Hi, everyone! Tonight, on Mastodon, I will be hosting the #TubiThursday watch party! Join us for Logan’s Run (1976)!
You can find the movie on Tubi and you can join us on Mastodon at 9 pm central time! (That’s 10 pm for you folks on the East Coast.) We will be using #TubiThursday hashtag! See you then!
For the latest “Song of the Day,” Southern Man is one of those Neil Young songs that lands like a blunt, uncomfortable truth-telling moment. It’s not a feel-good Southern rock anthem or a nostalgic postcard; it’s a pointed protest song aimed at racism and the legacy of oppression in the American South. What makes it hit so hard is that Young doesn’t soften the message much. He comes across like a songwriter who’s less interested in being liked and more interested in saying something that needed to be said.
Musically, the song has that raw Neil Young edge that fans love: restrained at first, then emotionally rougher as it builds. His guitar work is a huge part of why the song sticks in your head. The solo kicks in around , and rather than being polished or technically showy, it feels almost off-the-cuff—like a burst of emotion caught in real time. There’s a looseness to it, closer to jazz improvisation than to rock precision, and that gives the solo a spontaneous, restless energy that mirrors the song’s anger and urgency.
The track also became a major flashpoint with Lynyrd Skynyrd. They took issue with how Young seemed to generalize the South, and that tension helped inspire Sweet Home Alabama, which famously pushes back at Young’s criticism. It’s one of rock’s most iconic call-and-response moments: one artist sending out a challenge, another answering with proud defiance. Despite the seemingly heated exchange, both parties had mutual respect—and the dialogue between their songs ended up fueling one of the most fascinating cultural conversations in rock.
What makes Southern Man resonate now is how its spirit of confrontation still feels fresh. Over fifty years later, its themes of racial injustice and accountability hit even harder against the backdrop of today’s social and political climate. The song sounds less like a relic of its time and more like a warning that we’re still living through the same struggles Young was shouting about. In that sense, Southern Man hasn’t just aged well—it’s become more relevant than it’s been in the last quarter-century.
Southern Man
Southern man, better keep your head
Don’t forget what your good book said
Southern change gonna come at last
Now your crosses are burning fast
Southern man
I saw cotton and I saw black
Tall white mansions and little shacks
Southern man, when will you pay them back?
I heard screaming and bullwhips cracking
How long? How long?
[guitar solo @2:56]
Southern man, better keep your head
Don’t forget what your good book said
Southern change gonna come at last
Now your crosses are burning fast
Southern man
Lily Belle, your hair is golden brown
I’ve seen your black man coming ’round
Swear by God, I’m gonna cut him down!
I heard screaming and bullwhips cracking
How long? How long?
Great Guitar Solos Series
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
137 years ago today, film and comedy pioneer Charlie Chaplin was born. It’s time for….
4 Shots From 4 Charlie Chaplin Films
A Day’s Pleasure (1919, dir. Charlie Chaplin)
The Gold Rush (1925, dir by Charlie Chaplin)
City Lights (1931, dir by Charlie Chaplin)
Modern Times (1936, dir by Charlie Chaplin)
by V.E. Pyles
This cover is from 1937.
This song of comes from Frank Black’s second solo album, Teenager of The Year. Frank Black, of course, is better known as Black Francis, the lead singer of the Pixies. His real name is Charles Michael Kittridge Thompson IV and he’s one of the most important musicians of the last 40 years.
This video was directed by Adam Bernstein, who also worked with They Might Be Giants.
Enjoy!
In 2020’s Law of Attraction, Lexi Giovagnoli plays Allison Williams, a young attorney who is hoping to become a partner at her firm. The opposing counsel in her current case is named Derrick Walker. Allison hasn’t met Derrick but she has exchanged plenty of angry emails and had a few less than pleasant phone interactions with him. When Allison’s friend gets married, it seems like a good chance to Allison to get away from the daily grind of her job. And hey, there’s a cute guy at the wedding. His name is DJ (Joseph Almani)! Does anyone want to guess what the D in DJ stands for?
Law of Attraction is a cute movie. There’s nothing particularly revolutionary about the plot but Giovagnoli and Almani are both likeable and they have a sweet chemistry whenever they’re onscreen together. The weekend wedding leads to a lot of rehearsal shenanigans and some of them are funnier than others. For the most part, though, this is an enjoyable film. It’s the type of pleasant production that you can safely have running in the background while you take care of whatever else it is that you have to take care of during the day.
As for Eric Roberts, he makes a brief appearance as Allison’s boss at the law firm. It’s a cameo. Eric wears a suit and acts like a somewhat stuffy professional. He tells Allison not to screw up the case. It’s really a role that anyone could have played but I’m glad Eric Roberts picked up the paycheck.
Previous Eric Roberts Films That We Have Reviewed:
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.
This week, 1st & Ten gets serious.
Episode 3.10 “Blood on Blood”
(Dir by Bruce Seth Green, originally aired on November 27th, 1987)
The Bulls are going to the playoffs! It’s not because they’ve had a particularly good season. It’s just that their division rival, Denver, lost a game and that narrowly allowed the Bulls to sneak their way into the postseason. Coach Grier yells at all the players for celebrating. He tells them that they have nothing to be happy about.
Well, Zagreb has something to be happy about. The Bulgarian kicker is about to get married to Anna (Valerie Landsburg) so that he can avoid being deported. However, at the wild bachelor party that Jethro throws for him, Zagreb strips down to his underwear and dances with a stripper. Anna happens to show up and she calls off the wedding. The next day, Jill tells Zagreb that the State Department is no longer trying to deport him. It turns out that Zagreb’s father was not a communist official but instead a double agent! (Zagreb says that he read the Communist Manifesto a hundred times for nothing.) Zagreb no longer has to get married to stay in the country. Except, now, Zagreb wants to get married….
