Love On The Range: The Covers of Cowgirl Romances


Yee-haw!  It’s time to celebrate love on the range with Cowgirl Romances!

Cowgirl Romances was published by Fiction House, a publishing company that operated from 1938 to 1954.  Twelve issues of Cowgirl Romances were published between 1950 and 1952 and, judging from the covers below, it looks like they featured all of the dusty romance and hot cattle rustling that a girl could hope for.  All of these covers were done by Maurice Whitman, who understood that, on the range, guns and kisses go together like blacksmiths and horseshoes.  The other thing about these covers is that they show that real cowgirls can take care of themselves out in the wild, except for issue #10.  I don’t know how she is going to outrun a mountain lion in high heels.

Here are the covers of Cowgirl Romances:

Some Things I Liked In 2018


Since I don’t feel comfortable doing a traditional top ten list, I’m just going to list a few things that I liked in 2018.

When it comes to last year’s movies, my two favorite films were both comic book adaptations.  Black Panther and Spider-Man: Into The Spider-Verse both redefined what we traditionally expect from the comic book genre and they worked as both entertainment and as something a little bit deeper.

Among the other films I liked this year, Mission Impossible — Fallout reminded us of just how exciting a good action film can be while Game Night was hands down the best comedy of the year.  Deadpool 2 proved itself to be a worthy sequel while Won’t You Be My Neighbor?, Three Identical Strangers, Free Solo, and Shirkers made this a great year for documentaries.

David Peisner’s Homey Don’t Play That was a fascinating book about the history of In Living Color, examining both the show’s tumultuous history and how it continues to be relevant today.  Also worth reading: Thanks A Lot, Mr. Kibblewhite by Roger Daltrey and Cult City by Daniel J. Flynn.

In a year that seemed to be dominated by adaptations of comic books, it seems appropriate that one of the best comics was about the history of the medium.  Written by Fred Van Lente and illustrated by Ryan Dunlavey and Adam Guzowski, Comics For All was the second installment in their Comic Book History of Comics.  No matter how much you think you may know about comic history, you’ll learn something new from Comics For All.

When it comes to the year’s video games, I’m torn.  Red Dead Redemption II is a totally immersive gaming experience that challenges much of what we’ve come to expect from video games.  On the other hand, Marvel’s Spider-Man is one of the most purely enjoyable games that I’ve ever played.  If I had to pick a best, I’d go with Red Dead Redemption but Spider-Man is the game that I’ll probably end up replaying a month from now.

On television, I continued to enjoy and occasionally be baffled by HBO’s Westworld.  I also enjoyed playing around with Netflix’s Black Mirror: Bandersnatch, an interactive program that introduces you to a likable game designer and then give you the chance to totally mess up his life.

In the States, BBC America televised the the animated restoration of the “lost” Doctor Who serial, Shada.  As an episode of Tom Baker-era Doctor Who, Shada was just as disappointing as many have warned that it would be, an overextended mix of inside jokes about Cambridge.  However, as a piece of Doctor Who history, it was priceless.

Finally, as far as the year in music is concerned, I recommend The Who’s fifth studio album, Who’s Next.  I know Who’s Next came out in 1971 but good music is timeless.

Face Front, Marvelites!: RIP Stan “The Man” Lee


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I know it’s popular these days among a certain coterie of Comic Book Buffs to bash Stan Lee’s contributions to the medium in favor of artist/collaborators Jack Kirby and Steve Ditko . You’ll never find me in that crowd. Not ever. I learned to read (with the help of my dad) at the tender age of three through comics… simple stuff at first, funny books like YOGI BEAR and BEETLE BAILEY. As I progressed into the realm of superheroes, my vocabulary improved thanks to writers like Gardner Fox, John Broome, and especially Stan Lee, who took me to Asgard and Outer Space with Shakespearean-styled dialog and college-level words that made me keep a dictionary always at the ready. Screw you, Dr. Frederic Wertham!!

The Titanic Trio: Stan Lee, Jack Kirby, Steve Ditko

Stanley Martin Lieber was born December 28, 1922, the eldest son of immigrant parents (his younger sibling Larry…

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Rest In Peace, Stan Lee


In 1939, a 17 year-old aspiring writer named Stanley Lieber landed a job at Timely Comics in New York City.

At first, Stanley’s job was just to get coffee, make sure that the inkwells were full, and occasionally proofread copy.  In 1941, when the third issue of Captain American Comics needed a text story so that it could be shipped as a magazine instead of just as a comic book, Stanley was assigned the job.  Because the young man had an ambition to some day write the great American novel and felt that being associated with comic books would make it more difficult to convince publishers to take him seriously, Stanley Lieber wrote the story under a pseudonym, Stan Lee.

And the rest, as they say, is history.  Timely eventually became Atlas and then Atlas was rebranded Marvel and, through it all, Stan Lee remained at the company, providing continuity from one decade to another.  Ironically, for someone who originally feared being too associated with comic books, Stan Lee went on to become not only the face but, for several decades, the voice of Marvel Comics.

Among comic book historians, Stan Lee is an often divisive figure.  By his own admission, Lee loved the spotlight and it can be argued that he unfairly overshadowed his publicity-shy colleagues.  To solely give Lee the credit for creating characters like Spider-Man and the Fantastic Four does a disservice to the work of artists and writers like Jack Kirby, Steve Ditko and so many others.  As a company, Marvel has a deserved reputation for not treating its artists with the respect or the financial compensation that they deserved.  How much of the responsibility for any of that falls on Lee’s shoulders is a controversial subject and will continue to be so for years to come.

What isn’t controversial was that,  whether he hitting the college lecture circuit, recording the introductions for the animated Spider-Man and His Amazing Friends TV show, or giving interviews with publications like Playboy and Rolling Stone, there was never a bigger cheerleader for comic books than Stan Lee.  At a time when DC comics was busy imitating the campy Batman TV show, Marvel Comics were, in their own way, dealing with world in which their readers lived.  From the platform of Stan’s Soap Box, Stan Lee spoke against racism and prejudice.  When the U.S. Department of Health, Education, and Welfare approached Lee to do a story about the dangers of drug abuse, Lee did it in defiance of the Comic Codes Authority.  Three issues of Spider-Man were released without the CAA’s seal of approval, opening the way for all comic books to deal with real world issues.

Stan Lee as Mr. Fantastic in What If #11 (as drawn by Jack Kirby)

For many comic book readers who might have otherwise felt that they didn’t fit in, Stan Lee said, “Here, you do belong.”  Today, it might seem easy to poke fun at Lee’s endless enthusiasm, his cries of “excelsior,” and the way that he called Marvel readers “true believers.”  But for many readers,  there was much comfort to be found in Lee’s corny sayings.  Lee had a way of making readers feel as if they were all in it together.  Whether you were a true believer or a member of the Merry Marvel Marching Society, you belonged.  For kids who felt like outsiders, Lee was there to tell them that everyone was capable of being a hero, whether they had super powers or not.

In his twilight years, Lee was rediscovered by a new generation of fans.  Spotting Lee’s trademark cameos became one of the pleasures of watching any Marvel film.  Sometimes, he was a postman.  In Deadpool, he worked in a strip club.  More than once, he was a janitor.  I once saw him driving a bus.  In the second Guardians of the Galaxy film, he was sitting on the moon and telling the Watchers about his adventures on Earth and it just seemed like he was right where he belonged.

Stan Lee passed away today at the age of 95.

I knew I’d have to write this some day but I always hoped it wouldn’t be any time soon.

Rest in Peace, Stan Lee.

 

Star Trek: The Next Generation, Through The Mirror, Review by Case Wright


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Happy Horrorthon!!! We are back in the eeeeeeeeevil Star Trek universe! Why is it evil? Obviously, it’s because they have beards and follow strict capitalist principles with a healthy dose of militarism.

Before I get into the story, I want to write that David and Scott Tipton do a good job of not having the mirror universe characters seeing themselves as villains.  This may seem obvious, but it’s actually very common – especially in comics.  For example, Stan Lee once had Magneto lead a group of mutants with the moniker of Brotherhood of Evil Mutants.  I get that the X-Men thought they were evil, but why would Magneto?

This volume: Through the Mirror brings our Mirror Universe to the Next Generation universe our youth for supplies and plunder.  Bearded Picard is faced with blockades from rival species in his universe and needs materiel and plunder to fuel his war machine in order to bring the Terran Empire back to its former glory before Emperor Spock made them go all drum-circle kumbaya…bleh.

My main complaint with the Volume Two is actually in the first installment.  It opens with Worf investigating the theft of precious minerals from a mining colony in the “good universe”.  He sees the thief and nearly catches him.  This is a recurring issue with volume 2; the story should be only from the perspective of the mirror universe characters.  There is simply too much of the “good universe”.  They also have the “Good Universe” find an Andorian Ship that has been attacked by Evil Picard after the fact.  WHY?  Show us the Evil Planning, Show us the Pirate Picard attack, Show us why they believe they are justified.  We bought the book; therefore, we are invested in these anti-heroes.   The story could be great if we just get to bathe in their villany.  Don’t judge them.  This is their code.  This is their society.  They don’t see themselves as evil and neither should we.  We can only judge them as evil if they violate their own code of morality not ours.  This isn’t our universe.  The good universe should be treated like MSG a little is … ok… too much and you vomit.

Back to the story, Pirate Picard lures the good enterprise into a trap, hoping to seize it.  They fail, but they failed too much.  It should’ve been more of a draw with a push to the evil universe. Scott and David – the evil guys are your heroes.  They need to win at least a bit.  You can have a close game, but don’t have them get their ass kicked because it makes it too much of a Good Next Gen story.  The other knock is that they left Evil Barclay behind, dragging us back unnecessarily into the good universe.  You are thwarting them waaaaay too much.

It’s time for Evil Picard to kick some ass, but it in a good way.  Is it just for wealth for Pirate Picard?  I don’t think so.  In this universe, the Terrans see themselves as Superior like the British or Roman Empire.  Therefore, when the Klingons and Cardassians took back a lot of the Empire they likely took many Human captives as slaves.  This must be disgustingly unacceptable to Pirate Picard or any Terran Empire member.  Have them liberate a planet, rescuing Human captives.  From their perspective, they are not only NOT EVIL, but good because they are reasserting rightful human dominance to their universe.   If you have to, make some propaganda posters with Pirate Picard.  Make it personal for Pirate Picard.  Maybe Picard’s brother joined the fleet and was captured?  Make it personal! Go for it!  Have Pirate Picard risk it all: mutiny, the ship, the Terran Empire to liberate and rescue his brother and nephew Robert.  It would be epic!!!!! You have an unending depth that you can give Pirate Picard.  Give him his version of humanity.

This volume was ok, but they are not fulfilling some great story potential here.   This could be a great way to reboot the series.  Just remember: They Don’t Consider Themselves Evil.