Game Review: The Witness (1983, Infocom)


You are a detective, working in 1930s Los Angeles.  One night, you and your assistant, Sgt. Duffy (remember him from Deadline?) are called to the home of Freeman Linder.  Linder is a soldier of fortune whose wife has recently died under mysterious circumstances.  After you arrive and assuming that you are smart enough to follow Linder into his study, he tells you to have a seat while he explains why he needs to be protected from a man named Stiles.  If you don’t take a seat, you’ll end up getting a bullet that was originally meant for Linder.  If you do take your seat, you’ll witness Linder getting shot by an unseen assailant.  You now have 12 hours to explore the house, interrogate all of the suspects (there aren’t many of them), and figure out who murdered Freeman Linder!

The Witness was Infocom’s follow-up to its fabulously successful murder mystery, Deadline.  The Witness is a much simpler and much easier game, though it’s still a good deal of fun.  If Deadline seemed like a big budget MGM extravaganza, The Witness is an entertaining Warner Bros. B-movie.  The mystery at the heart of The Witness is not difficult to solve.  It’s mostly a case of making sure that you’re in the right place at the right time to witness certain events and also making sure that you do certain things in the right order.  The mystery may be easy to solve but getting all of the evidence necessary for a conviction can be tough.

As with most Infocom games, The Witness is well-written and full of memorable details.  The game is set on February 9th, 1938 and, if your detective turns on the radio, he’ll hear programs that actually aired on that date.  The game’s author, Stu Galley, even researched 1930s slang to give the game’s dialogue an authentic feel.  It’s a fun if not particularly difficult game.

The Witness can currently be played over at the Internet Archive.

Lisa Marie’s Thoughts On The Oscar Nominations


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Okay, I’ve had plenty of time to think about today’s Oscar nominations and now I’m ready to share my thoughts.  Obviously, my picks were a lot different from what the Academy selected.  That’s okay.  That’s the way it goes every year.  I don’t mind being a contrarian.

So, let’s take a look at what was nominated, category-by-category.

(If you need a refresher as to what was nominated, here’s a complete list of nominees!)

Best Live Action Short, Best Animated Short, Best Documentary Short: I’m sure that these three categories are full of wonderful nominees that were created by wonderful people but I don’t believe that I’ve seen a single one of them.  So, with that in mind, I can only imagine that the Academy did a perfect job selecting all 15 of these nominees!  Good work, Academy!

Best Foreign Language Film: Again, I have seen none of the nominees so I really can’t comment one way or another.  Normally, this would make me feel like a failure but I imagine that 90% of the people reading this post are in the same boat.  I imagine Toni Erdmann will win, just because of all the good things I’ve read about it.  But, since I haven’t actually seen any of the nominees, I will refrain from making any sort of prediction.

Best Documentary Feature: I’m disappointed that my favorite documentary, The Witness, was not nominated.  And, quite frankly, I’m shocked that Weiner was not nominated.  That said, I can’t complain about any of the documentaries that actually were nominated.  It was a good year for documentaries.  In fact, it could be argued that it was a better year for documentaries than for features.

Should Win: O.J.: Made in America

Will Win: 13th

Best Original Song: Not a single song from Sing Street was nominated and that is amazingly disappointing.  Original song can be surprising.  Remember last year when that terrible song from SPECTRE somehow won?  That said, I’m expecting that this year will see a huge sweep by La La Land and one of its nominated songs will probably win.

Should Win: Audition (The Fools Who Can Dream) from La La Land

Will Win: City of Stars from La La Land

Best Original Score: The Neon Demon deserved a nomination but I’m not surprised it was snubbed.  There’s no way the Academy was going to honor Nicholas Winding Refn’s subversive masterpiece.  La La Land is going to win this one easily.

Should Win: La La Land

Will Win: La La Land

Best Visual Effects: I was glad to see that Kubo and the Two Strings was nominated and I wish that Arrival had been nominated as well.  I’m going to go ahead and predict that Doctor Strange will be the first MCU film to win an Oscar.

Should Win: Doctor Strange

Will Win: Doctor Strange

Best Sound Editing and Best Sound Mixing: Let’s be honest.  I couldn’t explain the difference between sound editing and sound mixing and, unless you specifically work in the sound department, neither could you.  As a result, these categories are always difficult to predict.  But Hacksaw Ridge has to get some love somewhere and I bet it would happen here if not for La La Land.

