TV Review: Twin Peaks 2.16 “The Condemned Woman” (dir by Lesli Linka Glatter)


My apologies for the delay on this everyone.

“The Condemned Woman” refers to Josie Packard (Joan Chen), who has just about the worst day of her life in her episode.

It all begins with the items left by Windom Earle on Sheriff Truman’s (Michael Ontkean) desk. After listening to the tape recording, Truman notes that he’s not going to let Dale Cooper (Kyle MacLachlan) out of his sight. Cooper lets Truman know that if Windom really wanted him dead, it would have happened already. Looking over the chess board, they give a call to Lucy, to have Pete Martell (Jack Nance) come by the sheriff’s office as soon as they can. When he’s done with the phone, he finds Cooper gazing longingly at the face mask on the table.

“She was the love of my life, Harry.” Cooper says, speaking of Caroline Earle (Brenda Mathers).

We find Pete on the phone with Lucy, letting her know that he’ll be right over to the precinct as soon as he can. He then serves breakfast to Catherine Martell (Piper Laurie) and Andrew Packard (Dan O’Herlihy), who is surprised any the arrangement of his breakfast into a face. As the two have a good chuckle, Catherine interrupts by asking Pete to get the salt and paper. Pete does so, wishes them well, and then heads out. Over breakfast, Catherine asks about Ghostwood. Andrew informs her that everything’s set and she should be leaving for Paris the next day.

The door opens and Josie walks in, so shocked to find Andrew alive that she passes out on the floor. Not a good start for Josie in this episode.

In Truman’s office, Hawk (Michael Horse) brings in Hank (Chris Mulkey) who is arrested for the attempted murder of Leo Johnson (Eric Da Re). Hank says he’s not there, but Truman mentions he has a witness saying he’s there. Hank offers to be a witness regarding the murder for Andrew Packard, and points the finger at Josie. This causes Hawk to react and kick the crutches out from under Hank, making him collapse on the table before taking him out of the room. Truman has a moment of brief anger after Hank is escorted out.

In an adjacent office, Al Rosenfield (Miguel Ferrer) lays it all out. The bullets from a recently deceased individual match the ones pulled from Cooper’s torso, all leading to Josie Packard. Cooper asks Rosenfeld to hold off, as he’s going to speak with Josie and ask her to turn herself in.

Back at the Great Northern, Audrey (Sherilyn Fenn) receives an envelope before taking over the Concierge desk as part of her training. A young man (Billy Zane, Titanic), approaches the desk and asks to have his luggage brought in. He recognizes her and mentions he has a photo of her in a dress and pigtails, with fond memories. He remembers her playing as Heidi. She recalls the memory as well, though she was 10 at the time. Why is he holding on to that picture? Before she can say anything about it, he’s already left the table and is moving on. Going back to the envelope, she finds the right side of a torn paper with parts of messages. It contains words such as:

High heaven…

One another;

Be forgiven


The earth

Kiss the sea:

Work worth


It also contains a message to meet at the Roadhouse at 9:30. Strange stuff, indeed.

We’re at Ed (Everett McGill) and Nadine’s (Wendy Robie).  He’s fixed the damage to the shelves when Nadine arrives to inform him that she and Mike are in love. They had a wonderful time at their wrestling trip. At first, Ed is a little upset, but she reminds him that he and Norma (Peggy Lipton) are together, so why not? Nadine informs Ed it’s time to break up.

In the next scene, Cooper and Josie are talking about what they found. He tells her she has to come by the Precinct later today or he’s going to come hunting for her. When he leaves, Catherine (who’s been listening in the entire time) comes in and asks what’s wrong, pointing out all of the ways that Josie’s in trouble. Between Eckhardt coming after her and the police, she’s in a corner. It’s Piper Laurie playing the wicked role to a “T”, and she’s great in this scene. In the book-case, Catherine takes a pair of keys, leaving behind the Walter PPK, which Josie cradles. She may need that later on.

We’re at the Great Northern, and Ben Horne (Richard Beymer) is in wonderful spirits after his recovery tied to the Civil War re-enactment Dr. Jacoby helped with. Bobby Briggs (Dana Ashbrook), Audrey and Jerry (David Patrick Kelly) are on hand. As they talk the young man Audrey met earlier enters the office and is introduced as John Justice Wheeler.

Twin Peaks - Meeting with Ben Horne

The Horne’s (with a Brigg) gather for a meeting.

At the sit down, Ben explains that Horne Industries is in a bad way. The lands once owned by them are now owned by the Martells. His plan includes a Pine Weasel, indigenous to Twin Peaks, but almost extinct. They plan to fight the Ghostwood Development with this, and if that works out, perhaps he’ll run for the Senate. If that storyline works out, it would be interesting if it’s referenced in the Revival next month. I’ll admit that I like this version of Ben Horne. He’s less of a weasel (for want of a better word) than what he was up until now.

At the RR Cafe, a man pays his tab and leaves. On the table where he sat is an envelope for Shelly (Madchen Amick). Norma is on the phone with her sister, and explains to Shelly that her sister Annie will be visiting her from a local convent. They both discover the envelope and Shelly opens it, revealing another part of the letter that was given to Audrey earlier. Shelly’s has the following:

Waves clasp…

Flower wo…

Ordained it’s….


The moon beams…

TwinPeaks - Ed-Norma.jpg

A long lost love, found at last.

Along with this is the same notification to meet at the Roadhouse at 9:30. As they think about it, Ed comes into the cafe with a deeply focused look. He walks right up to Norma and tells her that he’s loved her for years and this is their time now. Ed gives Norma a sweet embrace, a sweeter kiss, and Shelly leaves them be with a smile. Nice one, Ed.

We’re outside somewhere, and Leo (Eric Da Re) is whittling a piece of wood into Arrows, though he doesn’t speak. The man we saw at the diner (Kenneth Welsh) talks to Leo while examining some arrowheads. They have something planned for Twin Peaks, though what that is, we’re not sure.

In prison, Norma visits Hank, who’s still bruised from getting beat up by Nadine.. Hank asks her to vouch for her to help get out, but she’s not having any of it. She’s leaving him, and that’s that. He tells her to give him an alibi and he’ll give her a divorce. She still won’t cave in, and to this, Hank calls her a whore.

Norma’s response made me laugh, given that Billy Zane is also in this episode. She uses a line that James Cameron would also use later on in his film Titanic (said to Billy Zane’s Character):

“I’d rather be his whore than your wife.”

That makes me wonder if Cameron was a fan of Twin Peaks. Anyway, Norma leaves a screaming Hank behind, heading off to her new life with Ed.

We’re at the conference room in the precinct, with Pete, Truman and Cooper mulling over a Chess board. Pete, after much deliberation, makes a move and states that it will take Windom Earle some time to counter that one in a way that would remove a chess piece and lead to another killing.

In walks Rosenfield, with some more news on the forensics report. He steps out into the hallway with Cooper, explaining that they matched the gunpowder on Josie’s gloves with the bullets from before, and they have a witness who saw her leave the location of the recently deceased. Though Cooper states he handles it, an upset Truman steps into the hall, staring at both men.

He knows. Truman leaves, heading for Josie’s.

