As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, #ScarySocial presents 2017’s Truth or Dare!
If you want to join us this Saturday, just hop onto twitter, start the movie at 10 pm et, and use the #ScarySocial hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.
Truth or Dare is available on Prime! See you there!
Seeing as how today is Malcolm McDowell’s birthday, it only seems right that today’s song of the day should be one that was used in his best-known film.
The Title Music For A Clockwork Orange was, of course, adapted from Music For The Funeral of Queen Mary, composed by Henry Purcell.
In this scene from 1973’s O Lucky Man, Mick Travis (Malcolm McDowell) comes to the end of his very long journey and finds himself auditioning for a role in a Lindsay Anderson film.
Anderson, of course, was also the director of O Lucky Man! and it’s obvious that the film that Mick is auditioning for is meant to be Anderson’s previous film, If.
McDowell, of course, actually did star in If. In fact, he played a character named Mick Travis.
After all of his surreal adventures, can Mick still smile enough to get the part?
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens wishes a happy birthday to Malcolm McDowell! It’s time for….
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!
This week, a husband and a wife live in a loft and obsess on sex and death.
Episode 2.16 “Interior Loft”
(Dir by Ken Wiederhorn, originally aired on January 28th, 1990)
Kim Lewis (Elizabeth Keifer) has quit her job so that she can work on her novel. Her husband, David (Kip Gilman), is a lazy grad student who doesn’t bring in much money to the household. David suggests that Kim could record a message for a sex line. Kim agrees but, when a serial killer becomes obsessed with the message, she finds herself being stalked. Fortunately, the killer dies before he can harm Kim. But Kim is so traumatized and mentally shaken by her stalker’s bloody death that David comes to worry that she might be plotting to become a killer herself. And, of course, she is.
There was nothing supernatural about this episode, other than Freddy popping up for the host segments. Apparently, even in his Hellish afterlife, Freddy tries to keep up with all the latest novels. This episode was instead an attempt at neo-noir and director Ken Weiderhorn manages to create an appropriately ominous atmosphere. Elizabeth Keifer gives a strong performance as Kim so it’s unfortunate that the rest of the cast isn’t as memorable. This was not a bad episode but it was hard not to feel that it could have been even better.
In the end, I appreciated the fact that this episode actually did have something on its mind. David fears that Kim is a potential killer because of the book that she writes. That’s something to which any creative person in the horror field can relate. Audiences often seem to assume that a morbid imagination is linked to a morbid personality whereas the opposite is often the case. I’ve been lucky enough to meet a few horror people. They’re nice!
I recently had the opportunity to participate in an interview with the Native American author Sherman Alexie. We were discussing some of our favorite films, and he threw out MEKKO (2015) as a movie he really liked. I was surprised because it’s a movie I had never heard of, and I consider myself in the know when it comes to all things movie related. I checked and it’s streaming on Tubi, so I decided I would check it out for myself.
The story follows Mekko (Rod Rondeaux), a Native American who heads to Tulsa after serving nineteen years in prison for killing his cousin in an alcohol-fueled fight. When what’s left of his family turns their backs on him, Mekko finds himself living on the city’s streets with many other Indians. While he finds a few friends, he also comes across the predatory and murderous Bill (Zahn McClarnon). When Bill turns his focus Mekko’s way, he decides to take things into his own hands.
I’ll just say right off the bat that I think that the best thing about the film is the incredible performance by Rod Rondeaux in the title role. He doesn’t have a lot of credits to his name, but he’s absolutely perfect here. It doesn’t even feel like he’s acting. His face seems to carry a lifetime of regret, but also a hope that his hard-earned wisdom will eventually mean something positive for him and the people he cares about. Rondeaux plays Mekko with a dignity that feels completely out of place with the world he now finds himself in. It’s a masterful performance that would net him the Best Actor award at the American Indian Movie Award ceremony for 2015.
