Weekly Reading Round-Up : 03/22/2018 – 03/28/2018


Ryan C.'s Four Color Apocalypse

The last week of new comics until who-knows-when owing to the Diamond shut-down — okay, owing to COVID-19 is probably a more accurate way of putting things — yielded a mixed bag of reading for yours truly, so let’s take a look at what was in said bag before this column goes on hiatus (to be temporarily replaced by a standard full-length review post of a small press or self-published comic, as is my usual wont around these parts), shall we? Indeed we shall —

While it’s nice to see Alan Davis back drawing the House of Xavier — and it’s kinda nice to see the House of Xavier itself, come to think of it, given that it’s been abandoned in favor of the mutant island nation of Krakoa — Jonathan Hickman’s script for Giant-Size X-Men : Nightcrawler #1 reads like precisely what it is : an 8-page backup…

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Paddies Reminder; Wash Your Hands!


I know this video has been making it’s rounds thru social media lately and I wanted to expresses my greatest and utmost *Washing of my Hands* of it!

 

This is a great Beatles song remake…. and a great reminder to wash your hands!

*Nor I or TSL own any copyrights or contribution to this song or video* *We are washing our hands of it!*

*Although, every member of the TSL staff is completely sanitized!* We are proud of keeping our work spaces clean!

WASH YOUR HANDS, PEOPLE!

A Mandy Ord Two-Fer : “Water”


Ryan C.'s Four Color Apocalypse

The second self-published mini from earlier this decade by Australian cartoonist Mandy Ord that we’ll be looking at here also focuses on a natural theme, this one being water, and like its “companion” comic, Cold, this one — titled, simply and appropriately, Water — broadens its basic premise out to encompass Ord’s personal experience with the subject in question at key junctures in her life.

We’re treated to four interconnected strips in these 40 pages, and the interesting thing is that Ord has chosen to relate autobio experiences focusing on both water’s absence (desert hiking), its abundance (a heavy rainstorm), and its conservation (water collection), thereby covering the extremes of human interaction with, and dependence upon, water from both extremes, as well as all points between. It’s a simple enough idea, I suppose, but no less bold and resonant for that fact.

Plainly speaking, some premises are so obvious…

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A Mandy Ord Two-Fer : “Cold”


Ryan C.'s Four Color Apocalypse

With COVID-19 lockdowns affecting so many of us, and with any number of related financial uncertainties coming part and parcel with them, it seems to me that what a lot of folks could use right now are some good new comics that can be had at a reasonable price and enjoyed over and over again. If you agree with that sentiment, then meet your new best friend — Australian cartoonist Mandy Ord.

Hers is a name new to me, I admit, but apparently she’s been at it (and by “it,” I mean both cartooning and self-publishing) for quite some time, even if much of her “back catalogue” has only recently been made available for purchase online — either via her own Etsy shop or, especially convenient for North American readers, John Porcellino’s Spit And A Half distro outfit. I got two of her early-2010s minis from John a couple weeks…

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Escape From New York (dir. by John Carpenter)


 

escape-from-new-york-movie-poster-1981-1020189511Before you start, note that Escape From New York was recently showcased in Jeff’s 4 Shots from 4 Films post to celebrate Kurt Russell’s birthday. For another take on the film, check out Jeff’s review. Please check that out, and then double back here, if you want. 

When I was little, my Aunt would sometimes take my older brother and I with her into Manhattan. In a little movie theatre near 82nd Street, she’d get us a set of tickets for a film, help us get seated with snacks and then either stay for the movie or leave to perform housekeeping duties for someone nearby if she had work and we weren’t allowed to hang out on site. John Carpenter’s Escape From New York wasn’t a film she stayed for (she loved Raiders of the Lost Ark), but it was okay. I was introduced to Snake Plissken, who ended up being cooler than Han Solo to my six year old eyes. Instead of being the hero, here was a criminal being asked to a mission. It showed me that even the bad guys could be heroes, now and then (or better yet, not every hero is cookie cutter clean). The film became an instant favorite for me. As I also do with Jaws and The Fog, I try not to let a year go by without watching Escape From New York at least once. It was my first Carpenter film.

The cultural impact of Escape From New York is pretty grand, in my opinion. It had a major influence on Hideo Kojima’s Metal Gear video games and also spawned a few comics with Plissken, complete with Jack Burton crossovers with Carpenter’s Big Trouble in Little China.

Carpenter brought in most of the same crew he worked with in his previous movies. The film was the third collaboration between Carpenter and Debra Hill, who previously worked with him in 1978’s Halloween and 1980’s The Fog. Though Hill didn’t write this one, she was still the producer, along with Larry Franco. There’s also a bit of speculation on whether Hill performed the opening vocals describing New York or Jamie Lee Curtis handled that. Cinematographer Dean Cundey (who worked on most of Carpenter’s early films) returned to help give the movie it’s gritty look, which is helpful considering how much of it takes place either at night or in darkened rooms. Another interesting part of the production is James Cameron, who was the Director of Photography when it came to the effects and matte work. One of the best effects shots in the film has Plissken gliding over Manhattan, which was designed by Effects member John C. Wash. The shot on his plane’s dashboard of the city was made from miniature mock up with reflective tape that made it appear as if it were digital, which was pretty cool given that they weren’t on an Industrial Light and Magic budget. There’s a fantastic article on We Are The Mutants and on the Escape From New York/LA Fan Page that focus on Wash’s technical contributions to the film.

