Film Review: Godzilla vs. Kong (dir by Adam Wingard)


From the minute Godzilla vs. Kong was announced, I’ve been rooting for Godzilla.

I’m probably not alone in this. I mean, let’s just be honest. King Kong seems like he means well and certainly, he’s had to deal with enough dumbass humans that it’s impossible not to feel some sympathy for him. But, in the end, King Kong is just a big monkey whereas Godzilla is an atomic, fire-breathing lizard who only protects Earth because he can’t stand the thought of anyone else destroying it before he gets the chance. King Kong is cool but Godzilla is a freaking badass. (It’s not a coincidence that literally everyone hates the fact that the original, Japanese-produced King Kong vs. Godzilla ended with King Kong winning.) One of my main hopes when it came to Godzilla vs Kong was that Godzilla would be declared the rightful winner of this battle of the Titans.

Obviously, I can’t tell you whether or not my hope came true, not without spoiling the film. (That said, it’s probably debatable just how much you can really spoil a film like Godzilla vs. Kong.) I can tell you that the title of the film is accurate. Kong and Godzilla meet and they fight, a total of three times. Buildings are climbed and destroyed. Radioactive fire is spewed across the Earth. The monkey and the lizard do not team up to conquer climate change. The climatic battle takes place in a city and many people are undoubtedly killed as a result but no one ever mentions anything about any of them so you’re free not to worry about them. Though the film doesn’t quite have the same charm as the sight of two men in rubber monster suits tossing miniature trees at each other, the CGI and the fight scenes are all undeniably well-done. As far as the film’s actual story goes, it’s all pretty dumb and it has none of the subversive bite of director Adam Wingard’s pervious films but Godzilla vs Kong is still undeniably entertaining. Those who have commented that there’s not much subtext to Godzilla vs Kong have a point but that’s actually a huge part of the film’s appeal. After a year of pop culture that was marinated in doom and gloom, there’s something undeniably appealing about a film that says, “Sit back, enjoy, and don’t worry about a thing.”

(I saw one negative review of Godzilla vs Kong that complained that the film didn’t have a strong environmental message, as if the filmmakers should have stopped the action so that Greta Thunberg could show up and shout “How dare you!?” at the two monsters.)

Of the two stars, Kong gets the most screentime, despite the fact that Godzilla is the more interesting of the two monsters. There are also humans in the film, played by recognizable performers like Alexandar Skarsgard, Rebecca Hall, Kyle Chandler, Millie Bobby Brown, Demian Bichir, Julian Dennison, and Brian Tyree Henry. All of the humans have their own reasons for being concerned about Kong’s fight with Godzilla but, to be honest, you really won’t care. Regardless of the talent of the individuals playing them, the human characters really aren’t important and the film is at its weakest when it tries to convince us that they are. This is a film you watch because of the monsters and it works best when it focuses on them.

As I sit here writing this, Godzilla vs Kong is on the verge of leaving HBOMax. However, it’s still playing in theaters, which is the idea way to watch an effects-driven film like this one. It’s the first true blockbuster of the post-pandemic era. Hopefully, it’ll be the first of many.

Here’s The Trailer For Georgetown


Georgetown, which is based on an actual Washington, D.C. murder, is one of those films that’s been out there for a while. Filming was completed in 2019 and it played at the Tribeca Film Festival that year. However, the film’s general release was held up by the both the pandemic and the fact that critics who saw it were fairly indifferent to it. Now, two years later, Georgetown will finally be getting a May 14th release before going to VOD a week later.

The main reason I’m curious about Georgetown is that it both stars and was directed by Christoph Waltz, an actor who sometimes seems to have kind of disappeared despite winning two Oscars and playing a Bond villain. Of course, Waltz hasn’t really disappeared. It’s just been a while since he appeared in a film that really captured the popular imagination. Along with Georgetown, he’ll be appearing in both The French Dispatch and No Time To Die in 2021.

Here’s the trailer for Georgetown, which co-stars Vanessa Redgrave and Annette Bening.

Artwork of the Day: After The Rain (Artist Unknown)


Artist Unknown

After the Rain was first published in 1958. It’s a novel about the aftermath of a 200-year flood. This cover is for a later edition of the novel, which apparently actually takes place in a university lecture hall and has nothing to do with the Statue of Liberty drowning. (The novel was turned into a play in 1966.)

I love this cover so I’m disappointed that I can’t tell you who is responsible for it.

Music Video of the Day: Slow Clap by Gwen Stefani (2021, directd by Matty Peacock)


“Clap clap….”

Gwen Stefani goes back to high school and, let’s be honest, I think she’s the only 50-something out there who could pull this off. I’m guessing that she’s some sort of spirit of eternal youth and freedom in this video which, again, is probably something that only Gwen could have pulled off.

It’s a fun video. We need more fun in the world.

Enjoy!

Awash In “Blooolight”


Ryan C.'s Four Color Apocalypse

Curious items don’t come muchmore curious than this one — an undated, uncredited, eight-page mini that offers a refreshingly feminist, and decidedly succinct, take on popular sci-fi/fantasy tropes without saying a word. Unless you count “psttt —” as a word, that is.

Still, never doubt that there is a cartoonist behind this self-published exercise in kaleidoscopic anonymity — and a damn good one, at that. The name Maya Durham may be far from a household one for the time being, but if Blooolight is a portent of things to come, it’s one we’ll all be familiar in due course, even if it continues to be conspicuous by its absence on the covers of future publications. After all, visionary talent has a way of making itself known one way or another.

That’s the hope, at any rate, which provides me with a clumsy segue opportunity of sorts — this comic…

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Lifetime Film Review: Just What The Doctor Ordered (dir by Jeff Hare)


Dr. Albert Beck is back!

Albert Beck is the character at the center of one of Lifetime’s most successful franchises, the Stalked By My Doctor films. First introduced six years ago in the original Stalked By My Doctor, Albert Beck is a brilliant surgeon who also has a bad habit of growing obsessed with his patients, especially if they’re teenage girls. Dr. Beck tends to fantasize that his patients are in love with him and then he goes out of his way to “protect” them. This usually means kidnapping them and attempting to murder everyone else in their life. Since his first appearance, Dr. Beck has gone from being a world-renowned surgeon to being a fugitive from justice to being a patient in a mental hospital. Just as surely as you can depend on Dr. Beck to fall in love with any teenage girl with a heart murmur, you can also depend on him to always manage to escape confinement. Along the way, Dr. Beck has also developed an alter ego — Laid Back Beck. Laid Back Beck wears Hawaiian shirts, sips tropical drinks, and is always taunting Dr. Beck about his lack of success when it comes to finding love. Of course, only Dr. Beck can see and hear Laid Back Beck.

Laid Back Beck

Of course, what truly sets Dr. Beck apart from other Lifetime obsessive stalker-types is that he’s played by Eric Roberts. In fact, Eric Roberts has become, late in his career, quite a popular figure with Lifetime movie fans, largely due to his performances as Dr. Beck and his appearances in a number of other Lifetime films. (Most of those non-Dr. Beck appearances have only been cameos but still, any film with Eric Roberts is going to be better than a film without Eric Roberts.) From the very first film, Roberts has been wonderfully over-the-top as Dr. Beck, playing him with just the right combination of mad sincerity, overwhelming self-pity, and self-awareness. Everything about Roberts’s performance, from his nervous smile to the rushed way he starts to speak whenever he meets someone who he feels need to be protected, comes together to make Dr. Beck into one of the most memorable and dangerous villains to ever appear in a Lifetime film. And yet, because he is so painfully needy and so convinced that he’s doing the right thing, it’s hard not to occasionally feel a little bit of sympathy for Dr. Beck. He may be a murderer but, in his mind, he’s only trying to fix a broken heart. Several broken hearts, as a matter of fact!

Just What The Doctor Ordered, the fifth film to feature the good doctor, finds Beck escaping from yet another mental institution. This time, he hides out in what he thinks is an abandoned house. However, it turns out that the house has recently been bought by Maggie Newell (Carrie Schroeder) and soon, Dr. Beck has fallen in love with Maggie’s teenage daughter, Alexa (Grace Patterson). And wouldn’t you know it — Alexa needs a heart transplant! Soon, Dr. Beck is disguising himself as a nurse and taking a very active interest in tracking down the perfect heart donor for Alexa.

And, you know what? It’s fun. Yes, you’ll be able to guess what’s going to happen but, as I’ve said before, that’s actually one of the fun things about watching a Lifetime film. As with the previous Stalked By My Doctor films, the main attraction here is Eric Roberts, chewing up the scenery and having violent fantasies about killing Alexa’s boyfriend while Alexa sweetly smiles and thanks him for protecting her. His search for a proper heart donor takes him to some unexpected places, particularly when he meets a police detective who appears to use her handcuffs for more than just arresting perps. Dr. Beck has been through a lot and he spends a good deal of Just What The Doctor Ordered looking a bit worse for wear. (Setting fire to a mental institution and then hiding in an attic for several weeks will do that to you.) But still, Eric Roberts’s unique charisma shines through. By the end of the film, you’ll eagerly be waiting to see what future adventures Albert Beck and his laid back alter ego have ahead of them!

Artwork of the Day: True Confessions (by Zoe Mozert)


by Zoe Mozert

If you were the town’s bad girl, good for you. You have nothing to apologize for and nothing to confess. Being a “bad girl” is not a crime, no matter what the haters in your town might say. I like this cover’s contrast between the worried former bad girl and her naïve boyfriend, who is probably about to hear “the most shocking” story of his life.

This cover was done by Zoe Mozert, one of the women to make a living as a pin-up and glamour artist during the pulp era.

Music Video of the Day: The Darkness That You Fear by The Chemical Brothers (2021, dir by RUFFMERCY)


Any time that we have a new music video from The Chemical Brothers is a time to celebrate. From the video’s YouTube description, here’s what Tom Rowlands has to say about the song: “The Darkness That You Fear is a hopeful piece of music. When we found the combination of the different voices worked set to the flow of the music it made us feel optimistic, like it was something we wanted to share.”

And here’s what director Ruffmercy had to say about the song (also taken from the video’s YouTube description): ““When I first heard the song I immediately connected with the theme and the overall positive vibe. New government rules for relaxing lockdown had been announced and combined with the sun shining, it left me feeling positive about the forthcoming summer. It also triggered a strong sense of nostalgia that led to me going back to look for visual inspiration from the period in time when I first discovered The Chemical Brothers in the mid ’90’s. The video combines archive rave footage from the mid to late 90’s with hand painted Super 8 film textures and hand drawn animation. I love using colour to create chaos and evoke emotions and this was the perfect project to do that.”

What’s left to say other than: “Enjoy!”