Tag Archives: Through the Shattered Lens

Happy Birthday, Arleigh!

Posted on by Lisa Marie Bowman

Today is a very special day as we celebrate the birthday of the founder of the Shattered Lens, the one and only …. ARLEIGH SANDOC!

Happy birthday, Arleigh!

Nearly 10 years ago, Arleigh founded the site that would eventually become the Shattered Lens.  He recruited our initial crew of four writers.  (We’ve obviously grown since those early days) and he asked me to come aboard as co-editor of the site.  Tomorrow is thanksgiving but I can tell you what I’m thankful for today.  I’m thankful that Arleigh took a chance and made me a part of this site.  I have grown so much as a writer, due to the opportunities and the freedom that Arleigh offered to me and every other writer on this site.

Next year, we’ll be celebrating the TSL’s 10th birthday all year long.  2020 is going to be all about celebrating everything that this site is about and I hope we’ll see each and everyone of you there.  Today, however, is all about celebrating Arleigh.

Happy birthday, Arleigh!

Halloween Havoc!: Peter Cushing in TWINS OF EVIL (Universal/Hammer 1971)

Posted on by gary loggins

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British babes Mary and Madeleine Collinson became the first set of twins to not only star as Playboy Twin Centerfolds (and we’ll get to that at the end of this post!!), but to star in a Hammer Horror film, 1971’s TWINS OF EVIL. Not only that, the lasses got to play opposite Hammer icon Peter Cushing as their puritanical, witch burning uncle. It’s the final chapter in Hammer’s Karnstein Trilogy (preceded by 1970’s THE VAMPIRE LOVERS and 1971’s LUST FOR A VAMPIRE), based on characters from Sheridan LeFanu’s 1872 novella , and it’s a sexy, blood-spattered scream!

As uncle Gustav Weil goes around the countryside burning young girls at the stake, his recently orphaned twin teenage nieces Maria and Frieda arrive from Venice. Prudish Uncle Gustav disapproves of the girls’ plunging decolletage (“What kind of plumage is this? The birds of paradise?”). While Maria is shy and demure, Frieda’s a…

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Halloween Havoc!: ISLAND OF LOST SOULS (Paramount 1932)

Posted on by gary loggins

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Universal Pictures kicked off the horror trend of the early 30’s with DRACULA and FRANKENSTEIN , and soon every studio in Hollywood, both major and minor, jumped on the terror train. Paramount was the first to hop on board with an adaptation of Stevenson’s DR. JEKYLL & MR. HYDE , earning Fredric March an Oscar for his dual role. Soon there was DR. X (Warners), THE MOST DANGEROUS GAME (RKO), FREAKS and THE MASK OF FU MANCHU (both MGM), and THE MONSTER WALKS and WHITE ZOMBIE from the indies. Paramount released ISLAND OF LOST SOULS at the end of 1932, a film so shocking and perverse it was banned in Britain for over a quarter century, and still manages to frighten even the most jaded of horror fans today.

Based on the novel The Island of Dr. Moreau by H.G. Wells, the film begins with shipwrecked Edward Parker being rescued…

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Big Bad Bob: Robert Mitchum in MAN WITH THE GUN (United Artists 1955)

Posted on by gary loggins

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Rugged Robert Mitchum is pretty much the whole show in MAN WITH THE GUN, a film by first  time director (and Orson Welles protege) Richard Wilson. It seems a strange choice at this juncture of Mitchum’s career. He was just coming off four big films in a row (RIVER OF NO RETURN, TRACK OF THE CAT, NOT AS A STRANGER, NIGHT OF THE HUNTER ), then makes a low budget Western that harkens back to his days making ‘B’ Zane Grey Westerns at RKO. But that was Mitchum; always the maverick who did things his way.

The film itself isn’t bad: Mitchum plays a notorious gunslinger, a “town tamer” hired by Sheridan City to clean things up from the clutches of boss ‘Dade Holman’ (who isn’t seen til the end, but whose influence is everywhere). There’s a subplot with his ex-wife Jan Sterling, now running the dance hall girls at…

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RIP Sid Haig: A Career Retrospective

Posted on by gary loggins

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Quick, name an actor who’s played villains opposite everyone from Batman to  James Bond, and Captain Kirk to TJ Hooker. Not to mention sharing screen time with stars like Ann-Margret, Lucille Ball, Lon Chaney Jr, Pam Grier, Nancy Kwan, Lee Marvin, and Anthony Quinn, and working with directors as diverse as Robert Aldrich, Jack Hill, Richard Fleischer, George Lucas, Quentin Tarantino, and Rob Zombie.  There’s only one, and his name was Sid Haig, one of the last links to Old Hollywood and an Exploitation Icon, who sadly passed away yesterday at age 80.

Young Sidney Moesian, born 7/17/39 in Fresno, was bitten by the show biz bug early, dancing onstage as a child and even scoring a regional rock hit with his teenage band The T-Birds:

Sid got his acting education paying his dues at the famed Pasadena Playhouse, alongside roommate Stuart Margolin (THE ROCKFORD FILES, DEATH WISH, etc). His…

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Farewell, Captain Spaulding

Posted on by gary loggins

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News has reached us that character actor Sid Haig has passed away at age 80. I’ll have a full tribute/career retrospective on Sid later tonight or tomorrow evening. Meanwhile, enjoy this pictorial tribute to the late, great Sid Haig…

Spider Baby (1964; D: Jack Hill)

CC & Company (1970; D: Seymour Robbie)

Diamonds Are Forever (1971; D: Guy Hamilton)

Foxy Brown (1974; D: Jack Hill)

Jackie Brown (1997; D: Quentin Tarantino)

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Built For Speed: Richard Pryor in GREASED LIGHTNING (Warner Brothers 1977)

Posted on by gary loggins

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Richard Pryor  (1940-2005) has been hailed as a comedy genius, and rightly so. But Pryor could also more than hold his own in a dramatic role. Films like WILD IN THE STREETS, LADY SINGS THE BLUES, and BLUE COLLAR gave him the opportunity to strut his thespic stuff, and GREASED LIGHTNING gave him top billing as Wendell Scott, the first African-American NASCAR driver. Pryor plays it straight in this highly fictionalized biopic about a man determined to break the color barrier in the predominantly white sport of stock car racing.

We see Scott returning to his rural Danville, VA hometown after serving in WWII.  He tells everyone he wants to drive a cab and someday open a garage, but his secret wish is to become “a champion race car driver”. He meets and falls in love with Mary (Pam Grier, who’s never looked more beautiful), and they eventually marry…

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Cleaning Out the DVR #24: Crime Does Not Pay!

Posted on by gary loggins

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We’re way overdue for a Cleaning Out the DVR post – haven’t done one since back in April! – so let’s jump right in with 4 capsule reviews of 4 classic crime films:

SINNERS’ HOLIDAY (Warner Brothers 1930; D: John Adolfi) – Early talkie interesting as the screen debut of James Cagney , mixed up in “the booze racket”, who shoots bootlegger Warren Hymer, and who’s penny arcade owner maw Lucille LaVerne covers up by pinning the murder on daughter Evalyn Knapp’s ex-con boyfriend Grant Withers. Some pretty racy Pre-Code elements include Joan Blondell as Cagney’s “gutter floozie” main squeeze. Film’s 60 minute running time makes it speed by, aided by some fluid for the era camerawork. Fun Fact: Cagney and Blondell appeared in the original Broadway play “Penny Arcade”; when superstar entertainer Al Jolson bought the rights, he insisted Jimmy and Joan be cast in the film version, and…

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4 Shots From 4 Films: Happy Birthday Fay Wray!

Posted on by gary loggins

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking. Today is the birthday of 1930s Scream Queen Fay Wray (1907-2004), and since it’s so close to Halloween season (can’t wait!!), here are 4 Shots From The Horror Films of the fabulous Fay Wray!!

The Most Dangerous Game (1932; D: Irving Pichel & Ernest B. Shoedsack)

The Vampire Bat (1933; D: Frank R. Strayer)

Mystery of the Wax Museum (1933; D: Michael Curtiz)

King Kong (1933; D: Merian C. Cooper & Ernest B. Shoedsack)

Hellhound On My Trail: Walter Hill’s CROSSROADS (Columbia 1986)

Posted on by gary loggins

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‘Well the blues had a baby/and they named it rock and roll” –

Muddy Waters

Hi, my name’s Gary, and I’m a bluesoholic! Whether it’s Deep South Delta or Electric Chicago, distilled in Great Britain or Sunny California, the blues has always been the foundation upon which rock’n’roll was built. Yet there aren’t a lot of films out there depicting this totally original American art form. One I viewed recently was 1986’s CROSSROADS, directed by another American original whose work I enjoy, Walter Hill.

Hill was responsible for cult classics filled with violence and laced with humor, like HARD TIMES (with Charles Bronson as a 1930’s bare knuckles brawler), the highly stylized THE WARRIORS , the gritty Western THE LONG RIDERS, and SOUTHERN COMFORT (a kind of MOST DANGEROUS GAME On The Bayou). He scored box office gold with the 1982 action-comedy 48 HRS, making a movie star out of…

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