Should Win (Both): Hacksaw Ridge

Will Win (Both): La La Land

Best Makeup and Hairstyling: As soon as I saw that Deadpool wasn’t nominated here, I knew it wouldn’t be nominated anywhere.  Can you believe that fucking Suicide Squad is now an Oscar nominee?  I haven’t seen A Man Called Ove but I’m going to predict its victory because I just can’t imagine the Academy honoring either Star Trek Beyond or Suicide Squad.

Should Win: Star Trek Beyond (that had good makeup in it, right?)

Will Win: A Man Called Ove

Best Film Editing: I can’t complain about any of the films nominated here.  La La Land is pretty much a guaranteed winner here.

Should Win: La La Land

Will Win: La La Land

Best Costume Design: I was shocked that Love & Friendship was not nominated.  If La La Land sweeps, it’ll win here.  When I made out my list of my personal picks for the Oscars, I gave the costuming Oscar to La La Land but now that I’m looking at the actual nominees, I’m remembering just how good everyone looked in Allied.

Should Win: Allied

Will Win: La La Land

Best Cinematography: My personal pick for this award was The Neon Demon but it wasn’t nominated.  Out of the nominated films, I would go with Moonlight but I think La La Land is going to sweep.

Should Win: Moonlight

Will Win: La La Land

Best Production Design: Well, it won’t be Passengers!  How the Hell did that get nominated for anything?  I think, of the nominees, Arrival deserves the award for making science fiction feel and look like science fact.  But, again, I think La La Land is going to win here.  (Are you sensing a theme in my predictions?)

Should Win: Arrival

Will Win: La La Land

Best Animated Feature: I was happy that Kubo and the Two Strings, Zootopia, and Moana were all nominated.  I haven’t seen The Red Turtle or My Life as a Zucchini but, on the whole, the Academy has a record of nominating the right films for this award.  I loved Kubo and I think it might win, just because it picked up that Visual Effects nomination as well.  Zootopia, however, would allow the Academy to make a political point and Moana has Lin-Manuel Miranda.  I’m going to go out on a limb and predict a Kubo victory but I wouldn’t be surprised if any of these five nominees won.

Should Win: Kubo and the Two Strings

Will Win: Zootopia Kubo and the Two Strings Moana Zootopia Kubo and the Two Strings

Best Adapted Screenplay: With La La Land likely to sweep the technical awards and Manchester By The Sea and Moonlight set to pick up some acting awards, this category will give the Academy a chance to acknowledge Arrival.

Should Win: Arrival

Will Win: Arrival

Best Original Screenplay: I think this is one of the few awards that La La Land will not win.  This category gives the Academy a chance to honor Hell or High Water.

Should Win: Hell or High Water

Will Win: Hell or High Water

Best Supporting Actress: Viola Davis is a guaranteed winner, even though her performance was a lead role.

Should Win: Naomie Harris, Moonlight

Will Win: Viola Davis, Fences

Best Supporting Actor: I was really happy to see that Michael Shannon got a nomination because Shannon is a great actor who always seems to be taken for granted.  That said, Mahershala Ali is almost as much of a lock as Viola Davis.

Should Win: Mahershala Ali, Moonlight

Will Win: Mahershala Ali, Moonlight

Best Actress: Let’s just get this out of the way.  Amy Adams not only deserved a nomination, she also deserved the Oscar.  Arrival works because of a twist that occurs halfway through the film.  The twist works because of Amy Adams’s performance.  If not for Amy Adams, Arrival would never have been nominated for best picture.  The fact that she was not nominated will be remembered as one of the biggest mistakes in Academy history.

This morning, I was happy to see that a lot of people on twitter agreed with me about the Amy Adams snub.  What took me by surprise was how many people also agreed with me that Meryl Streep essentially took a spot that should have been given to Amy Adams.  This morning, among other things, I discovered that there’s actually a growing backlash against the annual tradition of automatically nominating Meryl Streep, regardless of whether the film was any good or not.

Could Meryl win yet again?  It depends on whether or not the Academy wants to hear another Meryl Streep speech.  Given the political climate, I wouldn’t discount that as a possibility.  Since I’m on the subject and it’s possible that everyone stopped reading a few categories ago, I’m going to go ahead and admit my unpopular opinion.  While I’m definitely not a fan of the new President, Meryl’s Golden Globe speech felt like almost a parody of upper class white liberalism.  Listening to her, it was easy to imagine Meryl at a cocktail party, bragging about how she’s on a first name basis with her maid.

