Thoughts On The Culture — 9/11/26


It’s Been A While

It’s been two months since I last did one of these. With October approaching and horror movies demanding my attention, I decided to get at least one essay in here before the ghosts and the goblins take over for a month. Fair warning: This is not one of my happier editions of Thoughts On The Culture (and some of the earlier drafts were even angrier!) but these are some things that I’ve been trying to say for a few years now. If not now, when?

25 Years Ago

Every September 11th I decide I am going to write about the anniversary, and almost every year I give up after a few sentences. After the first few sentences, I always find myself getting too angry to continue.

There were 2,977 official victims of 9/11. And then there are the people who died in the days, months, years, and decades afterward, some from illnesses related to the toxic dust at the scene, some from the depression and anxiety that followed the attacks, and many in the wars that were fought after the attack. The world changed that morning. That is a difficult thing to deal with in one essay.

I know that a lot of my friends who are a bit more on the Left than me get upset with the patriotic rituals that surround the anniversary. That is because 9/11 sits badly with their preferred narrative, the idea that America is always at fault, that terrorists are simply activists trying to be heard, and that a capitalist society like this one is always one disaster away from collapse.

9/11 showed something else. I do not care if you dislike American foreign policy. That does not justify killing nearly three thousand innocent people. Subsequent investigations did not reveal saintly militants with a message. They revealed a crew of men whose ideas about sex and morality looked to be permanently stuck in early adolescence. And America did not collapse. That day is full of stories of heroism and sacrifice from the kind of ordinary Americans who usually don’t get much respect from our leaders. A society in which people have individual freedom does not come apart because of a disaster. Meanwhile, to take two countries long beloved by the anti-American Left, Venezuela couldn’t survive the loss of Hugo Chavez and Cuba’s power grid cannot even handle a visit from Hasan Piker.

Heroism

Actor Steve Buscemi was an FDNY firefighter with Engine 55 from 1980 to 1984.  The day after the attacks, Buscemi put on his old uniform and worked 12-hour shifts for days on end. He did not have his people alert the media. He did not brag about it later. He did it because he thought it was his duty. A lot of other people, who were not famous, did the same. Father Mychal Judge, a fire department chaplain, died while praying over the bodies of those who had crashed down to the streets. The passengers of UA 93 fought back and, at the cost of their own lives, prevented one of the planes from crashing into the U.S. Capitol. That was America on September 11th.

A Few Words From My Father

My dad thought the attacks showed how weak the terrorists actually were. As he put it, flying a plane into a building does not take a genius. It just takes someone willing to do it. He was not intimidated. He took the lack of immediate follow-up attacks to mean the whole operation was sloppier than it looked on television. He thought the terrorists had gotten lucky, and that their leaders would be blown to oblivion soon enough. At the time, everyone assumed he was wrong. “Well, not many people agree with you on that,” one of my cousins said. It turned out my father was largely right.

Who Is More Traumatized?

This week, on Twitter or X or whatever you want to call it, a lot of Zoomers have been complaining that 9/11, an event which they were not even around for, is getting too much attention, and that the COVID years were actually the worst trauma.

The trauma from 9/11 came from not knowing what the future held, and from the feeling that another attack could come at any moment. On 9/11, even those of us who did not live in New York watched the attacks unfold on television. I saw people jumping to their deaths. I saw, and heard, the towers fall. Those images have never left. On that day, they were in the whole country’s head. As for COVID, how traumatized you were depended a great deal on which state you were living in. Not everyone was set free from the lockdowns at the same time.

The weird thing, to me, is this attitude that trauma is a competition. Nothing seems to scare certain people more than the fact that not everyone looks at the world the same way they do.

Is It Okay To Lighten The Mood?

It’s always okay to lighten the mood. In fact, I think there are times when writers have a duty to lighten the mood. Sometimes, I think it’s too tempting (and perhaps too easy) to simply obsess on the bad at the expense of the good. It’s easy to focus on the darkness but we need to be willing to accept that there are reasons to be happy as well. For instance, Big Brother is nearly over. Seriously, this has been a very frustrating season of the show that I love to moderately dislike. This season hasn’t so much been bad as it’s just been overwhelmingly bland. It’s not good enough to get excited about but it’s not really bad enough to hate. Fortunately, it’ll all be over on October 1st, just in time to celebrate the scary season!

Admittedly, this is mostly good news for me and my friend Jim. I introduced him to Big Brother last season and I don’t think he’s ever going to forgive me.

On a Happier Note

Let’s end this edition on a hopeful note. I am already busy watching and reviewing films for this year’s Horrorthon. October is my favorite time of the year, and I look forward to celebrating it with all of you!

4 Shots From 4 Films: Is It October Yet?


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

We’re halfway through July, which means that it’s time for me to get ready for October!  (Seriously, who cares about August and September?)  Here to inspire are….

4 Shots From 4 Horror Movies

Frankenstein (1931, dir by James Whale, DP: Arthur Edeson)

Night of the Living Dead (1968, dir by George Romero)

Halloween (1978, dir by John Carpenter, DP: Dean Cudney)

Inferno (1980, dir by Dario Argento, DP: Romana Albano)

 

4 Shots From 4 Films: Special Herschell Gordon Lewis Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today, on what would have been his birthday, the Shattered Lens remembers director Herschell Gordon Lewis.  It’s time for…..