We find Josie working on her makeup when Andrew walks into the room and offers her a drink. As they sit down and talk, it’s revealed that Andrew truly loved Josie very much, but the same couldn’t be said of Josie. When she asks for him to help her, Andrew tells her what Catherine said earlier, that she should speak with Eckhardt. On the way out, she calls to him. He tells her “We won’t speak again.”

This would have been a perfect time for Dan O’Herlihy to almost close the door, stop in reflection and then say to Josie “Oh, and Happy Halloween.” before leaving.

James (James Marshall) and Donna (Lara Flynn Boyle) are reunited after the escape from Evelyn’s. They’re at a picnic, and Donna wishes James well, though he has to leave Twin Peaks. They have a brief kiss and it’s a nice goodbye for James if he’s actually leaving.

Truman arrives at the Martell’s, looking for Josie. Pete and Catherine tell him that she’s off to the Great Northern, after everything that’s gone on with Eckhardt. Truman rushes off to find her.

The next scene is a great one between two veteran actors. Thomas Eckhardt (David Warner, Tron, The Omen, Time Bandits, Turtles II: The Secret of the Ooze) and Andrew Packard, have a small talk in the elevator after revealing that Andrew is alive and well. The conversation is about Josie, making her sound like some sort of concubine. Andrew goes on to say that Josie loses her heart often, as she’s caught up with Sheriff Truman. Eckhardt mentions he’s taken care of that. But how, we’re left to wonder. Andrew warns Eckhardt that Josie is going to come back to him, and that’s a dangerous thing. He doesn’t get off of the elevator with Eckhardt, as he’s still considered dead to many.

Before Eckhardt leaves, Andrew calls out to him from the elevator, causing both men to pause.

“Happy Halloween.” I say, smiling, hoping O’Herlihy will say the same.

“Bye!!!” he simply says. Dammit.

Dan O'Herlihy- Happy Halloween

Though it has nothing to do with the episode, I’d have loved to have heard Dan O’Herlihy say this.

In the main lounge of the Great Northern, Audrey, Ben and John Justice Wheeler are seated at a table. Ben asks John to be his teacher, as he’ll be the open book “upon whose virgin pages you shall scribe.” This causes Audrey to choke a little, given what she’s seen of her father. The new Ben is environmentally aware, lighting up a cigar and then putting it out at the realization. Before they can go into great detail, Ben is called away. This gives John (wishing to be called Jack) and Audrey some time to themselves. She’s a little defensive when it comes to Horne Industries and his help. Audrey asks him what he did, when he wasn’t saving the world. He states he was traveling all around, but that it’s good to be home, looking at her with a lifted brow.

“I’m only 18.” She responds with a swallow in her throat. Both Jack and I have the same reaction to this. “What does that have to do with the price of eggs?” He wasn’t coming on to her (at least, I didn’t take what was being said as such). Audrey recalls the envelope meeting and tells Jack she has to go, but that she’d be seeing him again.

I hope so, too. They seem like they’d make an interesting couple, if she can’t be with Cooper.

Twin Peaks - Girls at the Bar

Someone’s leaving the women of Twin Peaks a love note, but who? And Why?

Donna finds Shelly at the bar. They make their greetings and Shelly asks Donna why she’s there. She mentions she received an envelope with part of a letter, which she lays down on the bar top. Shelly notices her letter and produces hers, laying it side by side. Audrey then appears and produces her own now. They’re able to read the complete letter:

See the mountains kiss high heaven
  And the waves clasp one another;
No sister-flower would be forgiven
   If it disdained its brother;
And the sunlight clasps the earth
   And the moonbeams kiss the sea:
What is all this sweet work worth
   If thou kiss not me?”

It’s from Percy Bysshe Shelley, “Love’s Philosophy”, but none of the girls get the reason behind why it was sent. At the end of the bar, the man who was talking with Leo earlier watches them….watches them close.

Cooper gets a phone call in his room while learning how to Fly Fish. It’s cute how well he’s adjusting to Twin Peaks life. It’s Catherine, from the way the call sounds. Cooper says he’s going to come back there to retrieve Josie, but he’s told that Josie’s there at the Great Northern, in Thomas Eckhardt’s suite.

Cooper hangs up and grabs his gun. It’s go time.

As he walks through the hallway, he hears screaming, followed by a gunshot. Cooper bursts into the room, his gun drawn. Two figures can be seen laying in bed. One rises, revealing himself as Thomas Eckhardt, a gunshot wound in his torso. Eckhardt chuckles softly, takes a few steps and then drops to the floor, dead.

Josie is kneeled on the bed, her pistol trained on Cooper. When asked why she shot Cooper, Josie admits it was because he came to Twin Peaks and it would come to this day. Harry Truman enters the room. She then turns the pistol on him. She asks Harry to forgive him, and that she never meant to hurt him. Josie has something similar to a seizure and collapses on the bed, where Truman rushes to her aid.

It’s too late. Josie Packard, murderer of Thomas Eckhardt, shooter of Agent Cooper, and Truman’s love, loses her life. A bad day indeed.

Now here is where things get weird than they normally do on Twin Peaks. A bright light envelops the bed, and Cooper stares as BOB appears, asking “Coop!! What happened to Josie!?” in a roar. His figure is replaced by the Man From Another Place (Michael Anderson), who dances on the bed.

The light fades. Cooper’s left to wonder what he’s seen. The camera tilts to a nearby dresser, where we can see Josie or (Josie’s Soul) screaming, her face pushing through the woodwork of a dresser knob. Could the Great Northern be the Black Lodge Hawk was talking about? Why is Cooper seeing BOB after they got rid of him through Leland Palmer?


Josie Packard, meeting her fate.

Goodness, this show is so strange. It’s a better one than it deserves to be, and happily closes some of the loops, tightening up the story. No more James, No more Josie. Hopefully, the last six episodes made for a sharper tale.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman

Trailer – American Assassin

On the set of the third Maze Runner film, actor Dylan O’Brien had a major motorcycle accident that put him away for some time. It was serious enough that the film was halted indefinitely until he could return. I’m happy to say that after a six month recuperation and some TV time on Teen Wolf, he’s back in film action in American Assassin. The film has O’Brien playing Mitch Rapp, who eventually becomes an assassin and takes on the leader of a sleeper cell, played by Michael Keaton. Sanaa Lathan and Taylor Kitsch also star in the film. I may also give the books a try, which are recommended.

Trailer – Kingsman: The Golden Circle

Oh, yes, it’s on!!! Has it been three years already?

Matthew Vaughn’s (Layer Cake, Kick-Ass, X-Men: First Class) MARV Films and 20th Century Fox has released the trailer for Kingsman: The Golden Circle. This time around, it looks like Eggsy (Taron Egerton) is out to solve another global incident with the help of (or is being opposed by) the Statesman. Are they the American version of the Kingsman?

Kingsman: The Golden Circle also stars Julianne Moore, Jeff Bridges (both from The Big Lebowski), Mark Strong (a Vaughn favorite), Halle Berry, Channing Tatum, and Colin Firth.


TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel)

Twin Peaks

Ladies and Gentlemen, welcome back to Twin Peaks!

