Logan: The 2nd Trailer


Fox recently released the 2nd trailer for James Mangold’s Logan, and we finally get more an idea of what one of my favorite Marvel characters has to offer, with a little bloodshed. I’ve been waiting for some confirmation that the girl is actually Laura Kinney (a.k.a. X-23), and this trailer pretty much removes all doubt with her dual blades. So far, it’s looking interesting, though I’m not sure how it all fits into what’s become of the X-Men Timeline. Hopefully, those answers will come when the film premieres in early March (in the U.S.). Enjoy.

 

 

While you’re at it, if you’re looking to learn more about the character, Marvel’s Uncanny X-Men-The New Age: The Cruelest Cut covers Issues 450-454, with the first two showcasing X-23 as a feral assassin up against the X-Men. You can also find Kinney in Marvel vs Capcom.

Cars 3 Extended Sneak Peek


It’s been 11 years since Disney/Pixar released Cars. The audience has grown up, and from the looks of it, the story tied to Cars 3 is trying to grow with them. Another trailer was recently released, this time featuring Lightning McQueen’s (Owen Wilson) new nemesis, the ultra modern rookie sensation Jackson Storm (Armie Hammer). It also introduces Cruz Ramirez, another character that appears to be a new trainer for McQueen. Most of the favorites will also be returning for this installment. Lightning is now standing in the same spot as the legendary Doc Hudson when he first met him. Is Lightning finally at the twilight of his career, or does have one more good race left in him?

Brian Fee, who’s worked on the other Cars films as well as a number of other Pixar projects , gets to sit in the Director’s chair this time around. I just hope it’s as dark as Toy Story 3.

Disney/Pixar also released a profile trailer, showing off some of the new characters.

Lightning McQueen:

Jackson Storm:

Cruz Ramirez (voiced by Cristela Alonzo):

Quick Review – La La Land (Dir. by Damien Chazelle)


la-la-land-full-poster-image-691x1024Hype is a dangerous thing.

Too little of it will leave a movie’s showing with tons of empty seats. Too much, and you raise skepticism in the masses. The movie never lives up to the growing expectations and tanks before you know it.  Tonight (as of this writing), preview audiences are going to be packed with fans waiting to catch the latest Star Wars film. While I hope it works out for them, there’s another film moving into a wider release this weekend that deserves just as much love. Right now, La La Land is heavily hyped, and hopefully will be part of every major awards run. I still want to try to catch some of the other soon to be nominated films for the Awards season, but I’m good for right now. I’m that kid in the corner, totally content with that one little Transformer he always wanted while other presents still need to be opened. Unless I run into another film that captures my eye (and ears) like this one, La La Land is easily my go to pick for everything this year. It’s a fun little love story wrapped up in musical dance numbers, my feel good movie.

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I really, truly loved La La Land. 

For me, that’s saying a lot. Outside of the usual Disney film, I don’t see too many musicals. I can count on one hand a few favorites – Frank Oz’s movie version of Little Shop of Horrors, Baz Luhrman’s Moulin Rouge, both Muppet films and of course West Side Story. However, I’ve never watched Singing in the Rain, or any of the Astaire/Rogers numbers. The opening dance sequence in Ted 2 might be the closest I’ve come to all that, or maybe the French Mistake in Blazing Saddles. However, I walked out of La La Land with a huge smile on my face, one that prompted me to run right back in for the next showing. This isn’t meant to convince you to see the film or not. If you do, cool. If you don’t, that’s fine. I just know that I’ll be scooping this up come the Blu-Ray release. This review is me, geeking out.

La La Land is a very simple story. In Los Angeles, Mia (Emma Stone) is an aspiring actress who meets Sebastian (Ryan Gosling), a lover of Jazz who’s fighting to keep it alive. Both individuals are fighting to fulfill their dreams, and it’s hard not to root for them. This leads to a friendship that grows, surrounded by great music. For the story, that’s all you really need to know, and to go into more detail risks going into spoiler territory. It’s a classic Boy Meets Girl in the Big City situation.

Having worked together in Gangster Land and Crazy Stupid Love, Stone and Gosling already have some great chemistry. The dialogue pops between them and is very reminiscent of some of the Tom Hanks/Meg Ryan films. With the conversation style, coupled with Damien Chazelle’s writing, it all feels very natural. Both of their characters come across as passionate individuals when it comes to the talent of their choice. The cast also includes singer John Legend, Callie Hernandez (Blair Witch), Jessica Rothe (Better Off Single), and Sonoya Mizuno (Ex Machina). If I have one problem with La La Land, it would just be that I wanted to see more of the co-stars, but the film truly belongs to the leads. At least in a film like Grease, you were at least aware of the supporting cast and their stories. It’s a tiny nitpick, but it doesn’t get in the way of the story’s progression.

Visually, La La Land is full of rich colors and deep shadows. When there’s a change in lighting or a focus made, it’s a beautiful thing to behold. Linus Sandgren (American Hustle, Joy) does a great job here and I’m adding him to my list of Cinematographers to keep an eye on. The movie feels like a classic film from start to finish. The editing deserves some kudos as well. Every scene feels like it grew naturally from the one before it, and there’s rarely a moment where you ask yourself if one scene needed to be there if there were any holes to be found. If there was an editing mistake in La La Land, I couldn’t find it.

As with Guy and Madeline On a Park Bench & Whiplash, it wouldn’t be a Chazelle film without music. Justin Hurwitz is on music duty here and La La Land’s music is in some places snappy. I picked up the soundtrack after the movie, and there’s a good chance that some of that music is going to get stuck in your head. Emma Stone may get some recognition come awards season with one song in particular, but overall it’s difficult not to listen to some of these and not want to nod your head with the crowd. On my exit after the second showing, there were people humming and/or whistling the tunes.

Overall, La La Land is a wonderful film that reminds one of the beauty of the Cinema Experience, with a pair of characters that make you want to cheer them on. Really, if you have a chance to see this in the theatre, do so. Who knows, maybe you’ll find yourself with a spring in your step too on the way out.

Christopher Nolan’s “Dunkirk” – Full Trailer


The full trailer for Christopher Nolan’s latest film, Dunkirk, was recently released.

Focusing on the events surrounding the battle of Dunkirk, the movie looks to be pretty epic from at least a cinematography standpoint. Hoyt Van Hoytema (Spectre, Interstellar, Her) is back for this, which could be fantastic for the 70mm and IMAX Presentations.

Dunkirk – Starring Tom Hardy, Mark Rylance, Cillian Murphy and Kenneth Branaugh, is due to open in theatres next July.

Quick Horror Review: Halloween III – Season of the Witch (dir. by Tommy Lee Wallace)


halloween-3-season-of-the-witch-movie-poster-1982-1020194512-1And then, in 1982, the story of Halloween went off the rails in what I feel was the coolest way possible. And to think, some felt Rob Zombie’s Halloween II went off the mark.

Halloween III: Season of the Witch was mostly a flop when it was released. It managed to make the money to cover the film’s budget, but the film was hurt by the lack of connection to the original series. I think most people at the time were just expecting to see more of Michael Myers and wondered just what the hell this was about. Imagine if The Force Awakens had absolutely zero ties to the main characters in the Star Wars Universe. Actually, you might end up with The Ewok Adventure, but that’s a different review for a different time. Still, Season of the Witch was just that kind of shake up when it was released.

Tommy Lee Wallace sat in the director’s chair this time around. Having actually played Michael Myers in the first Halloween film, Wallace does well here, showing he learned something about setting the scene. It all moves well, and the pacing isn’t too slow. Viewers expecting gore and attacks might find themselves sighing and fast forwarding a bit, but then again, it’s not that type of film. Season of the Witch has a slew of jump scares, though it does go a little overboard in the second half of the movie. Were it cut down to an hour, Season of the Witch could serve as a good Tales from the Darkside / Crypt episode. As a horror story, the body count is low (which is typical for a Carpenter story anyway)

From a writing standpoint, Season of the Witch is solid, though somewhat predictable. Writing duties were handled by John Carpenter (who couldn’t fully walk away from the project), Nigel Kneale, and Wallace himself. My favorite horror tales are the ones that surround the one or few individuals that have discovered something wicked, only to find that they can’t seem to get anyone else to believe what they’ve witnessed. It’s one thing to be chased by a maniacal killer or space creature. It’s another thing entirely to find out you’re the only thing standing between the creature and the rest of humanity. Films like The Wicker Man, every version of Invasion of the Body Snatchers and Count Yorga: Vampire are examples of this, and Season of the Witch handles this very well, particularly after everything is revealed to our hero and to the audience. Okay, the truth’s out. Who’d even believe you, if you told them? That’s always bothered me. The focus in Halloween deals more with it’s Celtic origins and the celebration of Samhain, and this honestly adds to the creep factor if you do a bit of background reading on it.

Season of the Witch starts a few days before Halloween, with a man on the run from men in black suits. He’s able to defeat the men after him, but not without taking on a few injuries. It’s in the hospital that we’re introduced to our hero in Dr. Dan Challis, played by Carpenter film alum Tom Atkins (The Fog, Escape From New York & Night of the Creeps). Challis has a pretty normal life – a good job, a wife and two kids. When the new patient warns him about some strange danger looming on the horizon and passes along a Halloween mask, Challis decides to share his information with the man’s daughter, Ellie (Stacey Nelkin). Ellie believes that her father died due to foul play, and nothing is going to stop her from finding out why it happened. Challis makes a quick call to the Missus, lies about what he plans to do (he spends a great of his conversations with her like this, as he’s basicially cheating on her), and  continues on the mission. Dan and Ellie find their way to a small town called Santa Mira and to Conal Cochran (played by Dan O’Herlihy, also in The Last Starfighter & Robocop), owner of the Silver Shamrock company.

The trailer and videos actually give away more of the film than I ever could. If you have the chance to watch it, give a try. I don’t think it’s the worst film ever, but others expecting knife wielding killers may find themselves disappointed. Besides, if you take nothing else away from the film, there’s always the catchy Silver Shamrock Jingle to remind us of the fun in Halloween. The jingle was created by Wallace and Carpenter, with Tommy Lee Wallace providing the vocals and reminding us all to get our Silver Shamrock masks.

Zack Snyder tweets Justice League Teaser for Comic-Con


Zack Snyder’s thrown his hat into the Comic Con fray with a special teaser trailer for Justice League, by way of a recent tweet. The film focuses on Bruce Wayne/Batman(Ben Affleck) and Diana Prince/Wonder Woman (Gal Gadot) as they gather a group of associates to defend against a great threat. So far, it looks interesting (if not a little rushed).

Also on board are Jason Momoa as Aquaman, Ezra Miller as The Flash / Barry Allen and Ray Fisher as Cyborg. The movie has a release date of November 17, 2017.