Scenes That I Love: Apocalypse Now


Since today is Martin Sheen’s birthday, it seems appropriate that our scene that I love should come from one of Sheen’s most popular films.

1979’s Apocalypse Now is a film that is full of outstanding set pieces.  The scene where Captain Willard (Martin Sheen) reaches the Do Lung Bridge is one of the best moments in the film, a surreal portrayal of the futility of war.  The bridge is built every day and blown up every night.  In this scene, we see how good Sheen as it simply reacting to action around him.  It’s been said that a good actor has to be just as good at reacting as acting and, in this scene, Sheen shows himself to be one of the best.

Scenes I Love: A Nightmare on Elm Street


A Nightmare on Elm Street (1984, dir by Wes Craven, DP: Jacques Haitkin)

Since today is Wes Craven’s birthday, our scene of the day comes from 1984’s A Nightmare On Elm Street.  Along with Scream, this was Wes Craven’s signature film.  And also, much like Scream, a series of sequels led to many people forgetting just how effective the first film was.  Wes Craven reportedly reached back to his own childhood fears with the character of Freddy and, in Robert Englund, he found the perfect actor to bring the character to life.

(Interestingly, Craven’s initial choice for the role was David Warner.)

In this scene, we see just how scary the original A Nightmare on Elm Street actually was.

Scenes That I Love: Billy Jack Learns About The Three Levels In The Trial of Billy Jack


Seeing as how he was born in the month of August, this seems like a good time to pay tribute to Tom Laughlin, the actor who revolutionized independent American cinema through his Billy Jack films.

In four films, Laughlin played Billy Jack, an American Navajo, a former Green Beret, a veteran of the Vietnam War, a hapkido master, and a man who just protects children and other living things.  When he first appeared in 1967’s The Born Losers, he was protecting a woman from bikers.  In 1971’s Billy Jack, he was protecting the Freedom School from ignorant townspeople.  In 1974’s The Trial of Billy Jack, he was …. well, in that film, Billy Jack did a little bit of everything but the National Guard still ended up destroying the Freedom School.  Finally, in 1977’s Billy Jack Goes To Washington, Billy was appointed to the United Stated Senate because what else are you going to do with someone who has killed a tremendous amount of people over the course of three films?

(Of course, in Senator Jack’s defense, they were all bad people.)

Laughlin not only starred as Billy Jack but he also directed all four of the films and, starting with Billy Jack, he also handled the distribution of them.  A huge box office hit, Billy Jack is considered to be a seminal counter culture film.  The other three films are a bit less acclaimed and Trial of Billy Jack is often cited as one of the most pretentious and self-indulgent films ever made.  But, regardless of their individual artistic merits, all of the Billy Jack films share an appealing mix of sincerity and silliness.  Laughlin was a good actor and, visually, he was a stronger director than he was often given credit for. Some of the shots in the original Billy Jack are breath-taking.  At a time when even self-styled progressive films still portrayed women in the most condescending and demeaning way possible (check out Getting Straight or R.P.M., if you dare), the Billy Jack films were as much about Jean (played by Delores Taylor, Laughlin’s wife and creative partner), the founder of the Freedom School, and her beliefs, as they were about Billy Jack and his struggles to accept pacifism.  If nothing else, the Billy Jack films featured actual conversations and debates about actual ideologies and philosophies, as opposed to the usual shallow Hollywood politics.  Unfortunately, Laughlin was also a heavy-handed storyteller and a terrible editor.  The Trial of Billy Jack goes on for three hours.

And yet, of all the Billy Jack films, The Trial of Billy Jack is my favorite.  It’s just so weird that it’s hard not to like it.  It’s a film that doesn’t really work but, at the same time, you can’t help but appreciate all the effort that was put into it.  Whatever else you might be able to say about him and his films, it’s obvious that Tom Laughlin truly did think that the movies could make a difference.  There’s an aching sincerity to Laughlin’s work that pretty much cannot be found in the majority of today’s films.

In honor of Laughlin’s birthday and his legacy, here’s a scene that I love from The Trial of Billy Jack.  In this scene, Billy goes on a vision quest and experiences the Three Levels.  I would be lying if I said I really followed much of the logic in the scene but at least we get to see Billy hit a hippie professor.  Billy also smacks Jesus, which isn’t cool but Jesus shows exactly how to handle that type of belligerence and hopefully, he provides a lesson for us all.

Learn about the Three Levels, with Billy Jack.  And be sure to spare a thought for the hard work of Tom Laughlin.

Scenes That I Love: The Opening of Mario Bava’s Black Sunday


Since today is the birthday of the great Mario Bava, today’s scene that I love comes from one of Bava’s best films.  Here is the wonderfully atmospheric and ominous opening of 1960’s Black Sunday:

Scenes That I Love: Richard Linklater’s Monologue from Slacker


Today, the Shattered Lens wishes a happy birthday to the greatest director come out of Texas, Richard Linklater!

Today’s scene that I love comes from Linklater’s 1991 film, Slacker.  Filmed in Austin, this film not only established Linklater as one of the best indie film directors but it also inspired a countless number of other aspiring filmmakers.  How many other director have attempted to make a Slacker?  None have done it as well as Linklater.  Indeed, the film not only helped to define the modern independent film aesthetic but it also continues to shape the way that people view Texas’s idiosyncratic capital city.

In this opening scene, Linklater himself gets the film started, delivering a monologue as he’s driven around Austin.

Scenes I Love: The Sopranos Stage An Intervention


Today would have been the birthday of the late Tony Sirico.  Sirico was a former mob associate who, after serving a term in prison, reinvented himself as an actor.  Because of his background, he was often typecast as gangsters but he also proved himself to be an intelligent performer with perfect comedic timing.  For a lot of us, he will always be remembered for playing Paulie on The Sopranos.

Today scene that I love comes from The Sopranos and it features excellent work from the entire cast, especially Tony Sirico.  In this scene from the 2002 episode “The Strong, Silent Type,” the Sopranos and their associates stage an intervention for Christopher Moltisanti and it goes about as well as you might expect.  In just five minutes, this scenes manages to capture everything that The Sopranos was about, as well as giving each member of the cast a chance to shine.  Since this is Sirico’s birthday, I’ll just recommend that viewers especially watch Paulie’s facial expressions while Adriana reads her letter to Christopher.

Scenes That I Love: The “Which Vinny?” Scene From Jersey Shore Shark Attack


In honor Shark Week, today’s scene that I love comes from one of my favorite shark movies!

Things can get crazy out there, especially on the Jersey Shore.  How can you fight a shark if you can’t even keep your Vinnys straight?

From 2012’s Jersey Shore Shark Attack:

Happy Birthday, Donnie Yen!


Today is Hong Kong film star Donnie Yen’s 63rd birthday. The first time I remember seeing him on screen was in Yuen Woo-Ping’s 1993 film IRON MONKEY. He kicked butt then and he’s still kicking it to this day!

Celebrate with me by watching this clip from the martial arts classic!




Scenes That I Love: Danny Meets The Girls In Stanley Kubrick’s The Shining


Today’s scene that I love comes from Stanley Kubrick’s The Shining. 

Stephen King can whine about this film all that he wants.  It’s one of the few adaptations of his novels that can still scare the view even after numerous rewatches.

These two still freak me out.