Familiar Faces #11: When Candy Johnson Got Us All Shook Up!


cracked rear viewer

Candy Johnson, dubbed “The Perpetual Motion Machine” by American-International publicists, shaked, rattled, and rolled her way across the Silver Screen in the first four AIP/Beach Party flicks, then just as quickly disappeared from the scene. But just who was this undulating beach bunny with the amazing ability to send Eric Von Zipper flying through the air with her hip-quaking booty shaking?

‘Candy’ was the childhood nickname of Vicki Jane Husted, born in San Gabriel, California on Feb. 8, 1944. She was the niece of race car driver Jim Rathmann, who won the Indy 500 in 1960. Candy loved dancing (obviously!) and her energetic go-go shimmying landed her a two-year gig as the featured attraction at Palm Springs’ Safari Lounge, backed by The Exciters Band, where she drew sold-out crowds on a nightly basis. The California Girl and her band next hit glittering Las Vegas, where the local press first coined…

View original post 397 more words

RIP Larry Cohen: Maniacal Movie Maverick


cracked rear viewer

While everyone on TV and social media are babbling about The Mueller Report, I came across some bigger news: Larry Cohen has passed away at age 77. You can debate politics all you want, but you can’t debate the fact that Cohen was a true artist, despite working within Exploitation genres and dealing with budgetary limitations throughout most of his career. Cohen’s unique vision was his own, and he made some truly great films – some turkeys too, granted, but his overall batting average was high indeed.

I’ve written extensively on this blog about Cohen’s film and television work because I love his style. Like a cinematic Rumpelstiltskin, he frequently turned straw into gold. Born in Manhattan in 1941, Larry Cohen was obsessed with B-movies and hard-boiled fiction, and after graduating from CCNY with a degree in film studies, he got a job as a page at NBC. Cohen worked…

View original post 821 more words

Triple Frontier, Review By Case Wright


5c90294e802b2.image

The heist movie or treasure hunt movie is always the same and always pretty fun.  It’s not supposed to be Shakespeare; it’s supposed to pull you in and be a thrill ride.  This iteration is all about the down and out Iraq and Afghanistan Veterans who decide to seek their fortune the old fashioned way: ripping off a drug kingpin!  In true heist genre fashion, everything works out great!

The characters came across as real Veterans to me.  After some research, the writer- Mark Boal was embedded with a platoon in Iraq and he also wrote The Hurt Locker.  The characters in Triple Frontier were like the men I knew: strong, divorced, and liked to joke.  Ben Affleck’s character Tom struck me as especially realistic.  He loved his daughter, but there was a distance because he was just not suited for civilian life.  She wanted him home, but he always wanted to be away.  You could see on her face that she knew the moment his buddies came calling that he was already gone.

Oscar Isaac plays Pope who has a gig doing private security/law enforcement in South America.  He is in pursuit of Lorea, a drug boss, who is causing all kinds of problems. Yada Yada Yada.  Pope finds the location of Lorea’s hideout which has hundreds of millions of dollars stashed inside, but he needs a team to kill Lorea, Lorea’s men, get the cash, and get out of the country.  He turns to his former squad to pull off the heist.  They need a little cajoling, but they come around. There isn’t a lot of dialogue after they agree to the heist, which makes sense.  They committed and now transitioned to soldier-mode.  The heist starts off with success in sight, but it’s not long before everything goes wrong and they are in a fight for their lives.

The film is shot really beautifully and has some high-priced songs for a Netflix program. Everything seemed very real.  Even the way the characters carried themselves and flowed through Lorea’s hideout was seamless.   They moved the way we are trained to move through rooms.  I am always looking for that in action films.  Are they not having muzzle-awareness (pointing there weapon accidentally at a friendly)?  Are they holding the rifle close to their face? Are they aiming right?  The answers to those questions were yes.   J.C. Chandor should be really proud of himself for the realism.

What kept pulling me into the story wasn’t the action (which was excellent BTW); it was that these men were like the ones I knew.  The team itself was representative of who does our killing for us: salt of the earth…men.   I like seeing women in action films and I am already excited about Black Widow, but the infantry in real life is male.  They are regular guys who are asked to do terrible terrible things.  When those terrible things are done, we cast the men aside.  The story concludes a lot like the war itself did with a lot of loss and not a lot to show for it.  This film has a political statement between the explosions and it’s worth listening to it. 

* I included Mary Pop Poppins by the True Loves in my review.  The song embodies the heist genre like no other.  Also, they are Seattleites!!!!

The Meg, Review By Case Wright


The Meg1.jpg

Yes, I know The Meg came out a while ago, but I just got it on Netflix and had a pretty good date night watching it; so, you’re going to learn about too.  The press was not kind to this film.  They used words like dumbed down, boring, and bland.  I wouldn’t put The Meg in any of those categories.  This was a high budget SyFy movie like Sharknado, but less self-aware.  As for the film, there were some legit scare moments.  My general beef is that it acted as a Chinese propaganda film.  Jason…Buddy…you don’t have to pander like that.  You’ve got abs and monster shark eating people.  Really.  Even if you want to pander, showing the Chinese flag waving gloriously not once, but twice was just over the top ass-kissing.  Just stop.

The Meg, directed by Jon Turtletaub (Jericho, Rush Hour) and written by Joe Hoeber (Battleship), is a straightforward monster movie.  A Jerk Billionaire (Rainn Wilson) funds and exploration of a deepsea cave.  The dive team investigates and voila there be dino-sharks swimmin in thar and they get trapped in the land of the lost in the briny deep. *Pirate Voice*  Hmmm, maybe this entire article should be read in a pirate voice.  Think of it as your innarrrrrrrrr monologue.  A couple of megalodons get out and only Jason Statham and his abs can stop them.  Side Note on abs: I’ve lost 65Lbs and nearly have Statham Abs.  This doesn’t really add to the review, but come on abs really didn’t add anything to stopping the megalodon, but if Statham hadn’t shown his abs you’re telling me no one would’ve been disappointed?! Really?!  REALLY?! You’re sticking with that?! Fine!

Jason (Just calling him Jason, again, come on…is anyone remembering the character’s name?!!!  You went to see it because Jason was in it…..ughhhh… Fine) ….

Jonas (Jason Statham) is down and out because he had a run in with a Kaiju earlier in his career and now he drinks beer all the time that give him abs….THAT is the only part of the movie I don’t buy and irritated me.  He should’ve been doing crossfit! I’m sorry if you have even one lousy Heineken, you are not going to look like this:

megabs.png

IT’S NOT POSSIBLE! I bust my hump 6-7 days a week in the gym to get the above results and boozing is not possible if you want Statham abs!  He should be doing burpees and drinking green juice!

Anywho, Jonas decides to rescue the yellow submarine and then kill the not one, but two Megs.  There a quite a few Jaws-like death scenes.  There is even a beach scene where The Meg chows down on Chinese beach goers AND when The Meg comes in for seconds, you can see wee swimsuits in his jaws (nice touch Turtletaub, nice touch). Jonas has to pursue the Meg into the beach and kill it.  This is not a spoiler! What else would he do?!  Jonas uses some weird looking submarine and kills it with some sort of submarine knife; I honestly couldn’t tell.  It was kind of a darkly lit scene.

Addendum: There is also a minor subplot with Jonas and Suyin, but it’s too dull to discuss.  I would’ve edited her and her overly cute kid out the movie entirely.

Is The Meg worth Netflixing? Yes! It’s a monster movie. The mainstream press is just too snobby to enjoy a Sharknado or unironically watch a Lifetime MOW.  But not me! I can enjoy a creature feature!

meg5.jpgmeg2

Halloween Havoc! Extra: Bela Lugosi in THE DEVIL BAT (PRC 1940) Complete Horror Movie


cracked rear viewer

Today, we celebrate the birth of a true horror legend, the great Bela Lugosi! 

Bela Lugosi helped usher in the horror era in 1931’s DRACULA , but nine years later, the Hungarian actor was taking whatever roles he could get. I’ve told you before how much I love THE DEVIL BAT (just click on this link to find out!), an entertaining little fright flick despite its rock-bottom production values and some really bad writing. Only Bela Lugosi could make a film like this work, and he does so brilliantly! Grab some popcorn, put your feet up, and enjoy horror’s first icon Bela Lugosi in THE DEVIL BAT!:

View original post

The Revenant (The Waaaaay Better One) Review by Case Wright


rev

The Revenant …. nooooo not the one where Leonardo Di Caprio gets Bear Married (Bearried?)…this is the one where David Anders (iZombie- Blane) and Chris Wylde become crime fighting zombies in Los Angeles!!!! There are certain films that are just fun.  So, pop open a PBR, hang with your buds or your SO, and enjoy a truly great Vampire/Zombie film.

The film was directed, written, edited, and special-effected by D. Kerry Prior.  This film is totally in the same vein as Evil Dead.  Many people making the film knew one another, D Kerry Prior wore many hats, and they managed to show it at many festivals and did well.  This is a great example of how fun horror can be without a lot of money….IF you have a good script and dedicated people working with you.  This is so amazingly over the top; there is even a scene where a disembodied head speaks with the assistance of a sex toy on his vocal cords.  You just don’t see that everyday!

The film takes the idea that Vampires are basically zombies, but still sapient after their reawakening; therefore, they call them Revenants as in returning.  Yes, they still drink blood, but they look like zombies with the rotting and the yellow eyes and such.  D. Kerry Prior took the idea that if they are still sentient post-return maybe they’d use their invincibility for good.  And what is best thing a person can be you ask?????  A Zombie/Vampire/Crimefighter.  Yes, they fight crime!

The film begins in Iraq with Sergeant Bart Gregory (David Anders) who gets shot and turned into a a Revenant (zombie/vampire) by a baby zombie/vampire who is pretty gross.  Bart’s body is shipped home and reanimates.  The only knock I give the film is that Bart goes from SGT to Lieutenant from one scene to the next, but you just have to let it go.  Bart relies on his friend Joey to adjust to his new Revenant undead lifestyle.  They learn that not only does Bart survive on blood, but there are a panoply of criminals in Los Angeles waiting to be tapped for Bart’s plasma needs.

Eventually, Joey gets shot during one their criminal harvests and Bart turns him into a Revenant to save him. Then, they have an awesome montage of killing and blood eating.  It’s just great! All the while, there is a subplot of his relationship between Bart and his girlfriend Janet who eventually get turns as well.  This creates a Yoko situation and Joey and Bart try to kill each other.  Joey flees and tries to harvest on his own and ends up getting decapitated …. and the head lives!  Bart has to put Joey down, leaving Bart with no reason to unlive.  Bart tries to commit suicide in a number of interesting ways and it just doesn’t work.  I won’t give away the ending, but it’s pretty interesting.

I’ve seen this film about five times and I’ve been entertained every…single…time.  After I first saw it, iZombie premiered shortly after with David Anders as the main villain, making this movie doubly awesome because we got to see David Anders pre-stardom.  There are a number of low-budget TERRIBLE horror movies and I’ve watched MANY of them.  This film is testament to how far you can push this genre creatively and still do it on low-budget.  I highly recommend it as a must see!

Halloween Havoc! Extra: When Strikes Tor Johnson!!


cracked rear viewer

Today we celebrate the birthday of everybody’s favorite wrestler-turned-actor named Johnson… no, not Dwayne “The Rock” Johnson, but the hulking Tor Johnson (1902-1971)! Before he starred in all those Ed Wood epics, Tor was a pro wrestler billed as ‘The Super Swedish Angel’ (a bad guy, of course), and performed in hundreds (perhaps thousands) of bouts around the globe. Each year, Cracked Rear Viewer pays tribute to the 6’3″, 400 lb. behemoth, and this year I’ve unearthed a clip from a 1948 Budd Boetticher-directed noir called BEHIND LOCKED DOORS, in which Tor beats the crap out of another horror/sci-fi icon, Richard Carlson . Happy birthday, O Mighty Tor!:

View original post