2017 In Review: Lisa Marie’s Final Post About Twin Peaks: The Return (for now)


“Nothing will die. The stream flows, the wind blows, the cloud fleets, the heart beats. Nothing will die.” — John Merrick’s Mother, quoting Tennyson, at the end of The Elephant Man (1980)

Was Twin Peaks: The Return a movie or a TV show?

As I sit here on January 9th, 2018, that’s a question that’s still on my mind.  There are many critics who insist that Twin Peaks: The Return should be viewed as being a 16-hour movie.  It’s a claim that I, myself, have made several times.  In order to support this argument, we point out that David Lynch and Mark Frost didn’t sit down and write 16 different scripts.  Instead, they wrote one 900-page script which they then filmed and subsequently divided into 16 different “chapters.”  It’s really not that much different from what Quentin Tarantino did with Kill Bill or what Peter Jackson did with both The Lord of the Rings and The Hobbit.  As well, Twin Peaks: The Return was such a monumental artistic achievement that calling it a TV show just seems somehow diminishing.

And yet, the fact of the matter is that Twin Peaks: The Return did air on television.  It aired in 16 different episodes, which were aired on a weekly basis.  To many, that fact alone makes Twin Peaks: The Return a television show.

It may all seem like a silly question to some readers.  However, for those of us who like to make best-of lists at the start of the new year, it is a legitimate issue.  Should I include Twin Peaks: The Return at the top of my list of the best 26 films of 2017 or should I rave about it in my list of good things I saw on television in 2017?

My solution is to do neither.  Twin Peaks: The Return was such a monumental achievement that it deserves a best-of entry of its very own.

(Of course, not everyone is going to agree.  For everyone who loved Twin Peaks: The Return, there was someone else who hated it with just as much of a passion.)

Months after the show ended, Twin Peaks: The Return continues to haunt many viewers.  As the Man From Another Place once told Agent Cooper, “She is full of secrets.”  When the show ended, many of the show’s mysteries were left unsolved.  Really, we shouldn’t have been surprised.  As a filmmaker, David Lynch has always been most interested in mysteries than solutions.  What happened to Audrey?  Why did Laura/Carrie scream?  At the end of the show, was Dale trapped in another world or another time?  Was BOB really destroyed?

Interestingly, David Lynch actually provided viewers with two endings.  The first ending, which occurred halfway through Part 17, was an ending that would have been perfect for a television show.  Dale Cooper, back to normal, defeated the bad guys and was reunited with all of his friends.  The second ending — also known as Part 18— was a much more Lynchian ending as two strangers took a road trip to nowhere.  Part 17 gave us hope for the future.  Part 18 ended with a dark reminder that the past cannot be changed, no matter how much we obsess over it.  For me, Part 18 was the most important chapter of Twin Peaks: The Return.  Part 8, of course, is the chapter that got and continues to get all the attention.  And Part 8 was probably one of the greatest stand-alone episodes in television history.  But, when considering the reoccurring themes of Twin Peaks: The Return and all of Lynch’s work, Part 18 was far more important.

What’s interesting is that, while the show ended on a dark note, Twin Peaks: The Return was often Lynch at his most optimistic.  For all the terrible things that happened, the show also featured a reoccurring theme of redemption.  Two of the original show’s most villainous characters — Dana Ashbrook’s Bobby Briggs and Richard Beymer’s Ben Horne — were reintroduced as two of the most sympathetic characters to be found in The Return.  Agent Cooper finally escaped from the Black Lodge and not only got a chance to redeem himself by destroying Bob but he also destroyed his evil Double.  He even got a chance to turn Dougie Jones into a good husband, father, and employee.

In the end, it would appear that Cooper’s only mistake was thinking that he could change the past.  He may have saved Laura but, in doing so, he just transformed her into Carrie, an unbalanced woman living in a house with a dead body on the couch.  As her final scream confirmed, he could save her life but he couldn’t erase her pain.  The past is the past but the future can always be better.

Of course, it wasn’t just the characters on the show who won redemption.  The cast of Twin Peaks: The Return was truly amazing and, by the time the show ended, my opinion of several performers had changed forever.  Who would ever have guessed that Jim Belushi would end up being one of my favorite characters?  Or that Michael Cera would turn Wally Brando into a minor cult hero?   Or that David Lynch would prove to be as good an actor as he is a director?  Or that Balthazar Getty would get a chane to redeem his less than impressive work in Lost Highway with a chilling performance as the newest face of Twin Peaks corruption?  Even the returnees from the original show — Dana Ashbrook, Wendy Robie, Sheryl Lee, Harry Goaz, Kimmy Robertson, Russ Tamblyn, Everett McGill, Peggy Lipton, Grace Zabriskie, James Marshall, Madchen Amick, and others — were given a chance to reveal new depths of character.  Veterans like Robert Forster, Ashley Judd, Laura Dern, Don Murray, Jennifer Jason Leigh, Naomi Watts and Tim Roth shared the stage with newcomers like Chrysta Bell and Eamon Farren and they all came together to create an unforgettable world.