Here we are at Episode 12 of Season 2, “The Black Widow” was directed by Caleb Deschanel, who happens to be the father of Emily (Bones) and Zooey (New Girl). The episode opens with Bobby Briggs (Dana Ashbrook) paying a visit to Ben Horne (Richard Beymer). Ben is somewhat down on his luck, having learned the truth about Audrey’s (Sherilyn Fenn) visit to One Eyed Jack’s and Hank (Chris Mulkey) informing him that the brothel has been taken over by Jean Renault (Michael Parks). Ben gives Bobby a mission to follow Hank and get him on film, handing him a camera. Anything mischievous or crazy, Ben needs it for blackmail.

On the way out of Ben’s office, Bobby watches a screaming Lana Milford (Robyn Lively, who I found out is actress Blake Lively’s sister) as she runs through the hallways. Given the title of the episode, I think we may be able to get an idea of what happened.

Dale Cooper (Kyle MacLachlan) is finally settling down in Twin Peaks, and with a realtor in his office, he’s given two options for Open Houses. Being Dale, he leaves the decision to chance with the flip of a quarter. The quarter spins and lands on the picture of a third property that was left out. The realtor tells him that the property is known as “Dead Dog Farm”, and no one really stays there long. It’s the place for Dale and he asks to see it right away.

Judy Swain (Molly Shannon, SNL)  from the Happy Helping Hands Organization stops by the precinct to speak with Andy (Harry Goaz), Lucy (Kimmy Robertson) and Dick (Ian Buchanan) about little Nicky (Joshua Harris). Judy has some interesting news on Little Nicky. It turns out that his parents were killed by mysterious circumstances, and he was bounced around to various homes. Judy doesn’t say whether Nicky had a hand in his parents death, but we can figure the best course of action here maybe to get those Megiddo daggers from The Omen and take that little kid to a church.

TP-Molly Shannon

Sheriff Truman (Michael Ontkean) calls out to Andy as they have to make a run to the Great Northern. A tragedy has occurred. Sure enough, the next scene gives us the recently deceased Dougie Milford (Tony Jay) laying in bed. Doc Hayward (William Frost) declares it – a heart attack. Apparently, Dougie was in the throes of passion when his heart gave out. Mayor Dwayne Milford (John Boylan) says his brother couldn’t refuse a beautiful woman, and on seeing Lana in the hallway, he calls her out as a witch and a succubus. Hawk (Michael Horse) approaches Lana and attempts to console her, listening to her state that she’s cursed. Her Prom Night date in High School tried to kiss her, but his braces malfunctioned, leaving him with a lockjaw. Knowing a thing or two about curses, Hawk tells her not to worry and that when things go down, he’s the man. The scene ends on a laughable note.

Gym Class at the High School. The coach introduces the newest member of the wrestling team to her peers, Ms. Nadine Hurley (Wendy Robie). She challenges her crush Mike Nelson (Gary Hershberger) to a sparring session. Mike sets Nadine up in a grapple hold, but she easily tackles him to the ground. She manages to also put him in a head lock and even body slam the poor fellow. Mike is down and out for the count, waiting for someone to throw a python on him and call it a day. In the next scene, we see a damaged Mike as he makes his way down the hallways of school. He reaches Donna and begs her to help him get Nadine off his back. She tells him that maybe an older woman is what he needs.

At Evelyn Marsh’s (Annette McCarthy) residence, James (James Marshall) meets Malcolm Sloan (Nicholas Love) Evelyn’s brother and the family chauffeur. If you recall from the previous episode, James is staying with Evelyn to fix her husband’s Jaguar. He was given the job by his sister, and without it would have probably gone on to drink himself into a corner. He alludes to the idea that her husband Jeffrey (John Apicella) beats her often, and to get back at him, she damages his things. Apparently, she was the one to put the Jaguar in traction. Malcolm leaves James to deal with the info he’s just provided.

Irene Littlehorse (Geraldine Kearns) brings Cooper to Dead Dog Farm.

A tiny digression here. Angelo Badalamenti has a sweet eerie tune here that sounds very much like something Charlie Clouser (Saw, The Collector) would have worked on. The closest contemporary sound I could find was as a song called “Talk to Me” by Porcelain Raft. If you get a chance, give it a listen. I wouldn’t be shocked to discover Badalamenti was an influence to them and others. This might also explain how Trent Reznor’s involved in the Revival.

Anyway, Irene and Cooper find that Dead Dog Farm was recently visited. As they go inside, they discover more clues. It appears someone’s been there in the past few hours (how Cooper realizes that is beyond me, but he’s Cooper. He deals in luck and sorcery, we’ll just accept it). He discovers baby laxative in the sink, and cocaine in a chair. With a smile, he tells Irene that they have to contact the Sheriff. The trail has become hot, and he wasn’t even trying.

Dick and Nicky are at their campsite, and Dick is trying to fix a flat. Nicky is being somewhat annoying by playing with the steering wheel and honking the horn. Dick yells at him, and Nicky puts himself out of the way, somewhat happy at the mayhem he’s caused. However, when the jack on the car gives way and almost injures Dick, Nicky runs and hugs him, worried about if he died. Dick seems a little surprised by this, and it’s something of a bonding moment between them. Then again, perhaps Nicky was just setting a trap for Dick.

At the preceinct, Truman and Cooper are talking with Colonel Riley(Tony Burton) regarding Garland Briggs’ (Don Davis) disappearance. There appears to be a connection between some messages from deep space that pertain to Agent Cooper. According to the Colonel, the source of the messages weren’t from space, but from an area very near to, or practically in Twin Peaks. The Colonel mentions that Briggs’ disappearance is a very serious thing with extreme ramifications to national security.

At the Marsh residence, James is finished fixing the Jaguar. He asks Evelyn about her husband, about what he’s done to her. She argues the point, but after a kiss and the honk of a car, she goes on alert. Jeffrey has come home, and she runs out to meet him.

Audrey meets Bobby at the Great Northern, congratulating him on the job he’s acquired with her father. She also asks him if he’d be willing to work with her as well. Misunderstanding the meaning of business, he leans in for a kiss, which she deftly evades. He smiles, saying he likes the way she thinks and heads to Ben Horne’s office.

That scene bothered me a little, and this may have to do with the idea that at the time, Lara Flynn Boyle was dating Kyle MacLachlan. Since the two of them were together, it supposedly caused a bit of a rift between she and Sherilyn Fenn. The setup that would have possibly led to an Audrey / Cooper courtship was derailed and by this point, it looked like the writers weren’t entirely sure of where to put Audrey in the scheme of things. As long as she was far from Cooper, it worked out. That’s just my speculation.

Audrey snoops in on Ben and Bobby from one of the cubbyholes in the lodge. She sees that he was able to get the pictures for Ben, though to what end, we’re not sure.

Josie (Joan Chen) is doing maid duty for Catherine Martell (Piper Laurie) to pay for her scheming against here. There isn’t much to the scene save that Catherine is relishing where she has Josie here.

Cooper records something for Diane, saying that the response to Windom Earl’s first move was printed in the local paper, but he received the response to that move the day before. He understands that Windom is one step ahead of him, and needs to find a way to change that. He also points out that in the time since his suspension, he’s looked for a home, and he has to worry about his defense, which could be a problem.

