4 Shots From 4 Films: Get Out, Happy Death Day, It, The Ritual


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, we’re using 4 Shots From 4 Films to look at some of the best years that horror has to offer!

4 Shots From 4 2017 Horror Films

Get Out (2017, dir by Jordan Peele)

Happy Death Day (2017, dir by Christopher Landon)

It (2017, dir by Andy Muschietti)

The Ritual (2017, dir by David Bruckner)

6 Good Films That Were Not Nominated For Best Picture: The 1920s


The Academy Awards, 1929

They’ve been giving out Oscars for 91 years and, since the beginning, good films have often been snubbed.

Sometimes, a film is snubbed because it was too groundbreaking to be embraced at the time of its initial release.  Sometimes, a film is snubbed because it was directed by the wrong person or it dealt with subject matter that was considered to be too controversial for the Academy to embrace.  Sometimes, a film is snubbed because of a lack of publicity or a studio that failed to launch an effective awards campaign.  And, sometimes, a good film is snubbed because it’s been a very good year and there’s only so many available slots.

There’s a lot of reasons but what it all come down to is that good films sometimes don’t get nominated for best picture.

So, in honor of those films, I’m going to take a decade-by-decade look at some of the best films that were not nominated for best picture.  We’ll start with the 1920s, with the founding of the Academy in 1927.  Here are 6 good films from the 20s that were not nominated for best picture!

It (1927, dir by Clarence G. Badger))

One of my favorite silent films of all time, It featured not only one of Clara Bow’s greatest performances but also a storyline that, at the time, was considered to be rather daring.  Clara plays a shopgirl who never allows her love for her boss to interfere with her efforts to protect both her roommate and her roommate’s baby from two meddling welfare workers.  Though It was not nominated for Best Picture, Clara Bow did star in very first film to win the top award, Wings.

Metropolis (1927, dir by Fritz Lang)

Having been released in the United States in January of 1927, this visionary German film was eligible to be nominated for best picture but it sadly went unnominated.  Science fiction was a genre that long-struggled to get any meaningful recognition from the Academy.  Fortunately, that appears to have changed a bit over the past few years.

The Jazz Singer (1927, dir by Alan Crosland)

The Jazz Singer has not aged particularly well and it’s impossible not to cringe when Al Jolson shows up in blackface.  However, it was the first commercially successful film to incorporate sound recording and, as such, it pretty much changed cinematic history.  In fact, it was such a game changer that legend has it that the Academy ruled it ineligible to compete for best picture because it was felt it would be unfair to all of the silent nominees.  Instead, The Jazz Singer was given a special honorary award.

The General (1927, dir by Clyde Bruckman and Buster Keaton)

Though Buster Keaton’s Civil War epic was made and screened in 1926, it didn’t receive a wide release until 1927, making it eligible for the first Academy Awards.  However, since the initial critical and commercial reaction to the film was rather middling, The General was snubbed.  Only later would the film be reevaluated and recognized as a classic screen comedy.

The Road to Ruin (1928, dir by Norton S. Parker)

This low-budget, independently made and distributed film became the second highest grossing movie of 1928, therefore showing that a film made outside the studio system could be a success.  With its storyline about a teenage girl who gets caught up in a world of drugs, sex, and general decadence, it established many of the exploitation film tropes that are still in use today.  The Road to Ruin was a Lifetime film before Lifetime.  For that alone, it should have been nominated.

Pandora’s Box (1929, dir by G.W. Pabst)

G.W. Pabst’s classic melodrama is another film that wasn’t appreciated when it was originally released and therefore, both it and Louise Brooks were snubbed by the Academy.  It wouldn’t be until the 1950s that Pandora’s Box finally started to receive the acclaim that it deserved.

Up next, in an hour or so, the 1930s!

Clara Bow in It (1927)

4 Shots From 4 Clara Bow Films: It, Wings, Dangerous Curves, Call Her Savage


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Happy birthday to my pre-code role model, the amazing Clara Bow!

4 Shots From 4 Clara Bow Films

It (1927, dir by Clarence G. Badger)

Wings (1928, dir by William Wellman)

Dangerous Curves (1929, dir by Lothar Mendes)

Call Her Savage (1932, dir by John Francis Dillon)

 

What If Lisa Picked The Oscar Nominees: 2017 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are starred and listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

(Click on the links to see my nominations for 201620152014201320122011, and 2010!)