You could even argue that Twin Peaks: The Return was a comeback of sorts for Kyle MacLachlan.  Hollywood has never seemed to really understand how to best use this appealing but quirky actor.  Twin Peaks: The Return provided him with a chance to show what he can do, giving him not just one but three characters to play.

 

Twin Peaks: The Return gave us one final chance to appreciate some talented people who are no longer with us.  Harry Dean Stanton was the face of old-fashioned decency.  Miguel Ferrer provided snarky commentary, letting the audience know that the show understood how strange it was.  Warren Frost returned briefly, still as reliable as ever as Doc Hayward.  And Catherine E. Coulson, who was so often Lynch’s muse, got to play the role one more time.

(Jack Nance, Don S. Davis, Frank Silva, and David Bowie all made appearances as well, a reminder that they may no longer be with us but they will never be gone.)

In the end, it seems appropriate to end this post with a picture of Ed and Norma, finally together.  The world of Twin Peaks: The Return was frequently a dark one but sometimes, love won.

Tomorrow, my look back at 2017 continues with my picks for my favorite songs of 2017.

Previous entries in the TSL’s Look Back at 2017:

  1. 2017 in Review: Top Ten Single Issues by Ryan C
  2. 2017 in Review: Top Ten Series by Ryan C
  3. 2017 In Review: Top Ten Collected Edition (Contemporary) by Ryan C
  4. 2017 In Review: Top Ten Collected Editions (Vintage) by Ryan C
  5. 2017 in Review: Top Ten Graphic Novels By Ryan C
  6. 25 Best, Worst, and Gems I saw in 2017 by Valerie Troutman
  7. My Top 15 Albums of 2017 by Necromoonyeti
  8. 2017 In Review: Lisa Marie’s Picks For the 16 Worst Films of 2017

 

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Playing Catch-Up With The Films of 2017: The Book of Henry (dir by Colin Trevorrow)


In the movies, child geniuses inevitably turn out to be little creeps at that’s certainly the case with The Book of Henry.

Henry (Jaeden Lieberher) is an 11 year-old with an exceptional IQ, which essentially means that it’s supposed to be cute when he talks down to people and treats them like shit.  In fact, Henry is such a genius that he’s managed to make a lot of money on the stock market and he also invents stuff.  He practically raises his younger brother, Peter (Jacob Tremblay, who is as authentic as Lieberher is overbaked).  He also takes care of his mom, Susan (Naomi Watts).  Susan’s a waitress because it’s a rule of movies like this that the single parent of a child genius will always either be a waitress or a physicist.  There’s really no middle ground.  Anyway, Susan appears to be destined to be forever single but she says that’s okay because Henry is the only man she needs in her life.

(Cringe)

Anyway, Henry lives next door to the Sickleman family.  You know that’s going to be a problem because, in the movies, good people never have names like Sickleman.  Glenn Sickleman (Dean Norris) is not only the police commissioner but he’s also not a very good neighbor.  He’s the type of neighbor who complains if the leaves from your tree gets in his yard.  He’s also not really comfortable living next door to a child genius.  It’s probably because Henry is kind of a condescending jerk.

Henry suspects that Glenn is abusing his stepdaughter, Christina (Maddie Ziegler, who is best known for Dance Moms).  However, before Henry can do anything about it, he has a seizure dies.  Uh-oh, turns out that Henry had a brain tumor!  A genius killed by his own brain.  So.  Much.  Irony.

However, before he died, he left behind a book and recorded instructions for Susan.  It turns out that Henry knew he was going to die because Henry was a super genius who could see the future.  (At least, I assume that’s what happened.)  So, he decided that his mother should murder Glenn and he even came up with some helpful instructions for how she could do it and not get caught.

Now, let me ask you a question.  If you discovered that your recently deceased son spent the last few days of his life plotting how to murder his neighbor would you…

a) Destroy all the evidence and pretend you never saw it

b) Shrug and decide to grant his last wish by following his instructions and killing the neighbor?

I mean, let’s think about this.  By all evidence, it would appear that Henry was a sociopath.  Even if you accept the idea that he had to kill Glenn to save Christina, you still also have to accept the idea that he coldly and methodically plotted out the perfect way to commit a murder and then, realizing he was going to die, he decided that his mom should commit the murder instead.

This is the type of material that a director like David Fincher, Michael Haneke or Lars Von Trier could have a lot of fun with.  However, The Book of Henry was directed by Colin Trevorrow and he takes this weird sentimental approach to the material.  Instead of freaking out over having raised a sociopath, Susan immediately starts to follow all of his instructions.  What’s amazing is that, even in the recording he made for his mom to listen to after his death, Henry is still a condescending little jerk.  At one point, from beyond the grave, Henry directs his mom to take a right turn.  Then he adds, “No, your other right.”

But what really gets me about this movie is that, after all the build up, Henry’s big genius plan is for Susan to get a rifle and shoot Glenn.  That’s it.  I mean, anyone could have thought of that!  If you’re going to make a movie like this, at least have Henry come up with some big complicated scheme!  At least give us that!  I mean, honestly, Susan could have come up with Henry’s plan on her own.

Does Susan follow through with the plan?  I’m not going to tell you.  But I will tell you that the film’s climax features a school talent show.  Maddie Ziegler gets to dance.  Jacob Tremblay gets to perform a magic trick.  They’re both really talented.  Sparkle Motion does not perform and that’s a shame.  Sometimes, I doubt Colin Trevorrow’s commitment to Sparkle Motion.

Anyway, to say that The Book of Henry is a bad film doesn’t quite do justice to just how ill-conceived this film really is.  Someone decided to make a heartwarming and rather humorless film about a child ordering his mother to commit a murder.  You may think it’s a parody at first but no, it’s a real movie.  It’s The Book of Henry.

 

Playing Catch Up With The Films of 2017: The Glass Castle (dir by Destin Daniel Cretton)


The Glass Castle, which some people expected to be an Oscar contender until they actually sat through the damn thing, is a film that nearly inspired me to throw a shoe at my television.

Seriously, I was curled up on the couch and watching the movie on TV.  On the screen, Woody Harrelson was playing an obnoxious, selfish alcoholic who resented both his daughter’s success and her boyfriend.  According to the alcoholic who was living in a trash-strewn hovel with his wife, success meant selling out and money was the root of all evil and blah blah blah.  Anyway, the drunk ended up punching his son-in-law.  The very next scene featured the son-in-law whining about getting punched and that’s when I realized that the film somehow expected us to be on the side of the drunken asshole.

I reached down and picked a shoe up from the floor.  I was just about to throw it at the television when my sister Erin reached out from behind me and grabbed my hand.

“Lisa Marie,” she said, “you are not throwing your shoe at the TV.”

“But Errrrrrrrin,” I whined, “this movie really sucks!”

“Well, then write a review about how much it sucks.  But you’re not going to throw another shoe at the TV.”

Reluctantly, I dropped the shoe.  Though I may have been annoyed at the time, I see Erin’s point.  The Glass Castle is not worth losing a shoe over.

The Glass Castle is based on a powerful memoir by Jeannette Wells.  It tells the story of how she and her siblings were raised by an alcoholic father and an artist mother.  It’s a story that’s full of adventure and pathos and everything else that you could hope for from a family memoir.  It’s also a memoir that works because Walls refuses to idealize her life.  Though she writes about how her childhood seemed like a grand adventure when she was actually living it, she’s also very honest about the fact that it really wasn’t.  Though her love for her family comes through on every page, she never shies away from the darker aspects of growing up as American vagabonds.

The film largely takes the opposite approach to the material.  As played by Woody Harrelson and Naomi Watts, Walls’s parents are portrayed as being somewhat lovable eccentrics.  Early on, when her mother’s carelessness leads to young Jeannette being burned and permanently scarred in a fire, there’s a scene where Harrelson compares it to the fire that burns inside of the entire family.  When I realized that we were supposed to be moved by this asinine comparison, I ended up rolling my eyes so hard that the world literally looked like it was upside down for five minutes.  “ARE YOU FUCKING KIDDING ME!?” I yelled at the movie.

This was followed by another scene where, at a public pool, Harrelson attempts to teach Jeanette to swim by repeatedly tossing her into the deep end and nearly drowning her.  And while the film acknowledged that this wasn’t exactly the best parenting technique, it was hard not to feel that we were supposed to think that Harrelson had a point when he said that he was preparing Jeannette to be a strong and independent person who would be able to survive being plunged into the deep end of existence.  “NO!”  I shouted at the TV, “YOU JUST NEARLY DROWNED YOUR DAUGHTER, YOU PRICK!”

(Full disclosure: My Dad once tried the same thing with me.  Fortunately, he only nearly drowned me once — as opposed to Jeannette’s father who just keeps dunking her in the deep end.  Still, it was frightening enough to not only leave me with with an obsessive fear of drowning but it also kept me from ever really learning how to swim.)

When Jeannette grows up, she’s played by Brie Larson, who does a passable Virginia accent and gives about as good a performance as anyone could, considering the script and the direction.  Her husband, David, is played by Max Greenfield.  David is a good, responsible person who doesn’t drink much and who makes a lot of money.  Jeannette’s father looks down on him for those two reasons and the film seems to expect us to do so as well.  But why?  David hasn’t done anything wrong.  He’s certainly not the one who tried to drown his own daughter or who came up with some bullshit explanation about why it was a good thing that she was allowed to burst into flame.  But, if we accept that David’s not a bad guy then we also have to accept that Jeannette’s father is being an asshole.  The film’s not sure how to handle that so instead, we’re just supposed to laugh at David because he gets the worst lines in the script.

It’s a very dishonest film.  Unlike the memoir on which it’s based, it has no interest in honestly examining what it’s like to grow up with an alcoholic.  Instead, it’s too busy giving us Woody Harrelson playing yet another redneck with a drinking problem.  Harrelson does a good enough job but fuck it.  If I want to spend time watching a drunk Woody Harrelson, I’ve got The Hunger Games on Blu-ray.

The Glass Castle ends with footage and pictures of Jeannette’s actual family and, as I watched them, it occurred to me that I would happily watch a documentary about the Walls family.  That would presumably have the honesty that is so lacking in The Glass Castle.

TV Review: Twin Peaks: The Return Part 18 (dir by David Lynch)


The Twin Peaks finale, which began with Part 17, concludes with an episode that we’ll probably still be debating 25 years from now.

The Doppelganger sits in the waiting room of the Black Lodge and bursts into flame.  MIKE (Al Strobel) uses the Doppelganger’s soul to create another Cooper (Kyle MacLachlan).  One scene later, that Cooper is arriving at his home in Las Vegas, where he is embraced by Janey-E (Naomi Watts) and Sonny Jim (Pierce Gagnon).

In the woods outside Twin Peaks, the real Cooper leads Laura (Sheryl Lee) by the hand.  Again, Laura vanishes and we hear the sound of her screaming.

Suddenly, we are again in the waiting room of the Black Lodge.  Cooper sits in his chair.  MIKE asks him, “Is it the future or the past?”  Events from Parts One and Two repeat.  Cooper again meets the Arm but this time the Arm asks him not if he remembers the Doppelganger but if he knows the story of the little girl who lived down the street.  Again, Laura whispers in Cooper’s ear before being pulled away by an unseen force.  Again, Leland (Ray Wise) tells Cooper to find Laura.

And, once again, Cooper starts to walk through the Black Lodge but this time, he finds a room that is full of dead trees.  And in that room, Diane (Laura Dern) is waiting for him.  “Is it you?” she asks him, “is it really you?”  Cooper is shocked but happy to see Diane.

(Is it possible that, even after saving Laura Palmer and therefore eliminating the event that led to him going to Twin Peaks in the first place, Cooper still found himself trapped in the Black Lodge for 25 years?  But now, instead of being sent to destroy his Doppelganger, could it be that Cooper has been allowed to leave specifically to track down Laura?)

In the next scene, Cooper and Diane are driving down a desert road.  It looks like the same road in South Dakota where the Doppelganger crashed his car when Cooper previously escaped from the Black Lodge.  It does not look like it’s anywhere near Odessa, Texas, which will become important shortly.

They pull over to the side of the road.  “Exactly 430 miles,” Cooper says.  Cooper gets out of the car.  He looks at the power lines above.  Remember — in the world of Twin Peaks, electricity is magic.  Cooper gets back in the car and asks Diane to kiss him.  “Once we cross,” he says, “it could all be different.”

They drive forward.  Electricity crackles.  Suddenly, they’re driving down a highway in the middle of the night.  They pull into a motel and get a room.  They make love, with Cooper telling Diane to keep the lights turned out and Diane placing her hands over Cooper’s face.

(It was around this time that I started to realize that a lot of unanswered questions — like what’s going on with Audrey and why Sarah Palmer can remove her face — were probably destined to remain unanswered.)

The next morning, Cooper wakes up in a room that appears to be different from the one that he fell asleep in.  Diane is gone but there’s a letter on the nightstand.  It is addressed to Richard and it is from Linda.  Linda’s letter says that she’s leaving because, “I don’t recognize you anymore.”

(Remember during Part One, when the Giant told Cooper to remember Richard and Linda?  I’m going to assume that, just as how Cooper was previously Dougie Jones, the “crossing over” that he and Diane did transformed them into Richard and Linda.)

Cooper leaves his motel and it’s a totally different motel from the one that we previously saw him checking into.

A city limits sign indicates that Cooper is in Odessa, Texas.  (Lynch does not make my home state look very good in this episode but I’ll forgive him because he’s otherwise awesome.)  As Cooper drives down the street, he sees a sign for Judy’s coffee shop–

JUDY!

Cooper pulls into the parking lot and enters Judy’s.  He asks the waitress (Francesa Eastwood) if there’s another waitress who works there.  She tells him that there is but it’s her day off.  When a few rednecks in cowboy hats (really, David?) start to harass the waitress, Cooper beats them up and drops their guns in the deep fryer.  Explaining that he’s with the FBI, Cooper asks for the other waitress’s address.

Cooper’s drives up to the waitress’s house.  He sees that she has an electric poll (marked No. 6) outside of her house.  When Cooper knocks on the door, it’s answered by Laura Palmer (Sheryl Lee)!

