The Sleeper Awakens with the new Dune Trailer


Just about everyone’s waiting for Denis Villeneuve’s remake of Frank Herbert’s Dune. Having grown up on the David Lynch version (and making my way through the novel), it has some big shoes to fill. Thankfully, what we’ve seen of it so far seems interesting. Villeneuve should have an easy time with the source material, though the movie has had its share of reshoots and dealing with the pandemic. We’ll see how it goes.

We finally have a trailer and some Wormsign!!. I’m liking the look of it. Chalamet’s Paul Atreides has some attitude to him, and I’m curious to see what Stellan Skarsgard does with the Baron Harkonnen.

Enjoy.

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Lisa’s Way, Way, Way, Way, Way, Way, Way Too Early Oscar Predictions For February


It’s a fool’s errand to try to predict next year’s Oscars nominees this early but we’re all about taking risks here at the Shattered Lens.  So, with that in mind, here is my latest set of monthly predictions.

If you look over these names, you’ll see a lot of familiar ones.  That’s because it’s early in the year and familiarity is really the only thing that a lot of these unreleased films have going for them.  Some of the films mentioned below were hits at Sundance.  From what I’ve read, I really do think Minari could be a contender because, along with being loved by critics, it sounds like it’s very much of the current cultural moment.

But the important thing to remember is that, last year at this time, no one expected Joker to become the film of the year.  No one had even heard of Parasite.  Most people were still predicting the Oscars would be dominated by Harriet.  So, my point is — take this stuff with several grains of salt.

To be honest, I think a lot depends on how the presidential election goes.  If Trump is reelected, I think you’ll see the Academy voting for angry, political films, if just as a way to get back at Trump and the people who voted for him.  (Think about the otherwise baffling love that was previously shown to a movie like Vice.)  The Trial of the Chicago 7 sounds incredibly tedious to me but I could imagine people voting for it and thinking to themselves, “This is so going to piss off the Republicans.”  If Trump is defeated, I imagine the Academy will be a bit more upbeat in their selections.

If you want to see how my thinking has evolved, check out my predictions for January here!    (It’s only been a month so my thinking hasn’t really evolved at all.  Still, we could always use the clicks.)

Best Picture

Dune

Happiest Season

Hillybilly Elegy

Ironbark

Minari

News of the World

Respect

Stillwater

The Trial of the Chicago 7

West Side Story

Best Director

Isaac Lee Chung for Minari

Paul Greengrass for News of the World

Ron Howard for Hillybilly Elegy

Steven Spielberg for West Side Story

Denis Villeneuve for Dune

Best Actor

Benedict Cumberbatch in Ironbark

Matt Damon in Stillwater

Tom Hanks in News of the World

Anthony Hopkins in The Father

Will Smith in King Richard

Best Actress

Amy Adams in Hillbilly Elegy

Olivia Colman in The Father

Clare Dunne in Herself

Jennifer Hudson in Respect

Angelina Jolie in Those Who Wish Me Dead

Best Supporting Actor

Bo Hopkins in Hillbilly Elegy

Merab Ninidze in Ironbark

Mark Rylance in The Trial of the Chicago 7

Forest Whitaker in Respect

Steven Yeun in Minari

Best Supporting Actress

Abigail Breslin in Stillwater

Glenn Close in Hillybilly Elegy

Vera Farmiga in The Many Saints of Newark

Mary Steenburgen in Happiest Season

Helena Zengel in News of the World

Lisa’s Way, Way, Way, Way, Way, Way, Way Too Early Oscar Predictions for January


It’s a new year and that means that it’s once again time for me to do something spectacularly stupid.

Below, you’ll find a list of Oscar predictions.  However, this is not a list of what I think will be nominated on January 13th.  No, instead, these are my predictions for the upcoming year.  This the first installment of my monthly predictions for which 2020 films will be nominated next year at this time.

Just in case it’s not already obvious how foolish this is, consider the following: Last year, at this time, no one had heard of Parasite.  Maybe a handful of people knew that Noah Baumbach’s next film was going to be called Marriage Story.  There were vague rumors about 1917 and there were still serious doubts as to whether Scorsese would ever finish putting together The Irishman.  In short, trying to predict the Oscars 12 months out is impossible.

Needless to say, I haven’t seen a single one of these films listed below so I can’t tell you one way or the other whether or not they’re going to set the world on fire.  Instead, what is listed below is a combination of random guesses and my own gut feelings.  You’ll notice that there are a lot of big names listed, Spielberg, Anthony Hopkins, Ron Howard, and Glenn Close.  Yes, all of them could very well be Oscar contenders.  At the same time, they’re all also a known quantity.  They’ve all got a good track record with the Academy and, as of right now, that’s all that I have to go on.

You may also notice that I’ve listed several films that will, in just a few weeks, be playing at the Sundance Film Festival.  Again, it’s not that I know anything about these films that the rest of the world doesn’t.  Instead, it’s simply a case of I looked at the list of Sundance films, I read the plots, and a few times I said, “That sounds like it could potentially be a contender.”  After all, it seems like at least one nominee comes out of Sundance every year.  Why shouldn’t it happen again?

My point is that you shouldn’t take these predictions too seriously.  Some of the films and performers below may be nominated.  Some definitely will not be.  But, next year, we will at least be able to look back at this list and have a laugh!

So, without further ado, here are my Oscar predictions for January!

Best Picture

Dune

Hillbilly Elegy

The Many Saints of Newark

Minari

News of the World

Respect

Tenet

The Personal History of David Copperfield

The Trial of the Chicago 7

West Side Story

Best Director

Paul Greengrass for News of the World

Ron Howard for Hillbilly Elegy

Christopher Nolan for Tenet

Steven Spielberg for West Side Story

Denis Villeneuve for Dune

Best Actor

Bradley Cooper in Bernstein

Tom Hanks in News of the World

Lance Henriksen in Falling

Anthony Hopkins in The Father

Michael Keaton in Worth

Best Actress

Amy Adams in Hillbilly Elegy

Glenn Close in Four Good Days

Jennifer Hudson in Respect

Elisabeth Moss in Shirley

Amy Ryan in Lost Girls

Best Supporting Actor

Willem DaFoe in The Last Thing He Wanted

Richard E. Grant in Everybody’s Talking About Jamie

Mark Rylance in The Trial of the Chicago 7

Forest Whitaker in Respect

Steven Yeun in Minari

Best Supporting Actress

Glenn Close in Hillbilly Elegy

Vera Farmiga in The Many Saints of Newark

Tilda Swinton in The Personal Life of David Copperfield

Marisa Tomei in The King of Staten Island

Helena Zengel in News of the World

Film Review: Jodorowsky’s Dune (dir by Frank Pavich)


Jodorowsky's_Dune_poster

I have to admit that I’m always a little bit cynical whenever I hear various film fans bemoaning films that were never made.  These are the films that were nearly made but ended up being abandoned because the production company ran out of money or maybe a lead actor died or maybe the studio refused to release it or else they released it in a heavily edited form.  There’s a certain tendency among hipsters to decide that any movie that they will never be able to see would automatically have been the greatest film ever.  It’s rare that anyone ever suggests that maybe it’s for the best that Stanley Kubrick never made his version of Napoleon or that maybe Ridley Scott’s version of I Am Legend would have been just as bad as the version that starred Will Smith or even that the footage that we have of Orson Welles’s unfinished The Other Side of The Wind doesn’t look that impressive.

In fact, some day, I want to see a documentary about an abandoned film where everyone says, “Oh my God, I’m glad that movie never got made.  It would have sucked!”

However, that documentary is never going to be made.  The great thing about praising a film that was never made was that you don’t have to worry about anyone watching the film and then going, “You have no idea what you’re talking about!”

For instance, I recently watched an excellent documentary called Jodorowsky’s Dune.  This film tells the story of how the iconoclastic director Alejandro Jodorowsky attempted to make a film out of the science fiction novel Dune in the mid-70s.  During the documentary, Jodorowsky explains that his version of the story would, in many ways, be different from the book.  Since I’ve never read the book nor have I seen any of the various adaptations that actually were eventually produced, I can’t say whether Jodorowsky’s changes would have been an improvement.  For that matter, I can’t say whether or not Jodorowsky’s film would have been great or if it would have been a legendary misfire.  I’ve seen El Topo and The Holy Mountain so I’m pretty sure that his version of Dune would have been uniquely his own.  But there’s no way for me — or anyone else for that matter — to say whether or not the film would have been any good because, after assembling an intriguing cast (Orson Welles, Mick Jagger, Salvador Dali, and David Carradine) and recruiting several talented artists and technicians (H.R. Giger, Dan O’Bannon, Chris Foss, and Moebius), Jodorowsky was never able to make his film. The Hollywood studios took one look at Jodorowsky’s vision and said, “There’s no way were paying for that.”

However, the documentary goes on to make a very intriguing argument that Jodorowsky’s Dune may be the most influential film never made.  Many of the people who collaborated with Jodorowsky would go on to work on other science fiction films and, when they did, they brought with them many of the ideas and concepts that were originally developed for Dune.  The documentary not only suggests that this might be true but also offers up some pretty compelling evidence, showing us how everything from Raiders of the Lost Ark to Prometheus has featured scenes that originally appeared in Jodorowsky’s Dune storyboards.

I may not be totally convinced that Jodorowsky’s Dune would have been the greatest film ever made but I love this documentary.  The majority of it is spent just listening as Jodorowsky, alternating between English and Spanish, tells us the story of what he hoped to do with Dune and how, ultimately, he could not do it.  Jordorowsky’s love of film and art is obvious with each word that he says.  Whether he’s talking about meeting Salvador Dali or passionately advocating for creativity and imagination, Alejandro Jodorowsky is never less than charming and inspiring.

If you love movies, you’ll love Jodorowsky’s Dune.  If you don’t love movies, Jodorowsky’s Dune will change your mind.