Late Night Retro Television Review: Saved By The Bell 2.1 “The Prom”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993.  The entire show is currently streaming on Tubi!

This week, we begin season 2!

Episode 2.1 “The Prom”

(Dir by Don Barnhart, originally aired on September 8th, 1990)

It’s time for the prom!

Wow, the second season really jumps into things, doesn’t it?  Most high school shows tend to take the “each season is one school year approach” but the second season of Saved By The Bell opens with prom.

It’s time for Kelly to finally decide who is going to be prom date (and boyfriend), Slater or Zack.  If the first season occasionally featured Kelly acting a bit flighty and, at times, self-centered, the second season introduces us to the new Kelly, who is in love with Zack but who also doesn’t want to hurt Slater’s feelings.  This is also the Kelly who suddenly comes from a huge blue collar family.  Kelly agrees to go to prom with Zack (and Slater, being awesome, accepts her decision with grace).  But when her father is laid off from his job at the defense plant (“World peace has broken out,” he explains — and you can thank Ronald Reagan and the first George Bush for that!  USA!  USA!  USA!), Kelly gives up going to prom because her family needs the money that she would have spent on the evening.

(Kelly, Zack’s superrich!  Just have him pay for everything….)

Zack is upset, until Slater tells him that Kelly’s father lost his job.

“Poor Kelly,” Zack says.

“That’s right,” Slater replies.  “Poor Kelly.  Not poor Zacky.”

HELL YEAH!  I LOVE SLATER!

Slater does go to prom, with Jessie.  (This is an important episode for Slater and Jessie too.)  Meanwhile, Screech asks Lisa to be his date.  When Lisa turns him down, Screech begs her to just see a movie with him.  It’s a zombie movie and Lisa loves it!  But apparently, Screech has an issue with people who love movies because he gets mad at Lisa for talking too much and decides to go to prom alone.  For some reason, Screech becomes the prom’s DJ.  Meanwhile, Lisa bores her date by talking nonstop about the zombie movie ….. wow, this all feels very familiar to me.

As for Zack and Kelly, they do go to prom!  They dance outside of the gym and it’s one of the few genuinely romantic moments to be found in Saved By The Bell.  It’s also one of the few moments that captures the unique mix of melancholy and optimism that goes along with being a teenager.

The second season is off to a great start!

Flat Top (1952, directed by Lesley Selander)


During the Korean War, Navy Commander Dan Collier (Sterling Hayden) reminisces about World War II.  In 1944, he was newly assigned to the USS Princeton and dealing with a collection of hotshot pilots who had no idea about the realities of war.  His executive officer, Joe Rogers (Richard Carlson), was everyone’s friend.  Collier, however, had to be their commander.  At first, everyone in that ship resented Collier and his emphasis on discipline.  But eventually, the men came to learn that war wasn’t a game.

There’s little about the plot of Flat Top that will take anyone by surprise.  Of course, the stern and by-the-book Dan Collier is proven to be correct when it comes to the proper way to fight a war.  This film was made during the Korean War so there was no way it was going to suggest that the Navy could be incorrect about anything.  The film was produced by tiny Monogram Pictures, who actually found enough money to film in Cinecolor.  Monogram also got permission to shoot on an actual carrier, which brought some authenticity to the proceedings.  The film makes heavy use of stock footage.  A lot of the footage will be familiar from the countless number of World War II documentaries that have been put together over the years but it’s still seamlessly combined with the footage of the actors sitting in the cockpits of their planes.  It’s probably not a coincidence that the movie features the characters fighting in support of Douglas MacArthur’s return to the Philippines.  When this film went into production, Truman had just ended his hopes for reelection by removing MacArthur from command in Korea.

The cast is uniformly good and it’s full of familiar faces.  William Schallert, Todd Karnes, James Best, and Phyllis Coates all appear in supporting roles.  Sterling Hayden is believably gruff and no-nonsense as Dan Collier.  Thanks to them and the actual combat footage, Flat Top is watchable albeit predictable.

Retro Television Review: Baywatch 2.1 and 2.2 “Nightmare Cove”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, we start season 2 of Baywatch.  Canceled by NBC, Baywatch found a new home in syndication.  The show was re-launched with a special two-hour premiere.  (For subsequent re-airings, the premiere was split into two episodes.)

Episode 2.1 and 2.2 “Nightmare Cove”

(Dir by Gregory J. Bonnan, originally aired on September 23rd, 1991)

A year and half after the final episode of Bayside’s network run, the show returns to the beach.

On the one hand, the basic idea is the same.  David Hasselhoff plays Mitch Buchanan, a divorced father who loves nothing more than being a lifeguard.  Eddie (Billy Warlock) and Shauni (Erika Eleniak) are two young lifeguards who are in love (though their engagement from the previous season is not mentioned).  Don Thorpe (Monte Markham) is Mitch’s no-nonsense boss. The sunsets are still beautiful.  The beaches are still inviting.

And yet, there are a few differences:

  1. Craig, Cort, Gina, Garner, and Trevor are nowhere to be seen.  (Craig, Cort, and Garner will all eventually return.  Gina and Trevor will never be mentioned again.)
  2. Hobie, Mitch’s son, is now played by Jeremy Jackson.
  3. Richard Jaeckel, who played doomed life guard Al Edwards in the pilot film, is now playing Ben Edwards, who apparently is meant to be the same character as Al.  (Mitch specifically mentions that Ben broke his leg when the pier collapsed, retconning Al’s heroic death into a mere injury.)
  4. Cort may be gone but there’s a new money-hungry lifeguard named Harvey (Tim McTigue).
  5. The second season premiere features even more musical montages than appeared in the first season.
  6. The second season premiere features a lot of random shots of women in skimpy bikinis.
  7. The red Baywatch one-piece swimsuits are back but now, they’re considerably tighter and more high-cut.
  8. The new Baywatch was airing in syndication.

I get the feeling that the Baywatch cameraman probably got together and all chanted, “Syndication, baby!” before running out onto the beach.  Even though the second season premiere is still far from what Baywatch would eventually become, one can already see the development of the aesthetic that led to it becoming the number one show for 90s frat boys and dads suffering from a midlife crisis.

As for this episode, there are rumors of an underwater monster and everyone wants in on the action.  Mitch saves an underwater photographer and falls in love for an episode.  Hasslehoff’s then-wife, Pamela Bach, plays a reporter whose editor wants sensationalized stories about the “beast of the bay.”  Of course, the beast of the bay is actually just the creation of an offshore oil company who wants to drill and ruin the environment because why not?  Luckily, one of the lifeguard, Devon (Andrea Thompson), is also an environmental activist.  Of course, Andrea Thompson is not listed in the opening credits so I imagine we’ll never see Devon again.

While Mitch is investigating the monster, Shauni rescues a little girl from drowning and then gets involved in the family’s life.  The family is black and the little girl’s brother is being recruited by a street gang so the very white Shauni arranges from him to join the junior lifeguards instead.  Shauni’s critical father (Albert Stratton) is impressed but I have to admit that I found the storyline to be a bit condescending.  Like a lot of 90s shows, Baywatch was at its weakest when it tried to deal with real-life issues.  It’s hard not to notice that whenever a guest actor who wasn’t white showed up on episode of Baywatch, they were always either being tempted or pressured to join a gang or they were trying to get out of the gang lifestyle.

In this episode, there’s an odd moment when Hobie decides to go into a storm drain and pretend to be the monster, which leads to a panic on the beach and monster hunters showing up with guns.  Mitch shows up and ends the situation before it gets too out-of-hand but you really do have to wonder if maybe Hobie would be better off with his mother.  I mean, seriously, Mitch — what are you doing here?  Your son is apparently an idiot who never learned anything from the dozen or so times his life was put in danger during the first season.

Finally, Thorpe gets promoted and he wants Mitch to take his place as chief.  Mitch argues that the new chief should be Ben Edwards.  Since apparently Ben has the power to come back from the dead, I can see Mitch’s logic.  In the end, Thorpe agrees.

And that’s it for this episode.  It’s definitely Baywatch but it’s still not quite as fun as the show would eventually become once it fully embraced just how ludicrous things could get in syndication.  This episode — and I imagine the rest of this season — feels like a show that is still making the transition from network television to anything-goes syndication.  Eventually, the show will get David Charvet, Pamela Anderson, and David “The Bulge” Chokachi.  During season 2, it was still just Billy Warlock and Erika Eleniak.

Song of the Day: All Along the Watchtower (by Jimi Hendrix)


If you’ve never really sat down with All Along the Watchtower, you’re missing out on one of those songs that just grabs you from the first few seconds. It’s got this tense, almost mysterious vibe right away, like something big is about to go down. And yeah, quick heads-up—this is actually a cover of a Bob Dylan song, but Hendrix completely transforms it into something way more electric, intense, and, honestly, iconic.

What really separates Hendrix’s version is how much more dynamic it feels compared to Dylan’s original. Dylan keeps it more stripped-down and acoustically grounded, which gives it that raw, almost haunting quality. Hendrix, on the other hand, builds this layered, immersive soundscape that feels bigger and more urgent. Even their vocal styles reflect that difference—both are rooted in blues, but Dylan leans into a delivery that feels closer to Robert Johnson, kind of dry and narrative-driven, while Hendrix brings a smoother, more fluid presence that echoes someone like Muddy Waters.

And then you hit the guitar work, which is really the heart of the whole thing. Hendrix doesn’t just give you one standout solo—he drops two. The first kicks in around the 0:55 mark, and it’s sharp, punchy, and sets the tone with that signature bite. Then he comes back again around 1:45 with another lead that feels even more expressive and fluid, like he’s pushing things further emotionally. Both solos feel purposeful, not just thrown in to show off—they actually drive All Along the Watchtower forward.

By the time the song wraps up, it leaves you with that “wait, play that again” feeling. It’s short, tight, and insanely replayable. Even if you’re not usually into older rock, this is one of those tracks that cuts through all that—it just sounds cool. Definitely worth throwing on with headphones and really soaking it in.

All Along the Watchtower

“There must be some kind of way out of here”
Said the joker to the thief
“There’s too much confusion
I can’t get no relief
Businessmen they drink my wine
Plowmen dig my earth
None will level on the line
Nobody offered his word”
Hey!

(Guitar Solo 1 @0:55)

“No reason to get excited”
The thief, he kindly spoke
“There are many here among us
Who feel that life is but a joke
But, uh, but you and I, we’ve been through that
And this is not our fate
So let us stop talkin’ falsely now
The hour’s getting late
Hey!

(Guitar Solo 2 @1:45)

Hey!

All along the watchtower
Princes kept the view
While all the women came and went
Barefoot servants too
Well, uh, outside in the cold distance
A wildcat did growl
Two riders were approaching
And the wind began to howl
Hey!

All along the watchtower
All along the watchtower

Great Guitar Solos Series

Live Tweet Alert: Join #ScarySocial for The Amityville Horror!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  The Amityville Horror!  

If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime!

Scenes That I Love: Mark Gregory in 1990: The Bronx Warriors


Today would have been the 62nd birthday of actor Mark Gregory, who will always be remembered for playing Trash in 1990: The Bronx Warriors and Escape From The Bronx.

In this scene from 1990: The Bronx Warriors, we’re reminded that everyone loves Trash.

4 Shots From 4 Films: Special Lone Scherfig Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, TSL wishes a happy birthday to Danish director Lone Scherfig!  It’s time for….

4 Shots From 4 Lone Scherfig Films

An Education (2009, dir by Lone Scherfig, DP: John de Borman)

One Day (2011, dir by Lone Scherfig, DP: Benoît Delhomme)

The Riot Club (2014, dir by Lone Scherfig, DP: Sebastian Blenkov)

Their Finest (2016, dir by Lone Scherfig, DP: Sebastian Blenkov)