4 Shots From 4 Herschell Gordon Lewis Films

Blood Feast (1963, dir by Herschell Gordon Lewis, DP: Herschell Gordon Lewis)

Color Me Blood Red (1965, dir by Herschell Gordon Lewis, DP: Herschell Gordon Lewis)

Something Weird (1967, dir by Herschell Gordon Lewis, DP: Andy Romanoff)

The Wizard of Gore (1970, dir by Herschell Gordon Lewis, DP: Alex Ameri and Daniel Krogh)

Music Video of the Day: Possum Kingdom by The Toadies (1994, dir by Thomas Mignone)


Originally, I thought this song was about possums.  Possums are wonderful creatures by the way, even if they do kind of smell bad.  They don’t get rabies, they eat tics and roaches, and they’re basically very shy and timid.  And they’re severely myopic!

Unfortunately, this song is not about Possums.  Instead, the song was named after Possum Kingdom Lake, which is a real lake down here in Texas.

For a while, I thought it was about a vampire.  Then I had my best friend Evelyn listen to it and she thought it was about a serial killer.  We were both wrong.  According to the lead singer of the Toadies, the song was actually about a ghost who was inviting someone to join him in the netherworld.

This video was shot in Dallas.  Woo hoo!  Overall, it’s a good song, though the “so help me, Jesus” stuff feels a bit forced.  And it’s a good video, full of atmosphere and menace.  It’s a perfect video for the second Friday the 13th of 2026!

Enjoy!

Scenes That I Love: Peter Fonda Takes The Trip


Today would have been Peter Fonda’s 86th birthday.

This scene is from Roger Corman’s 1967 film, The Trip. Corman dropped acid himself before filming Peter Fonda doing the same thing in this film. Regardless of how one views Corman’s cinematic recreation of Fonda’s experience with acid, The Trip is considered to be one of the first nuanced drug films. While it doesn’t endorse drug use, it also doesn’t descend into the hysterics of a film like Reefer Madness. Interestingly enough, the script was written by Jack Nicholson.

Here is Peter Fonda, exploring the city on LSD, in The Trip:

Scenes That I Love: The Pendulum Starts To Swing From The Pit and The Pendulum


Today’s scene that I love is from the 1961 Roger Corman-directed Edgar Allan Poe adaptation, The Pit and The Pendulum!

Not only is that pendulum nightmarish as Hell but check out that set design!  One can see that Corman definitely took some inspiration from the work being done in the UK by Hammer.  Watching this scene, it is easy to see why Corman devoted so much of the early 60s to directing Vincent Price in various Edgar Allan Poe adaptations.

Enjoy!

Scenes That I Love: John Nada Sees The Truth in They Live


The brilliance of this scene is that it pretty much speaks for itself.  It doesn’t need to be overanalyzed.  It doesn’t need to be carefully explained.  It works because it captures what almost everyone has always suspected, even if they didn’t necessarily have the courage to say so aloud.

From John Carpenter’s 1988 film They Live:

Another Halloween Has Come and Gone


Another Halloween has come and gone and another Horrorthon has come to a close.  We hope you have had a wonderful October and that the Thanksgiving month brings you much to be grateful for!

And remember, just because you didn’t see the Great Pumpkin this year, doesn’t mean that he won’t be there for you next October.  As always, Linus puts it best:

To all of our readers and from all of your friends at the Shattered Lens, thank you.

Late Night Retro Television Review: Freddy’s Nightmares 1.15 “School Daze”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

Earlier today, Robert Englund received a star on the Hollywood Walk of Fame!  Let’s get this episode of Freddy’s Nightmares out of the way so that we can celebrate!

Episode 1.15 “School Daze”

(Dir by Michael Klein, originally aired on February 12th, 1989)

Stupid episode this week.

Two high school friends worry about their future.  One of them hallucinates all of the adult authority figures in his life trying to brainwash him.  The other keeps having visions of how much his life is going to suck if he doesn’t get a good score on his SATs.  The premise really isn’t that bad but, as so often with Freddy’s Nightmares, it appears that the writers didn’t really dig into it.  Instead, they just wrote a very shallow episode in which both stories relied on the same overused twist that seems to show up in every episode.  Hey, it was all just a dream!  The biggest compliment that I can give this episode is that the second story did manage to capture some of the anxiety that comes along with college testing.  Some teachers really do overboard with that whole “This will determine the rest of your life” spiel.  Seriously, blow off the tests, go to a party school, and make friends with someone has money.  That’s really all you have to do.

Instead of fixating on a bad episode of Freddy’s Nightmares, let’s watch Robert Englund get his star on the Hollywood Walk of Fame.  This happened earlier today and, by most accounts, it couldn’t have happened to a nicer guy.  Robert Englund is living proof that you don’t have to a bad guy to play a monster.  Congratulations, Mr. Englund!

A Blast From The Past: Vincent Price Reads The Raven


Halloween’s coming to an end.  Actually, here in America, it’s come to an end everywhere except on the west coast.  What better way to bring our annual Horrorthon to a close than spending a few minutes with Vincent Price and the Raven?

Unfortunately, I don’t know exactly when this was filmed.  But no matter!  It’s Vincent Price reading Edgar Allen Poe!

Enjoy!