Tag Archives: television

Retro Television Review: Homicide: Life On The Street 5.17 “Kaddish”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, both Munch and Pembleton go on an inner journey.

Episode 5.17 “Kaddish”

(Dir by Jean de Segonzac, originally aired on February 21st, 1997)

When Munch and Kellerman investigate a crime scene in which a woman has been found murdered, Munch is stunned when the woman is revealed to be Helen Rosenthal, his high school crush.  In between flashbacks to Munch’s awkward teen years, Munch and Kellerman investigate the crime.  At first, it seems like the murderer might be one of two former classmates, one of whom was Helen’s ex-husband.  Ultimately, the truth turns to be much simpler.  As if so often the case, Helen was the victim of stranger.  She was in the wrong place at the wrong time.

During the investigation, Munch bonds with Helen’s daughter, Sarah (Jean Louisa Kelly).  Per Jewish law, Helen is buried within 24 hours and Munch and Kellerman later attend her shiva, where Munch begs out of being a part of the minyan.  Because Kellerman has apparently never met a Jewish person in his life, Munch has to explain to him the concept of sitting shiva and reciting the Kaddish.  On the one hand, I wish this episode didn’t resort to making Kellerman into a total doofus.  (At one point, he even asks what a “shiksa” is,) but, on the other hand, I did appreciate that it dealt with a side of Munch that we really haven’t seen before.  As a viewer, I’m so used to seeing Munch as just being the squad’s resident cynic that it was interesting to see him dealing with issues of faith.

Speaking of faith, Pembleton is continually to struggle with his.  He even goes to Mass in this episode and remember a debate he once had with a nun about whether or not any signs of God can be found while working as a homicide detective.  Pembleton does find a sign towards the end of the episode.  Called in when a woman dies in home hospice care, Bayliss and Pembleton discover that no murder occurred.  Instead, the woman has passed with a look of peace on her face and a crucifix on her nightstand.  Having lost his family and nearly his life, Pembleton finally seems to have found his faith.  And I’m glad about that because Pembleton the Heretic was getting to be a bit of a slog.

This was a good episode, one that used death as a way to shine a light on life.  Richard Belzer gave one of his better performances in the role of John Munch and, as always, Andre Braugher was outstanding as Pembleton.  I’m also happy to say that Pembleton and Bayliss are once again partners.  That’s the way it should be.

Late Night Retro Television Review: Hunter 1.12 “The Avenging Angel”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, someone wants to help out Hunter!

Episode 1.12 “The Avenging Angel”

(Dir by James Whitmore, Jr., originally aired on January 18th, 1985)

After Hunter receives an anonymous phone tip, he arrests Dr. Pierpoint (Angus Duncan) for attempting to hire a criminal known as “The Rat” to kill his wife.  When Hunter makes the arrest, he actually has to Mirandize him twice because the doctor was unconscious the first time that Hunter read him his rights.  Oh, Hunter!

Unfortunately, things fall apart at trial.  The Rat (Robert Pastorelli, whose career later fell apart after the mysterious death of his girlfriend) changes his testimony at the last minute and says that Pierpoint never hired him to kill his wife.  The case is dismissed.  Hunter is upset.  Even more upset is Arnold Morton (Robert Gray), a surveillance expert who idolizes Hunter and who makes it his mission to take down not just Pierpoint and the Rat but also defense attorney Nell Armstong (Nancy Stafford).

This was an interesting episode.  The story didn’t quite work but the idea behind it was intriguing.  Morton, who has bugged Hunter and has been following him for weeks, considers himself to be Hunter’s avenging angel.  When Hunter makes it clear that he’s not cool with the whole vigilante thing, Morton turns on him like a lover scorned.  This is like Hunter’s version of Magnum Force.

As for McCall, she spends most of this episode just trying to go on a date with her latest boyfriend, Ted (Rod Haase).  Unfortunately, Hunter keeps interrupting.  Ted is a nice guy about it but it’s pretty obvious that McCall and Hunter are meant to be together.

The highlight of this episode?  Hunter destroying his phone while searching for a bug.  In the role of Captain Dolan, John Amos got to do his whole, “Hunter, what the Hell are you doing!?” thing.  That’s always entertaining.

As I said, the episode didn’t quite work.  I never really bought that Arnold could do everything that he managed to do in this episode.  I mean, for someone who lived in an abandoned arcade and drove a broken-down van, Arnold seemed to have unlimited resources.  I will give a shout out to the show’s art department for including a poster of Lucio Fulci’s Zombi 2 in Arnold’s office.

