Some Thoughts On Today’s Oscar Nominations Announcement


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I really don’t mean to sound like your cranky old Uncle Elmo, but….

Seriously, Academy, I understand you don’t give two shits about Hollywood history. You prove that year after year with your truncated ‘In Memoriam’ segment, omitting far too many who’ve contributed to your industry. Last year, it was (among others) Don Gordon, Skip Homeier, Tobe Hooper, and Anne Jeffreys; the year before Gloria DeHaven, Madeleine LeBeau, William Schallert, Robert Vaughn… I get it. You’ve got to save time for those great “comedy” bits that Bob Hope wouldn’t touch with a ten-foot ski pole and lame musical production numbers, not to mention giving time for everyone to make their obligatory political statements. That’s why I put so much time and effort into my own yearly ‘In Memoriam’ tributes, so those you give short shrift to won’t be forgotten.

Orson Welles’ “The Other Side of the Wind”

But to completely…

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Fever Dreams: Fritz Lang’s THE WOMAN IN THE WINDOW (RKO/International Pictures 1944)


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Back in 2016, I did a post expounding on one of my favorite films noir, 1945’s SCARLET STREET . This dark masterpiece of corruption starred the titanic trio of Edward G. Robinson, Joan Bennett, and Dan Duryea in a sordid tale directed by German legend Fritz Lang, with moody cinematography courtesy of Milton Krasner. Recently, I viewed a film this team made the year previous, THE WOMAN IN THE WINDOW, with a screenplay by producer Nunnally Johnson. Comparisons were inevitable, but though there are certainly similarities between the two films, this one stands on its own as a powerful entry in the film noir canon. With all that talent, would you expect anything less?

Robinson plays college professor Richard Wanley, an intellectual lecturing on the psychology of homicide to his students. He’s a happily married father of two kids, left alone while the fam visits relatives. Whaley goes to his…

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Diamond Among the Coal: Bela Lugosi in BOWERY AT MIDNIGHT (Monogram 1942)


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I’ve written about Bela Lugosi’s infamous ‘Monogram 9’ before, those ultra-cheap spectacles produced by the equally ultra-cheap Sam Katzman for low-budget Monogram Pictures. These films are all Grade Z schlock, redeemed only by Lugosi’s presence, giving his all no matter how ludicrous the scripts or cardboard the sets. BOWERY AT MIDNIGHT is a cut above; still schlock, but the pulpy premise is different from the rest, and Bela gives what’s probably his best performance out of the whole trashy bunch.

Lugosi plays kindly Karl Wagner, a benevolent soul who runs the Friendly Mission down on the Bowery. But wait – it’s all a front for recruiting down-on-their-luck criminals into Wagner’s gang of thieves. And when he’s done with them, he bumps them off and gives the corpses to ‘Doc’, a dope fiend ex-medico who uses the bodies for his own nefarious purposes!

But wait again! Wagner’s not really Wagner, he’s…

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Wild Wyler West: Gary Cooper is THE WESTERNER (United Artists 1940)


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It’s hard to believe that, except for two films in which he cameoed, I haven’t covered any movies starring my namesake, Gary Cooper . Nor have I written anything about any of major Hollywood director William Wyler’s works. So let’s kill two birds with one stone and take a look at 1940’s THE WESTERNER, one of the best Westerns ever. It’s a highly fictionalized account of the life and times of Judge Roy Bean (1825-1903), played by Walter Brennan in his third and final Oscar-winning role, with Cooper as a drifter at odds with “The Law West of the Pecos”.

That “law” is Bean, who sides with the open range cattlemen against the homesteaders who’ve moved into the area. Into the town of Vinagaroon rides Coop as Cole Harden on his way to California. Unfortunately for Cole, he rides in on a horse stolen from one of Bean’s cronies, and…

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Attaboy, Luther!: Don Knotts in THE GHOST AND MR. CHICKEN (Universal 1966)


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When the conversation turns to great screen comedians, Don Knotts doesn’t get a lot of respect among the cognescenti. Talk to his loyal fandom, including celebrities like Jim Carrey and John Waters, and you’ll hear a different tune. They all agree – Knotts was a talented and funny comic actor, the quintessential Everyman buffeted about by the cruelties of fate who eventually triumphs against the odds. Following his Emmy-winning five-year run as Deputy Barney Fife on THE ANDY GRIFFITH SHOW , Knotts signed a movie contract with Universal, and his first feature for the studio was the perfect vehicle for his peculiar talents: a scare comedy titled THE GHOST AND MR. CHICKEN.

Knotts plays Luther Heggs, a meek typesetter for his local newspaper in the small town of Rachel, Kansas. He’s also somewhat of the town laughing-stock, bullied by the paper’s ace reporter Ollie, his rival for the affections…

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A Pirate’s Life For Me!: THE SPANISH MAIN (RKO 1945)


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Today we celebrate the birthday of classic actor Paul Henreid (1908-1992)  


THE SPANISH MAIN is one of those films where the acting is cranked up to 11 and tongues are held firmly in cheek. That’s not a bad thing; this is a fun, fast-paced romp that doesn’t require much thinking, a colorful piece of mind candy that doesn’t take itself too seriously and features a great cast. It’s not what you’d normally expect from director Frank Borzage, usually associated with weightier matters like 7TH HEAVEN, A FAREWELL TO ARMS, THREE COMRADES, STRANGE CARGO , and THE MORTAL STORM. Maybe after all that heavy drama, the veteran needed to lighten up a bit!

Paul Henreid  stars as our hero Laurent Van Horn, a Dutch captain whose ship is wrecked in the Caribbean waters near Cartagena. The Spanish Viceroy there, Don Juan Alvarado (Walter Slezak ), is a tyrant who holds the…

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