Best Picture

Baby Driver

The Big Sick

The Disaster Artist

*A Ghost Story*

It

Kedi

Lady Bird

The Meyerowitz Stories

Three Billboards Outside Ebbing, Missouri

Wonder Woman

Best Director

Greta Gerwig for Lady Bird

Patty Jenkins for Wonder Woman

*David Lowery for A Ghost Story*

Martin McDonagh for Three Billboard Outside Ebbing, Missouri

Andy Muschietti for It

Edgar Wright for Baby Driver

Best Actor

*Sam Elliott in The Hero*

James Franco in The Disaster Artist

Jake Gyllenhaal in Stronger

Daniel Kaluuya in Get Out

James McAvoy in Split

Robert Pattinson in Good Time

Best Actress

Gal Gadot in Wonder Woman

Sally Hawkins in Maudie

Frances McDormand in Three Billboards Outside Ebbing, Missouri

Cynthia Nixon in A Quiet Passion

Aubrey Plaza in Ingrid Goes West

*Saoirse Ronan in Lady Bird*

Best Supporting Actor

Woody Harrelson in Three Billboards Outside Ebbing, Missouri

Sam Rockwell in Three Billboards Outside Ebbing, Missouri

Adam Sandler in The Meyerowitz Stories

Bill Skarsgard in It

*Patrick Stewart in Logan*

Jason Sudekis in Colossal

Best Supporting Actress

Holly Hunter in The Big Sick

Catherine Keener in Get Out

Sophia Lillis in It

*Laurie Metcalf in Lady Bird*

Carey Mulligan in Mudbound

Ella Rumpf in Raw

Best Voice-Over or Stop Motion Performance

Will Arnett in The LEGO Batman Movie

Gael Garcia Bernal in Coco

Bradley Cooper in Guardians of the Galaxy, Volume 2

Doug Jones in The Shape of Water

*Andy Serkis in War for the Planet of the Apes*

Dan Stevens in Beauty and the Beast

Best Original Screenplay

The Big Sick

Get Out

A Ghost Story

*Lady Bird*

The Meyerowitz Stories

Three Billboards Outside Ebbing, Missouri

Best Adapted Screenplay

Before I Fall

*The Disaster Artist*

It

Logan

Their Finest

Wonder Woman

Best Animated Film

Cars 3

Coco

*The Lego Batman Movie*

Leap!

Best Documentary Feature

Karl Marx City

*Kedi*

Risk

Step

Strong Island

32 Pills: My Sister’s Suicide

Best Foreign Language Film

First They Killed My Father

Frantz

*Kedi*

Raw

Best Casting

The Big Sick

Detroit

Dunkirk

Get Out

Lady Bird

*The Meyerowitz Stories*

Best Cinematography

Blade Runner 2049

Dunkirk

*A Ghost Story*

It

Lost City of Z

Three Billboards Outside Ebbing, Missouri

Best Costume Design

Beauty and the Beast

The Beguiled

Free Fire

Thor: Ragnarok

Victoria & Abdul

*Wonder Woman*

Best Editing

*Baby Driver*

Before I Fall

Dunkirk

A Ghost Story

It

Wonder Woman

Best Makeup and Hairstyling

The Disaster Artist

Guardians of the Galaxy Volume 2

Lady MacBeth

Logan Lucky

My Cousin Rachel

*Thor: Ragnarok*

Best Original Score

Blade Runner 2049

A Ghost Story

*Good Time*

Dunkirk

The Shape of Water

Wind River

Best Original Song

“Buddy’s Business” from Brawl In Cell Block 99

“Evermore” from Beauty and the Beast

“Friends are Family” from The Lego Batman Movie

“How Does A Moment Last Forever” from Beauty and the Beast

“Myron/Byron” from The Meyerowitz Stories

*”The Pure and the Damned” from Good Time*

Best Overall Use Of Music

Atomic Blonde

*Baby Driver*

The Disaster Artist

Guardians of the Galaxy Volume 2

Thor: Ragnarok

T2: Trainspotting

Best Production Design

*Beauty and the Beast*

The Beguiled

Blade Runner 2049

It Comes At Night

Logan

Thor: Ragnarok

Best Sound Editing

Baby Driver

*Dunkirk*

Kong: Skull Island

Spider-Man: Homecoming

War For The Planet of the Apes

Wonder Woman

Best Sound Mixing

Baby Driver

*Dunkirk*

Kong: Skull Island

Spider-Man: Homecoming

War For The Planet of the Apes

Wonder Woman

Best Stuntwork

Baby Driver

Dunkirk

Logan

Spider-Man: Homecoming

Thor: Ragnarok 

*Wonder Woman*

Best Visual Effects

Blade Runner 2049

Guardians of the Galaxy Vol. 2

Spider-Man: Homecoming

Thor: Ragnarok

Valerian and the City of a Thousand Planets

*War For The Planet of the Apes*

Films Listed By Number of Nominations

9 Nominations — Wonder Woman

7 Nominations — Baby Driver, Dunkirk, It, Three Billboards Outside Ebbing Missouri

6 Nominations — A Ghost Story, Lady Bird, Thor: Ragnarok

5 Nominations — Beauty and the Beast, The Disaster Artist, The Meyerowitz Stories

4 Nominations — The Big Sick, Blade Runner 2049, Get Out, Guardians of the Galaxy Vol. 2, Logan, Spider-Man: Homecoming, War For The Planet Of The Apes

3 Nominations — Good Time, Kedi, The LEGO Batman Movie

2 Nominations — Before I Fall, The Beguiled, Coco, Kong: Skull Island, Raw, Shape of Water

1 Nominations — Atomic Blonde, Brawl in Cell Block 99, Cars 3, Colossal, Detroit, First They Killed My Father, Frantz, Free Fire, The Hero, Ingrid Goes West, It Comes At Night, Karl Marx City, Lady MacBeth, Leap!, Logan Lucky, Lost City of Z, Maudie, Mudbound, My Cousin Rachel, A Quiet Passion, Risk, Split, Step, Strong Island, Stronger, T2: Trainspotting, Their Finest, 32 Pills: My Sister’s Suicide, Valerian and the City of a Thousand Planets, Victoria & Abdul, Wind River

Films Listed By Number of Wins

3 Oscars — A Ghost Story, Lady Bird

2 Oscars — Baby Driver, Dunkirk, Good Time, Kedi, War For the Planet of the Apes, Wonder Woman

1 Oscar — Beauty and the Beast, The Disaster Artist, The Hero, The LEGO Batman Movie, Logan, The Meyerowitz Stories, Thor: Ragnarok

Will the Academy be smart enough to agree with me?  Probably not.  We’ll see what happens tomorrow!

 

2017 in Review: Lisa Marie’s Picks for the 26 Best Films Of The Year


Well, it’s time for the list that everyone’s been waiting for!  Today, I finish up my look back at the previous year by listing my 26 favorite films of 2017!

(Why 26?  Because Lisa doesn’t do odd numbers!)

Now, I should make clear that I haven’t seen every film that was released in 2017.  Are you looking at this list and asking yourself, “What about I, Tonya?  Phantom Thread? Call Me By Your Name?  The Post?”  The sad truth of the matter is that, largely due to bad weather and a severe cold that I’m still recovering from, I haven’t seen those films yet.  (And, to be honest, everything that I’ve heard about The Post makes me suspect that it’s not going to be for me.)  I’ll probably see all of those films next week but the thing is, there’s only so long that a film blogger can put off posting their best-of-the-year post.  This is the end of the third week of January.  I supposed I could have waited until February but, by that point, who would care?

As I see those films that I still need to see, I’ll modify this list as necessary.  That said, I find it hard to believe that I’ll see any more 2017 films that I like more than the films in my current top ten.

(Unfortunately, because the previous year was a bit chaotic, I’m way behind in my reviewing.  So, I haven’t posted reviews for all the films on my list.  Hopefully, over the upcoming week, I’ll be able to catch up with that!  And, fear not, my resolution for 2018 is not to get any further behind in my reviewing and I plan to stick to that.)