It’s always funny to me how, in every episode, Hunter has got someone trying to kill him and no one but McCall seems to care.

Retro Television Review: Decoy 1.38 “First Arrest”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

This week, it’s the next-to-last episode Decoy!

Episode 1.38 “First Arrest”

(Dir by Arthur H. Singer, originally aired on June 30th, 1958)

Casey meets with a new, rookie policewoman (Ellen Madison) at Coney Island.  The rookie just made her first arrest and is now in tears because she’s worried that she’s ruined someone’s life.  Casey tells the story of her first assignment and what it was like to make her first arrest.

Flashback time!

The NYPD believes that a fencing operation is being run out of a Coney Island carnival sideshow.  Young and eager, Casey gets a job as an exotic dancer at the carnival.  (Calm down, boys.  She wears one of the least-revealing costumes of all time.)  Shy and insecure Willie Graff (Joshua Shelley) develops a crush on Casey.  Casey, suspecting that Willie is the fence, plays along but she starts to feel guilty as she realizes that Willie isn’t some sort of dangerous criminal.  He’s just a down-on-his-luck guy who is cutting a few corners.  He even introduces Casey to his mother (Ruth McDevitt).

When Willie gives Casey a diamond necklace, she assumes that it must be stolen but it turns out that it’s his mother’s necklace and that Mrs. Graff wants Casey to have it.  Casey is actually relieved because it seems like Willie isn’t the fence that she’s looking for.  However, then Willie gives her a mink coat and admits that he bought it from someone who had stolen it.  Though saddened, Casey forces herself to arrest Willie.

In the present, Casey assures the rookie that she will soon get used to arresting people and she won’t care about them anymore.  Yikes!

As you may have guessed, I didn’t really care much for this episode.  That idea of Casey being someone who doesn’t care about the people who she arrests pretty much goes totally against everything we’ve seen over the past 37 episodes.  The thing that always set Casey apart was that she does care.  She has to do her job but she also understands that sometimes, people just make mistakes.  Unless it’s case in which she was threatened, Casey usually doesn’t take any joy in slapping the handcuffs on someone.

As much as I hate to say it, Beverly Garland is not particularly convincing in the flashback scenes.  Young Casey is written as being continually breathless and unsure of herself.  There’s nothing about Beverly Garland’s screen presence that suggests insecurity.

This was a disappointing episode.  Next week, we’ll be finishing up Decoy and I hope it goes out on a better note than this.

Late Night Retro Television Review: 1st & Ten 4.8 “Injustice For All”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

Oh my, this epiosde.

Episode 4.8 “Injustice For All”

(Dir by Stan Lathan, originally aired on November 23rd, 1988)

The Bulls narrowly win a game against Texas’s team when Coach Denardo decides to give the ball not to usual running back but instead to Bubba Kincaid.  Bubba is pronounced the hero of the game, which makes Jethro jealous.  During the next game, when Denardo tries to pull off the same play, Bubba insists that the ball should be given to Jethro.  Jethro fumbles the ball and Bubba falls on it, scoring once again for the Bulls.  Afterwards, Bubba assures the press that Jethro was supposed to fumble and that Jethro is actually the hero of the game.  That’s  nice!

Less nice is what happens when the press talks to Coach Denardo.  When asked whether or not he thought Texas lost because they had a black quarterback, he shrugs and says, “Maybe.  Blacks have excelled at every other position in the game.  Eventually, they’ll excel as quarterbacks.”  Denardo is branded a racist.  He insists that his words were taken out of context.

Personally …. I don’t know, it all sounds pretty racist to me.  The question was definitely racist.  Denardo wasn’t asked if he felt Texas lost because their quarterback didn’t play well.  Instead, he was specifically asked if Texas lost because their quarterback was black.  Then, Denardo’s answer is that apparently blacks are not good quarterbacks right now but they will be someday.  How is that not racist?  Denardo (and the reporter) are taking an individual player, considering nothing about him beyond his race, and then saying that’s why his team lost.  All Denardo had to say was that the quarterback struggled, just as many white quarterbacks have struggled.  Denardo could have just said, “Race doesn’t have anything to do with it.”  Instead …. well, you get the idea.