MEKKO was written and directed by Sterlin Harjo, who also created the series RESERVATION DOGS for FX that ran from 2021-2023. A citizen of the Seminole Nation of Oklahoma, Harjo presents us with a grungy, realistic film that’s also full of old tribal stories and myths. One of the main reasons that Mekko decides that he must take care of the murderer Bill himself is due to his grandma’s stories about evil spirits and witches that sometime insert themselves into people’s lives. Harjo’s film treats these beliefs at face value, and based on what we’ve seen, it’s hard to argue with him.
I’ve been to Tulsa on a few occasions to watch the PGA Championship at the Southern Hills Golf Course. I’ve never seen the Tulsa that’s presented here. This Tulsa is dirty and extremely dangerous. Harjo used real locations and a lot of regular people from the local Native community, and that certainly adds to the authenticity of the story. As Mekko visits the homeless camps and soup kitchens, it just feels real. When Mekko takes on Bill (a truly frightening performance by Zahn McClarnon), it’s both a physical and spiritual reckoning that seems completely necessary.
MEKKO is definitely a slow burner of a film that’s rough around the edges, but it’s also an undeniably powerful film. It feels honest in a way that most movies don’t. It’s about a wounded, decent person who’s trying to live a better life, and I haven’t stopped thinking about it for days.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.
This week, everyone’s thinking about death.
Episode 3.23 “Bang the Eardrum Slowly”
(Dir by David Anspaugh, originally aired on March 20th, 1985)
Every by the standards of St. Elsewhere, this was a depressing episode.
Auschlander buys his morning newspaper and discovers that his old friend Dr. Wyler was murdered by revolutionaries in Africa. The terminally ill Auschlander finds himself thinking about his own death and how he’ll be remembered. Will he also only rate a small mention in the local newspaper? Will anyone care or will they just shrug off his death and go on with their lives? The only thing that kept this storyline from being unbearably depressing was the knowledge that, in real life, Norman Lloyd would live to be 106.
Elliot has been entrusted with Mrs. Hufnagle’s ashes. He spends most of the episode carrying them around in a cigarette box and thinking about how someone’s entire life can be reduced to just a small amount of ashes. After an unpleasant meeting with Hufnagle’s estranged son (Boyd Bodwell), Elliot and Fiscus spread Hufnagle’s ashes at sea. Alone amongst the doctors at St. Eligius, Elliot feels bad that Hufnagle checked into the hospital and died due to her doctors and nurses getting tired of dealing with her. Elliot has a point. Hufnagle’s son really should be suing the Hell out of that place.
Westphall …. oh Hell, you already know that Westphall spent this episode depressed. Westphall is depressed in every episode. He’s perhaps the most glum character that I’ve ever come across. Even when something good happens, Westphall finds an excuse to get upset about it. This week, he’s depressed that he’s moving out of his house. He’s also depressed that his son Tommy would rather watch cartoons than talk to him. Seriously, Westphall can be difficult to deal with. I’ve been in a bit of melancholy mood myself and watching Westphall does not help.
Dr, Craig is not so much depressed as he’s annoyed by the news that his son, Stephen, is engaged. Craig has never forgiven Stephen for getting hooked on drugs and dropping out of medical school. Ellen says that, as Stephen’s parents, they have to be supportive and happy for him. Good luck convincing your husband of that, Ellen.
Finally, Luther is deafened by a boiler room explosion. His hearing eventually returns but Luther finds himself haunted by how close he came to dying. I would be haunted by the idea of getting seriously injured at a hospital that appears to be as much of a death trap as St. Eligius.
What a dark episode! This was a difficult one for me to get through, though that’s not necessarily a criticism. It’s just an acknowledgement of the fact that St. Elsewhere didn’t hesitate or offer false hope when it came to issues of mortality. Next week, season 3 comes to a close. Let’s hope for the best!
As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties. On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday. On Mastodon, I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 1992’s Glengarry Glen Ross!
If you want to join us this Friday, just hop onto twitter, find Xanadu on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there happily tweeting. It’s a friendly group and welcoming of newcomers so don’t be shy.
Through the Shattered Lens 