For Carpenter’s career, Escape From New York marked the start of a great working relationship with Alan Howarth. Howarth, who also worked on the sound in the film, assisted Carpenter with the soundtrack. I’ve always felt this brought a new level to Carpenter’s music overall. You can easily hear the difference when Howarth was involved. Where Carpenter excelled at general synth sound, Howarth’s touch added some bass and depth. Together, they’d work on Christine, Big Trouble in Little China, Halloween III: Season of the Witch, Prince of Darkness and They Live together. On his own, Howarth was also responsible for both Halloween 2, 4 and 5.

For the writing, Carpenter worked with Nick Castle, who played Michael Myers for him in the original Halloween. Escape From New York’s story is simple. In 1988, the crime rate for the United States rises 400 percent. As a result, someone had the notion to turn Manhattan into a prison for an entire country, setting up walls around the borough and mines in the waterways. When Airforce One crashes in the borough nearly a decade later, the recently arrested war hero / fugitive Snake Plissken (Kurt Russell) is given a mission. Go in, rescue the President and/or the tape he’s carrying in 22 hours, and Plissken receives a pardon for all his crimes. To ensure that he follows through, he’s injected with nano-explosives that will kill him when the deadline hits. What seems like a simple mission becomes a little complicated when Snake discovers the President was captured by The Duke of New York, played by Issac Hayes (I’m Gonna Git You Sucka). Given that I’ve commuted to Manhattan more times than I can count, the film holds a special place in my heart.  The concept of the entire borough being a prison was mind blowing as a kid. The concept still holds up for me as an adult.

For a film about New York, there were only two days of filming actually spent on location there, according to Carpenter’s commentary. Most of that was used for the opening shot at the Statue of Liberty. The bulk of the film was made in Los Angeles, Atlanta and St. Louis. At the time, there was a major fire in St. Louis. The damage made for a great backdrop for both the crash site and the city at night. The film does take some liberties with locations, though. For example, as far as I know, we don’t have a 69th Street Bridge in Manhattan, but as a kid, it didn’t matter much. From an action standpoint, it might not feel as intense as other films. Even when compared to other films in 1981 – like Raiders of the Lost Ark (released a month earlier) – Escape From New York doesn’t have a whole lot, though I still enjoy what it does provide.

escape_from_new_york

Snake Plissken (Kurt Russell) has 22 hours to save the President in John Carpenter’s Escape from New York.

Casting seemed to come easy for the film. Hill, Castle and Carpenter reached out to some friends.  Kurt Russell and Carpenter worked together on Elvis, that was easy enough. Russell’s work with Carpenter would continue on in The Thing, Big Trouble in Little China and Escape from L.A.  From Halloween, Donald Pleasance was brought on to play the President, along with Charles Cyphers and Nancy Stephens as one pissed off flight attendant. From The Fog, we have Tom Atkins as Nick and Adrienne Barbeau as Maggie, who happened to be married to Carpenter at the time. According to Carpenter on the film’s commentary track, the sequence for Maggie’s exit needed to be reshot and extended. The scene with her body on the ground was filmed in Carpenter’s garage and added to the film.

Ernest Borgnine’s (The Poseidon Adventure) Cabbie was a favorite character of mine. Like most cabbies, he knew the city well. He even prepared for some of its challenges with molotov cocktails. Harry Dean Stanton (Alien, Christine) played Brain, the smartest individual in the room and the supplier for gas for the Duke. If you look close, you’ll also catch Assault on Precinct 13’s Frank Doubleday as Romero, which his crazy looking teeth. To round it all out, Lee Van Cleef (The Good, The Bad & The Ugly) plays Hauk, who puts Snake on his mission. And of course, it wouldn’t be a Carpenter film without a George ‘Buck’ Flower cameo. Buck was kind of Carpenter’s lucky charm in the way Dick Miller was for Joe Dante’s films. Good Ol’ Buck plays an inmate who sings Hail to the Chief.

Overall, Escape From New York is a classic Carpenter film that’s worth the watch. Whether you do so while wearing an eyepatch or not, that’s on you. We all have our preferences.

 

Music Video Of The Day: Ponder The Mystery by William Shatner (2013, directed by William Shatner and Kevin Layne)


Today, we wish a happy 89th birthday to the one and only William Shatner!

This music video is for the title song from Shatner’s 2013 album, Ponder the Mystery.  Nowadays, it’s usually agreed that Shatner was laughing at himself when he famously covered songs like Tambourine Man and Lucy in the Sky with Diamonds.  But Ponder the Mystery features Shatner in a reflective mood.  This song, like every other song on the album, finds Shatner pondering not just the mysteries of life but the reality of death, as well.

After that happy introduction, what else can I do but invite you to…

Enjoy!

Weekly Reading Round-Up : 03/15/2020 – 03/21/2020, The Upshot Of It Is —


Ryan C.'s Four Color Apocalypse

Don’t look now, but there’s a new publisher on the scene. AWA (short for Artists Writers & Artisans) is the brainchild of a pair of former Marvel head honchos (Axel Alonso and Bill Jemas), and right in the midst of the COVD-19 pandemic they’ve rolled out their Upshot comics imprint with no less than four titles in one week. Let’s take a look at ’em —

Unquestionably the “flagship” release of the company’s first wave is The Resistance #1, featuring the return to comics of one-time “fan favorite” writer J. Michael Straczynski, here teamed with superstar artist Mike Deodato Jr. This book has one of those immediately “ready for Hollywood” type of premises, centered as it is upon a global disaster (seem familiar?) that suddenly and inexplicably causes several thousand survivors across the globe to manifest super powers in its wake. I dunno, the story’s competent enough and plenty interesting…

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