Except that she says that her name isn’t Laura Palmer.  She insists that her name is Carrie Page and, when she hears that Cooper is FBI, she immediately asks, “Did you find him!?”  Cooper tells her, “Your father’s name is Leland.  Your mother’s name is Sarah.”  When Carrie hears Sarah’s name, she appears to be momentarily shaken and asks.  “What’s going on?”  Cooper tells her that she is Laura Palmer and that she needs to come with him to Twin Peaks, Washington.

“D.C?” Carrie asks.

“State,” Cooper replies.

Carrie agrees to go up to Twin Peaks with him.  Her willingness may have something to do with the dead man who is propped up on her couch.

Cooper and Carrie drive all the way from Texas to Washington State.  That’s quite a long journey and, as I watched them slightly driving down yet another dark highway, I again resigned myself to the knowledge that the show would never reveal just why exactly Audrey was screaming in that white room.

Hey, Coop, I know you’re busy but remember Audrey?

(My theory is that, after raping her, the Doppelganger sent Audrey to the Black Lodge, and, just as he did to Diane, manufactured a replacement.  But if Cooper saved Laura and the Doppelganger never entered our world, is Audrey in the Black Lodge?  In fact, if Laura never died then Ben never had to sale the Ghostwood Estates to get an alibi, which means that he never pushed Audrey to become an environmental crusader and, hence, Audrey was probably not at the bank when the bomb went off.)

Finally, Cooper and Carrie reach Twin Peaks.  They drive past the Double R.  Carrie says she doesn’t recognize anything, not even the Palmer House.

Cooper and Carrie walk up to the house.  (Rather sweetly, Cooper and Carrie hold hands as they approach.)  What follows is Lynch at his creepiest, his best, and his most frustrating.

Alice Tremond was played the actual owner of the house that’s used for the exterior shots of the Palmer House.

When Cooper knocks on the door, it’s answered by the house’s owner, Alice Tremond.  (Longtime fans of the show will recognize the Alice Tremond name as belonging to one of the inhabitants of the Black Lodge.  However, Cooper never met Mrs. Tremond.  Only Donna met her and her odd grandson.)  Mrs. Tremond says that, as far as she knows, no one named Palmer has ever lived un the house.  When asked, she says that she bought the house from Mrs. Chalfont, another Black Lodge inhabitant that Cooper never met.

Stunned, Cooper and Carrie walk away from the house.

“What year is this?” Cooper asks.

Carrie shrugs.

Suddenly, from inside the house, we hear Sarah Palmer’s voice.  “Laura!”

Carrie screams.  We hear a burst of static electricity and it appears that lights in the house go off.  The screen fades to black.

The screaming fades.  Again, we see Cooper’s passive face as Laura whispers in his ear.

End credits.  Sheryl Lee is credited twice.  Once for playing Laura Palmer.  Once for playing Carrie Page.

And so it ends.

We’re going to spend years debating what all this means and I don’t want to say too much until I get chance to watch the entire series a second time.  (I plan on watching all 18 hours next weekend.)  It does appear that, no matter how much Cooper and Laura try to avoid it, all paths lead back to not only Twin Peaks but also to the unspeakable horror that occurred in the Palmer House.  Much like Dana Andrews’s obsessive P.I. in the classic film noir, Laura, Cooper is obsessed with saving a dead woman.

I’ll write more on this later, after I’ve had time to rest.  For now, I just want to thank everyone who has followed our Twin Peaks coverage here on the Shattered Lens.  And thank you to Jeff, Leonard, and Ryan for contributing!

It’s a strange world, isn’t it?

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)
  72. TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  73. This Week’s Peaks: Part 15 by Ryan C (trashfilm guru)
  74. 24 Initial Thoughts About Twin Peaks; The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  75. TV Review: Twin Peaks: The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  76. 32 Initial Thoughts about Twin Peaks; The Return Part 16 (dir by David Lynch) by Lisa Marie Bowman
  77. This Week’s Peaks: Part 16 by Ryan C (trashfilm guru)
  78. TV Review: Twin Peaks: The Return Part 16 (dir by David Lynch) by Lisa Marie Bowman
  79. 18 Initial Thoughts on Twin Peaks: The Return Part 17 (dir by David Lynch) by Lisa Marie Bowman
  80. 16 Initial Thoughts on Twin Peaks: The Return part 18 (dir by David Lynch) by Lisa Marie Bowman
  81. This Week’s Peaks: Parts 17 and 18 by Ryan C (trashfilm guru)
  82. TV Review: Twin Peaks: The Return Part 17 (dir by David Lynch) by Lisa Marie Bowman

16 Initial Thoughts on Twin Peaks Part 18 (dir by David Lynch)


As always, these are my initial thoughts.  A full recap and review will be posted either later tonight or tomorrow.

