4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
4 Shots From 4 Horror Films
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
4 Shots From 4 Horror Films
“Man is a feeling creature, and because of it, the greatest in the universe….”
Hell yeah! You tell ’em, Peter Graves!
In 1956’s It Conquered The World. Graves plays a scientist who watches in horror as his small town and all of the people who he loves and works with are taken over by an alien. Rival scientist Lee Van Cleef thinks that the alien is going to make the world a better place but Graves understands that a world without individual freedom isn’t one that’s worth living in.
This is one of Corman’s most entertaining films, featuring not only Graves and Van Cleef but also the great Beverly Garland. Like many horror and science fiction films of the 50s, it’s subtext is one of anti-collectivism. Depending on your politics, you could view the film as either a criticism of communism or McCarthyism. Watching the film today, with its scenes of the police and the other towns people hunting anyone who fails to conform or follow orders, it’s hard not to see the excesses of the COVID era.
Of course, there’s also a very persuasive argument to be made that maybe we shouldn’t worry too much about subtext and we should just enjoy the film as a 50s B-movie that was directed with the Corman touch.
Regardless of how interpret the film, I defy anyone not to smile at the sight of ultra-serious Peter Graves riding his bicycle from one location to another.
Here, for your viewing pleasure, is It Conquered The World!
Whenever it’s time to share this film for Horrorthon, I have a little story that I like to tell:
Enter singing.
Little Shop.…Little Shop of Horrors.…Little Shop.…Little Shop of Terrors….
When I was 19 years old, I was in a community theater production of the musical Little Shop of Horrors. Though I think I would have made the perfect Audrey, everybody always snickered whenever I sang so I ended up as a part of “the ensemble.” Being in the ensemble basically meant that I spent a lot of time dancing and showing off lots of cleavage. And you know what? The girl who did play Audrey was screechy, off-key, and annoying and after every show, all the old people in the audience always came back stage and ignored her and went straight over to me. So there.
Anyway, during rehearsals, our director thought it would be so funny if we all watched the original film. Now, I’m sorry to say, much like just about everyone else in the cast, this was my first exposure to the original and I even had to be told that the masochistic dentist patient was being played by Jack Nicholson. However, I’m also very proud to say that — out of that entire cast — I’m the only one who understood that the zero-budget film I was watching was actually better than the big spectacle we were attempting to perform on stage. Certainly, I understood the film better than that screechy little thing that was playing Audrey.
The first Little Shop of Horrors certainly isn’t scary and there’s nobody singing about somewhere that’s green (I always tear up when I hear that song, by the way). However, it is a very, very funny film with the just the right amount of a dark streak to make it perfect Halloween viewing.
So, if you have 72 minutes to kill, check out the original and the best Little Shop of Horrors….
Today, we have a bonus horror on the Lens, the 1957 Roger Corman-directed, sci-fi “epic,” Not of this Earth.
Paul Johnson (Paul Birch) may seems like a strange character, with his stilted way of speaking and his sunglasses and his overdramatic reaction to any and all loud noises. Paul could us be an eccentric. Or, he could be …. NOT OF THIS EARTH! Actually, his habit of draining people of their blood and sending weird, umbrella-like creatures out to attack his enemies would seem to suggest that the latter is probably true.
Listen, it’s not easy being a blood-sucking alien. I mean, sure, there’s always seems to be people stupid enough to show up at your mansion so that you can drain their bodies. Paul is lucky that he doesn’t exactly seem to be surrounded by brain surgeons. But sometimes, things happen. For instance, someone might show up from your home planet and demand an immediate transfusion! What is an alien to do?
Watch this low-budget but undeniably entertaining film to find out! And be sure to especially keep an eye out for the great Dick Miller, who reportedly improvised his role as a vacuum cleaner salesman. (Before going into acting, Miller actually did sell vacuum cleaners door-to-door.)
Today, we’ve got a treat!