The Dobbs Corporation, which now owns the Bulls, has recently had to settle a lawsuit about their discriminatory employment practices.  Executive Michal Westwood (Paul Tuerpe) wants Denardo fired and really, Denardo probably should be fired.  But TD Parker (OJ Simpson) tries to play peacemaker.  He tells Denardo that it would help if he apologized.

“TD,” Denardo says, “I’ve got white friends and I’ve got black friends.  But if you don’t drop this, I might have one less black friend.”

And then, presumably, Denardo complimented TD for being articulate.

Meanwhile, Dr. Death’s attempt to have a one night stand with a biker chick (Beth Broderick …. wait a minute, Aunt Zelda!?) comes to an end when he meets her son and discovers that the kid is being abused by his mother’s other boyfriend.  Dr. Death takes the kid under his wing and then beats up the abuser.  Yay!  Seriously, this whole episode should have just been Dr. Death beating up that guy.

And Denardo really should have been fired.

Late Night Retro Television Review: Pacific Blue 4.10 “Thrill Week”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the local college fraternity is out of control and somehow, it’s up to the bicycle patrol to restore order to the campus.

Episode 4.10 “Thrill Week”

(Dir by Sara Rose, originally aired on November 29th, 1998)

It’s rush week, which means that the beach is full of drunk college students.  Fortunately, the bike patrol is there to keep the peace.  Bobby Cruz is upset when he discovers that his teenager sister, Teresa (Susan Enriquez), is hanging out at the rush events, drinking beer, smoking, and hooking up with frat boys.

So, let’s see.  Bobby is a Latino bicycle cop who grew up in a poor neighborhood.  He flirts with Cory.  He’s fiercely overprotective of his teenage sister.  So, basically, he’s exactly like Victor del Toro, except for the fact that he’s played by Mario Lopez.  It wouldn’t surprise me if, when Lopez was handed this script, someone had just gone through and crossed-out Victor’s name and written in Bobby’s name instead.

Anyway, the frat hazing is getting out-of-hand so TC decides to send Granger in undercover.  (I  know I ask this every week but, seriously, why are bicycle cops doing undercover work?)  TC is a former member of the fraternity so he introduces Granger as being his nephew and arranges for Granger to be accepted into the frat as a legacy.  At first, Granger has no interest in being  a member of a frat but then he sees all the beer and changes his mind.

What’s the plot here?  Good question.  Tanner Sexton (Thomas Caron) attempts to drug and rape his ex-girlfriend at a fraternity party but, fortunately, Bobby and Cory show up in time to stop him.  (Granger helps Teressa escape being caught at the party by punching Bobby.)  Despite the fact that he’s dating his son’s ex, Tanner’s father (Clint Carmichael) pulls some strings and gets Tanner released from jail.

Later, Bobby, Cory, and TC confront Tanner at the frat house and Tanner pulls a gun.  Bobby shoots Tanner in the shoulder.  “You’ll be okay,” TC tells Tanner.  Uhmm, the dude just get shot in the shoulder.  That’s not a minor wound!

Eh.  Who cares?  This episode was dumber than usual.  I’m less concerned about the frat and more curious as to why new cast members Shanna Moakler and Amy Hunter always seem to be absent (or, in Hunter’s case, mostly absent) from any episode involving Granger.  For that matter, Darlene Vogel was missing from this episode as well.  One gets the feeling that show couldn’t afford to ever have the entire cast in the same episode at the same time.

Four seasons in and this show has yet to convince that a bike patrol is even necessary.

Retro Television Review: Saved By The Bell: The New Class 2.9 “Belding’s Prank”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00.  The show is currently on Prime.

This week, we have an episode that you should watch at your own risk.

Episode 2.9 “Belding’s Prank”

(Dir by Don Barnhart, originally aired on October 8th, 1994)

This is one of those episodes where the plot just gives you a headache.

It’s Prank Week at Bayside and Mr. Belding is all in.  He thinks that Prank Week is a great way to build school spirit.  When Screech informs Belding that the new superintendent is coming to inspect the school, Belding assumes that it’s a prank.  Meanwhile, Brian, Tommy, and Bobby are trying to prank Rachel, Lindsay, and Megan and vice versa.  Brian, Tommy, and Bobby sabotage a sink in the girls locker room.  Rachel, Lindsay, and Megan put a live chicken in the boys locker room.

Finally, Screech is able to convince Belding that the superintendent is coming.  Belding suspends prank week.  However, when a plumber (Ken Thorley) shows up to look at the sink, the girls tell Screech that he’s the superintendent.  (The plumber was at the Plumber Awards Banquet and is wearing a suit.)  Belding and Screech give the plumber a tour of the school.  Belding take him to the Max for lunch.

The real superintendent (Raye Birk) shows up but Screech thinks he’s the plumber.  (Oh my God, this hurts my head just to write.)  Screech tells the superintendent to fix the sink.  The superintendent gets sprayed with black sludge.  Screech takes the superintendent to the boys locker room to wash up.  The superintendent runs into the chickens and ends up covered in feathers.

The superintendent demands to speak to Belding in his office.  Our core group of students — who apparently don’t have any classes to go to — wait outside.  Belding steps out of the office and announces, “I’ve been fired.”

Well, yeah, I should say so.  There’s absolutely no reason for Belding not to be fired.  He obviously can’t control his school.  Hell, he can’t even get his students to go to class.

The next day, the superintendent returns and, at a school assembly, says he’s going to introduce the new principal.

“We want Mr. Belding back!” Brian cries out.

“Then you should have appreciated him when he was here,” the superintendent replies.

The superintendent then introduces the new principal — “Mr. Richard Belding!”

Belding steps out on stage, disappointing Screech who thought he was going to be the new principal.  “Got ya!” Belding says to the students.  Hey, it was all a prank!  Belding mentions that it’s a good thing that the superintendent had a sense of humor.

WHAT!?

I’ve seen this episode a few times.  Dennis Haskins actually gives one of his better performances as Belding in this episode.  You really do believe him when he says, “I’ve been fired,” which makes it all the more strange when it turns out it was all just an elaborate prank.

Overall, though, this is one of those episodes that gives me a headache in that every problem could have been resolved by everyone not acting like an idiot.  This is migraine television.  And that’s no prank!

Late Night Retro Television Review: CHiPs 5.26 “K-9-1”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Baker watches in awe as Ponch saves the day once again.

Episode 5.26 “K-9-1”

(Dir by Leslie H. Martinson, originally aired on May 9th, 1982)

While two thieves calling themselves “the new James gang” are busy hijacking city buses and robbing the passengers, Ponch and Baker work with a group of deputy sheriffs who are a part of the K-9 unit.  When one of the sheriffs is injured and her dog blinded by an explosive, Ponch steps in and proves to the crusty old supervisor (John Vernon) that the dog can still do its job.

(The dog, needless to say, is adorable!)

This episode felt like a callback to the early seasons of CHiPs, in which the emphasis was on all of the different divisions of law enforcement working together.  At the same time, it was verry much a season 5 episode in that, despite the fact that Baker had always been portrayed as the one who liked and was good with animals, it was Ponch who was assigned to work with the dogs.  Indeed, Baker is pretty much reduced to a cameo in this episode.

In other words, it’s….

In fact, CHiPs was about to become even more The Ponch Show.  With the fifth season coming to an end and contracts coming up for renegotiation, Larry Wilcox left the show because he felt that the producers always favored Erik Estrada over him.  (Judging from what I’ve seen, he was right.)  As well, Randi Oakes, Brodie Greer, and Michael Dorn (who all played other members of the Highway Patrol) left as well because they were dissatisfied with their contracts.  Of the old regulars, only Estrada, Robert Pine, Lou Wagner, and Paul Linke returned for the sixth and final season.

However, before we get to that season, we have one more fifth season episode to go.  Next week, season 5 ends with an episode that doesn’t feel like CHiPs at all.  See you then!

Retro Television Review: Crime Story 1.10 “For Love Or Money”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988.  The entire show can be found on Tubi!

This week, the Major Crimes Unit follows a ring of things from Chicago to Iowa!

Episode 1.10 “For Love Or Money”

(Dir by Bobby Roth, originally aired on December 5th, 1986)

An investigation into a new Chicago robbery crew leads the Major Crimes Unit to the small town in Iowa that the crew calls home.  After the MCU busts the crew, the Mayor is so thrilled that he gives them all the key to the city and invites them to party at the local bar, which turns out to be a surprisingly happening place.  Torello, who has just signed his divorce papers, gets drunk, steals a car, and sleeps with the mayor’s wife.  That’ll teach him to hand out keys to the city!