 

  1. So, did Cooper manufacture another Dougie for Janey-e and Sonny Jim?
  2. Dammit, Cooper — don’t get stranded in the Black Lodge again.  It was a hard enough to get you out the last time.
  3. “Find Laura.”  Was’t Cooper supposed to find Richard and Linda too?
  4. It’s kind of a nice coincidence that the scene immediately following Cooper being told to “Find Laura,” features Laura Dern.
  5. I notice that real Diane curses a lot less than manufactured Diane.
  6. Okay, I love David Lynch and I love Twin Peaks but I don’t necessarily need to hear this entire damn song, not when the mystery of Audrey has yet to be solved.
  7. Cooper is Richard?  And Diane was Linda?
  8. Odessa?  They’re in Texas now?
  9. I’d complain about the portrayal of Texas but at least this isn’t as bad as that episode of the X-Files.
  10. Uhmmm…you might not want to travel with Carrie Page, seeing as how she has a dead man in her living room and all…
  11. Odessa’s not that bad a town.
  12. I’m noticing that we’ve only got 15 minutes left and Audrey is still screaming in a white room, for all that we know.  This is a very odd finale and one that is going to divide a lot of viewers.
  13. MRS. CHALFONT!  And a Tremond reference as well.
  14. Well, fuck.  Is Cooper trapped in a different dimension again?  He has the worst luck.
  15. Wow.  That scream.
  16. Oh My God, there’s going to be so many angry people.  And yet, did we expect anything different?

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)
  72. TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  73. This Week’s Peaks: Part 15 by Ryan C (trashfilm guru)
  74. 24 Initial Thoughts About Twin Peaks; The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  75. TV Review: Twin Peaks: The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  76. 32 Initial Thoughts about Twin Peaks; The Return Part 16 (dir by David Lynch) by Lisa Marie Bowman
  77. This Week’s Peaks: Part 16 by Ryan C (trashfilm guru)
  78. TV Review: Twin Peaks: The Return Part 16 (dir by David Lynch) by Lisa Marie Bowman
  79. 18 Initial Thoughts on Twin Peaks: The Return Part 17 (dir by David Lynch) by Lisa Marie Bowman

TV Review: Twin Peaks: The Return Part 16 (dir by David Lynch)


Cooper’s back!

If you needed to sum up the latest episode of Twin Peaks: The Return in just two words, those would be the words to use.  After spending 15 hours with just the Doppelganger and Dougie, it is so wonderful to finally have Dale Cooper back.

Tonight’s episode of Twin Peaks was the best since Part 8.  In fact, I would rate Part 16 even higher than Part 8 because Part 16 shows that David Lynch is more than just a surrealist.  He’s also a filmmaker with a heart.  If you didn’t get emotional when Dale said, “I am the FBI,” then you have no feelings, it’s as simple as that.  You’re a zombie or maybe you’re a doppelgänger yourself.  As we learned tonight, there’s more of them out there than just evil old Mr. C.

Part 16 opens with the Doppelganger (Kyle MacLachlan) and Richard (Eamon Farren) driving at night.  The Doppelganger pulls off to the side of a country road.  He turns on his truck’s spotlights and shines them on a nearby rock.  The Doppelganger and Richard get out of the truck.  Richard asks why they’ve stopped.  “Pay attention,” the Doppelganger replies, “and you’ll find out.”

The Doppelganger goes on to explain that he’s looking for “a place.”  Three people have given him coordinates to the place.  Two of the coordinates match.  The Doppelganger says that the rock matches up with those two coordinates.  The Doppelganger sends Richard to investigate the rock and, in a quite satisfying turn of events, Richard is electrocuted and violently killed.  Bye bye, you douchebag.

“Goodbye, my son,” the Doppelganger says, confirming what we all suspected about Richard’s parentage.

Meanwhile, on a nearby hill, a stoned Jerry Horne (David Patrick Kelly) watches all of this play out.  (Perhaps it’s because he was too far away or because he was too high but Jerry didn’t seem to notice that the man being electrocuted was his grandnephew.)

In Las Vegas, Chantal (Jennifer Jason Leigh) and Hutch (Tim Roth) are in a van, staking out Dougie’s house and waiting for a chance to assassinate him.  As they watch, the FBI pulls up outside of the house.  When Special Agent Headley (Jay R. Ferguson) knocks on the front door, no one answers.  Needless to say, he’s not happy about that.  As usual, he yells at Wilson (Owain Rhy-Davies).  Poor Wilson.

The reason no one is home is because Dougie (Kyle MacLachlan) electrocuted himself during Part 15 and he’s now in a coma.  Bushnell (Don Murray), Janey-E (Naomi Watts) and Sonny Jim (Pierce Gagnon) are all in his hospital room, looking over him.  The Mitchum brothers (Jim Belushi and Robert Knepper) drop by, delivering flowers and finger sandwiches.  They also announce that they’re going to go to Dougie’s house and drop off some food so that Janey-E doesn’t have to worry about cooking.

Meanwhile, Bushnell gets a call from the office, telling him that the FBI just came by and that they’re now heading to the hospital to see Dougie.

In front of Dougie’s house, Chantal and Hutch are still hiding out in the van and waiting for Dougie to show up.  “It’s going to be a long day,” Hutch says.  (Leigh and Roth make such an entertaining couple that you almost feel bad that they’re playing psychotic murderers.)  They watch confused as the Mitchum Brothers and their entourage pull up to the house and drop off several trays of finger sandwiches.

Suddenly, a man pulls up behind the van.  He’s driving a car that has “Zawaski Accounting” on the side of it.  However, this guy doesn’t seem like your typical accountant.  For one thing, he’s extremely angry about Chantal and Hutch parking in front of his driveway.

“GO FUCK YOURSELF!” Chantal yells.

The accountant gets back into his car and starts to ram the van.  This really pisses off Chantal so she shoots the guy.  However, the accountant has a gun of his own and shoots back.  This leads to a violent shooutout, one that leaves Chantal and Hutch dead.  The accountant surrenders to Agent Wilson, who was also staking out Dougie’s house.

Watching the fight from Dougie’s front porch, Bradley Mitchum wonders, “What the fuck type of neighborhood is this?”

“People are under a lot of stress, Bradley,” his brother explains.

Back at the hospital, Dougie suddenly wakes up.  He sits up and he sees MIKE (Al Strobel) staring at him.

“You are awake?” MIKE asks.

“One hundred per cent,” Dougie replies in a confident and authoritative voice…

OH MY GOD, COOPER’S BACK!

“Finally,” MIKE says.  MIKE goes on to explain that the Doppelganger is still out there.  He hands Cooper the owl ring.

Cooper gives MIKE a strand of his hair and says, “I need you to make another one!”  (I assume Cooper is telling MIKE to make another doppelganger.)

“I understand,” MIKE says before vanishing.

It quickly becomes apparent that Cooper really is 100% back.  He is no longer blank-faced.  He is no longer blandly repeating the last two words that he heard.  Instead, he is back to being the talkative Cooper that we all know and love.  After getting the doctor to “verify that my vitals are A-okay,” Cooper tells Bushnell that he’s a good man and tells Janey-E and Sonny Jim to go to the car.

(“Dad sure is talking a lot,” Sonny Jim says.)

Before leaving, Cooper is told that the FBI is looking for him.  Cooper smiles and delivers the line of the episode: “I am the FBI.”

(Cooper also borrows Bushnell’s gun and calls the Mitchum Brothers, telling them that he’s going to need plane to Spokane, Washington.)

As Cooper, Janey-E, and Sonny Jim drive away from the hospital, the classic Twin Peaks theme music swells on the soundtrack, letting us know in no uncertain terms that Cooper is back and things are going to be okay.

In South Dakota, Diane (Laura Dern) gets a text from The Doppelganger. “: – ) All”  As a distorted remix of Muddy Magnolias’s American Woman plays on the soundtrack, Diane takes the elevator up to Gordon’s room, where Gordon (David Lynch), Tammy (Chrysta Bell), and Albert (Miguel Ferrer) are all waiting for her.

In a scene featuring some of the most brilliant work of Laura Dern’s career, Diane tells them about the last night that she saw the Doppelganger.  She reveals what the show had already heavily implied, that the last time she saw the Doppelganger, he raped her.  Afterward, he took her to “some place like an old gas station.”

Suddenly, Diane says, “I’m in the sheriff’s station.  I sent him those coordinates.  I’m in the sheriff’s station because I’m … it’s not me.”

Diane pulls a gun from her purse, just to get shot by Tammy and Albert.  Diane immediately vanishes.

“Wow,” Tammy says.

Suddenly, we’re in the waiting room of the Black Lodge.  Diane sits in a chair.  MIKE is across from her.  MIKE tells her that she’s not real, that she was manufactured.  “I know.  Fuck you,” Diane says before her face disappears in a puff of black smoke.

At the casino, the Mitchum Brothers greet Cooper, Janey-E, and Sonny Jim.  Cooper tells Janey-E and Sonny Jim that he loves them but that he has to go away.  However, he promises that he will return.  Even though Cooper is no longer Dougie, he still loves both of them.  “We’re a family,” he says, “Dougie — I mean, I will be back.”  Cooper reassures Sonny Jim that he is his dad, whether he’s Dougie or not.  “I have to go but I’ll see you soon,” Cooper says, “I’ll walk through that red door and I’ll be home for good.”

Cooper leaves with the Mitchum Brothers.  As they drive to the airport, the Mitchums ask Cooper if he really works for the FBI.  Cooper says that he does.  The Mitchums explain that they typically don’t get along with law enforcement.  In a classic Cooper moment, Dale says, “I read you 100%.  Friends, that’s about to change.  I am a witness that you both have hearts of gold.”  The Mitchums are touched.

At the Roadhouse, the MC (JR Starr) announces that the Roadhouse is proud to present Edward Louis Severson (Eddie Vedder, whose real name is Edward Louis Severson).  As Vedder sings Out of Sand (which, no offense to you Eddie Vedder fans out there, is perhaps the most boring song ever to be performed at the Roadhouse), Audrey (Sherilyn Fenn) and Charlie (Clark Middleton) finally show up.  They get a drink at the bar.  Audrey raises a toast to Billy.

