Retro Television Review: Decoy 1.20 “Across the World”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

This week, Casey gets involved with gun smugglers!

Episode 1.20 “Across the World”

(Dir by Teddy Sills, originally aired on February 24th, 1958)

Andrew Garcia (Frank Silvera), Herbert Carson (Arthur Batanides), and Carl Walton (Nicholas Colasanto) are using an import/export business to smuggle guns to the communists.  (Booo!)  When the owner of the company finds out, they murder her in a hit-and-run.  Because of the suspicious nature of the woman’s death, Casey is sent undercover to investigate.  She shows up at the company, claiming to be the woman’s only heir.  Her cover is blown early, leading to her getting knocked around by the bad guys.  Fortunately, for her, the bad guys end up turning on each other and eventually, the rest of the police force arrives and puts an end to the smuggling once and for all.

This episode didn’t feature much of Beverly Garland.  Instead, the majority of it focused on the three smugglers arguing amongst themselves and then plotting various double crosses.  Unfortunately, the smugglers weren’t particularly interesting.  Sometimes, bad guys can be compelling to watch but these dopes were obviously doomed from the minute that they first appeared.  Though it’s never specifically said to whom they were smuggling the weapons, I’m going to assume that it was probably Castro and his forces.  In 1958, there were a lot of Americans who actually thought that Castro would be more willing to work with America than Batista was.  Needless to say, they turned out to be incorrect.  Casey could have warned them if anyone had bothered to listen!

This was a lesser episode of Decoy but the episode did feature some location shots of New York City.  The actors where shivering so I can only assume it was very cold when they filmed this episode.

Song of the Day: Shake You Down (by. Gregory Abbott)


There’s something instantly recognizable about Gregory Abbott’s “Shake You Down.” From that opening synth line to the smooth, almost whispered vocals, it feels like pure ’80s romance bottled into four silky minutes. This wasn’t a loud song — it didn’t need to be. Abbott’s voice doesn’t demand attention; it draws you in with that gentle charm that made it the perfect track for dimly lit gym floors, disco balls spinning, and teenagers swaying in slow circles, trying not to step on each other’s shoes.

What made “Shake You Down” stand out wasn’t just the melody but how effortlessly seductive it was without ever being explicit. The song oozes quiet confidence — cool, easy, and slightly shy — the way the best R&B hits of the era did. It’s the kind of tune that made every listener feel like they were starring in their own movie moment: that hesitant glance, that first slow dance, that unspoken “this might be something” energy. Even now, it triggers a rush of nostalgia for a more innocent kind of intimacy.

Decades later, it’s no wonder “Shake You Down” still sneaks its way into prom playlists and retro nights. It doesn’t chase trends or rely on flashy production — it’s just a solid, soulful groove that makes you want to close your eyes and sway. For anyone who grew up in the ’80s or ’90s, hearing those first notes is like being transported back to a simpler time when a slow song at the end of the night could mean everything.

Shake You Down

Girl, I’ve been watching you
From so far across the floor, now, baby
That’s nothing new, I’ve watched you
So many times before, now, baby
I see that look in your eyes (look in your eyes)
And what it’s telling me
And you know, ooh girl, that I’m not shy
I’m glad you picked up on my telepathy, now, baby

You read my mind (you know you did)
Girl, I wanna shake you down (oh well, oh well)
I can give you all the lovin’ you need
(I’m gonna love you)
Come on, let me take you down (oh, baby)
We’ll go all the way to Heaven
Ooh, I been missing you
And the way you make me feel inside
What can I do? I can tell you’ve got your pride now, baby
Come to me (oh well, oh well)
Let me ease your mind (oh babe)
I’ve got the remedy, yes I do
Now give me just a little time

I wanna rock you down
(I can give you all the lovin’ you need)
I’m gonna love you
(Come on, let me take you down)
Oh well, oh well
(We’ll go all the way to Heaven)