Just in time, Audrey knocks on the door, presenting Cooper with a package. Inside are the pictures from Ben’s office. Pictures that include Ernie Niles (James Booth). Audrey’s happy here, considering that the information may actually exonerate Cooper, but before she could continue, Cooper’s door knocks again. This time, it’s Denise Bryson (David Duchovny), who is introduced to Audrey.


“They have women agents?” she says, shaking Denise’s hand, a glint in her eye that suggests she may have found her calling.

“More or Less.”, Denise responds. Audrey thanks the both of them and kisses Cooper (Finally!!!) before leaving the room. It’s here that Denise points out something I missed in Audrey’s age. Cooper smiles, telling Denise that with her change in perception and identity, he assumed girls wouldn’t factor into all that. Her response is simple and it’s an effective close to the scene:

“Coop. I may be wearing a dress, but I still pull my panties on one leg at a time, if you know what I mean.”

Norma (Peggy Lipton) and Ed (Everett McGill) have a small moment over Pie about the lives they planned, and the plans that didn’t work out. She touches his hand, and says that they can make new plans, but this falls within earshot of someone holding a domino in their hands. Hank perhaps? We’re not shown. They better be careful.

Dick comes into the Precinct, pulls Andy aside and whispers that Little Nicky may very well be the Devil. Called it. Totally called it.

Mayor Milford is in Truman’s office with Truman and Doc Hayward, looking to press charges against Lana over his brother’s death by sex. He yells that she won’t get a red cent of Dougie’s money and storms out.

And here’s one of the best scenes of the episode, if short. Hawk, standing in the doorway of the room with Lana (playing the Ingenue) behind him asks the men in the main room (Hayward, Andy, Truman, and Dick) for some Irish creme to add to Lana’s coffee. Dick breaks into Act 1, Scene 5 of Romeo & Juliet, with Hayward joining in. They’re all transfixed on the redhead in the room, which reminded me of both Rita Hayworth’s introduction in Gilda, the cover models in some of the detective stories that Erin has posted here on the Lens, and Lindy Booth’s character in Cry Wolf. When everyone disperses, a phone call comes in on the line, which Lucy picks up. She finds, however, that she’s unable to reach Truman, Andy or anyone. Walking back to the room where Lana was in, she opens to door to find everyone laughing and listening to Lana’s stories. Even Andy is caught up in the magic. This, of course, infuriates Lucy, who leaves and slams the door behind her. I would have loved to know if slamming the door had any effect on the guys in the room. Whether Lana presents any kind of danger is unknown at this point, but that honestly was a great setup if we do find she’s a Femme Fatale.

We’re back at the diner, with a pair of heeled legs that step into the room. Ernie Niles is having dinner when Denise slides into the seat across from him. Taking out the pictures that Audrey stole, she informs Niles that he’s guilty of a parole violation and unless he helps her (she says, reapplying her lipstick), she’ll do everything she can to make sure he stays there. It’s a cute little scene.

We then find Ernie being interrogated by Cooper and Denise in a cabin under the midst of a thunderstorm. Ernie confesses he had about four kilos of coke, and Denise has him set up a meet at the Dead Dog Farm, where she’ll meet him as a drug trafficker. On realizing that Denise is more than who she says she is, he kind of has a bad reaction and runs to the restroom.

Cut to the Marsh residence. Screaming. Glass breaking. James wakes up to these sounds and when Malcolm steps into the room, he asks if Evelyn will be alright. He states that he once thought revenge, but she stopped him for both of their sakes. This leaves James wondering if he should intervene.

The final scene of this episode has Betty Briggs (Charlotte Stewart), weeping over the loss of Major Briggs. Bobby has a great moment here where he tells her of the dream his father had about him and his future. During the storm, the lights go out, and in the darkness, we find Major Briggs suddenly in the living room. How did he get there? Where the heck was he?! He asks Bobby to fix him a drink, and when asked if everything’s alright, his answer is simple.

“Not exactly.”

And isn’t that always how is it in Twin Peaks? That’s the episode. This one was actually really good, and so far the show is holding up well. Tune in tomorrow for “Checkmate”, the next episode in our Marathon.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson

TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham)

Twin Peaks

This is where Twin Peaks starts to go into uncharted territory.

“Masked Ball”, directed by Duwayne Dunham, marks the first full episode after the closure of the Palmer case. We begin in the best way possible – a long motorcycle ride out of Twin Peaks with James Hurley (James Marshall). He’s moving on, and the audience is brought along for the ride.

At the precinct, Sheriff Truman (Michael Ontkean) and Special Agent Dale Cooper (Kyle McLachlan) speak with Betty Briggs (Charlotte Stewart) over the disappearance of Major Briggs (Don Davis). Apparently, Betty seems to be aware of the Major’s disappearances, and goes on to state that it happens from time to time. It’s a strange angle to this new story arc. When Betty leaves, Cooper whispers to Truman that the light he saw was a powerful force in the woods. Strange things are always at work at Twin Peaks, it seems.

Hawk (Michael Horse) and Andy (Harry Goaz) come in with a package with a gift from Dougie Milford (Tony Jay, Shere Khan from Disney’s Animated version of The Jungle Book). Dougie is getting married, something that happens as often as the return of the salmon, according to Hawk. A wedding seems an interesting change of pace, considering we’ve had two funerals over the course of the show so far.

A call comes in from Gordon Cole (David Lynch) to offer his support to Cooper. Due to his actions across the border at One Eyed Jacks, he’s now under investigation by the FBI. Gordon asks if everything Cooper is accused of is true, to which Cooper denies it. To help investigate the drug angle with the Renaults in Twin Peaks, Cole states they’re sending in Dennis Bryson (David Duchovny, just a few years before The X-Files).

Cooper meets with Roger Hardy (Clarence Williams III, The General’s Daughter). and two other personnel. Talk about time travel. On the table is one of the first Apple laptops ever made in 1989, weighing in at about 16 pounds. When asked about what he wants to bring to the defense, Cooper admits he has no defense. Yes, he did travel outside of his jurisdiction to One Eyed Jacks, but overall, he’s “innocent of any wrongdoings”. This statement causes Hardy to go “off the record” and have the computer shut down.


“Dale, there’s a right way and a wrong way to do this.” Hardy starts, asserting that an individual of the Bureau should be able to stand up for themselves. Cooper speaks of the magic of Twin Peaks. The life in the trees and animals, and the elements that have amazed him so far. Unfortunately, this doesn’t really help his case. Hardy keeps the suspension in effect and it’ll be up to the D.E.A. And the Canadians to decide his fate. Cooper rises and takes one last look at his badge and pistol before leaving as Citizen Cooper. I liked that they ended with the badge and pistol. The audience has to wonder what he’s looking at for a moment before revealing it.

The next scene has us in High School, with Nadine (Wendy Robie) bounding down the stairs and running into Donna (Lara Flynn Boyle). On greeting Donna, Donna asks if she’s seen James. Nadine states she hasn’t. I suppose James didn’t tell anyone he was leaving. She asks Donna if she happens to still be going out with Mike Nelson (Gary Hershberger). Nadine feels that she and Mike have some great chemistry going on, though Mike doesn’t seem quite in on this knowledge, given the cold shoulder he gives her in the hallway.

“What about Ed?”Donna asks. If she’s with Ed (Everett McGill), how should she be with Mike? Nadine has a plan. Ed’s at home, Mike’s at school, she’ll find a way to manage it, and Ed’s old enough to be her father, she adds. I enjoyed that scene. Any comedic scene with Wendy Robie in this show, I’m for it.


Meanwhile, James makes a pit stop at a local bar, where he finds a young blonde dressed in red. Over beers, she mentions she has a Jaguar that needs fixing. James has just the skill set for that sort of thing. She introduces herself as Evelyn Marsh, and he plays the jukebox, perhaps wondering what he’s getting himself into. First Laura, then Donna, then Maddy, then Donna, now this? Goodness.

Back at the precinct, Dick Tremayne (Ian Buchanan, Panic Room, One Life to Live) brings little Nicky by. Dick explains to Andy that they’re going out for a malted and wanted to bring Lucy (Kimmy Robertson) along. Since both men are vying for Lucy’s affections, treating Nicky well seemed like it would work out in either man’s favor. Andy states that Lucy is at the Great Northern, helping with the Milford wedding, which reminds Dick that Dougie’s getting married again. It’s like an annual event, this wedding. When Dick moves to change their plans, Nicky becomes upset. Andy chimes in, saying that he’d love to come along for the malted. Reluctantly, Dick has him come along.

Here comes one of my favorite scenes, back to back. In Truman’s office, Truman asks Cooper what they should do if they can’t clear him. Cooper’s answer to this is that the Giant told him that the path is formed by laying one stone at a time, meaning they’d have to cross that bridge when they get to it. Cooper asks both men of the White Lodge that Briggs spoke of. Hawk, who’s also in the room, states that the White Lodge is another world. The White Lodge is where the spirits reside, and that there’s also a Black Lodge. The Black Lodge carries the shadow selves of each person, and everyone has to pass through that at some point in their lives. They refer this as The Dweller on the Threshold, and if you fail to pass through, your soul will be annihilated. Sounds pleasant, no?

The intercom rings, letting everyone in the room know that Agent Dennis Bryson has arrived. As one of the finest minds in the D.E.A., he should be able to get right to the bottom of the drug issues in Twin Peaks.

So, in walks Dennis, who is a woman now. Duchovny, along with Wendy Robie later on, pretty much steal this episode from everyone else.

“It’s a long story…” she starts, “but I prefer Denise if you don’t mind.” The magic of this scene is that it takes just a finger snap for both Cooper and Truman to adjust to this. Hawk might need a little time, but after that heartbeat, everyone’s accepting and is down to business. Denise says she’ll look into things and will get back to everyone, since both she and Cooper are staying at the Great Northern.


We’re at the High School weight room. It’s leg day, and Mike is on the leg press. Nadine sits at an adjacent leg press machine, but not before putting the pin in the maximum weight allowed. She holds his gaze as she pushes the set with ease. Mike asks her what she wants, but she suggests that he’s a little forward. The wrestling coach (Ron Taylor) catches sight of the weight and offers Nadine a position on the wrestling team, much to Mike’s surprise.

Truman is home, and Josie is in bed. It’s morning. Holding each other, Truman asks her to tell the truth about what she’s been keeping secret. She reveals that she worked for a man in Hong Kong named Thomas Eckhardt, who took her off the streets and taught her about business. After that, she met her husband Andrew. When Truman inquires about Mr. Lee, she explains that Lee worked for Eckhardt, who still feels he has a claim to Josie. Josie believes that Eckhardt is who killed her husband, but I’m wondering if she’s not being truthful. Wasn’t it brought to light that Hank Jennings (Chris Mulkey) was involved in Andrew’s murder. Truman accepts this and all is well, for now. I don’t normally enjoy the Josie / Truman scenes, but I’ll admit that this was nice.

At the RR diner, Roger Hardy is having some of the pie there, of which he’s heard great things. Hank and Ernie Niles (James Booth) steps into the room. With great pleasure, Norma (Peggy Lipton) informs Ernie that her mom has left him, which he doesn’t take too well. Hank reassures him that it will allow him to concentrate more on the work at hand.

Meanwhile, Nicky is given his malted, with Andy and Dick at his side. Nicky blows the whipped cream into Dick’s face, and spins Andy’s chair, causing him to fall to the floor. Neither man is faring well with Little Nicky, and by the end of the scene, I’m shocked they haven’t held him down and checked his scalp for triple 6’s.

At Evelyn Marsh’s garage, James is doing the repair work on the Jaguar. She states that her husband, Jeffrey, loves the car and that he’s currently away on business. Jeffrey has to have the most beautiful toys, according to Evelyn. This causes James to have a mini speech about his motorcycle and how it’s more important about where it can take him. As a rider, I can easily relate to nighttime rides to nowhere. It’s a great feeling. Evelyn offers a room for him while he’s fixing the car, leaving him to wonder where all of this is going.

I should also note that the actress who plays Evelyn, Annette McCarthy, bears a wild resemblance to Priscilla Barnes from Three’s Company (an old show from the late 70’s). It’s rather odd.


Back at the Great Northern, Ben Horne (Richard Beymer) is watching old videos of the establishment when Hank walks in. Ben is haggard, scruffy looking and is upset that Catherine Martell (Piper Laurie) has gotten over on him. Ben talks about rearranging the furniture in such a way where it’s aesthetically pleasing to the owner – basically Feng Shui. Hank informs Ben that he’s no longer working for him and that ownership of One Eyed Jack’s has changed. Ben deduces that it’s now Jean Renault (Michael Parks) who owns the establishment. Ben goes back to watching his videos, making finger puppets for his amusement.

RIII--Twin Peaks

In his room, Cooper receives a tape from Windom Earle. On the tape, Windom goes on to say that he and Cooper will cross paths, and eventually, “the King must die.”

We’re at Dougie’s wedding. When the priest asks if there’s anyone who objects, Mayor Dwayne Milford (Dougie’s Brother) chimes in. “She after his money.” He barks, but Truman pulls him to the side. Dougie comforts his bride to be (Robyn Lively) and they continue on.


In his room, Cooper receives a call from Denise, who asks to meet him at the wedding. Cooper takes a brief moment to make a tape for Diane to tell her about what happened Denise.

Cooper finds Denise comfortably sitting at the bar, waving the bridal bouquet. “Unfair advantage”, she says, smiling. “How many of those girls were Varsity wide receivers.” Denise explains that cocaine was found in Cooper’s car, but it does appear to be a frame up. Dwayne watches on as the bride and groom share a piece of cake, and states that his brother’s pretty much a “trout on a hook” when it comes to women. Pete takes the comment in stride, which has me wondering if he was thinking of Catherine at that moment.


Cooper asks Denise what happened to her. Denise explains she was working on a bust where the drug dealer in question “would only sell to transvestites”, so she played the part, found it relaxing, and just kept with it. “It’s not something you exactly plan on.”, She adds.

Dale meets the bride and groom, and Truman chuckles over it. According to him, Dwayne and Dougie have had this wedding fight every year. More partying continues and Cooper shares a dance with Audrey (Sherilyn Fenn), while Andy & Denise are also enjoying themselves on the dance floor. Overall, it was a fun scene, peppering some comedy throughout.