Suddenly, the MC announces: “And now … Audrey’s Dance!”

Everyone on the dance floor moves to the side, retreating to the shadows.  The house band starts to play Audrey’s theme music from the original series.  Audrey appears to go into a trance and she starts to do the same dance that, 25 years previously, she did at the Double R while everyone else in town was wondering who had killed Laura Palmer.

Suddenly, a fight breaks out in the Roadhouse.  Two men are fighting over a woman named Monique.  Audrey snaps out of her trance and runs off the dance floor.  She goes to Charlie.  “Get me out of here!” she says.

Suddenly, Audrey is in a white room, staring at herself in a mirror.  “What!?  What!?” she says as the mirror shakes…

And, for now, that’s where we leave things.

Oh my God, what a wonderful episode!  Twin Peaks: The Return concludes next week.  As much as I want to see where Lynch’s journey is going to lead, I am going to miss this show and its mysteries.  After Twin Peaks: The Return ends, it’s going to be hard to just watching mere television.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)
  72. TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  73. This Week’s Peaks: Part 15 by Ryan C (trashfilm guru)
  74. 24 Initial Thoughts About Twin Peaks; The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  75. TV Review: Twin Peaks: The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  76. 32 Initial Thoughts about Twin Peaks; The Return Part 16 (dir by David Lynch) by Lisa Marie Bowman
  77. This Week’s Peaks: Part 16 by Ryan C (trashfilm guru)

32 Initial Thoughts on Twin Peaks: The Return Part 16 (dir by David Lynch)


As always, these are just the initial thoughts that I had when I first watched the episode.  Later tonight or tomorrow, I will rewatch the episode and post a full recap!

  1.  Several friends and acquaintances have already told me that tonight’s episode is amazing.  I can hardly wait to see what happened tonight.
  2. These driving scenes always make me think of Lost Highway.
  3. “I’m 25 years your senior…”  You’re also his father, Doppelganger!
  4. Agck!  So much for Richard.  To be honest, that’s the most satisfying Twin Peaks death so far.
  5. I love watching Tim Roth and Jennifer Jason Leigh act opposite each other.
  6. Poor Agent Wilson.  Always getting yelled at.
  7. The Mitchum Brothers are the nicest gangsters around.
  8. “These are what you call finger sandwiches.”
  9. I absolutely hate it when people park in front of my house so I totally related to the whole driveway scene.
  10. Well, so much for Chantal and Hutch.  It’s probably for the best.  They were funny but psychotic.
  11. OH MY GOD, COOPER’S BACK!
  12. “Finally.”  You got that right, one-armed man.
  13. GODDAMMIT, COOPER’S BACK!
  14. FINALLY, COOPER’S BACK!
  15. I’d just like to point out that, if not for Sunset Boulevard, Cooper would still be Dougie.  Thank you, Billy Wilder.
  16. Oh, thank God — Cooper remembers everything that happened when he was Dougie.  I was scared that, whenever Cooper returned, he would have to spend an episode or two getting caught up.
  17. “I’m leaving.”  You tell them, Cooper!
  18. “I am the FBI.” And the classic Twin Peaks music playing in the background!  I’m so happy right now.
  19. Uh-oh … what does that text message mean?  What is Diane about to do…
  20. That is a remix of Muddy Magnolias’s American Woman playing as Diane rides up the elevator.
  21. Let us take a moment to all agree that Laura Dern is brilliant.
  22. Whoa!  Where did Diane go!?  Actually, I think I know where Diane went…
  23.  I was right.  There’s Diane in the Black Lodge and … wait, she was manufactured?  Oh my God…
  24. So, if the Doppelganger manufactured Diane could that mean that maybe he manufactured Sarah Palmer as well?  As you may remember, she did rip that guy’s throat out a few episodes ago…
  25. Considering how indifferent I’ve been to him in the past, it’s amazing how much I love Jim Belushi in Twin Peaks.
  26. Awwwwww!  “We’re a family.”  Kyle MacLachlan is a great actor.
  27. “I am witness to the fact that you both have hearts of gold…”  Awwwww!
  28. Edward Louis Severson is, of course, Eddie Vedder’s real name.
  29. Audrey and Charlie finally made it to the Roadhouse.
  30. “Ladies and gentlemen … Audrey’s dance…” Is the Roadhouse the Black Lodge?  It would explain a lot…
  31. Oh my God, Audrey’s in the Black Lodge!
  32. This was a great episode and I can’t wait to rewatch it.  I can’t believe that it all ends next week.

 

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)
  72. TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  73. This Week’s Peaks: Part 15 by Ryan C (trashfilm guru)
  74. 24 Initial Thoughts About Twin Peaks; The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  75. TV Review: Twin Peaks: The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman