, once again, apparently includes everything that Stone wanted to put in the original cut of the film.  The Final Cut has actually received some positive reviews from critic who were not impressed by the previous three versions of Alexander.

For the record, I saw the Director’s Cut.  This is the second of the Alexanders, the one that runs 167 minutes.  Some day, I’ll watch the four hour version and I’ll compare the two films.  But for now, I’m reviewing the 167-minute version of Alexander.

Anyway, Alexander is a biopic of Alexander The Great, the Macedonian ruler who took over a good deal of the known world before mysteriously dying at the age of 32.  The film jumps back and forth in time, from an elderly Ptolemy (Anthony Hopkins, going about as overboard as one can go while playing an ancient Greek historian) narrating the story of Alexander’s life to Alexander (Colin Farrell) conquering his enemies to scenes of Alexander’s mother (Angelina Jolie) and one-eyed father (Val Kilmer) shaping Alexander’s outlook on the world.  Along the way, we discover that Alexander was driven to succeed and forever lived in the shadow of his father.  We also discover that he may have been in love with his general, Hephaistion (Jared Leto), even though he married Roxane (Rosario Dawson, who gets to do an elaborate dance).  We also discover that no battle in the ancient world could begin before Alexander gave a long speech and that all of the Macedonians spoke with thick Irish accents.  Stone has said that the Irish accents were meant to signify that the Macedonians were working-class.  Other people say that, because Colin Farrell’s accent was so thick, the rest of the cast had to imitate him so he wouldn’t sound out-of-place.

And here’s the thing — yes, Alexander is a big, messy film that is often incoherent.  Yes, the cast is full of talented actors, every single one of which has been thoroughly miscast.  Yes, it’s next to impossible to keep track of who is fighting who and yes, it’s distracting as Hell that all of the Macedonians have Irish accents and that Angelina Jolie uses an Eastern European accent that’s so thick that it almost becomes a parody of itself.  All of these things are true and yet, I was never bored with the director’s cut.  The sets were huge, the costumes were beautiful, and the cast was eccentric enough to be interesting.  Val Kilmer, Angelina Jolie, and Anthony Hopkins all go overboard, chewing every piece of scenery that they can get their hands on.  Colin Farrell alternates between being determined and being wild-eyed.  Jared Leto allows his piercing stare to do most of his acting.  Even Christopher Plummer shows up, playing Aristole with a North Atlantic accent.  No one appears to be acting in the same film and strangely, it works.  The ancient world was chaotic and the combination of everyone’s different acting styles with Stone’s frantic direction actually manages to capture some of that chaos.

Oliver Stone apparently spent years trying to bring his vision of Alexander’s life to the big screen.  Watching the film, it’s a classic example of a director becoming so obsessed with a story that they ultimately forgot why they wanted to tell it in the first place.  Stone tosses everything he can at the cinematic wall, just to see what will stick.  Is Alexander a tyrant or a misunderstood humanist?  Is he a murderer or a noble warrior?  Is he in love with Hephaistion or has his borderline incestuous relationship with his mother left him incapable of trusting anyone enough to love them?  The film doesn’t seem to know who Alexander actually was but it’s so desperate to try to find an answer among all of the endless battle scenes and lengthy speeches that it becomes undeniably compelling to watch.  If nothing else, Alexander gives us the rare chance to see an Oliver Stone film in which Stone himself doesn’t seem to quite know what point it is that he’s trying to make.

Alexander is a mess but there’s something fascinating about its chaos.  It’s a beautiful wreck and, as with all wrecks, it’s impossible to look away.

Lisa Marie’s Possibly Pointless Oscar Predictions For March


I’ve been going back and forth on whether or not I should even bother to continue my monthly Oscar predictions.  With the current Coronavirus pandemic, it’s not unreasonable to wonder if there will even be an Oscar ceremony next year.  Many completed films have been taken off the schedule so that they can be released at a time when people aren’t scared to leave their house.  Meanwhile, production on several other films — some of them expected to be Oscar contenders — has been suspended.  New films are continuing to premiere on the streaming services but the Academy has always insisted that films also play in a theater if they want to contend for an Oscar.  That’s going to be difficult with the majority of the country’s theaters currently being closed.

Unlike a lot of people, I’m not necessarily apocalyptic or even that pessimistic in my outlook.  I think that, one way or another, we will eventually be able to leave our homes again and that at least some of the movie theaters will reopen.  So, I think that we will be able to have some sort of Oscar ceremony.  For that reason, I’m going to make my predictions for March but, needless to say, take all of these with an even bigger grain of salt than usual.

If you’re curious to see what my Oscar thinking was in the months before the world went crazy, check out my predictions for January and February!

(I’ve tried to take the fact that the Coronavirus led to the suspension of many ongoing productions while making out my list below.  As far as I know, filming wrapped on all of the films listed below before the outbreak.)

Best Picture

Ammonite

Annette

Hillbilly Elegy

The Father

Minari

News of the World

Nomadland

On the Rocks

Tenet

West Side Story

Best Director

Isaac Lee Chung for Minari

Paul Greengrass for News of the World

Christopher Nolan for Tenet

Steven Spielberg for West Side Story

Florian Zeller for The Father

Best Actor

Tom Hanks in News of the World

Anthony Hopkins in The Father

Bill Murray in On the Rocks

Gary Oldman in Mank

Will Smith in King Richard

Best Actress

Amy Adams in Hillbilly Elegy

Clare Dunne in Herself

Jennifer Hudson in Respect

Frances McDormand in Nomadland

Kate Winslet in Ammonite

Best Supporting Actor

Tom Burke in Mank

Richard E. Grant in Everybody’s Talking About Jamie

Mark Rylance in The Trial of the Chicago 7

Forest Whitaker in Respect

Steve Yeun in Minari

Best Supporting Actress

Abigail Breslin in Stillwater

Glenn Close in Hillybilly Elegy

Vera Farmiga in The Many Saints of Newark

Saoirse Ronan in Ammonite

Helena Zengel in News of the World