The Eric Roberts Collection: Freefall (dir by John Irvin)

Posted on April 16, 2026 by Lisa Marie Bowman

Who is Grant Orion?

That is the question at the heart of 1994’s Freefall.

Played by Eric Roberts, Grant Orion claims to be a former Hollywood stuntman who now spends most of his time jumping off of cliffs and skydiving. When photographer Katy Mazur (Pamela Gidley) first spots Grant, he is climbing to the top of a cliff in Swaziland and jumping off. Katy, who has been sent to the country to get a photograph of a taita falcon, finds herself obsessively snapping his picture. Later, after she meets Grant, she ends up cheating on her fiancé with him. The fiancé in question is Dex Dellums (Jeff Fahey), who is not only engaged to marry Katy but who is also her editor. He’s the one who sent her to Swaziland in the first place.

Who is Grant Orion? (And who, in the world, actually has a name like Grant Orion?) After Grant saves Katy from some gunmen, he explains that he’s not only a former stuntman but he’s also an agent of Interpol. However, Dex claims that Grant is lying. Dex tells her that Grant is a former stuntman who was run out of Hollywood after a stunt went wrong and now, he’s basically a mercenary. Katy doesn’t know who to trust as violence breaks out all around her.

Freefall starts out as a standard erotic thriller, with Roberts and Gidley exchanging smoldering looks and uttering heated dialogue. Before long, though, it turns into a thriller with Katy not being sure who to trust. There’s a lot of gunfire. There’s a lot of over the top action. Some of the scenes of action are so over-the-top that the film almost feels like it might be a parody. The plot itself is next to impossible to follow but who needs a plot when you’ve got Eric Roberts and Jeff Fahey sharing the screen together? Roberts is all smoldering intensity while Fahey seems to be having the time of his life playing the smarmy Dex.

Along with getting the best out of Roberts and Fahey. director John Irvin also manages to get some truly beautiful shots of the mountains of Swaziland. Though the scenes of Roberts climbing the mountains were clearly done by a real stuntman (and not Grant Orion), they’re still effectively shot. When we first see Grant jump off the mountain, the imagery is breath-takingly beautiful. At times, it’s hard not to regret that the entire film wasn’t just about Grant jumping off of mountains. All of the gunfire gets in the way of the main attraction.

Today, we’re so used to seeing Eric Roberts in small cameo roles that it’s easy to forget that he started out his career in starring roles. Freefall is a silly film but it’s undeniably entertaining, in the way that the best direct-to-video erotic action thrillers often were. Don’t even try to follow the plot. Just enjoy the mountains and the scenes of Roberts and Fahey competing to see who can out-smolder the other.

Previous Eric Roberts Films That We Have Reviewed:

El Paso Stampede (1953, directed by Harry Keller)

Posted on April 16, 2026 by Jedadiah Leland

With the country distracted by the Spanish-American war, someone is stealing cattle on the border between Mexico and the United States. Federal marshal Rocky Lane (Allan Lane) is sent to investigate. He gets a job with Nugget Clark (Eddy Waller), a local feed merchant, and gets to know Nugget’s daughter, Alice (Phyllis Coates). As was usually the case with these B-westerns, it turns out that the band of onery outlaws is secretly being led by a villain who is an otherwise respectable member of society. When it comes to the Old West in these films, the biggest threat was not from the outlaws but instead from the greedy and corrupt settlers who wanted to get their own piece of the action and who were willing to sell out their own neighbors and sometimes their own country to get it. It falls to Rocky and Nugget to save the day, rescue Alice from the bad guys, and recover the cattle.

This was the last of the B-westerns to star Allan Lane as Rocky Lane and Eddy Waller as his sidekick. Unfortunately, the arrival of television made short programmers like this one obsolete. Kids could now just watch westerns on television instead of spending the day down at the theater. This was not a bad western for the Rocky Lane character to go out on, though. The plot is predictable but that’s to be expected for a 53-minute programmer like this one. However, Rocky is an appropriately square-jawed hero. He rides his horse, Black Jack, with authority and he looks convincing handling a gun and throwing a punch. There are actually some good shots involving the outlaws’s hideout, which just happens to be hidden behind a waterfall. For western fans, El Paso Stampede is a watchable and undemanding genre entry.

As I mentioned earlier, this was the last film to star Allan Lane. He appeared in a few more westerns after El Paso Stampede but it was always in supporting roles. Allan Lane appeared in 88 films, the majority of which were B-westerns like this one. Today, though, Lane is best-remembered for a role for which he wasn’t even given onscreen credit, providing the voice of the talking horse, Mr. Ed.

Retro Television Review: Decoy 1.27 “The Sound of Tears”

Posted on April 16, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

This week, Casey is haunted by the past.

