One year before we had Golden Earring playing on a boat and mud wrestling, we had The Beach Boys doing a little silent comedy–mostly fighting over a raft in a pool.
What else can I say without trying to talk about it in a larger context?
It’s the video they recreated for Love & Mercy (2014).
It’s in 480p. You can watch the video for Good Vibrations in 1080p because it was posted in 2016, but this one was put up in 2009. It didn’t receive that kind of treatment.
It’s that same kind of turn-the-band-into-silent-comedians type video, and was filmed at Brian’s house.
I didn’t mention it when I did Sound Of The Screaming Day by Golden Earring, so I will here. Since both are treated like short comedic films with the song playing, there isn’t any lip-syncing. We did get Barry Hay mimicking the flute during that part of the song. In this, there’s none of that. Just something interesting to keep in mind whenever you read about musicians getting harassed for not lip-syncing from the 1980s onward.
This video almost meets all the elements I listed when talking about Elected by Alice Cooper:
It has the band, it is live-action, it uses real sets rather than just a backdrop, it has a storyline, it has no lip-syncing, and it has no re-creation of a performance.
The only thing it is kind of missing is a storyline. But even that’s something you could argue is present in this video.
Surprisingly, IMDb has an entry for this that not only lists the director, but also who worked the camera.
The video was directed by their publicist, Derek Taylor. I wouldn’t be surprised if he did other videos as well. He apparently is also in the video.
Dennis Wilson is credited as having worked the camera.
I wish I had more information other than that there appears to be another promo film for this song. I probably won’t do it though since I have no idea of the provenance other than that it looks like it was made for Swedish television.
The “alpha” of OMAC in our rear view mirror, then, let’s look at the two-part “omega” —
Jack Kirby created many – some would even argue most – of the iconic villains in comic book history. The list of Kirby rogues is a long and distinguished one, a veritable “Bad Guy Hall Of Fame” that includes such names as Dr. Doom, Galactus, Darkseid, Desaad, The Red Skull, and Arnim Zola, among far too many others to list, and that’s just the tip of the iceberg. Somewhere far underneath that iceberg, though, is where you’ll find the guy who causes OMAC no end of trouble in the final two issues of his original 1974 comic series – one Dr. Skuba.
I don’t want to be too rough on the character, though – nor on his creator – because as far as dastardly schemes go, the one he’s attempting to pull off…
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There has been a car crash in Paris and now, David (Judd Nelson) is in the hospital, slowly recovering. In flashbacks, it is revealed that David is an American writer who came to France after his first novel flopped. He came to see his best friend, a womanizing photographer (Roy Dupuis), and ended up meeting and falling in love with the beautiful model, Annabelle (Laurence Treil). Even as he worked on his second novel, he was consumed with jealousy over Annabelle. Why was she sneaking off to a château owned by a mysterious and decadent businessman named Garavan (Piece Brosnan)? Any why, while he is in the hospital, is his second novel published and credited to someone else?
Entangled is yet another 90s neo-noir starring Judd Nelson. Laurence Treil was beautiful and often naked, which made it perfect for showings on Skinemax but the movie fails because, like so many others, it requires the audience to believe that Judd Nelson could not only write a book but get a model girlfriend as well. That takes much more work than is portrayed in Entangled. Early on in Entangled, Judd Nelson gropes a cardboard cut-out of George H.W. Bush and it is pretty much all downhill from there. Not even Brosnan doing a good job as a sinister character can do much to save Entangled.
What could have saved Entangled? Like so many of Judd Nelson’s direct-to-video movies, Entangled needed the calming hand of Judd’s co-star from Shattered If Your Kid’s On Drugs, Burt Reynolds!
Am I saying that Entangled would have been a better movie if Burt Reynolds had been given a role?
It couldn’t have hurt.
Alistair MacLean’s adventure novels, filled with muscular action and suspenseful plot twists, thrilled moviegoers of the 60’s and 70’s in such big budget hits as THE GUNS OF NAVARONE and ICE STATION ZEBRA. In his first foray into screenwriting, 1969’s WHERE EAGLES DARE, he adapted his own work to the silver screen, resulting in one of the year’s biggest hits, aided by the box office clout of Richard Burton and Clint Eastwood . The film’s a bit long, running over two and a half hours, but action fans won’t mind. There’s enough derring-do, ace stunt work, explosions, and cliffhanging (literally!) to keep you riveted to the screen!
A lot of the credit goes to veteran stunt coordinator Yakima Canutt, in charge of all the action scenes as second unit director. Canutt staged some of the most exciting scenes in film history, from John Ford’s STAGECOACH to William Wyler’s BEN HUR, and certainly keeps things busy…
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I was a fool to think Golden Earring showed up with Radar Love in the early 1970s.
They actually date back to the early 1960s. In fact, Barry Hay wasn’t even the original lead-singer. He came onboard in 1967. It’s weird to not hear Hay sing on a Golden Earring song even if that song is from a very different period. They weren’t even Golden Earring then. They were originally called The Golden Earrings. They had a pop-sound during this time.
The only thing weirder to me than not hearing Hay sing a Golden Earring song, is hearing him dial back the power of his voice to sing this kind of song. I’m well aware that This Is Spinal Tap (1984) already covered this kind thing, but it’s no less strange to me to come across this. It’s up there with listening to Bon Scott singing in the Australian pop-group The Valentines.
Then there’s the video for the song.
Hay looks more like he does from the 1980s onward,
in the 1960s,
than he did during the 1970s.
I guess that was just a phase.
The video is very 1960s–much like Radar Love is to the 1970s. It’s one of those videos that essentially turns a band into silent comedians, complete with mud wrestling.
That sequence goes on for quite awhile.
My personal favorite part of the video is when Hay pops out of the water playing an invisible flute.
I also like when one of the members of the band reaches out to turn the camera as a way to create a spin transition. It’s a nice little thing.
Along with Hay’s vocals sounding wrong, this video would not tell you that they would go on to do something like Clear Nite, Moonlight.
Speaking of that video, I made error when writing about it. I missed the obvious foreshadowing of the violent end in the form of the “So Little Time” license plate at the start of the video.
To put that correction in a new post, is the main reason I did this post on another Golden Earring video. It’s also a fun video, regardless of my reason for doing it today.
The reason I put the date of release as 1967 is because according to Wikipedia, this was a single that was released in 1967 separate from any of their albums. That explains why Hay is here, but not on the album that they released in 1967, Winter-Harvest.