Girl, I’ve been missing you
And you know, it’s funny
Every time I get to feelin’ this way
I wish I had you near me
I wanna reach out and touch you

I can’t stop thinking of the things we do
The way you call me “baby” when I’m holding you
I shake and I shiver when I know you’re near
Then you whisper in my ear (oh baby, well, well)

Oh baby
(I can give you all the lovin’ you need)
I’m gonna love you
(Come on, let me take you down)
Oh well, oh well
(We’ll go all the way to Heaven)

Eeny-meeny-miny-mo (you read my mind)
Come on, girl, let’s shock the show (girl, I wanna shake you down)
(I can give you all the lovin’ you need)
Roses are red and violets are blue
I’m gonna rock this world for you
Hey baby
(We’ll go all the way to Heaven)
(You read my mind)
Girl, I wanna shake you down
I can give you all the lovin’ you need
Come on, let me take you down
We’ll go all the way to Heaven

Divorce, by Case Wright


Divorce is Hell. Losing a common law marriage is Hell. Losing the love of your whole adult life is Hell.

I was in denial for YEARS!!! It was over MANY MANY years ago, but I just couldn’t sign the papers or sell the house. Maybe the Catholic upbringing? Maybe it was losing that connection to when I was 23 and when that young man just KNEW that it was going to be forever? She was my forever, but she left a LONG time ago.

I was in denial. Understand, denial isn’t lying; it’s when your brain is so offended by something that it rejects this horrible true fact. My denial was twelve years old and halfway through the 7th grade. Technically, I was married even though for all intents and purposes- I wasn’t. It wasn’t until she said, ENOUGH- it’s time for government to get involved in all this and really end it, when I finally agreed.

It’s funny that was how my marriage ended because that was also how it began. Years ago, we’d been living together as husband and wife and she said – why don’t we get married? My libertarian instinct replied: why do we need government up in all this? Her: true, but we’d save on taxes and why not?
A few months later, we were married. As for finishing the divorce, I would’ve stayed in marital purgatory forever, if she hadn’t stepped in and said – Enough!

Marriage doesn’t need governmental intervention; for example, in my beloved Texas, there is common law marriage- have joint bank accounts, live together, say you’re married, and presto change-o – you’re married! Sadly, nowhere in America is there common law divorce. I get that there are property issues for some, but for us there weren’t property issues and common law divorce would’ve been a mercy to break the veneer, expose my broken heart, and allow the healing to start. Common law divorce could’ve stepped in where I could not even bear to look. Divorce was beyond looking into the abyss; it was losing decades of jokes, tears, loss, Christmas ornaments, hospital visits, hopes, homeownership, and most importantly – children raised with us together.

Many of whom who know me well, know that I have real problems with things ending: I’m just now watching the last two seasons of “The Office”; so, imagine me admitting to a divorce! I never talked about my separation or divorce, but I can tell you that the hurt is GRIEF, not sadness- GRIEF. Grief grabs your soul by the balls! Grief is the Babadook! Grief is the irresistible pain that you are addicted to because you can’t possibly move on! Grief is borne from death and divorce is death and grief gives your heart that mirage of hope and that fix so that you can keep hurting until you either let go or be consumed. I was nearly consumed.

Divorce is unfair not just because of grief, it is unfair because while the court can award property, it cannot award years back so that you can face the pain with more strength and youth. No, you have to face divorce with the wisdom and cynicism as an adult. No one knows the world’s cold pain like an adult. I knew “adulting” when I was young because of my father. I used to call the scars that he left on my face – my memories of my father. I just took ownership- you think you broke me you SOB? You’re not good enough to even bruise my soul. Divorce hit worse than anything my father did. Divorce got my soul where he could not.

Maybe I am still young because for this reason: I have stupid hope. There is nothing more stupid than hope because hope is the biggest gamble of all. Hope makes buying a Powerball ticket look like buying a mutual fund. Hope is the gamble that you’ll get it right, that it will get better, and this time it’ll be ok. Hope is what I have though, so I’m going with it. I will get right this time and I will find my forever lady. I hope.

Scenes That I Love: Joe Don Baker In Walking Tall


Today would have been the 90th birthday of Joe Don Baker!

Our scene that I love features Joe Don as Sherriff Buford Pusser.  Some local crooks thought that they could keep the sheriff out of their bar.  In this scene from 1973’s Walking Tall, he proves them all wrong.

4 Shots From 4 Films: Special Darren Aronofsky Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, the Shattered Lens wishes a happy 57th birthday to one of our favorite filmmakers, Darren Aronofsky!  When we first started this site, we were eagerly awaiting the release of Black Swan.  Now, fifteen years later, we’re eagerly awaiting the release of Aronofsky’s next film, whatever it may be.

In honor of the birthday of a true visionary director, here are….

4 Shots From 4 Darren Aronofsky Films

Pi (1998, dir by Darren Aronofsky, DP: Matthew Labitique)

Requiem for a Dream (2000, dir by Darren Aronofsky, DP: Matthew Libatique)

Black Swan (2010, dir by Darren Aronosfky, DP: Matthew Libatique)

mother! (2017, dir by Darren Aronofsky, DP: Matthew Libatique)

Late Night Retro Television Review: 1st & Ten 3.3 “A Loaded Gun”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, OJ Simpson argues with his wife.

Episode 3.3 “A Loaded Gun”

(Dir by Stan Lathan, originally aired on August 19th, 1987)

With Yinessa continuing to hold out for more money, Teddy thinks that he’s come up with a solution.  He tells Yinessa that he will personally take out an insurance policy on him so that Yinessa can work out with the team, despite not having a contract.  Yinessa agrees.  TD Parker tells all of the defenders not to touch Yinessa because they cannot risk him getting hurt.

“Anyone who touches Yinessa is going to wind up in Buffalo!” Parker tells them.

Unfortunately, John Manzak has been taken too many steroids.  As a result, the first thing he does is sack Yinessa.  Yinessa is injured.  As he’s rushed to the hospital, Diane tells Teddy, “Thank God you got that insurance policy.”  Teddy looks worried — uh oh, it looks like someone didn’t get that insurance policy!

At the hospital, a doctor tells Diane that Yinessa has a detached retina and he’ll probably never play football again.

Meanwhile, TD is having trouble in his marriage.  He forgets his wife’s birthday but TD’s secretary (Leah Ayres) sends flowers and buys a gift.  Unfortunately, TD’s wife sees through the entire ruse.  She and TD argue.  And because TD Parker is played by OJ Simpson, it’s hard not to worry whenever anyone argues with him.

Hey, that’s a good point, OJ!  Let’s move on!

Also, in this episode, Bubba goes to therapy because he hasn’t been able to make love to his wife since she gave birth.  Jethro goes with him and pretends to have a shoe fetish.  This led to another patient hiding his shoes.  1st and Ten is a comedy that rarely makes me laugh but I have to admit that I did chuckle when Jethro started talking about how much he loved shoes.

Other than the therapy scene, this was a pretty serious episode.  Yinessa might never play again.  John Manzak is going crazy due to the steroid abuse.  (Is he going to be sent to Buffalo?  I don’t know how he’s going to handle that!)  The kicker is still looking for a wife so he won’t get deported.  And Diane has no idea what’s going on with her team.

How will the Bulls ever make it to the championship game!?

I guess I’ll have to keep watching to find out.

Rest In Peace, James Van Der Beek


It was such a shock to hear that James Van Der Beek passed away earlier today.  He was only 48 years old.

For me, James Van Der Beek will always be Dawson, even though he had a long career.  If he’s not Dawson, he’ll be Mox, the quarterback who wanted to read Vonnegut in peace and who most of all did not “want your life.”  When Dawson’s Creek was at its peak, I was just at the right age to develop a crush on a sensitive young man who just wanted to make movies and read books.  I know a lot of people turned against Dawson as Dawson’s Creek went on.  Joey ended up with Pacey and Lisa and I used to argue for hours about whether or not she made the right choice.  I liked Pacey but I loved Dawson, even when everyone else was turning against him.

James Van Der Beek went on to do some movies.  He played a version of himself in Don’t Trust The B—- In Apartment 23 and he was the funniest and best thing about that show.  The most important thing that James did was that he became a father to six children and my heart goes out to all of them.  Dawson wanted to go to Hollywood but James Van Der Beek left Hollywood to devote himself to being a dad.

Rest in Peace, James Van Der Beek.

Retro Television Review: The Love Boat 7.7 and 7.8 “When Worlds Collide/The Captain and the Geisha/The Lotter Winners/The Emperor’s Fortune”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, it’s a very special cruise of The Love Boat!

Episodes 7.7 and 7.8 “When Worlds Collide/The Captain and the Geisha/The Lotter Winners/The Emperor’s Fortune”

(Dir by Jerome Courtland, originally aired on November 5th, 1983)

The Love Boat is sailing to Japan!

Lila (Heather Thomas) is a photographer whose father is in a wheelchair due to the injuries that he received during World War II.  She meets and falls for Bud O’Hara (Tony Danza).  It seems like love at first sight but how will she react when they arrive in Japan and she discovers that Bud’s father (James Shigeta) is Japanese!?  At first, Lila cannot get over her prejudice but then Bud’s father reveals that his own parents were killed at Hiroshima and that he has also struggled with forgiveness.  “I am proud to be Japanese,” Tony Danza declares.

Martha Chambers (Mariette Hartley) is a professor in Asian studies who has a crush on the Captain.  When she finds out that the Captain is fascinated by the culture of Japan, Martha pretends to be a geisha.

Barney (Ted Knight) and his wife (Rita Moreno) have just won five million dollars in the lottery and they spend almost the entire cruise showing off how much money they have.  The crew isn’t comfortable dealing with the nouveau riche.  Myself, I’m just happy that this storyline didn’t feature Ted Knight or Rita Moreno pretending to be Japanese.

Celia (Jean Hoffman) and her daughter, Joanie (Nancy Morgan), own one piece of an embroidered silk artwork.  Ben Cummins (John Ritter) owns another piece.  They’ve all been invited to Japan by a businessman named Yamamoto.  Yamamoto claims to have the third piece and says that, when all the pieces are together, they will form a treasure map.  Ben falls for Joanie.  Celia falls for Harvey (Harvey Korman), a businessman who happens to be on the cruise.  When the other two silk pieces are stolen, it doesn’t take long for Ben to figure out that Harvey is the one who took them.  Harvey explains that he is Yamamoto and that he’s a career criminal.  However, because he’s fallen in love with Celia, he returns all three of the silk pieces to her.

This two-hour episode was a travelogue.  The Love Boat did one or two of these type of episodes every season.  The show would leave the sound stages of Los Angeles and instead be filmed on an actual boat during an actual cruise.  With these two hour episodes, the storylines were usually just an excuse for the Love Boat crew and their guest stars to see the sights.  That’s certainly the case here.  Captain Stubing gets a full tour of Japan.  (Captain Stubing also has a lengthy fantasy sequence where he imagines himself as a shogun.  It’s definitely not the show’s finest moment.)

It’s a good thing that the scenery is lovely in this episode because the stories themselves are nothing special and, in some cases, they’re actually difficult to watch.  The Love Boat attempted to make a plea for tolerance and forgiveness and that’s definitely a good thing.  But then the show cast Tony Danza as a half-Japanese man named Bud O’Hara and that was more than a bit cringey.  There’s nothing about Tony Danza that is the least bit Japanese.  For that matter, there’s nothing particularly Irish about him either.

This was not the best cruise of the Love Boat.