Episode 1.27 “The Sound of Tears”

(Dir by Marc Daniels, originally aired on April 14th, 1958)

A wealthy young man has been gunned down in a New York park. It falls to Casey to deliver the news to both the man’s mother (Muriel Kirland) and the man’s ex-fiancée, Wendy Jenkins (Suzanne Pleshette). At first, Wendy is the number one suspect but, as she investigates, Casey comes to suspect that the killer was actually Susan Connor (Molly McCarthy), a family friend who had fallen in love with the victim.

This is an interesting episode, in that it reveals a bit of Casey’s past. Usually, Casey doesn’t let her personal feelings get in the way of doing her job but, in this episode, she finds herself thinking about the day that a policewoman told her that her husband had been killed in the line of duty. Casey has a unique understanding of the pain that the three women are feeling and Beverly Garland does a good job of showing the anguish that Casey is going through.

Unfortunately, the rest of the episode isn’t quite as good as Garland’s performance. From the start, Susan is portrayed as being so obviously unhinged that it’s not really a surprise when she turns out to be the killer. None of the guest cast, including a young Suzanne Pleshette, are as convincing as Beverly Garland is in the lead role. Indeed, Charles Mendick — cast of Lt. Doyle — gives one of the worst performances that I’ve ever seen on this show.

On the plus side, this episode does feature some good location footage of 1950s New York. The noirish black-and-white imagery nicely fits the melancholy story. The cinematography captures the world in which Casey lives, one in which pain doesn’t just go away after a few years and the guilty are often as traumatized as those they victimize.

Join #TubiThursdasy For Logan’s Run!

Posted on April 16, 2026 by Lisa Marie Bowman

Hi, everyone! Tonight, on Mastodon, I will be hosting the #TubiThursday watch party! Join us for Logan’s Run (1976)!

You can find the movie on Tubi and you can join us on Mastodon at 9 pm central time! (That’s 10 pm for you folks on the East Coast.) We will be using #TubiThursday hashtag! See you then!

Song of the Day: Southern Man (by Neil Young)

Posted on April 16, 2026 by Arleigh

For the latest “Song of the Day,” Southern Man is one of those Neil Young songs that lands like a blunt, uncomfortable truth-telling moment. It’s not a feel-good Southern rock anthem or a nostalgic postcard; it’s a pointed protest song aimed at racism and the legacy of oppression in the American South. What makes it hit so hard is that Young doesn’t soften the message much. He comes across like a songwriter who’s less interested in being liked and more interested in saying something that needed to be said.

Musically, the song has that raw Neil Young edge that fans love: restrained at first, then emotionally rougher as it builds. His guitar work is a huge part of why the song sticks in your head. The solo kicks in around $2{:}56$ , and rather than being polished or technically showy, it feels almost off-the-cuff—like a burst of emotion caught in real time. There’s a looseness to it, closer to jazz improvisation than to rock precision, and that gives the solo a spontaneous, restless energy that mirrors the song’s anger and urgency.

The track also became a major flashpoint with Lynyrd Skynyrd. They took issue with how Young seemed to generalize the South, and that tension helped inspire Sweet Home Alabama, which famously pushes back at Young’s criticism. It’s one of rock’s most iconic call-and-response moments: one artist sending out a challenge, another answering with proud defiance. Despite the seemingly heated exchange, both parties had mutual respect—and the dialogue between their songs ended up fueling one of the most fascinating cultural conversations in rock.

What makes Southern Man resonate now is how its spirit of confrontation still feels fresh. Over fifty years later, its themes of racial injustice and accountability hit even harder against the backdrop of today’s social and political climate. The song sounds less like a relic of its time and more like a warning that we’re still living through the same struggles Young was shouting about. In that sense, Southern Man hasn’t just aged well—it’s become more relevant than it’s been in the last quarter-century.

Southern Man

Southern man, better keep your head
Don’t forget what your good book said
Southern change gonna come at last
Now your crosses are burning fast

Southern man

I saw cotton and I saw black
Tall white mansions and little shacks
Southern man, when will you pay them back?

I heard screaming and bullwhips cracking
How long? How long?

[guitar solo @2:56]

Southern man, better keep your head
Don’t forget what your good book said
Southern change gonna come at last
Now your crosses are burning fast

Southern man

Lily Belle, your hair is golden brown
I’ve seen your black man coming ’round
Swear by God, I’m gonna cut him down!

I heard screaming and bullwhips cracking
How long? How long?

Great Guitar Solos Series

4 Shots From 4 Films: Special Charlie Chaplin Edition

Posted on April 16, 2026 by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

137 years ago today, film and comedy pioneer Charlie Chaplin was born. It’s time for….

4 Shots From 4 Charlie Chaplin Films

A Day’s Pleasure (1919, dir. Charlie Chaplin)

The Gold Rush (1925, dir by Charlie Chaplin)

City Lights (1931, dir by Charlie Chaplin)

Modern Times (1936, dir by Charlie Chaplin)

Artwork of the Day: Detective Fiction Weekly (by V.E. Pyles)

Posted on April 16, 2026 by Dazzling Erin

by V.E. Pyles

This cover is from 1937.

Music Video of the Day: Headache by Frank Black (1994, directed by Adam Bernstein)

Posted on April 16, 2026 by Jedadiah Leland

This song of comes from Frank Black’s second solo album, Teenager of The Year. Frank Black, of course, is better known as Black Francis, the lead singer of the Pixies. His real name is Charles Michael Kittridge Thompson IV and he’s one of the most important musicians of the last 40 years.

This video was directed by Adam Bernstein, who also worked with They Might Be Giants.

Enjoy!

The Eric Roberts Collection: Law of Attraction (dir by Michael Kampa)

Posted on April 15, 2026 by Lisa Marie Bowman

In 2020’s Law of Attraction, Lexi Giovagnoli plays Allison Williams, a young attorney who is hoping to become a partner at her firm. The opposing counsel in her current case is named Derrick Walker. Allison hasn’t met Derrick but she has exchanged plenty of angry emails and had a few less than pleasant phone interactions with him. When Allison’s friend gets married, it seems like a good chance to Allison to get away from the daily grind of her job. And hey, there’s a cute guy at the wedding. His name is DJ (Joseph Almani)! Does anyone want to guess what the D in DJ stands for?

Law of Attraction is a cute movie. There’s nothing particularly revolutionary about the plot but Giovagnoli and Almani are both likeable and they have a sweet chemistry whenever they’re onscreen together. The weekend wedding leads to a lot of rehearsal shenanigans and some of them are funnier than others. For the most part, though, this is an enjoyable film. It’s the type of pleasant production that you can safely have running in the background while you take care of whatever else it is that you have to take care of during the day.

As for Eric Roberts, he makes a brief appearance as Allison’s boss at the law firm. It’s a cameo. Eric wears a suit and acts like a somewhat stuffy professional. He tells Allison not to screw up the case. It’s really a role that anyone could have played but I’m glad Eric Roberts picked up the paycheck.

Previous Eric Roberts Films That We Have Reviewed:

Late Night Retro Television Review: 1st & Ten 3.10 “Blood on Blood”

Posted on April 15, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, 1st & Ten gets serious.

Episode 3.10 “Blood on Blood”

(Dir by Bruce Seth Green, originally aired on November 27th, 1987)

The Bulls are going to the playoffs! It’s not because they’ve had a particularly good season. It’s just that their division rival, Denver, lost a game and that narrowly allowed the Bulls to sneak their way into the postseason. Coach Grier yells at all the players for celebrating. He tells them that they have nothing to be happy about.

Well, Zagreb has something to be happy about. The Bulgarian kicker is about to get married to Anna (Valerie Landsburg) so that he can avoid being deported. However, at the wild bachelor party that Jethro throws for him, Zagreb strips down to his underwear and dances with a stripper. Anna happens to show up and she calls off the wedding. The next day, Jill tells Zagreb that the State Department is no longer trying to deport him. It turns out that Zagreb’s father was not a communist official but instead a double agent! (Zagreb says that he read the Communist Manifesto a hundred times for nothing.) Zagreb no longer has to get married to stay in the country. Except, now, Zagreb wants to get married….

Meanwhile, Billy Cooper gets his brother, Michael (Linden Ashby), a job as an assistant equipment manager. Mike has just gotten out of prison. He was serving time for armed robbery. When things turn up missing in the locker room, Mike is the number one suspect. TD Parker (played by OJ Simpson) fires him. Just imagine getting accused and then fired by OJ Simpson! Mike is not happy.

Later, Bubba catches another equipment manager stealing from the locker room. Realizing that Mike was innocent, TD and Billy drive out to the liquor store where Mike is now working. They hire Mike back. Yay! I love it when people get a second chance. We’d have a lot less crime in this country if people were willing to take a chance on folks like Mike, who made a mistake but who sincerely want to turn their lives around. Good for TD! Good for Billy! Good for America….

Of course, as soon as TD and Billy leave, two bikers rob the liquor store and shoot Mike dead.

Wow, this was a dark episode. I appreciated the fact that the show attempted to take a serious look at the struggle that someone like Mike would face upon reentering society. That said, the liquor store shooting happened so abruptly that it felt almost like a parody of a melodrama. Much like the player dying of steroid abuse earlier in the season, this was the type of big dramatic moment that 1st & Ten didn’t really have the gravitas to pull off.

Next week, the Bulls continue to try to make it to the Championship for the third year in a row!