  1. A Ghost Story
  2. Lady Bird
  3. Wonder Woman
  4. Kedi
  5. The Big Sick
  6. Baby Driver
  7. It
  8. The Disaster Artist
  9. Three Billboards Outside Ebbing, Missouri
  10. The Meyerowitz Stories
  11. Logan
  12. Dunkirk
  13. Get Out
  14. Raw
  15. Maudie
  16. It Comes At Night
  17. Megan Leavey
  18. Beauty and the Beast
  19. Spider-Man: Homecoming
  20. Thor: Ragnorak
  21. The LEGO Batman Movie
  22. Ingrid Goes West
  23. Before I Fall
  24. Colossal
  25. The Beguiled
  26. Detroit

(Want to see my previous picks?  Click here for 2016, 2015, 2014, 2013, 2012, 2011, and 2010!)

Previous entries in the TSL’s Look Back at 2017:

  1. 2017 in Review: Top Ten Single Issues by Ryan C
  2. 2017 in Review: Top Ten Series by Ryan C
  3. 2017 In Review: Top Ten Collected Edition (Contemporary) by Ryan C
  4. 2017 In Review: Top Ten Collected Editions (Vintage) by Ryan C
  5. 2017 in Review: Top Ten Graphic Novels By Ryan C
  6. 25 Best, Worst, and Gems I saw in 2017 by Valerie Troutman
  7. My Top 15 Albums of 2017 by Necromoonyeti
  8. 2017 In Review: Lisa Marie’s Picks For the 16 Worst Films of 2017
  9. 2017 In Review: Lisa Marie’s Final Post About Twin Peaks: The Return (for now)
  10. 2017 in Review: Lisa Marie’s 14 Favorite Songs of 2017
  11. 2017 in Review: The Best of SyFy by Lisa Marie Bowman
  12. 2017 in Review: 10 Good Things that Lisa Marie Saw On Television in 2017
  13. 2017 in Review: Lisa Marie’s 12 Favorite Novels of 2017
  14. 2017 in Review: Lisa Marie’s 10 Favorite Non-Fiction Books of 2017
  15. 2017 in Review: The Best of Lifetime by Lisa Marie Bowman

And, finally, here are the nominations of the St. Louis Film Critics Association!


As soon as I post this, I will be caught up on sharing all of the precursor awards here on the Shattered Lens (or, at the very least, all of the precursor awards that have been announced so far.  There’s several more to come).  It’s not a minute to soon either!  Tomorrow, the SAG Nominations will be announced.  That’s one of the biggest of the precursors.

Anyway, the St. Louis Film Critics Association announce their nominations yesterday.  The winners will be announced on December 17th.

Here are the nominees!

BEST PICTURE

  • “Get Out”
  • “Lady Bird”
  • “The Shape of Water”
  • “The Post”
  • “Three Billboards outside Ebbing, Missouri”

BEST DIRECTOR

  • Greta Gerwig, “Lady Bird”
  • Jordan Peele, “Get Out”
  • Denis Villeneuve, “Blade Runner 2049”
  • Guillermo del Toro, “The Shape of Water”
  • Steven Spielberg, “The Post”

BEST ACTRESS

  • Kristen Stewart, “Personal Shopper”
  • Saoirse Ronan, “Lady Bird”
  • Sally Hawkins, “The Shape of Water”
  • Meryl Streep, “The Post”
  • Frances McDormand, “Three Billboards outside Ebbing, Missouri”

BEST ACTOR

  • Daniel Day-Lewis, “Phantom Thread”
  • Daniel Kaluuya, “Get Out”
  • James Franco, “The Disaster Artist”
  • Tom Hanks,”The Post”
  • Gary Oldman, “Darkest Hour”

BEST SUPPORTING ACTRESS

  • Kristin Scott Thomas, “Darkest Hour”
  • Holly Hunter, “The Big Sick”
  • Laurie Metcalf, “Lady Bird”
  • Hong Chau, “Downsizing”
  • Octavia Spencer, “The Shape of Water”

BEST SUPPORTING ACTOR

  • Michael Shannon, “The Shape of Water”
  • Sam Rockwell, “Three Billboards outside Ebbing, Missouri”
  • Richard Jenkins, “The Shape of Water”
  • William Dafoe, “The Florida Project”
  • Woody Harrelson, “Three Billboards outside Ebbing, Missouri”

BEST ORIGINAL SCREENPLAY

  • “The Big Sick”
  • “Lady Bird”
  • “Get Out”
  • “Three Billboards outside Ebbing, Missouri”
  • “The Shape of Water”

BEST ADAPTED SCREENPLAY

BEST CINEMATOGRAPHY

BEST SOUNDTRACK

BEST EDITING

  • “Darkest Hour”
  • “The Post”
  • “Baby Driver”
  • “The Shape of Water”
  • “Dunkirk”

BEST PRODUCTION DESIGN

BEST VISUAL EFFECTS

BEST SCORE

BEST DOCUMENTARY

  • “Jane”
  • “Last Man in Aleppo”
  • “Never Say Goodbye: The Kshe Documentary”
  • “Whose Streets?”
  • “City of Ghosts”

BEST ANIMATED MOVIE

  • “Despicable Me 3”
  • “Loving Vincent”
  • The LEGO Batman Movie”
  • “Coco”
  • “Captain Underpants: The First Epic Movie”

BEST FOREIGN FILM

  • “Frantz”
  • “The Square”
  • “Graduation”
  • “Land of Mine”
  • “First They Killed My Father”

BEST SCENE

  • Harlem Shuffle Opening, “Baby Driver”
  • Elio’s Dad’s Monologue, “Call Me By Your Name”
  • Stairway Fight, “Atomic Blonde”
  • Coach Directing The Tempest, “Lady Bird”
  • ‘Oh, hi, Mark,’ “The Disaster Artist

WORST FILM

Rising From the Flame, The Phoenix Critics Circle Reveals Their Nominations For The Best of 2017!


 

Yesterday, the Phoenix Critics Circle revealed their nominations for the best films and performances of 2017!

Best Picture

  • “Dunkirk”
  • “The Florida Project”
  • “Lady Bird”
  • “The Shape of Water”
  • “Three Billboards Outside Ebbing, Missouri”

Best Comedy Film

  • “The Big Sick”
  • “The Disaster Artist”
  • “I, Tonya”
  • “Lady Bird”
  • “Logan Lucky”

Best Science Fiction Film

Best Horror Film

Best Mystery or Thriller Film

  • “The Beguiled”
  • “Get Out”
  • “The Killing of a Sacred Deer”
  • “mother!”
  • “Murder on the Orient Express”
  • “The Post”
  • “Split”
  • “Wind River”

Best Animated Film

Best Foreign Language Film

  • “BPM (Beats per Minute)”
  • “In the Fade”
  • Raw”
  • “The Square”
  • “Thelma”

Best Documentary

  • “City of Ghosts”
  • “Jane”
  • “Step”
  • “Whose Streets”

Best Actor

  • Timothée Chalamet, “Call Me by Your Name”
  • Daniel Day-Lewis, “Phantom Thread”
  • James Franco, “The Disaster Artist”
  • Daniel Kaluuya, “Get Out”
  • Gary Oldman, “Darkest Hour”
  • Harry Dean Stanton, “Lucky”

Best Actress

  • Jessica Chastain, “Molly’s Game”
  • Sally Hawkins, “The Shape of Water”
  • Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
  • Margot Robbie, “I, Tonya”
  • Saoirse Ronan, “Lady Bird”

Best Supporting Actor

  • Willem Dafoe, “The Florida Project”
  • Armie Hammer, “Call Me By Your Name”
  • Richard Jenkins, “The Shape of Water”
  • Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”
  • Michael Stuhlbarg, “Call Me by Your Name”

Best Supporting Actress

  • Mary J. Blige, “Mudbound”
  • Holly Hunter, “The Big Sick”
  • Allison Janney, “I Tonya”
  • Laurie Metcalf, “Lady Bird”
  • Octavia Spencer, “The Shape of Water”

Best Director

Best Screenplay

  • Greta Gerwig, “Lady Bird”
  • Liz Hannah and Josh Singer, “The Post”
  • Martin McDonagh, “Three Billboards Outside Ebbing, Missouri”
  • Jordan Peele, “Get Out”
  • Aaron Sorkin, “Molly’s Game”

Best Score

  • Alexandre Desplat, “The Shape of Water”
  • Jonny Greenwood, “Phantom Thread”
  • Benjamin Wallfisch and Hans Zimmer, “Blade Runner 2049”
  • Hans Zimmer, “Dunkirk”