But, I’m in the minority as far as that opinion is concerned.  The Industry loved Meryl’s speech and, after Donald Trump’s overreaction to it, giving an Oscar to Meryl and giving her a chance to repeat the speech on a much bigger stage would be the perfect way to give the finger to the current administration.

That said, I think Emma Stone will be carried along in the La La Land sweep.  Whether justified or not, many members of the Academy will look at her character and see themselves.

Should Win: Amy Adams in Arrival (Yes, she wasn’t nominated but she should still win, goddammit.)

Will Win: Emma Stone in La La Land

Best Actor: Could anyone other than Casey Affleck win this one?  Denzel Washington is popular and giving him an Oscar for Fences would be a nice to way to reward all of the effort that he put into bringing this acclaimed play to the screen.  Affleck was sued for sexual harassment by a producer and a cinematogrpaher and ended up settling with both of them.  However, I doubt if it will stop him from winning the Oscar.  If the allegations were going to hurt Affleck’s chances, it would have happened long before now.

As for the nominees — well, I have no complaints.  While I wasn’t as impressed with Affleck’s performance as some, I think he did well enough. I would have liked to have seen either Sully‘s Tom Hanks or Hell or High Water‘s Chris Pine nominated.  I’m glad that Andrew Garfield picked up his first nomination.

Should Win: Denzel Washington, Fences

Will Win: Casey Affleck, Manchester By The Sea

Best Director: I’m going to go out on a limb and predict a minor upset.  I think La La Land is going to win in a lot of categories but I think that Moonlight‘s Barry Jenkins will win this Oscar.  Best Picture and Director have been split fairly regularly over the past few years and, after both the #OscarsSoWhite controversy and the 2016 presidential election, it may be felt that it’s time for a black director to finally win the Oscar.  Based on the skill shown in Whiplash and La La Land, Damien Chazelle will have other opportunities.

Should Win: Denis Villeneuve, Arrival

Will Win: Barry Jenkins, Moonlight

Best Picture: Though I don’t necessarily think it was one of the best films of the year, I would have loved it if Deadpool had actually scored a nomination.  It would have been an unexpected surprise and it would have shaken up a race that’s gotten rather predictable.

But no.  Deadpool received no nominations and the expected films were nominated.  Perhaps the only thing that could be considered surprising (though not that surprising)  was that Martin Scorsese’s passion project, Silence, was not only snubbed for best picture but also only picked up one nomination. Passengers picked up more nominations that Martin Scorsese’s latest film.  When it comes to total number of nominations, Silence is tired with Suicide Squad.

La La Land is going to win.  It’s probably going to win nearly all 14 of the Oscars it has been nominated for.  My pick for the best film of 2016 was American Honey.  Of the nominees, I think Arrival is the one that deserves to win.  But La La Land is an exuberant valentine to both the Academy and the industry.

La La Lands going to win.

Should Win: Arrival

Will Win: La La Land

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What if Lisa Picked The Oscar Nominees — 2016 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are starred and listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

(Click on the links to see my nominations for 20152014, 2013, 2012, 2011, and 2010!)

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Best Picture

*American Honey*

Arrival

Hell or High Water

Kubo and the Two Strings

La La Land

Love & Friendship

A Monster Calls

Moonlight

The Neon Demon

The Nice Guys

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Best Director

*Andrea Arnold for American Honey

Shane Black for The Nice Guys

Barry Jenkins for Moonlight

David MacKenzie for Hell or High Water

Nicholas Winding Refn for The Neon Demon

Denis Villeneuve for Arrival

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Best Actor

Andrew Garfield in Hacksaw Ridge

Ryan Gosling in The Nice Guys

Tom Hanks in Sully

Chris Pine in Hell or High Water

Ryan Reynolds in Deadpool

*Denzel Washington in Fences

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Best Actress

*Amy Adams in Arrival

Kate Beckinsale in Love & Friendship

Viola Davis in Fences

Sasha Lane in American Honey

Emma Stone in La La Land

Anya Taylor-Joy in The Witch

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Best Supporting Actor

*Mahershala Ali in Moonlight

Tom Bennett in Love & Friendship

Jeff Bridges in Hell or High Water

Alden Ehrenreich in Hail Caesar!

John Goodman in 10 Cloverfield Lane

Patrick Stewart in Green Room

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Best Supporting Actress

*Naomie Harris in Moonlight

Felicity Jones in A Monster Calls

Riley Keough in American Honey

Jena Malone in The Neon Demon

Helen Mirren in Eye in the Sky

Angourie Rice in The Nice Guys

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Best Voice Over and/or Stop Motion Performance

Auli’i Cravalho in Moana

Ellen DeGeneres in Finding Dory

Ginnifer Goodwin in Zootopia

*Liam Neeson in A Monster Calls

Art Parkinson in Kubo and the Two Strings

Charlize Theron in Kubo and the Two Strings

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Best Original Screenplay

American Honey

*Hell or High Water

Kubo and the Two Strings

La La Land

The Nice Guys

The Witch

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Best Adapted Screenplay

*Arrival

The Jungle Book

Love & Friendship

Moonlight

A Monster Calls

Sully

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Best Animated Film

Finding Dory

*Kubo and the Two Strings

Moana

Sausage Party

The Secret Life of Pets

Zootopia

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Best Documentary Feature

The Confessions of Thomas Quick

Holy Hell

O.J.: Made in America

Rigged 2016

Weiner

*The Witness

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Best Casting

*American Honey

Everybody Wants Some!!

La La Land

Moonlight

Hell or High Water

Green Room

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Best Cinematography

American Honey

Arrival

Hell or High Water

La La Land

Moonlight

*The Neon Demon 

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Best Costume Design

The Conjuring 2

Hail, Caesar!

La La Land

*Love & Friendship

The Nice Guys

The Witch

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Best Editing

Arrival

Hell or High Water

Kubo and the Two Strings

*La La Land

Moonlight

A Monster Calls

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Best Makeup and Hairstyling

Captain America: Civil War

Deadpool

Doctor Strange

Everybody Wants Some!!

Hail, Caesar!

*The Neon Demon

Best Original Score

Hell or High Water

Kubo and the Two Strings

*La La Land

Moana

Moonlight

The Neon Demon

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Best Original Song

*”Audition (The Fool Who Dreams)” from La La Land

“How Far I’ll Go” from Moana

“Waving Goodbye” from The Neon Demon

“I’m so Humble” from Pop Star: Never Stop Never Stopping

“Drive It Like You Stole It” from Sing Street

“Go Now” from Sing Street

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Best Overall Use Of Music

*American Honey

The Conjuring Part Two

Hell or High Water

La La Land

The Neon Demon

Sing Street

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Best Production Design

Arrival

Don’t Breathe

Green Room

The Neon Demon

La La Land

*10 Cloverfield Lane

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Best Sound Editing

Captain America: Civil War

Deadpool

*Hacksaw Ridge

La La Land

A Monster Calls

Sully

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Best Sound Mixing

Captain America: Civil War

Deadpool

Hacksaw Ridge

A Monster Calls

La La Land

*Sully

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Best Stunt Work

Captain America: Civil War

*Deadpool

Doctor Strange

Hacksaw Ridge

Jason Bourne

The Legend of Tarzan

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Best Visual Effects

Arrival

*Doctor Strange

The Jungle Book

Kubo and the Two Strings

A Monster Calls

Rogue One: A Star Wars Story

Films Listed By Number of Nominations:

13 Nominations — La La Land

1o Nominations — Hell or High Water

9 Nominations — Moonlight, The Neon Demon

8 Nominations — American Honey, Arrival, Kubo and the Two Strings, A Monster Calls

6 Nominations — The Nice Guys

5 Nominations — Deadpool, Love & Friendship

4 Nominations — Captain America: Civil War, Hacksaw Ridge, Hail Caesar!, Moana, Sully

3 Nominations — Doctor Strange, Green Room, Sing Street

2 Nominations — The Conjuring 2, Everybody Wants Some!!, Fences, Finding Dory, The Jungle Book, 10 Cloverfield Lane, The Witch, Zootopia