Who wouldn’t love to see a movie where a youngish Jack Nicholson played a French soldier who, while searching for a mysterious woman, comes across a castle that’s inhabited by both Dick Miller and Boris Karloff?
In Roger Corman’s 1963 film The Terror, New Jersey-accented Jack Nicholson is the least believable 19th century French soldier ever. However, it’s still interesting to watch him before he became a cinematic icon. His performance here is rather earnest, with little of the sarcasm that would later become his trademark. Boris Karloff is, as usual, great and familiar Corman actor Dick Miller gets a much larger role than usual. Pay attention to the actress playing the mysterious woman. That’s Sandra Knight who, at the time of filming, was married to Jack Nicholson.
Reportedly, The Terror was one of those films that Corman made because he still had the sets from his much more acclaimed film version of The Raven. The script was never finished, the story was made up as filming moved alone, and no less than five directors shot different parts of this 81 minute movie. Boris Karloff’s scenes were filmed first, with the other actors performing in front of a body double during their scenes. Among the many directors who filmed bits and pieces of The Terror: Roger Corman, Jack Hill, Monte Hellman, Francis Ford Coppola, Coppola’s roommate Dennis Jakob, and even Jack Nicholson himself! (Despite this number of directors involved, Corman received the sole directorial credit.) Perhaps not surprisingly, the final film is a total mess but it does have a definite historical value.
(In typical Corman fashion, scenes from The Terror were later used in the 1968 film, Targets. In that film, Karloff plays a version of himself, an aging horror actor who watches The Terror and dismisses it as being “terrible.”)
Check out The Terror below!

1958’s War of the Satellites opens with a tragedy.
The United Nations is leading the way in humanity’s attempt to explore space. Unfortunately, ten manned spaceships (or “satellites” as they’re called in this film) all run into the same problem. There’s a “space barrier” around the Earth, one that traps any ship that flies into it. On Earth, Dr. Pol Van Ponder (Richard Devon) is forced to remotely blow up both the ships and the UN’s astronauts. It looks like the the UN’s space program is coming to an end.
Or, at least, it does until an unseen group of aliens drop a missile on Earth. The missile, when it’s discovered by two “teenagers” who appear to be in their 30s, doesn’t explode. Instead, it simply carries a message. Don’t try to explore space, the message says. A group of snooty aliens have decided that humanity is not ready to leave the planet. The message is read at the UN. In a scene that warmed my heart, the American delegate replies that no one tells humanity what to do. The aliens don’t want us in space? Well, guess where we’re going, baby!
(Woo hoo! I love my country!)
Unfortunately, Dr. Van Ponder is in a serious car accident and is killed. Or, at least, that’s what everyone believes until he shows up at the UN without a scratch on him. Van Ponder explains that he miraculously survived the accident and he’s now ready to lead the UN mission into space. The UN takes his survival as a sign that Van Ponder is meant to take humanity to the stars.
Of course, the truth of the matter is that Dr. Van Ponder actually was killed in that accident and the man at the UN is not Van Ponder but instead just an alien pretending to be him. A few people notice that Dr. Van Ponder is acting strangely. He speaks without emotion and uses curious phrases. When he burns his hand during an experiment, he barely seems to notice. When he’s alone in his office, he creates a second duplicate Van Ponder so that he can be two places at once. Everyone who suspects that Van Ponder is actually an alien ends up dead. Once the satellite takes off, it falls to crewman Dave Boyer (Dick Miller) to not only thwart Van Ponder’s evil scheme but to also convince Sybil Carrington (Susan Cabot) that Van Ponder is no longer the man who she thinks she loves.
Reportedly, a day after the Russians launched Sputnik, Roger Corman met with film producer Steve Broidy and said that, in return for $80,000, he could have a satellite movie ready to go in 90 days. Broidy asked him what the film would be about and Corman replied, “I don’t know but I will have the picture ready.” Broidy handed over the money and Corman shot War of the Satellites over the course of ten days. Corman also said that Broidy was so impressed with the film that he gave Corman an extra $500 to throw a party for the cast and crew. Corman never threw the party.