Josie and Catherine come to an agreement that has Josie working for Catherine hand and foot. When Josie leaves the room, Andrew (Dan O’Herlihy, Halloween III: Season of the Witch) steps in and says that everything’s going according to plan. What’s he doing among the living?!

Overall, for a post Palmer Case episode, I thought it did well.  Both Duchovny, Robie and the wedding scenes were standouts here. Where it’s all going, I’m not sure I can say. I’m on deck for tomorrow’s episode. We’ll find out then.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland

TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter)

Twin Peaks

Episode 6, “Demons” opens with Maddy (Sheryl Lee) and Donna (Lara Flynn Boyle), who are caught in the act of trying to steal Laura Palmer’s Diary from Harold Smith (Lenny Von Dohlen, Electric Dreams). Harold threatens them, telling them they are “unclean” and are just like the others. Advancing on them, Maddy screams just as James Hurley (James Marshall) rushes into the house, breaking them up. In the scuffle, the Diary is dropped, which Donna makes a move for. Harold, however, intercepts it and rushes after them. He’s only able to make it to the entrance of the house. Donna, Maddy and James regroup at the street in front of Harold’s house (as his agoraphobia keeps him from following them).

James and Donna embrace as they fall to their knees, leaving Maddy staring along with just a hint of contempt. Donna assures James that they’re fine, and James advises that they need to go to the police with what they’ve found. We then cut back to Harold, who is spraying his flowers and trying to hold his composure. He fails, the anger getting the best of him and howls in frustration.

Back at an undisclosed location that looks like a biker club, Special Agent Dale Cooper (Kyle MacLachlan) carries the rescued Audrey Horne (Sherilyn Fenn) inside, laying her gently on a nearby bed. Meeting up with Hawk (Michael Horse), they try to revive Audrey. Cooper notices the needle marks on her arm, and suggests she’s been drugged. As she comes to, she tells Cooper she prayed for him to find her. It thankfully resolves part of her kidnapping arc. Cooper-Audrey.jpg

Near Harold’s, James and Donna get a car for Maddy, who’s sent home. This gives Donna and James some time to talk. Donna suggests that because he had the diary, Harold could very well be Laura’s killer. James asks her to stop going off alone anywhere. The two reconcile their relationship with a kiss.

Cooper and Sherriff Truman (Michael Ontkean) are going over what happened at One Eyed Jack’s. Audrey’s going to pull through from the heroin she was given. Truman shows Cooper a picture of the man who killed Blackie, Jean Renault (Michael Parks). Truman explains that Jean was the one after Cooper in revenge for what happened to his brother Jacques. Cooper is beside himself. Having crossed the border – twice, he adds – others were in danger for his actions. She was bait for him to come after by Renault. Truman reassures Cooper, telling him he’s one of the best lawmen he’s known, but that he thinks a bit too much. They relax over a cup of coffee.

In the next scene, Cooper meets with Ben Horne (Richard Beymer). Handing him the briefcase, Cooper informs Horne he was able to rescue Audrey without giving up the money. Horne is of course delighted to have his cash returned to him, but you can tell from his demeanor that he really doesn’t care, even when told that Audrey almost overdosed. Definitely Father of the Year material there.

Bobby Briggs (Dana Ashbrook) wheels Leo (Eric Da Re) into Shelly Johnson’s (Madchen Amick) place. Their expectations are high for the payout they should receive for taking care of Leo. “Yeah…well, Leo is special to us both.” Bobby says. When given the check, Shelly’s smile quickly fades. They learn they’re only getting about a fraction of the $5000 a month should receive. The effect of this would be for Shelly to quit her job. So now they’re stuck with taking care of Leo and with little to show for it. Credit goes to Eric Da Re for keeping such a straight face in this scene and throughout the episode.

In the Precinct interrogation room, Donna and Truman are going over the events of the evening. Donna explains that Harold has Donna’s secret diary. When asked, Donna mentions that she didn’t see the Diary itself, but it was read to her, and that it did have Laura’s handwriting in it. With the previous incident that put Dr. Jacoby in the hospital Truman is reluctant to believe Donna. Before they can get into more detail here, Gordon Cole (David Lynch, in front of the camera this time) arrives. Cole is Agent Cooper’s supervisor, who brings the news that Al Rosenfield (Miguel Ferrer) wouldn’t be returning. He also provides the forensic information that Rosenfield wouldn’t bring, due to earlier issues with Truman. Fibers from a Vicuna coat were found in the location where Cooper was shot. Additionally, the needle from the One-Armed Man appeared to be a mix of medicines. The last bit of information were some papers found near the train site, papers that could be from a Diary. It definitely seems as if the One-Armed Man may have some clues to provide. Sure enough, in the middle of their conversation, Hawk brings in Phillip Gerard (Al Strobel), and everyone heads to Truman’s office for further questioning.

TP-Ben is an Evil Dad.jpg

Now comes my favorite scene in this episode. Cooper brings Ben to see Audrey. From the moment she sees him, there’s nothing but venom. I had hoped that she would say something about One Eyed Jack’s and what occurred there in front of Cooper (particularly between the two of them). I wanted Cooper to be able to maybe arrest Ben on the spot, or at least break his glasses with his fist, but it doesn’t come to pass. All Audrey really has to say is that “I’ve seen so much.” in regards to the horrors she must have experienced. Ben is as vile as he’s ever been, maybe more so now, because he doesn’t even understand what he’s done wrong. In previous scenes, you can see him manipulating things, but here, from his point of view, it’s just a reunion. It still looks bad.

Nadine (Wendy Robie) returns home from shopping, full of joy. Ed (Everett McGill) welcomes her with open arms, playing along per doctors orders. With her ‘parents’ away and the house to themselves, she offers the notion of a little intimate time between the two. Ed seems to be a little caught off guard, but it’s good to see Nadine in such great spirits here.

Josie is given a one way ticket to Hong Kong by Mr. Lee. She states that she still has one more day and that she needs to receive the monies owed to her from both Ben Horne and the Insurance tied to the mill burning down. Lee notes that “Mr. Eckhardt will make it worth your while.” Lee also suggests that he’ll kill Truman if she doesn’t leave by Midnight. So, who is this Eckhardt, and what does he have hanging over Josie?

The next day, we find Maddy sitting by some water. James rides up on his motorcycle and takes a seat next to her. They talk about what happened between them. Maddy speaks on how close she was to Laura, and the attention she received from James on seeing her as Laura. “For a while, I got to be somebody different.” She gives James that nudge towards Donna, saying they’re best for each other. Since Maddy is back to being herself, it’s time for her to return home. TP-Maddy-Goodbye.jpg

At Ben Horne’s office, Josie won’t leave until she’s paid. Ben goes on to tell her that he has the key to a dossier on Josie, including information on her husband’s boat explosion. Josie has a key of her own to personal information on Ben, and if anything happens to her, it would lead authorities right to him. They move on equal terms, he gives her a check for the money owed to her and she passes to him what he needs. Though I’m not fond of these two characters together, I liked the way the scene was set up.

TP- Party for Leo.jpg

At Shelly’s place, a small party is being held for Leo. who can only hum on a kazoo. However, when Shelly and Bobby start to make out on the kitchen table, Shelly catches sight of movement from Leo. This causes her to freak out, and they go back to treating Leo better. Leo’s case falls into some cake, but the scene ends with a bit of laughter.