1 Nomination — The Confessions of Thomas Quick, Don’t Breathe, Eye in the Sky, Holy Hell, Jason Bourne, The Legend of Tarzan, O.J.: Made in America, Pop Star: Never Stop Never Stopping, Rigged 2016, Rogue One: A Star Wars Story, Sausage Party, The Secret Life of Pets, Weiner, The Witness

Films Listed By Number of Oscars Won:

4 Oscars — American Honey

3 Oscars — La La Land

2 Oscars — Arrival, Moonlight, The Neon Demon

1 Oscar — Deadpool, Doctor Strange, Fences, Hacksaw Ridge, Hell or High Water, Kubo and the Two Strings, Love & Friendship, A Monster Calls, Sully, 10 Cloverfield Lane, The Witness

Will the Academy agree with my predictions?  Probably not but we’ll find out on Tuesday!

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Playing Catch-Up: The Confessions of Thomas Quick, Holy Hell, Rigged 2016, Witness


I watched several documentaries in 2016.  Here are reviews of 4 of them.

The Confessions of Thomas Quick (dir by Brian Hill)

Like the majority of Americans, I had no idea who Thomas Quick was until I watched this fascinating and rather disturbing documentary.  Thomas Quick was a Swedish serial killer.  Or, at least, he claimed he was.

In the 1990s, a troubled loner and career criminal who went by the name Thomas Quick confessed to committing over 20 murders.  Amazingly, even though his stories were often outlandish and didn’t always make sense, it appears that the authorities took Quick at his word.  Even when Quick told an implausible story about being forced to eat a baby, no one doubted his confessions.

Over the next 20 years, Quick became something of a morbid celebrity.  Whereas we’ve become sadly desensitized to stories of serial killers here in the States, this was still a rare occurrence in Sweden.  Of course, as The Confessions of Thomas Quick makes clear, Quick was never actually a serial killer.  His confessions were all false.  How and why did Thomas Quick fool everyone?  The film suggests that the authorities where more interesting in closing cases than actually investigating Quick’s claims.  Meanwhile, among psychiatric authorities, there was almost a cult-like insistence that Quick was telling the truth.

The Confessions of Thomas Quick is a fascinating and creepy documentary about an incredibly creepy person.

Holy Hell (directed by Will Allen)

Speaking of creepy and fascinating, just check out Holy Hell.  Holy Hell is about a former actor who became a highly successful cult leader.  In many ways, Michel is a silly figure.  With his permanently pursed lips and a face that shows the results of one too many face lifts, Michel looks like almost a parody of a false messiah.  And then when we hear him speak in his reedy voice, we wonder how anyone could have ever followed him.

But, as Holy Hell makes clear, a lot of people did follow Michel and they still do, though Michel has changed his name and has long since abandoned his former Austin compound for Hawaii.  Holy Hell was directed by Will Allen, a former member of Michel’s cult and one of the many young men who were sexually abused by Michel.  (Michel demanded celibacy from his followers but, in private, he felt no need to hold himself to his own standards.)  Will Allen was a film student and, as such, he spent twenty years filming the cult and directing some genuinely odd music videos, all starring Michel.  When Allen finally left the cult, he lost most of his footage.  But what he did mange to escape with is more than enough.

Want to see how a large group of otherwise intelligent people can be brainwashed?  Watch Holy Hell.  Michel may be a ridiculous figure but, by the end of this documentary, he was will have scared the Hell out of you.

Rigged 2016

Do you want to know how America ended up in this current political mess?  Watch Rigged 2016.  Rigged 2016 was originally produced to promote the presidential candidacy of Libertarian Gary Johnson.  And while the film did not accomplish its goal of winning Johnson a spot on the presidential debate stage, it did offer up a portrait of a political system that has been rigged by money, media, and special interests.

Rigged 2016 devotes most of its time to discussing the threat of Donald Trump.  However, it doesn’t let the other side off the hook.  Supporters of Bernie Sanders discuss how his campaign was ultimately sabotaged by the DNC.

Rigged 2016 will make you angry and hopefully, it’ll inspire you to wonder why — year after year — we continue to settle for a rigged system.

The Witness (dir by James D. Solomon)

The Witness is one of the most fascinating and thought-provoking documentaries that I have ever seen.  It’s currently on Netflix and I could not recommend it more.

