Live Tweet Alert: Join #ScarySocial for Grizzly!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  1976’s Grizzly!  

If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime!

Song of the Day: Cleopatra Enters Rome by Alex North


Usually, we would celebrate the Ides of March tomorrow.  But, this year, Oscar Sunday falls on March 15th.  So, we’re going to pay honor to fall of the Roman Republic a day earlier than usual.  From the soundtrack of 1963’s Cleopatra,, here is Cleopatra Enters Rome, composed by Alex North!

Scenes That I Love: Michael Caine in Inception


Today, the Shattered Lens wishes a happy 93rrd birthday to Sir Michael Caine.

Today’s scene that I love comes from 2010’s Inception, a film that featured Caine in a small but key role.  Caine shares this scene with Leonardo DiCaprio and, as good an actor as DiCaprio may be, Caine dominates from the moment he first looks up.

4 Shots From 4 Films: Special Wolfgang Petersen Collection


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens celebrates German director Wolfgang Petersen.  It’s time for….

4 Shots From 4 Wolfgang Petersen Films

Das Boot (1981, dir by Wolfgang Petersen, DP: Jost Vocano)

The NeverEnding Story (1984, dir by Wolfgang Petersen, DP: Jost Vocano)

In The LIne of Fire (1993, dir by Wolfgang Petersen, DP: John Bailey)

The Perfect Storm (2000, dir by Wolfgang Petersen, DP: John Seale)

Music Video of the Day: Close (to the Edit) by Art of Noise (1985, dir by Zbigniew Rybczyński)


This video was directed by the man who edited the controversial 1983 film, Angst.  This video was also controversial and was banned in New Zealand for being too violent.  Compared to what I see whenever I scroll through my twitter timeline, this video seems incredibly tame (albeit entertaining) today.

Enjoy!

Yay! You survived Friday the 13th!


Congratulations!

Depending on where you live, Friday the 13th is either over or nearly over!  And, if you’re reading this, you survived!!!!!

Obviously, you listened to Crazy Ralph and you did not have sex, smoke weed, skinny dip, go out at night, take a boat trip to Manhattan, go into space, go to sleep, go out for firewood, ask any strange people if they needed help, go looking for your friends, strip down to your underwear so you could go run around in the rain, or have any fun whatsoever!

In other words, today was a boring day for you!  But you survived!

In honor of your survival, here’s the end theme from Friday the 13th.  This was composed by Harry Manfredini and, believe it or not, it’s actually a rather beautiful piece of music.  So, celebrate your survival by listening.

And be prepared to make up for lost time on Saturday the 14th!  Be bad…be very bad….

 

13 for 13: Creature (dir by William Malone)


1985’s Creature takes place in the future!

A spaceship that has just recently visited one of Saturn’s moons has crashed into a space station that is orbiting Earth’s moon.  An American corporation sends another crew up to investigate the wreck but, when they arrive, they discover that a German corporation has beat them to it.  They also discover that all of the Germans are dead, with the exception of Hans Hofner (Klaus Kinski).  Hofner claims that an alien creature killed all of the other Germans and now, the creature will be coming after the Americans as well.

Would you allow Klaus Kinski on your spaceship?  That was one of the main things that I found myself wondering as I watched Creature.  Kinski was a German actor who was widely acknowledged as being one of the best actors in the world.  For instance, Doctor Zhivago is a beautiful but very slow film that suddenly comes to life during Klaus Kinski’s fifteen minutes of screentime.  He was also widely acknowledged as being incredibly difficult to work with, prone to paranoia and wild rages.  His frequent collaborator, director Werner Herzog, has frequently talked about being tempted to kill Kinski while working with him and Kinski reportedly threatened to kill Herzog as well but the two of them still worked together because Kinski’s talent made the pain worth it.  (At least, for a while….)  It’s probably open to debate just how much of Kinski’s bad behavior was performative and how much of it was actually due to Kinski being mentally unstable but it’s also true that any experienced filmgoer knows better than to trust any character played by Klaus Kinski.

Now, it should be noted that, while Kinski was a great actor, that doesn’t always mean that he gave performances that were appropriate for the film in which he was appearing.  If Kinski got bored during shooting, he would pretty much just do whatever he wanted.  That’s the feeling that one gets while watching him in Creature.  Kinski alternates between being overly twitchy and being obviously disinterested.  When he makes his first appearance, he randomly gropes an actress, a move that was apparently not scripted.  Later, Kinski eats a sandwich and talks with his mouth full.  From the disgusted looks of the other cast members, it’s hard not to suspect that this was another improvisation on Kinski’s part.  Kinski is always watchable but his performance is still one of the weaker elements of Creature.

That’s a shame because the rest of the cast — Lyman Ward, Stan Ivar, Wendy Schaal, Robert Jaffe, Diane Salinger — all do a pretty good job of bringing their characters to life.  That Creature is essentially a rip-off of Alien is no great secret.  But the film itself still works, due to some memorably grotesque effects work, William Malone’s quickly paced direction, and the performances of the majority of the cast.  It’s an enjoyable B-movie, obviously made by people with a deep appreciation for the science fiction genre.  Usually, Kinski is the element the redeems a B-movie.  In this case, he’s almost superfluous.  The film would have worked just as well — perhaps even better — if he hadn’t shown up.

Would I let Klaus Kinski on my spaceship?

In this case, I’d tell him to wait for the next shuttle.  He’s not needed.

13 for 13: DeathBed (dir by Danny Draven)


In 2002’s DeathBed, Karen (Tanya Dempsey) and Jerry (Brave Matthews) move into a new apartment.  Karen is an illustrator of children’s books.  Jerry is a professional photographer who occasionally does “nudie stuff.”  Their new landlord and building superintendent is Art (Joe Estevez).

At first, the new apartment seems ideal.  But then, strange things start happening.  Karen starts to have visions of a woman being strangled in the apartment.  She struggles to finish her latest illustration project and instead finds that strange and disturbing pictures have been drawn while she was apparently asleep.  Jerry gets weird at work, telling models to pose as if they’ve been tied down to a mattress.  Jerry and Karen’s sex life gets a bit more adventurous but even that leaves Karen worried.  She feels as if she’s losing control.

Could the apartment be haunted?

Or could it have something to do with the creepy bed that Karen and Art previously found in a hidden room and which Karen decided to make the centerpiece of the new apartment?

Karen starts to do research.  At first, she can’t find any evidence that a murder was ever committed in the apartment but then she discovers that the name of the street was changed in the 40s and that her new apartment actually has a very long and rather macabre history.  Meanwhile, Jerry worries about her sanity.  Deadlines are blown.  Murders are committed.  And the viewer is left asking one question….

Would you rent an apartment from Joe Estevez?

Actually, I’m being way too snarky with that question.  DeathBed is surprisingly effective horror film and Joe Estevez gives a likable performance as Art.  Personally, I still think Karen was way too quick to explore a previously hidden room with him but, otherwise, Art comes across as being a genuinely nice guy.

DeathBed is actually one of the better films that I’ve seen from Full Moon Pictures.  While I wasn’t a huge fan of Danny Draven’s direction of Hell Asylum, he does an excellent job with DeathBed, creating and maintaining an atmosphere of ominous doom and gradual decay.  What makes the film so effective is that Karen and Jerry don’t fall apart immediately.  Instead, it’s a gradual process.  The viewer can see it happening but Karen and Jerry can’t.  Brave Matthews and especially Tanya Dempsey are well-cast as the troubled couple.  Dempsey gives an especially strong performance, playing a woman who has used her art to create the ideal life that she’s never had.

DeathBed has an interesting story and a few creative twists, even if the film’s actual ending what come as a huge surprise to experienced horror fans.  I appreciated that Karen’s visions of the previous murder appeared to carry hints of the infamous Black Dahlia case.  It served to remind the viewer that real life can sometimes be just as terrifying and mysterious as the movies.

Would I rent an apartment from Joe Estevez?

Well, probably not.  Not after seeing what happened with Karen and Jerry.  But I don’t blame Karen and Jerry for wanting the apartment.  It’s a nice apartment.  It’s just that there are times that hidden rooms should definitely remain hidden.

13 for 13: Hell Asylum (dir by Danny Draven)


Would you watch a reality show produced by Joe Estevez?

Of course not!  Reality TV …. hey, that’s the form of entertainment that is destroying our culture and leaving viewers unable to think for themselves!  Reality TV is a pox on our house.  Thanks to reality TV, the Kardashians are more famous than they have any right to be.  Jennifer Welch has become a political pundit despite having all the charm of a sour lemon.  People now feel like they have to live every moment as if there’s a million people watching and as a result, it’s become difficult to connect in any meaningful way…..

Eh.  Actually, I like reality TV more than I should and I probably would watch a reality show produced by Joe Estevez.

I mean, why not?  The best reality shows are always kind of sleazy and there are few actors who are as talented at playing sleazy characters as Joe Estevez.  If Martin Sheen often seems as if he’s auditioning to be the Pope, his brother Joe comes across as if he’s auditioning to be the tabloid reporter who writes a slanderous story about the Pope.  The fact that Joe Estevez looks like a drunk version of his brother only serves to make him all the more effective as someone who you wouldn’t necessarily want to be associated with.  (Unless, of course, he could make you a lot of money….)

In Hell Asylum, Joe Estevez plays Stan, a network television executive.  The movie opens with a show being pitched to him.  The pitch, like many of the scenes in Hell Asylum, goes on way too long.  Basically, a group of models have been recruited to spend the night in a supposedly haunted asylum while being filmed.  The pitch is nothing special but Stan needs a hit.

Of course, it turns out that the asylum really is haunted.  It takes a while but eventually, the models and the television crew end up being stalked by a bunch of mysterious hooded figures.  (Brinke Stevens is credited as being the “Head Spectre.”)  The murders are filmed with a blue tint, which is creepy at first but eventually just hurts your eyes.  There’s some gore, but it’s mostly just some red gloop and rope meant to stand-in for spilled intestines.  It’s not particularly scary but at least it’s only 72 minutes.

Of course, Joe Estevez thinks that he has his hands on America’s hottest new reality show.  At first, I thought the movie was being a bit too cynical but then I thought about all of the real-life deaths that I’ve seen posted to twitter and YouTube and I realized that I was probably being naive.  We actually did have a reality show in which each episode ended with someone pretending to “die.”  Murder in Small Town X was set up like Survivor, except that no one was voted off the island.  Instead, they were voted to meet the killer.  Even though no one actually died, I would have to think it would be more infinitely more traumatic to know that a bunch of people voted for you to be pretend-killed instead of pretend-exiled.  That said, Murder In Small Town X was actually a lot of fun!

I wonder if Joe Estevez produced it.