Born in 1973, I missed the first John Travolta phenomenon. I wasn’t even five years old when movies like SATURDAY NIGHT FEVER and GREASE were released. Now don’t get me wrong, I loved John Travolta as a kid. I remember watching GREASE at my cousins’ house when I was around ten, and we all loved it. Probably the movie I loved the most is Brian De Palma’s BLOW OUT from 1981. Fox 16 out of Little Rock loved to play that movie, and I thought it was so great. It was the mid-80’s when I was watching it, so his best work had been several years before. 

From the mid-80’s to the early 90’s, I was obsessed with renting videos at our local rental shops. Do y’all remember the crap that Travolta was putting out then… TWO OF A KIND (1983), PERFECT (1985), THE EXPERTS (1989), CHAINS OF GOLD (1990), etc? I remember wanting to watch RAMBO: FIRST BLOOD PART II at the movies when I was kid, and the theater in Conway, Arkansas was playing 2 movies: RAMBO and PERFECT. My mom insisted on PERFECT. So there we were, Dad, Mom, my older brother, me, and my younger sister in the theater watching PERFECT. It was an R-rated film, and Mom walked us out less than half an hour into the movie due to some guy putting his head under a woman’s skirt. I still remember the other patrons laughing at us as we walked out. This moment is burned into my psyche. Travolta did work on the hit LOOK WHO’S TALKING movies, but at the time, he got no credit because these were talking baby movies. It almost seemed like Travolta’s career had become something of a joke from the time I was a grade schooler all the way into my college years. I still loved him, but any time his name came up, the conversation was always about his good movies that were made years earlier contrasted against the crap he was in now. 

And then Tarantino’s PULP FICTION was released in 1994, he was absolutely incredible, and I was all about phase 2 of the John Travolta phenomenon. I watched just about everything he did over the next five years at the movie theater. During this remarkable stretch, I saw him in GET SHORTY, BROKEN ARROW, PHENOMENON, FACE/OFF, and many others. I revisited PHENOMENON again this week, and it took me back to that time when a 22 year old college student was rediscovering what a talented actor Travolta could be with the right material. 

George Malley (Travolta) is a likable “Everyman” who works as a mechanic in a small town in Northern California. On his 37th birthday, a mysterious flash of light knocks him over and changes everything. Suddenly he’s the smartest guy in town, and he can even move things with his mind. At first, his abilities amaze his friends and neighbors, but they soon begin to be afraid of him because they don’t understand him. George doesn’t understand why he’s so smart all of a sudden, but he’s falling in love with Lace (Kyra Sedgwick) anyway. The ultimate “answer” is somewhat realistic, and ultimately quite moving. 

Director Jon Turteltaub (WHILE YOU WERE SLEEPING, NATIONAL TREASURE) does a good job by focusing on George and his friends rather than the supernatural “mystery elements” of the plot. We may not understand exactly why George has these extraordinary abilities, but they mostly remain a backdrop in a story about love, friendship, and mortality. The film asks a simple question: How would we react if someone we’ve known all our lives is suddenly one of the most amazing people on earth? If you follow much social media these days, we know the answer. How often do we see people get torn down as soon as they show any exceptional ability? We even see this in our own families, and we see it in this movie as well. Watching the film 30 years later, that fact really sticks out to me. 

I’ve been a fan of PHENOMENON for three decades specifically because I love John Travolta’s performance in the movie. He’s just so likable, so when things start to go bad for him, we’re disappointed as well. He plays George as a man whose growing genius makes him want to help people even more. He’s so sincere that we never stop pulling for him, which is a true testament to Travolta’s incredible work. Kyra Sedgwick is amazing as well. As a mother and having been hurt before, her character takes her time letting George into her life, but once she does she goes all in. I love it. Forest Whitaker, Robert Duvall, and Jeffrey DeMunn all have outstanding moments that make the small-town community feel real. Their friendships specifically help provide an emotional strength that most films don’t have. 

PHENOMENON isn’t a perfect film, as it’s probably a little too long, and it may linger a little too much on vague “science.” However, it is a film that’s most interested in showing us a character who uses the gifts he’s been given to make life better for those around him while he can. It’s a timeless idea that gives PHENOMENON a power that has only grown stronger with time. It’s also a reminder that John Travolta has a magnetic screen presence. Beneath all of his charisma is an actor capable of tremendous warmth and vulnerability. At the end of the day, those are the kinds of characters we end up really caring about.