In 1964, a 29 year-old waitress named Kitty Genovese was brutally stabbed to death on the streets of New York City.  Reportedly, 37 people heard the sound of Kitty screaming for help and none of them called the police.  None of them left their apartment.  For decades after, Kitty Genovese’s case was held up as an example of public apathy.  And yet — even after her murderer was caught and sent to prison — Kitty remained a mystery, a symbol who never quite allowed to be an individual.

Kitty came from a large family.  Her younger brother, Bill, was shaken by the reports of people refusing to help to Kitty as she was being murdered.  And so, he decided that he would always help people.  He enlisted in the army, specifically because he wanted to help his country and help the world.  He was sent to Vietnam, where he lost both of his legs.

The Witness, which opens forty years after Kitty’s murder, is the story of Bill’s attempt to understand who Kitty was and, hopefully, come to terms with his feelings about her death.  As Bill freely admits, he never really knew much about his older sister but the shadow of her death hangs over every day of his life.  Though the film may be about Kitty, it’s just as much Bill’s story.  It’s a story that makes us ask how much anyone can truly know about anyone else.

Bill starts by investigating whether or not Kitty’s screams were actually heard and ignored by 37 people.  The majority of the 37 are now dead but Bill finds a few who are still alive.  He discovers that the legend of the 37 apathetic and/or cowardly witnesses isn’t necessarily true.  He goes on to talk to some of Kitty’s friends.  He tries to talk to his family but most of them seem to be weary of both Kitty and Bill’s obsession.  Bill even gets a chance to talk to Kitty’s girlfriend.  There are suggestions that Kitty and Bill’s father rejected Kitty because Kitty was a lesbian.  We discover that, living in New York and away from her family, Kitty could finally be herself.  It’s interesting to note that, at no point, does The Witness idealize Kitty.  I’m sure the temptation was there.  At one point, Kitty’s girlfriend admits that even she’s not sure she knew who the real Kitty was.

Bill also tries to reach out to the man who murdered Kitty.  The murderer refuses to talk to him.  However, in perhaps the film’s most poignant moment, the murderer’s son agrees to meet with Bill.  It’s a tense meeting.  The son weakly defends his father.  At one point, he says that he’s heard rumors that Bill has Mafia connections.  The son assures Bill that people know where he is, as if he’s concerned that Bill is planning on killing him.

I have to admit that, having spent 90 minutes watching the very engaging and honest Bill deal with his emotions, there was a part of me that really wanted to hate the son.  But, by the end of the scene, it becomes obvious that both Bill and the murderer’s son are suffering because of one man’s senseless act.  They’re both victims of the same evil.

Bill hires an actress to walk down the same streets that Kitty once walked down.  Standing in the same spot that Kitty was standing when she was attacked, the actress lets out a terrifying scream.  Bill flinches.  So do we.

The Witness is a powerful meditation on life, guilt, love, and family.  It’s on Netflix. Watch it.

Here’s The Best Documentary Feature Shortlist!


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I’m really late with this news but better late than never!

Last week, the Academy’s Documentary Branch announced the 15 semi-finalists for the Best Documentary Feature Oscar!  Five of the films below will be nominated.  This has been a brilliant year for documentaries, as you can tell from looking at the titles below!

I’m especially happy to see that The Witness — which can currently be seen on Netflix — made the shortlist.

Not making the list?  Leonardo DiCaprio’s Before The Flood.  If nothing else, this means that we no longer have to worry about sitting through another rambling, if well-intentioned, Leo lecture.

(Or maybe not.  Leo is also involved with The Ivory Game, which is on the shortlist.)

Anyway, here are the 15 semi-finalists!

“Cameraperson,” Big Mouth Productions
“Command and Control,” American Experience Films/PBS
“The Eagle Huntress,” Stacey Reiss Productions, Kissiki Films and 19340 Productions
“Fire at Sea,” Stemal Entertainment
“Gleason,” Dear Rivers Productions, Exhibit A and IMG Films
“Hooligan Sparrow,” Little Horse Crossing the River
“I Am Not Your Negro,” Velvet Film
“The Ivory Game,” Terra Mater Film Studios and Vulcan Productions
“Life, Animated,” Motto Pictures and A&E IndieFilms
“O.J.: Made in America,” Laylow Films and ESPN Films
“13th,” Forward Movement
“Tower,” Go-Valley
“Weiner,” Edgeline Films
“The Witness,” The Witnesses Film
“Zero Days,” Jigsaw Productions

Weiner_(film)