Meanwhile, Billy Cooper gets his brother, Michael (Linden Ashby), a job as an assistant equipment manager. Mike has just gotten out of prison. He was serving time for armed robbery. When things turn up missing in the locker room, Mike is the number one suspect. TD Parker (played by OJ Simpson) fires him. Just imagine getting accused and then fired by OJ Simpson! Mike is not happy.
Later, Bubba catches another equipment manager stealing from the locker room. Realizing that Mike was innocent, TD and Billy drive out to the liquor store where Mike is now working. They hire Mike back. Yay! I love it when people get a second chance. We’d have a lot less crime in this country if people were willing to take a chance on folks like Mike, who made a mistake but who sincerely want to turn their lives around. Good for TD! Good for Billy! Good for America….
Of course, as soon as TD and Billy leave, two bikers rob the liquor store and shoot Mike dead.
Wow, this was a dark episode. I appreciated the fact that the show attempted to take a serious look at the struggle that someone like Mike would face upon reentering society. That said, the liquor store shooting happened so abruptly that it felt almost like a parody of a melodrama. Much like the player dying of steroid abuse earlier in the season, this was the type of big dramatic moment that 1st & Ten didn’t really have the gravitas to pull off.
Next week, the Bulls continue to try to make it to the Championship for the third year in a row!
Today I finished my 26th tax season as a certified public accountant who specializes in tax preparation services. For the last 3 months, my life has been all taxes, all the time. That ends today and now my love of my family and movies can once again take center stage! Tonight I’m watching YOJIMBO simply because seeing Toshiro Mifune makes me feel good. Happy Tax Day my friends!
Laura Mosbach (Terry Farrell) is a former basketball player who is hired to be the assistant coach of the Lady Warriors, a high school team. When the beloved Coach Holliday (Lawrence Dane) has a stroke during a game, Laura becomes the new head coach and had to deal with parents who want to win at any cost, players who think they can bend the rules, and a town where no one has a private life. If you think it’s difficult being a new coach, try being a new coach who is publicly dating the father (Adrian Pasdar) of a player who you’ve just made a starter. Coach Mosbacher coaches the team her way, telling them that they are no longer Lady Warriors but now Women Warriors.
There are so many scenes in this movie that just get stuck in your head for the wrong reason. I enjoyed Laura getting so frustrated that she threw a box of cereal at a wall, where it exploded in slow motion. And there’s the scene where two basketball teams decide to just end the game rather than play the second half because the adults got into a fight in the school parking lot. I’m sure that’s a decision that many teenagers would make. It felt like one of those commercials for the Foundation For A Better Life. “Sportsmanship, pass it on!” Coach Mosbacher tells the girls that its their decision and is shocked when the the town wants to fire her as a result.
The movie’s most satisfying moment is one that isn’t meant to be satisfying. Adrian Pasdar punches out a ref who hasn’t gotten one call right the entire game. Who among us hasn’t been tempted to do the same? Let those without sin cast the first stone.
I actually agree with the movie’s message about parents putting too much pressure on their kids to win at any cost. Lawrence Dane was good as the beloved coach and so saw Adrian Pasdar, as the father who seemed nice but ultimately turned out to be even worse than the other parents. Terry Farrell, though, gave a one-note performance as Laura and the film’s plot had too many unbelievable moments to work.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
This week, the Love Boat takes a dramatic turn.
Episode 7.15 “How Do I Love Thee?/No More Alimony/Authoress! Authoress!”
(Dir by Kim Friedman, originally aired on January 7th, 1984)
As usual, this week’s episode features three stories. Two of them are very silly.
Betty White and Carol Channing play two Broadway veterans who are hoping to interest publisher Cesar Romero in Betty’s autobiography. Cesar is more interested in Carol. Betty and Carol collaborate on a book that is full of sordid lies. Cesar says he’ll publish it because “the hicks in the South” will love it. Carol announces that she is a hick from the South and promptly rips the manuscript in half. Good for her!
Alan Thicke wants his ex-wife, Michelle Phillips, to marry Fred Willard so that he’ll no longer have to pay alimony. However, when Alan discovers that Fred is a womanizer, Alan reconsiders his plans.
These two stories feel very familiar. They’re the type of stories that we’ve seen on many episodes of The Love Boat. They’re saved a bit because of the comedic skills of Fred Willard and Betty White but, in the end, they’re definitely on the silly side of the cruise.
But then you get the third story, which is not silly at all. Laura (Rue McClanahan) boards the ship with her husband, George (Dick Van Patten). Laura is an old friend of Captain Stubing’s and he’s alarmed when he sees that Laura has a black eye. Laura says she simply walked into a door. George laughs and says that Laura is a klutz.
Actually, Laura is being abused by her husband. George’s business is failing. George is jealous of Captain Stubing. George hits Laura in their cabin and it’s a shocking moment because 1) this is The Love Boat and 2) it actually looks like that Van Patten may have accidentally hit McClanahan for real. (Van Patten briefly breaks character, looking shocked, before quickly turning back into the angry George.) Stubing realizes what’s happening and confronts George. By the end of the episode, George is promising to “get some help” but it’s significant that Laura doesn’t leave the ship with him. One gets the feeling that she’s heard that promise before.
At first, it seems strange to have such an serious storyline playing out in-between scenes of Carol Channing and Betty White singing and Fred Willard leering at every woman on the boat but it actually works surprisingly well. The show makes an important point. Even on a fun cruise, abuse can happen. Abuse doesn’t take a vacation. And abusers can be the people you least suspect, like perennial nice guy Dick Van Patten. I have a lot of respect for this episode for dealing with a serious subject and doing it well.
This was an important cruise.
Through the Shattered Lens 