Meanwhile, Danny feels sorry for one of the thieves.  Howie Dressler (a very young Gary Sinise) is not a ruthless criminal.  Instead, he’s someone who has lost his job and who is desperately trying to pay the bills  His wife (Moira Sinise) is a victim of polio and lives in an iron lung.  Danny wants to cut a deal with Howie.

Unfortunately, though the thieves don’t fully realize it, the thieves work for Ray Luca’s organization.  Luca and Paulie take Howie for a ride to a warehouse, where they tie him to a chair. Howie swears to them that he’s not going to rat them out.  He says that he’ll take the fall and that the only reason he talked to the MCU was to protect his wife.  Howie says that he did what any real man would do in the situation.  Luca seems to be sympathetic and motions at Paulie to let Howie go.

Or does he?

Later, Torello, Danny, and the boys are called to another warehouse where the bodies of the thieves have been found. The majority of them were beaten to death.  Howie was hanged.

Yikes!

Back at the bar, Danny gets drunk.  When Torello shows up to take him home, Danny says that he should have let Torello execute Ray Luca when he had the chance.  Torello nods and then says, “I will kill Ray Luca.”

This episode really gave us a look into the mentality of Torello and the other members of the Major Crimes Unit. We’ve always known that Torello is obsessed with Luca but, in this episode, we saw just how obsessed.  Torello seems to feel that he’s now on a holy mission to personally kill Luca.  The members of MCU obsess over the criminals they chase and, when they don’t have a criminal to chase, they end up losing control, getting drunk, and impulsively stealing cars. Say what you will about Ray Luca, he’s at least a little bit more disciplined.

I get the feeling none of this is going to lead to a happy ending.

Late Night Retro Television Review: Degrassi: The Next Generation 3.1 “Father Figure: Part One”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015!  The series can be streamed on YouTube and Tubi.

This week, we start season 3!

Episode 3.1 “Father Figure: Part 1”

(Dir by Bruce MacDonald, originally aired on September 17th, 2003)

The third and fourth seasons of Degrassi: The Next Generation were Degrassi at its best so, over the upcoming year, we’ve got a lot to look forward to.  Unfortunately, though, we have to start things off with some Emma drama.

The season premiere finds Emma in a bad mood.  Yeah, that’s a shock, right?  Emma was always in a bad mood.  This time, she does have a somewhat legitimate grievance, even if, as usual, she seems to be totally unaware that other people have lives that don’t necessarily revolve around whatever she’s upset about at the moment.  Her mother has always refused to tell Emma much about Shane McKay.  Emma’s only memory of her father is visiting him in a clinic and Spike telling him that he couldn’t be a part of Emma’s life.  Emma thinks that Shane was a doctor.  Of course, all of us veteran Degrassi watchers know the truth.  Shane McKay was a flakey high school student who suffered brain damage when he dropped acid and fell off a bridge.

Sean, quite sensibly, says that maybe Emma should just let it go for a bit, seeing as how she actually has a nice home and mother and stepfather who love her.  (Emma often seems to forget that Sean has essentially been abandoned by his entire family.)  Sean also points out that Spike is pregnant and doesn’t need the extra pressure of Emma constantly losing her temper.  Realizing that Sean is making too much sense, Emma instead partners up with Craig and tracks down Shane.  As the episode ends, she discovers that Shane (played by Jonathan Torrens) is living in an assisted living facility,

While all of that is going on, Paige is freaking out because of the location of her locker.  Spinner makes a series of deals which leads to him eventually convincing new student Chris Sharpe (Daniel Keith Morrison) to trade lockers.  Chris’s locker is located in Degrassi’s best hallway.  Paige is happy about that.  But the locker still looks old and dingy.  Paige would rather have Jimmy’s locker.  Good luck with that, Paige.  Despite agreeing to set aside their differences at the last school dance, Jimmy is back to hating Spinner.

This episode also features the return of Caitlin Ryan, who comes back Toronto for Spike’s baby shower.  (The creepy Farrell twins show up too.  AGCK!)  Caitlin meets Joey’s new girlfriend, realtor Sydney (Elisa Moolecherry).  Before realizing who Sydney is, Caitlin rambles on about how she and Joey have such a complicated romantic history.  This was the episode in which Caitlin was suddenly changed from being a level-headed professional woman to a neurotic klutz who continually got into awkward situations.

This is a two-part episode.  We’ll conclude the story of Shane McKay next week!