Another great scene has Gordon Cole finally running into Dale Cooper at the precinct. Both are happy to see each other, and Gordon mentions that Cooper reminds me of a small Mexican “Chi-wow-wow”. They head into Truman’s office to speak privately about something, but with Cole’s hearing loss, the increased volume from both parties echoes through the entire floor. They discuss an issue that Cooper had in Pittsburgh and the hopes the Palmer case doesn’t turn the same way as that one. Cooper assures Cole that he’s fine and there’s nothing to worry about. Cole present Cooper with an envelope that was sent to the head office. When Cooper opens it, it reveals a chess deal “P to K-4” from who they assume is from former agent Windom Earle. I’m not sure what the impact of this clue is yet, though so many episodes remaining, it may come to light later on.

TP - Cole-Cooper-Truman.jpg

At the Great Northern, Ben Horne welcomes Leland Palmer (Ray Wise) back into the company. Leland lets Ben know that he’s more than 100% okay, though he does take the time to snatch some hairs from a nearby stuffed cat. When Ben explains that a group from the Orient is looking to get into a deal he’s working on, Leland suggests a legal loop that could keep the transaction locked up indefinitely. Winning over Ben, it’s agreed to keep Leland on.

Nighttime. Truman arrives at the lodge to find Josie leaving. She tells him she’s sold the mill, but he tells her to stay. He tells her he loves her (more than once), but it’s simply not enough. Josie is out of the door, and presumably, out of Truman’s life.

Ben  Horne has a small sitdown with Mr. Tojamura. Tojamura is looking for the other part of the deal they made. He gave Ben 5 Million dollars, but hasn’t seen anything come back. When he plans to withdraw, Ben Horne tries to stall Tojamura. Before they can get into any deeper conversation, Ben hears a familiar voice singing. Leland is once again lost in song.

After the song, Pete Martell approaches Tojamura and inquires about the music. Tojamura has nothing to offer, and keeps the conversation short.

The closing scene may be the best scene in the episode. We’re in the conference room of the precinct, with Phillip Gerard, Dale Cooper, Harry Truman, Hawke, and Gordon Cole are present for a conversation. The group refuses to give Phillip his medicine, which contains trace amounts of Haloperidol – used to treat both Schizophrenia and Dissociative Identity Disorder. Note that the two illness are different things, contrary to popular misconception. Schizophrenia is a break in being able to think clearly (voice hearing, hallucinations, thought insertion or removal), where DID covers multiple identities that are created to deal with trauma (much like M. Night Shayamalan’s Split).

Getting back to the show, without the medicine, Phillip “becomes” MIKE. MIKE explains that he’s after BOB. Mike explains he is an inhabiting spirit that uses MIKE as a host. BOB is “eager is fun, he wears a smile. everybody run.” Mike goes on to add that he’s been after BOB for 40 years, and that BOB inhabits a human host in the same way MIKE does. When asked where BOB can be found, MIKE gives a description that sounds exactly like The Great Northern Hotel.

And that’s the episode. Now, we’re closer to Laura’s killer than ever. BOB is in the Hotel, but where is the major question.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman

TV Review: Twin Peaks 2.1 “May The Giant Be With You” (dir by David Lynch)


For four months, people wondered about the fate of Special Agent Dale Cooper, while speculating on who really killed Laura Palmer. The impact of that first season was strong. Twin Peaks would go on to win a number of Golden Globes. Kyle MacLachlan won for Best Actor in a Drama, Piper Laurie for Best Supporting Actress, and the show won Best Drama Series for 1991.

This piece will be shorter than my last one, even though the episode was about an hour and a half long. As writing about TV is somewhat new to me, I ask for your patience as I fine tune things, and thank anyone for reading. This is a fun project.

Directed by David Lynch himself, “May the Giant Be With You”, opens with Agent Cooper (Kyle MacLachlan) on the floor, having been shot 3 times in the chest and stomach and reflecting on the experience. He’s visited by both a member of the morning room service staff with a few communication issues and a very tall gentleman (Carol Struycken) who tells him three things:

1.) There’s a man in a smiling bag.

2.) The Owls are not what they seem.

3.) Without chemicals, he points.

The tall figure let’s Cooper know this is all he’s allowed to say and can’t elaborate. He also takes Cooper’s ring and promises to return it once Cooper sees the truth in what he’s told. As an afterthought, the figure adds that there is an additional clue at Leo Johnson’s house (“Leo locked inside hungry horse.”). The figure then disappears, leaving Cooper to think about what he’s been told.


Meanwhile, at One Eyed Jack’s, Ben Horne (Richard Beymer) is trying to introduce him to the “New Girl”, unaware that the girl is actually his daughter, Audrey (Sherilyn Fenn). Audrey is able to fight off his advances while hiding her identity in a scene that shows her just how creepy her dad is. We also learn that Blackie is a drug addict, getting her fix from Jerry (David Patrick Kelley).


Cooper, still on the floor, is still recording his thoughts on his tape deck, going over his regrets and hopes. Before he can expire, Truman, Andy and Hawk arrive, and Agent Cooper is rushed to the Hospital. When he regains consciousness, Dr. Hayward shows him the extracted bullet, which hit a tick he was trying to get to before the incident began. Cooper can’t recall anything clear about the figure that shot him. Lucy explains that in the time he was out, Leo was shot, Jacques was strangled, the Mill burned, Shelley and Pete got smoke inhalation, Catherine and Josie are missing and Nadine is in the hospital, having taken too many sleeping pills. It’s kind of comical when Cooper asks how long he was out and receives the response that it all occurred the night before.

Shelley is recuperating from smoke inhalation, but is inconsolable due to the loss of Bobby Briggs (Dana Ashbrook). Cooper witness a body bag being wheeled through the hospital, and is told that it’s the body of Jacques Renault, which causes Cooper to ask if the bag is smiling. Is that the first clue the Giant provided come to pass?

At the Palmer residence, Maddy (Sheryl Lee) and Sarah (Grace Zabriskie) are talking about Maddy’s dream of Laura when Leland (Ray Wise) steps into view, his hair completely white. Sarah and Maddy look on in disbelief. Having dispatched Jacques the night before, Leland is a new man. He still sings and dances, but appears to be much more pleasant and merry now. Before the scene ends, Maddy sees the blood imprint of what I believe is Laura’s body, stirring her to screams. Watching that moment reminded me of Sheryl Lee’s performance  in John Carpenter’s Vampires (“He killed a Priest!!”) – pretty much the same scream.


Leland makes a return appearance at the Great Western, presenting himself with the same song he gave his family. Ben and Jerry, who were trying to figure out how Leo wasn’t killed, greet Leland with a song and dance and welcome him with open arms.

Truman and Cooper are at Leo’s house, examining the bullet hole in the glass. Cooper is able to perfectly piece together the attack on Bobby, though Truman believes it’s Shelly that was the victim here. Cooper notes that they need to confirm when Shelly arrived at the Mill to confirm if she was the one. A car approaches, bringing Andy (Harry Goaz) and Albert Rosenfeld (Miguel Ferrer) to the scene. Andy runs out to warn Truman and Cooper that Rosenfeld’s there, but steps on a loose board at Leo’s porch. The board flies up and smacks Andy right in the face, causing him to stumble around like a cartoon character. Up to the that point, I enjoyed the scene, but Andy’s reaction to getting hit – while funny – is just a little too drawn out for me. It’s helped by one of Rosenfeld’s classic quips, but not by much. Under the boards, Cooper and Truman discover a shoe with “Circle Brand” on the bottom and some drugs. Leo truly was into some underhanded things.

The next scene takes us to the Double R Diner. Donna (Lara Flynn Boyle) is given a pair of sunglasses while Maddy destroys hers, as she’s tired of them. She’s looking for some change. Norma (Peggy Lipton) gives Donna  a note that came into the diner that reads “Look into the Meals on Wheels”. They ponder the meaning of this while a lady cradling a log looks on.

Cooper is being checked by Rosenfeld, who was sent by Gordon Cole (David Lynch). Rosenfeld explains the obvious – he was shot at close range. Rosenfeld also adds that Jacques’ death could just be some kind of small town vengeance, which makes Cooper a little defensive. Andy comes into the room and adds some more information about the Giant’s clue. Leo was under arrest in Hungry Horse, Montana on the same date of Teresa Banks’ murder. Leo has his alibi.

Mike, the one-armed shoe salesman, makes an appearance at the precinct, to sell some shoes. Truman and James listen to Laura’s tape. Truman suggests it was break in. James states the door was already open. On the cocaine in his bike, James believes Bobby did that, possibly with Leo’s help. James explains that Laura went on about playing with fire, of playing with BOB, which Truman can’t figure out. Cooper comes in and demands the other half of Laura’s necklace. James gives it to him, and returns to his cell. Cooper understands that Jacoby is actually plays a bigger role in the entire affair, than previously expected.

Donna, sunglasses and all, pays James a visit. They have a mini between-the-bars make out moment, and she tells him she’s eager for him to get out of jail.

Cooper gives Lucy and Andy a task to go through issues of Flesh World to see if they can find a picture of Teresa Banks in it.  Cooper and Truman visit Jacoby at the hospital. Cooper plays hardball and wants to know how Jacoby got a hold of half of Laura’s necklace. Jacoby claimed to be trailing a red corvette, but lost him near the Old Mill Road. A motorcycle and police cruiser passed him by and went into the woods. He trailed them (James and Donna) to the place where they buried something under the rock. The necklace was what Jacoby dug up and kept. Jacoby theorizes that Laura was looking to die, not by a suicide, but as a murder. In regards to Jacques murder, Jacoby was too sedated to have done it himself, but notes there was a strange smell in the air. It wasn’t Jacques voiding his bowels (as strangulation victims do), but of scorched engine oil.

Bobby visits Shelly at the hospital, who is happily surprised to see him alive. He promises to take care of her when she gets out. She tells him that Leo knows about the two of them and Bobby assures her she’ll be alright.

Rosenfeld, Cooper, and Truman find Ed, who is waiting on Nadine. She survived her suicide attempt, but is in a coma. He explains of how he proposed to Nadine and how she lost her eye, which he shot out by way of some buckshot ricochet. At the end of the conversation, Cooper discovers the smiling bag hanging on the wall of another room. Another clue brought to light. We also learn that the food in the hospital is really bad.

Norma, at the hospital, finds Ed at Nadine’s bedside. With a pained expression, she leaves them be.

At the Double R, Bobby runs into his father (Don Davis) and joins him at his table. They talk about school, and of a vision the father has of a place where he was born and raised. He dreamed of his son at this place, happy and carefree. They have a hug that’s warm and loving, and when he awoke, the father felt optimistic about Bobby’s future. He wishes Bobby nothing the best in life and heads home. Bobby actually sheds a tear. When Norma returns to the diner, Bobby watches her talk to Hank and realizes that he (Hank) was the one who shot Leo.

Back at the Precinct, Cooper breaks down what happened with Laura. Laura went to the cabin, had a tryst with Leo, Ronette and Jacques, and also note that the blood on Laura didn’t match any of the other individuals, so there’s another unknown that’s tied to the murder. For a clearer picture of what exactly happened that night, it’s recommended that one watches the Twin Peaks movie, Fire Walk With Me. If you want to keep with the mystery, avoid that and stay with the episodes until the reveal. Then jump to the film.

At Josie’s, Pete and Truman talk about Josie and Catherine, and adjusting to them gone. Pete has a sad moment here. A call comes in from an unnamed individual looking for Josie, which Truman picks up. We’re not given much information on that.

Over at the Great Northern, Ben and Jerry are debriefed on what happened with Hank and Leo. Hank lets them know that Leo was chopping wood inside his house – unaware that Bobby was ever there – and the shot was in his neck. Ben is hoping that the arson of the Mill will be pinned on Leo, who out of it, and Catherine, who’s presumed dead. The brothers will take care of the ledger.

Audrey is brought to Blackie at One Eyed Jack’s. She displeased that she didn’t give the owner the rendezvous he expected, and Audrey goes on to state that “he wasn’t her type”. Blackie warns Audrey that anyone and everyone will be Audrey’s type when she’s there. She has to get out of that place as soon as she can.

Donna makes a phone call to Norma inquiring about the Meals on Wheels. She offers to take over the route that Laura had when she worked there, to try to find out about what happened to her (though she doesn’t reveal this to Norma.

The next scene presents a happy surprise for Lynch fans. Gersten, a little red-haired girl, welcomes the Palmer and Hayward families to a mini party where she plays the piano. Fans of Dune will recognize the girl as Alicia Witt, who played Paul Atreides’ (Kyle MacLachlan) daughter. Fans of The Walking Dead will recognize her as the villain who captured Carol for a while before Carol broke loose and killed everyone on site. Gersten plays the piano (As Witt does so professionally) and they have some small conversation. Leland’s change in hair becomes the topic of conversation and in explaining how well he felt the morning it happened, he breaks into song. I’ll admit I liked this. Ray Wise is pretty good at singing, overall. Leland goes a little overboard and passes out, but with the doctor right there, they’re able to assist him right away. When he comes to a minute later, he says he feels happy. Just a rush of blood from the head, I suppose.


Nighttime. Cooper is in his room, about to sleep. At the same time, Audrey is awake, lying on her bed and talking to him in the hopes that he can hear her. She hopes that he received her note and that she may be a little over her head in having gotten caught up in the craziness of One Eyed Jack’s. She only wanted to assist him.  We then cut back to Cooper, who is visited once again by the Giant Man. The giant passes on some riddles for Cooper to solve.

The giant mentions Cooper shouldn’t search for all of the answers at once, and that they’ll occur like a path, one after the other. “One person saw the third man. Three have seen him, yes, but not his body. One only, known to you. Ready now to talk.” The giant also points out that he forgot something and imbues Cooper with a strange yellow light before disappearing. I’m not sure I understand it either at this point, but given how well the tiniest of clues have worked out in Twin Peaks, I’m certain it’s important.

The final scene is trailing shot into the hospital. Ronette wakes up to visions of BOB. BOB rushing at her. BOB at the cabin and BOB killing Laura under flickering lights. His laugh is maniacal as he does this. So, the question becomes “Where is BOB?”

The end credits return us to Alicia Witt and her piano skills, which was sweet to see.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson