6 Horror Performances That Deserved An Oscar Nomination


Despite making some inroads as of late, horror films still never quite get the respect that they deserve when it comes Oscar time.  That’s especially true of the performers who regularly appear in horror films.  If it’s rare for a horror movie to receive a best picture nomination, it’s even rarer for someone to get nominated for appearing in one of them.

And yet, it takes as much skill to make a monster compelling as it does a historical figure or a literary character.  In fact, it may take even more skill.  After all, everyone knows that Queen Elizabeth I actually ruled over England and that Atticus Finch was an attorney in the South.  However, everyone also knows that there’s no such things as vampires and that the dead cannot be reanimated or raised as a zombie.  It takes a lot of skill to make a monster seem human.

With that in mind, here are 6 horror performances that deserved, at the very least, an Oscar nomination:

1. Boris Karloff as The Monster in Frankenstein (1931) and The Bride of Frankenstein(1935)

The great Boris Karloff is perhaps the most egregious example of a deserving actor who was consistently ignored by the Academy because of the type of films in which he appeared.  In the role of Monster, Karloff was never less than brilliant and he set the standard by which all future monsters are judged.

Dracula (1931, directed by Tod Browning)

2. Bela Lugosi in Dracula (1931)

When viewed today, it’s perhaps a little bit too easy to be dismissive of Lugosi’s grandly theatrical interpretation of Dracula.  But, if you can ignore all of the bad imitations that you’ve seen and heard over the years, you’ll discover that Lugosi’s performance is perfect for the film in which he’s appearing.  Indeed, Lugosi’s best moments are the silent ones, when he goes from being a courtly (if vaguely sinister) nobleman to a hungry animal.  In those moments, you see why Lugosi’s performance endures.

3. Anthony Perkins as Norman Bates in Psycho (1960)

Ah, poor Anthony Perkins.  Before he played Norman Bates, he was considered to be something an up-and-coming star and even something of a neurotic romantic lead.  As with Lugosi’s Dracula, we’ve seen so many bad imitations of Perkins’s performance that it’s easy to overlook just how good he is in the role.  He was so perfect as Norman that spent the rest of his career typecast.  And, sadly enough, he didn’t even get a much-deserved Oscar nomination out of it.

4. Christopher Lee as Lord Summerisle in The Wicker Man (1973)

Christopher Lee was one of the great actors and, though he may be best remembered for his horror work, he actually appeared in almost every genre of film imaginable.  Lee was often dismissive of the Dracula films that he made for Hammer so, as much as I’d love to argue that he deserved a nomination for The Horror of Dracula, I’m instead going to suggest that Lee deserved one for the role that he often cited as his favorite, the pagan Lord Summerisle in The Wicker Man.  Lee brings the perfect mix of wit and menace to the role and, in the process, shows that not all monsters have to be undead.

5. Donald Pleasence as Dr. Sam Loomis in Halloween (1978) and Halloween II (1981)

Much as with Lugosi and Anthony Perkins, it’s important (and perhaps a little bit difficult) to separate Pleasence’s performances in these two slasher films with all of the imitations that have followed.  In both films, Pleasence does a great job of playing a man who has been driven to the verge of madness as a result of having spent too much time in the presence of evil.  As potentially dangerous as Sam Loomis sometimes appears to be, there’s no way not to sympathize with him as he continually tries to get people to understand that he wasn’t the one who left Michael escape.  If nothing else, Pleasence deserved a nomination just for his delivery of the line, “As a matter of fact, it was.”

6. Betsy Palmer as Pamela Voorhees in Friday the 13th (1980)

“I’m an old friend of the Christys.”  AGCK!  RUN!

Lisa Marie’s Oscar Predictions for October


Well, the Oscar season is finally here and it looks like the competition is going to be fierce!  It seems like every day, a new contender is being crowned at yet another festival.  Below, you’ll find my predictions for October but, honestly, it’s still difficult to narrow down all of the possible contenders to just 10 films, 5 directors, and 20 actors.

But let’s give it a shot, anyways!

To see how my thinking has (or has not) evolved, be sure to check out my predictions for January, February, March, April, May, June, July, August, and September!

Best Picture

1917

Bombshell

The Irishman

JoJo Rabbit

Little Women

Marriage Story

Once Upon A Time In Hollywood

Parasite

The Two Popes

Waves

Best Director

Noah Baumbach for Marriage Story

Bong Joon-ho for Parasite

Sam Mendes for 1917

Martin Scorsese for The Irishman

Quentin Tarantino for Once Upon A Time In Hollywood

Best Actor

Antonio Banderas in Pain & Glory

Leonardo DiCaprio in Once Upon A Time In Hollywood

Taron Egerton in Rocketman

Eddie Murphy in Dolemite Is My Name

Joaquin Phoenix in Joker

Best Actress

Scarlett Johansson in Marriage Story

Saoirse Ronan in Little Women

Charlize Theron In Bombshell

Alfre Woodard in Clemency

Renee Zellweger in Judy

Best Supporting Actor

Sterling K. Brown in Waves

Jamie Foxx in Just Mercy

Anthony Hopkins in The Two Popes

Al Pacino in The Irishman

Brad Pitt in Once Upon A Time In Hollywood

Best Supporting Actress

Laura Dern in Little Women

Jennifer Lopez in Hustlers

Thomasin McKenzie in JoJo Rabbit

Margot Robbie in Bombshell

Zhao Shuzhen in The Farewell

 

Lisa Reviews An Oscar Nominee: Deliverance (dir by John Boorman)


1973’s The Exorcist is often cited as the first horror film to ever be nominated for best picture and technically, I guess that’s correct.  It was definitely the first best picture nominee to ever deal with a battle between humans and a malevolent supernatural force and no one can deny that The Exorcist has influenced a countless number of horror films.

That said, I think you could make the argument that Deliverance, which was nominated for best picture the year before The Exorcist, was in its own way, a horror film.  Certainly, every crazed hick slasher film that has come out since 1972 owes a debt to Deliverance.  Deliverance‘s ending has been imitated by so many other horror films that it’s become a bit of cliche.  Though there might not be any supernatural creatures in Deliverance, the film still features its own set of horrifying monsters.  The toothless redneck rapists (played by character actor Bill McKinney and rodeo performer Herbert “Cowboy” Coward) seem as if they’ve jumped straight out of a nightmare and into the movie.  Of course, they aren’t the only monsters in this film.  There’s also the (fictional) Cahulawassee River, which is due to be dammed up and seems to be determined to take out its anger on anyone foolish enough to try to navigate it.

Much as with The Texas Chainsaw Massacre (which came out just two years after Deliverance), the main theme here seem to be that you should be careful about going off the main road.  Just as the unfortunate hippies and college students in Texas Chainsaw Massacre proved to be no match for a clan of backwoods cannibal, the four middle-aged men at the center of Deliverance discover that they’re no match for either nature or its inhabitants.  At the start of the film, we watch as three of the men deal with the locals in a condescending and rather smirky manner.  Only one of them actually tries to be nice to the locals, engaging in a banjo duel with a young boy who clearly loves his banjo but who still refuses to smile or shake hands.  The boy knows what the men are getting themselves into them.  The boy knows what awaits them.

If you grew up in the South, as I did, you’ll recognize all four of the men.  It’s not just that they’re played by recognizable actors.  It’s that each one of them is a common archetype of the type of men you find down here.

For instance, there’s Lewis (Burt Reynolds), the self-styled alpha male with his leather vest and his bow-and-arrow and his constant talk about how society is eventually going to collapse and only the strong are going to survive.  You know that Lewis is full of it from the minute you see him but he’s so charismatic that you can also understand why the other three men have fallen under his control.

And then there’s Bobby (Ned Beatty).  Bobby is quick to laugh and quick to talk and quick to make a bad joke.  When he says that he’s a salesman, you’re not surprised.  From the start of the film, Lewis complains that Bobby isn’t strong enough or serious enough and, when the mountain men attack, Bobby is the one they target.  And yet, towards the end of the film, Bobby is the one who sells the hastily concocted story about what happened on the river.

Drew (Ronny Cox) is the nicest of the men.  With his glasses and his guitar and his rather touching belief that everything will be okay if everyone just tells the truth, Drew’s the prototype of the Southern liberal.  One can imagine him teaching in a community college and vainly trying to convince his relatives that segregation and nostalgia for the Confederacy is holding the South back.

And finally, there’s Ed (Jon Voight).  Ed smokes a pipe and it’s obvious that he’s someone who has a very secure life.  Ed is the one who is everyone’s friend.  He’s the one who sticks up for Bobby.  He’s the one who reminds Drew to wear his life jacket.  He’s the only one who can get away with (gently) mocking Lewis.  Ed seems like a nice guy but, at the start of the film, there’s a strange emptiness to Ed.  You get the feeling that the reason Ed is friends with everyone is because he doesn’t have any firm beliefs.  Instead, he just adapts to each situation and says whatever everyone wants to hear.  You can’t help but wonder what Ed believes.  By the end of the movie, of course, both Ed and the viewer have learned what Ed is capable of doing.

Cox, Voight, and especially poor Ned Beatty are all perfectly cast in their roles.  Burt Reynolds reportedly felt that this film was his best performance and he was probably right.  Director John Boorman captures both the beauty and the menace of nature, leaving you both in awe of the the river and fearful of what it can do those foolish enough to try to conquer it.  Interestingly enough, while Boorman was directing Deliverance, he was offered The Exorcist.  He turned it down, feeling that the script was too exploitive of the possessed child.  Boorman would, however, direct The Exorcist II: The Heretic (co-starring Deliverance‘s Ned Beatty).

(At the same time, Jon Voight was offered the role of Father Karras in The Exorcist but, like Boorman, turned the film down so he could work on Deliverance.)

While the film is best known for its sequences on the river, one should not overlook the haunting scenes of the survivors once they make their way back to civilization.  After having spent the previous 80 minutes or so presenting everyone in the backwoods as a threat, the final third of Deliverance actually emphasizes the decency of the townspeople.  When one of the men breaks down and starts to cry in the middle of dinner, everyone is quietly respectful of his emotions.  Towards the end of the film, as the survivors are driven out of town, they find themselves stuck behind the old country church, which is being moved upriver.  “Just got to wait for the church to get out of the way,” their driver says while the church’s bell mournfully rings for both the death of the town and the death of innocence.

(Of course, even with all the kind townspeople around, there’s still a somewhat menacing sheriff.  It’s just not a Southern film without a scary sheriff, is it?  “Don’t you boys ever do nothing like this again,” he says at one point.  The sheriff is played by James Dickey, the author of both the novel and the screenplay on which the film is based.)

Deliverance was nominated for three academy awards.  In the directing and the editing categories, it lost to Cabaret.  For best picture, it lost to The Godfather.  Deliverance, The Godfather, and Cabaret, all competing against each other?  1972 was a very good year.

Lisa’s Oscar Predictions For September


With the help of the festivals, the Oscar picture became a bit clearer this month.  Perhaps the biggest news is that the initial response to Harriet, which many people expected to be this year’s front runner, was decidedly lukewarm.  The other big news?  The Irishman, according to those who have seen it, may be Scorsese’s best yet.

Below, you’ll find my Oscar predictions for September.  If you want to see how my thinking has evolved over the course of this year, be sure to check out my predictions for January, February, March, April, May, June, July, and August!

Now, admittedly, there’s still an element of wishful thinking in some of the predictions below.  For instance, it would be an interesting narrative development if Adam Sandler and Eddie Murphy were both nominated for best actor.  That doesn’t mean that it’s going to happen but both of them have received a lot of early acclaim for their yet-to-be released films this year.  They’re contenders, even if their reputations may make them long shots.  What’s the point of making predictions if you can’t have a little fun?

Joker is going to get big Oscar punch.  I do think it’s going to probably be a bit too controversial to pick up a Best Picture nomination but I’m still going to go ahead and put down Joaquin Phoenix as a best actor nominee.

Bombshell is the new title of Jay Roach’s Fox News film.  To me, it doesn’t sound like it’s going to be that good and, quite frankly, Jay Roach’s films usually prove that just being obsessed with politics doesn’t necessarily mean that you have anything interesting to say about the topic.  That said, if Vice (a film that even leftist film critics criticized as being heavy handed and cartoonish) could pick up a best picture nomination last year, then I’m going to assume Bombshell could do the same.  With both the presidential election and possible impeachment trial looming, it’s reasonable assume that certain Academy members will be even more obsessed with politics than usual.

Meryl Streep for The Laundromat?  Why not?  They’ll nominate Meryl for anything, regardless of how bad the movie is.

Here are the predictions for this month!

Best Picture

1917

Bombshell

The Farewell

A Hidden Life

The Irishman

JoJo Rabbit

Marriage Story

Once Upon A Time In Hollywood

Parasite

Waves

Best Director

Bong Joon-ho for Parasite

Terrence Malick for A Hidden Life

Martin Scorsese for The Irishman

Quentin Tarantino for Once Upon A Time In Hollywood

Taika Waititi for JoJo Rabbit

Best Actor

Antonio Banderas in Pain & Glory

Leonardo DiCaprio in Once Upon A Time In Hollywood

Eddie Murphy in Dolemite Is My Name

Joaquin Phoenix in Joker

Adam Sandler in Uncut Gems

Best Actress

Cynthia Erivo in Harriet

Scarlett Johansson in Marriage Story

Charlize Theron in Bombshell

Alfre Woodard in Clemency

Renee Zellweger in Judy

Best Supporting Actor

Sterling K. Brown in Waves

Jamie Foxx in Just Mercy

Anthony Hopkins in The Two Popes

Al Pacino in The Irishman

Brad Pitt in Once Upon A Time In Hollywood

Best Supporting Actress

Annette Bening in The Report

Scarlett Johansson in JoJo Rabbit

Jennifer Lopez in Hustlers

Zhao Shuzhen in The Farewell

Meryl Streep in The Laundromat

Lisa’s Early Oscar Nominations for August


It’s the time of the month again!

It’s time for me to share my early Oscar predictions!  With the Telluride and Venice Film Festivals currently underway, the Oscar picture does seem to be a little bit less murky.  But then again, we should remember that appearances can be deceiving.  Last year, at this time, most people were still expecting a First Man vs. Beale Street vs. A Star is Born Oscar race.

These predictions below take into account the reports that have been coming back from Telluride and Venice.  If you want to see how my thinking has evolved over the year, be sure to check out my predictions from January, February, March, April, May, June, and July!

And now, for what their worth, here are my predictions for August:

Best Picture

1917

A Beautiful Day In The Neighborhood

The Farewell

Ford v Ferrari

Harriet

A Hidden Life

The Irishman

Little Women

Once Upon A Time In Hollywood

Waves

Best Director

Kasi Lemmons for Harriet

Terrence Malick for A HIdden Life

Sam Mendes for 1917

Trey Edward Shults for Waves

Martin Scorsese for The Irishman

Best Actor

Antonio Banderas in Pain & Glory

Leonardo DiCaprio in Once Upon A Time In Hollywood

Eddie Murphy in Dolemite is My Name

Joaquin Phoenix in Joker

Adam Sandler in Uncut Gems

Best Actress

Awkwafina in The Farewell

Cynthia Erivo in Harriet

Saoirse Ronan in Little Women

Alfre Woodard in Clemency

Renee Zellweger in Judy

Best Supporting Actor

Sterling K. Brown in Waves

Willem DaFoe in The Lighthouse

Anthony Hopkins in The Two Popes

John Lithgow in Bombshell

Brad Pitt in Once Upon A Time In Hollywood

Best Supporting Actress

Penelope Cruz in Pain & Glory

Scarlett Johansson in Jojo Rabbit

Nicole Kidman in The Goldfinch

Margot Robbie in Once Upon A Time In Hollywood

Zao Shuzhen in The Farewell

Lisa’s Early Oscar Predictions For July


It’s that time of the month, again!

(No, not that time!)

It’s time for me to present my predictions for who and what will be nominated for the Academy Awards next January!  Now that we’re nearly done with the summer, the Oscar picture is becoming a bit more clear.  For instance, I do think that Once Upon A Time In Hollywood is going to be a player, if just because it’s about actors and the Actors Branch is the biggest voting bloc in the Academy.  (How do you think Birdman and Argo managed to win?)  And the trailer for The Irishman makes it look like the type of Scorsese film that often gets nominated.

Still, it’s too early to say anything for sure.  Last year, for instance, Green Book didn’t really become a player until fairly late in the season.  In fact, at this time last year, everyone still thought A Star Is Born was going to win everything.

So, with all that in mind, here are my predictions for July.  Be sure to also check out my predictions for January, February, March, April, May, and June!

Best Picture

1917

The Aeronauts

A Beautiful Day In The Neighborhood

Fair and Balanced

Harriet

The Irishman

JoJo Rabbit

Once Upon A Time In Hollywood

Pain & Glory

The Peanut Butter Falcon

Best Director

Pedro Almodovar for Pain & Glory

Kasi Lemmons for Harriet

Sam Mendes for 1917

Martin Scorsese for The Irishman

Quentin Tarantino for Once Upon A Time In Hollywood

Best Actor

Antonio Banderas in Pain & Glory

Leonardo DiCaprio in Once Upon A Time In Hollywood

Tom Hanks in A Beautiful Day In The Neighborhood

John Lithgow in Fair and Balanced

Eddie Murphy in Dolemite is My Name

Best Actress

Cate Blanchett in Where’d You Go Bernadette?

Cynthia Erivo in Harriet

Saoirse Ronan in Little Women

Alfre Woodard in Clemency

Rene Zellweger in Judy

Best Supporting Actor

Shia LaBeouf in The Peanut Butter Falcon

Malcolm McDowell in Fair and Balanced

Brad Pitt in Once Upon A Time In Hollywood

Jonathan Pryce in The Two Popes

Taika Waititi in JoJo Rabbit

Best Supporting Actress

Scarlett Johansson in JoJo Rabbit

Nicole Kidman in The Goldfinch

Janelle Monae in Harriet

Margot Robbie in Once Upon A Time In Hollywood

Meryl Streep in Little Women

4 Shots From 4 Inaugural Oscar Winners: Wings, Sunrise, The Last Command, Seventh Heaven


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is the 90th anniversary of the very first Academy Awards ceremony!

On May 16th, 1929, a private dinner was held at the Hollywood Roosevelt Hotel in Los Angeles, California.  The dinner was largely meant to celebrate the establishment of the Academy of Motion Picture Arts and Sciences.  The brainchild of Louis B. Mayer, the AMPAS was founded to help mediate labor disputes between the studios and the unions.  As almost an afterthought, it was decided that AMPAS would also give out annual awards to honor the best films of the year.

12 awards were handed out on May 16th, before an audience of 270 people.  The entire awards ceremony took 15 minutes.  That’s quite a contrast to what the Academy eventually became.

In honor of that 15-minute ceremony, here’s….

4 Shots From 4 Films Honored At The Very First Oscar Ceremony

Wings (1927, dir by William Wellman) Won The Outstanding Production Awards

Sunrise (1927, dir by F.W. Murnau) Won Best Unique and Artistic Picture

The Last Command (1928, dir by Josef von Sternberg) Won Best Actor — Emil Jannings

Seventh Heaven (1927, dir by Frank Borzage) Winner Best Actress — Janet Gaynor

Along with her performance in Seventh Heaven, Janet Gaynor was also honored for her work in Street Angel and Sunrise.  Emil Jannings was honored for his work in both The Last Command and The Way of all Flesh,

Here’s what else won at the inaugural Oscar ceremony:

Best Direction, Comedy Picture — Lewis Milestone for Two Arabian Knights

Best Direction, Drama Picture — Frank Borzage for Seventh Heaven

Best Original Story — Ben Hecht for Underworld

Best Adaptation — Benjamin Glazer for Seventh Heaven, based on the play by Austin Strong

Best Art Direction — William Cameron Menzies for The Dove and Tempest

Best Cinematography — Charles Rosher and Karl Struss for Sunrise

Best Engineering Effects — Roy Pomeroy for Wings

Best Title Writing — Joseph Farnham for Fair Co-Ed; Laugh, Clown, Laugh; and Telling the World.