As for War of the Satellites, it clearly a rush job. The interior of the space ship is basically two rooms and a couple of chairs. The idea of the UN having a space program feels ridiculous today and I imagine it probably felt just as ridiculous in 1958. (We should have kicked the UN out of New York decades ago) That said, I have to admit that I really enjoyed this film. Richard Devon gives an appropriately off-center performance as Dr. Van Ponder and this film actually features Dick Miller in a rare heroic starring role. Even though he’s playing an astronomer, Miller still comes across like a New York wiseguy and my favorite scenes are the one where he gives Van Ponder a look that just seems to shout, “What are ya talking about, ya putz?” There’s something really enjoyable about watching scrappy Dick Miller play the type of role that would usually go to someone like Peter Graves or Kenneth Tobey. In an interview, Miller said that he felt miscast as the hero because he was only 5’5 while Devon was 6’1. But the fact that Devon is actually so much taller than Miller only makes us rooft for Dick Miller even more. As played by Dick Miller, Dave Boyar becomes the type of underdog that you can’t help but cheer for.
The best thing about this film is that it loudly declares that no one, no matter how scientifically-advanced or snooty, gets to tell humanity what to do. You want us to stay on Earth? We’re coming for the moon!
No one puts us in a corner.
When my mom was dying in 2008 and then when my Dad was in hospice care in 2024, I learned just how important nurses were.
While the doctors that I dealt with were often brusque and overworked, the nurses were the ones who always took the time to answer my questions. While the doctors took an attitude of, “Death happens,” the nurses were the ones who were willing to show compassion. They were the ones who seemed to understand the pain that both myself and my sisters were going through. The nurses were the ones who seemed to care. Even when it comes to something simple like getting my ADHD prescription renewed, I always feel more relaxed when I’m dealing with a nurse than dealing with a doctor.
(Don’t get me wrong. I understand why doctors so often avoid a personal connection with their patients. As Doctor Warshaw (Richard Stahl) puts it in 1970’s The Young Doctors, “mourning is reserved for loved ones.” It may sound cold but it’s the truth.)
When my Dad was in home hospice, we had a nurse the came by the house every day. She was cool and professional but still always seemed to care. She was also a chain-smoker and there were more than a few days that I stepped outside with her. She always had an extra cigarette for me. Usually, I don’t smoke because I have asthma but, at that time, I was so stressed that the calming effect of smoking made the risk worth it. Knowing that the nurse would always arrive early in the morning helped me deal with a very difficult time. At a time when everything felt like it was spinning out of control, the nurse was someone upon whom I could depend. After my father died, I struggled to adjust to a lot of things, including the absence of the nurse. I discovered I missed the nurse’s professional presence. I missed talking about my feelings while burning a cigarette down to its filter.
In short, I have a lot of respect for nurses. They have a difficult job, one that I certainly could not do. But I’m thankful for all that they’ve done for me, my family, and other people’s families.
With all that in mind, I watched 1970’s The Student Nurses earlier today.
The Student Nurses tells the story of four women who are studying to be nurses while working at the local hospital. Phred (Karen Carlson) is introduced when she’s attacked by a crazed patient. Later, she falls for a doctor named Jim (Lawrence P. Casey). Sharon (Elaine Giftos) grows close to a terminally ill patient (Darrell Larson) and discovers the wisdom of Dr. Warshaw’s admonition about mourning. Priscilla (Barbara Leigh), who is regularly admonished for the length of her skirt and for never wearing a bra, meets a charismatic drug dealer named Les (Richard Rust). Les is all about dropping the acid on the beach but he’s not about sticking around when his girlfriend gets pregnant. And finally, Lynn (Brioni Farrell) meets a Latino political activist named Victor Charlie (Reni Santoni) and discovers that some people just aren’t rich enough to go to the hospital. When Victor shoots a cop during a raid on his headquarters, Lynn is forced to make a difficult decision.
The Young Nurses is almost legendary because of its status as a politically-themed exploitation film. It’s a Roger Corman production so there’s a lot of nudity. But director Stephanie Rothman used the genre to explore themes of class conflict and feminism. All four of the nurses are portrayed as being strong and independent women who have sex because they want to and who feel no shame about their decisions. For a 1970 film, that was a big deal. Interestingly, considering the film’s reputation, it’s actually fairly even-handed when it comes to the differing worldviews of the nurses. One of the nurses decides that she wants to serve in the Army Nurse Corps, even if that means going to Vietnam. Another ends up bragging about the gun that she’s carrying in her glove compartment, just in case anyone tries to stand in the way of the revolution. The film treats both of their decisions with respect. The important thing, the film seems to be saying, is that all of them are in control of their own future.
It’s an exploitation film, make no doubt about it. Today, we might talk about the film’s politics and its feminist subtext but I kind of doubt that’s what made the film a box office success in 1970. That said, Stephen Rothman brings some imagination to even the film’s most exploitive scenes. When Priscilla drops acid on the beach, Rothman slowly introduces more and more people to the scene, leaving us to wonder, just as Priscilla does, whether they’re real or their just a part of her trip. All four of the lead actresses are well-cast and fans of great character actors will probably enjoy seeing Reni Santoni playing someone other than a cop or a doctor.
Finally, like so many exploitation films, The Student Nurses is a true time capsule. The music, the clothes, the groovy slang, this is a film that proudly announces that it was made in 1970. We may not have time machines but at least we have the movies.
I have no idea if The Student Nurses is a realistic portrayal of what it was like to be a student nurse in 1970. That said, it’s an entertaining film and, in its grindhouse way, a tribute to the nurses who do so much.
4 Shots from 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots from 4 Films lets the visuals do the talking!
Today is Vincent Price’s birthday! This edition of 4 Shots From 4 Films is dedicated to him, his memory, and his career!
4 Shots From 4 Vincent Price Films
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
The aliens are here …. or are they?
4 Shots From 4 Alien Invasion Films
Behold the glory that was Rome!
In 2008’s Cyclops, Ancient Rome is a bad CGI village that is being menaced by an even worse CGI cyclops. (The height of the Cyclops literally changes from scene to scene.) After the Cyclops is captures, it’s forced to fight in the gladiatorial games of the decadent Emperor Tiberius (Eric Roberts). Marcus (Kevin Stapleton), a centurion-turned-gladiator, eventually launches his own revolution against the Empire. When you’re fighting against the 15 members of the fearsome Roman army, it helps to a have a monster from Greek mythology on your side. Long live the Roman Republic!
This is an extremely silly movie but it’s hard not to admire the chutzpah it takes to try to recreate the glory of Rome on a tiny budget. It’s not just that the city of Rome looks like a medieval village. It’s also that there appears to only be about fifty citizens of Rome and most of them look like they wandered over from Monty Python and the Holy Grail. The film doesn’t work but kudos to the filmmakers for trying in the first place. Not surprisingly, this was a Roger Corman production.
Eric Roberts as a Roman emperor is something that simply needs to be seen to believed. Eric has the haircut and the sinful smile and he gives the thumbs up symbol with the proper theatrical flourish. In the film, Tiberius turns on Marcus after the latter demands that he be given a land grant along with his promotion and I’m on Tiberius’s side as far as that goes. Marcus should have just accepted the promotion without making demands. Tiberius had every right to be miffed and no one plays miffed quite as well as Eric Roberts. Tiberius goes on to plan the state dinner that will celebrate the capture of the Cyclops. Tiberius and his friends will have half-a-boar. Marcus will be given “eggs and greens.” Oh, Tiberius!
Previous Eric Roberts Films That We Have Reviewed: