The Light of Another Day”

Posted on August 5, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

Come aboard, we’re expecting you….

Episode 8.5 “Only the Good Die Young/Honey Beats the Odds/The Light of Another Day”

(Dir by Don Weis, originally aired on October 13th, 1984)

This week, Isaac’s friend Lydia (Vernee Watson) boards the boat with her young son, Timmy (Emmanuel Lewis). Is it time for Isaac to find love? Not quite. It turns out that Isaac knew Lydia’s deceased husband. This trip is the first that Lydia and Timmy have taken since he died.

At first, Timmy is all cute and adorable. But then he overhears Isaac talking to Lydia. When Isaac mentions something about the good always dying young, Timmy decides to be bad so that he’ll live longer. Soon, he’s sneaking out of his cabin, making a mess in the kitchen, and trying to steal stuff from the gift shop. Finally, Captain Stubing and Isaac explain to him that what Isaac said was just an expression. All is forgiven!

Oh God, this storyline. I almost always respond to stories about people dealing with the loss of a parent or spouse. I did not respond at all to this story, though. Some of that is because Emmanuel Lewis’s performance as Timmy was way too cutesy. Even more of it was because this story didn’t really deal with loss in any sort of honest or authentic way. Instead, it was just some stupid kid who misunderstood something that he heard. As usual, Ted Lange really poured his heart into his performance but otherwise, this story just fell flat.

Meanwhile, blind Millie Constant (Barbara Parkins) thinks that she has randomly run into Sam Washburn (John Bennett Perry — yes, Matthew’s father). In college, before she lost her eyesight, she had a crush on Sam. What she doesn’t know is that Sam is dead and she’s actually met his younger brother, George. When Millie finally figures out that George is not Sam, how will she react? Most people, blind or not, would probably be disgusted and go out of their way to avoid George for the rest of the cruise. Millie, however, falls in love with George because this is The Love Boat! This story actually featured two good performances. Both Parkins and Perry did their best with the material they had been given to work with. But the story itself asks us to suspend our disbelief just a bit too much.

Finally, Honey Mallory (Stephanie Faracy) boards the boat with her boyfriend, bookie Jake Diamond (James Sloyan). With Jake more interested in making bets than romance, Honey starts to hang out with Miles Metcalf (Jack Riley). Jake panics when he realizes that he might lose Honey. He should also panic about the fact that Miles is a federal agent who has been secretly recording all of his conversations with Honey. This story ends on a weird note. Honey realizes that she loves Jake but Miles announce that Jake will be getting indicted at the end of the week.

All in all, this was not a memorable cruise. None of the stories worked that well and, with the exception of Ted Lange, the Love Boat cast didn’t really seem like that they were that into it this week. This was a pretty forgettable cruise.

Late Night Retro Television Review: Pacific Blue 4.13 “Saving Serenity”

Posted on August 4, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, Del Toro returns!

Episode 4.13 “Saving Serenity”

(Dir by Michael Levine, originally aired on January 10th, 1999)

When last we saw former series regular Victor Del Toro (played by Marcos A. Ferraez), he was quitting the force after nearly being indicted for killing the man who killed his fiancée. In this episode, Victor finally returns to Santa Monica.

Victor has spent the last five months wandering. He now has bleached blonde hair and a serious drinking problem. When a robber attempts to hold up the bar where Victor is getting drunk, Victor struggles with him. The thief ends up getting shot. Victor grabs the thief’s gun and runs from the bar.

Victor is on the verge of shooting himself on the pier when he sees a woman named Carmen Rios (Angela Alvarado). Carmen reveals that she’s searching for her daughter, Serenity. Serenity was taken away by her biological father. Carmen wants to find her daughter and escape to Mexico with her. Victor agrees to help.

Victor shows up at the Pacific Blue headquarters and announces that he wants to rejoin the force. But, in reality, he just wants to steal the files concerning Serenity’s whereabouts. Later, Victor fakes a bomb threat at the main police station so that he can steal another casefile. TC, Chris, and Cory all reuses to believe that Victor could be involved in anything illegal. Bobby Cruz is convinced that Victor is the one who shot the robber at the bar.

And really, Bobby has reason to be concerned about Victor’s desire to return to Pacific Blue. Victor is a young, handsome Latino who overcame a rough childhood to become a respected bike cop and he’s extremely protective of his younger sister. Bobby, who was introduced after Victor left the show, is also a young, handsome Latino who overcame a rough childhood to become a respected bike cop and he’s also extremely protective of his younger sister. Because the show’s writers were too lazy to actually come up with a new character, Bobby basically is Victor. If Victor returns, the show won’t need Bobby around anymore.

Fortunately, for Bobby, Victor is dead by the end of this episode. He reunites Carmen and Serenity and then drags Serenity’s father out to the pier. Holding a gun to the father’s head, Victor forces the man to repeat the serenity prayer. Cory, TC, and Chris all have their guns drawn. “No!” they all shout in slow motion before opening fire. Victor plunges off the pier and hits the sand below.

OH MY GOD, THEY KILLED VICTOR!

Well, it depends on how you look at it. It turns out that none of them could actually bring themselves to shoot Victor. They just shot up in the air. And then Victor …. well, who knows? The show implies that Victor jumped but, from what I saw, it looks like he was startled and fell backwards. In other words, his friends may not have shot Victor but he might still be alive if they hadn’t fired.

Victor does indeed die at the end of this episode. Wow, Pacific Blue got dark! And I do have to admit that this is actually the best episode of Pacific Blue that I’ve watched so far. Admittedly, it’s a low bar to clear but the whole episode was just so melodramatic and over-the-top that it actually managed to hold my attention in a way that this show usually doesn’t. Those three slow motion shots of people shouting, “Noooooo!” in a row really were worth the price of admission.

So, Victor’s dead. But at least Bobby’s place on the team is secure.

Retro Television Review: Saved By The Bell: The New Class 2.12 “Christmas In July”

Posted on August 4, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00. The show is currently on Prime.

This week, we’re back at that damn country club.

Episode 2.12 “Christmas In July”

(Dir by Don Barnhart, originally aired on October 15th, 1994)

The Palisades County Club is holding its annual Christmas in July celebration. Along with the employees taking part in Secret Santa, a new Snow Queen will be named. Again, this episode takes place in July. There’s no snow on the ground. The sun is bright. It’s summer in California. I can’t help but think that Santa costume that Belding is wearing is going to be getting awfully hot and smelly. Even stranger, this episode aired in October.

Seriously, Saved By The Bell, why couldn’t you just be normal?

Screech is in a panic about Secret Santa. After he learns that his girlfriend, Alison, has been given a new car by her father, club owner Big Ed (Frank Bonner), Screech wonders how his gift can possibly compete. Hey, Screech? Big Ed is her father. You’re not supposed to compete with his gifts. Anyway, Screech sells his never-bef0re-seen Scooter so that he can get Alison something expensive. Meanwhile, Alison buys Screech a rinky-dink horn for his scooter. Wow, Alison’s gift really sucked! Alison’s driving a brand new car and she still couldn’t find Screech a gift that cost more than a dollar? I guess their relationship must be all about the sex because it’s definitely not about love.

Meanwhile, Megan, Rachel, and Lindsay are competing to be Miss Snow Queen. The winner gets a scholarship! Megan is outraged when she discovers that there’s a swimsuit portion of the competition. She demands that Rachel and Lindsay join her and quit in protest. Rachel and Lindsay both say that they’re not quitting because they actually need the scholarship. Megan, who has previously been established as coming from a wealthy family, decides to stay in the pageant so she can give a speech about sexism and keep the two poor girls from going to college. Megan wins the pageant but she also apologizes for calling Rachel and Lindsay “bimbos” for not dropping out. It’s good to see that performative activism did not go out of style after Jessie graduated.

This was a dumb episode. The second season of Saved By The Bell: The New Class is a hundred times better than the first but the country club episodes still suck.

Late Night Retro Television Review: CHiPs 6.2 “Tight Fit”

Posted on August 3, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

This week, Ponch becomes the Barcelona Man.

Episode 6.2 “Tight Fit”

(Dir by John Florea, originally aired on October 17th, 1982)

After Ponch and his new partner Bobby thwart an attempt to steal a lockbox of diamonds from a photo shoot, Ponch is invited to become a jeans model. In fact, he even gets to appear on a giant billboard and star in a commercial as the shirtless Barcelona Man.

Well, of course, he does. A lot of things may have changed last week but one thing remains the same. We all know what we’re watching.

These episodes featuring Ponch getting “discovered” are always a bit silly. Ponch always acts like he’s modest and kind of embarrassed to be at the center of attention but it’s never convincing because it’s obvious that Erik Estrada is loving it. All it takes is one look at that big grin to know that Estrada is more than happy to be the shirtless Barcelona Man.

Now, to make clear, Ponch and Bobby did solve some crimes. They caught a jewel thief who crashed his car in an attempt to hide his crimes. They also busted a fashion photographer (Michael Haynes) who was coercing his underage models to pose nude and attend wild sex parties. One of the models was played by Kim Richards. She gets a scene where she attempts to jump off a ledge. Can you guess which member of the Highway Patrol saves her? I’ll give you a hint. It’s not Bobby!

Much like last week, this episode highlighted the total lack of chemistry between Erik Estrada and his new partner, Tom Reilly. Reilly spent most of this episode looking somewhat dazed and confused. Unlike Larry Wilcox, who always came across as if he arrested people in his spare time, Tom Reilly was a very unconvincing cop. After two episodes, it appears that Reilly’s main contribution to the show is to make Estrada seem convincing by comparison.

Next week, the Ponch Show continues.

Retro Television Review: Crime Story 1.13 “Strange Bedfellows”

Posted on August 3, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988. The entire show can be found on Tubi!

This week, Homan sings.

Episode 1.13 “Strange Bedfellows”

(Dir by Francis Delia, originally aired on December 26th, 1986)

Homan is in federal custody and he’s telling Breitel all that he knows about Luca and Bartoli. He’s also making up a story about Torello taking a bribe. Even though Homan’s Torello story is pretty shaky, Breitel is looking forward to taking down a crooked cop and launching his political career off of of the publicity.

Bartoli is not amused when he learns that he’s being indicted. However, Luca is able to convince Manny Weisbord to provide him with a top-level defense attorney. Manny also makes it clear that Luca no longer works for Phil. Instead, Luca works with Phil. Lucas has another reason to be happy. When he runs into David Abrams at a bar, he gets some free legal advice. Luca explains that Homan is lying about Torello. Abrams tells Luca that, if they can prove that Homan is lying about Torello, it will be easier to convince a jury that Homan is lying about Luca and Bartoli as well.

Torello, meanwhile, responds to his upcoming indictment by going to Las Vegas and playing some golf. He’s in a great mood until he sees that his indictment is one the front page of the newspaper.

Not much really happened in this episode of Crime Story. That’s not really a complaint. If anything, it was a bit of a nice change-of-pace. We got to watch the characters just be themselves. Luca, who rarely shows emotion, actually smiles when he hears that Torello is about to be indicted along with “his favorite people.” Luca actually has a sense of humor and an appreciation for irony. Who would have guessed? Meanwhile, Torello continues to be just a bit too intense for his own good. Even on vacation, he seems like he’s just one frustration away from snapping.

Will Torello snap next week? We’ll find out!

Retro Television Review: Homicide: Life On The Street 5.19 “Deception”

Posted on August 2, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, the Luther Mahoney saga comes to an end.

Episode 5.19 “Deception”

(Dir by Peter Medak, originally aired on April 25th, 1997)

A Nigerian drug courier is found dead in a hotel room and, of course, that means that Kellerman, Lewis, and Stivers are going to get another chance to go after Luther Mahoney. After covering up the death of the actual courier, the police send in an undercover officer who delivers a batch of “bad” drugs to Mahoney’s middleman, Antonio Brookdale (Christopher Mann). When the drugs hit the street, it leads to a revolt amongst Mahoney’s customers. No one is buying from Mahoney and that causes Mahoney to lose his temper. Luther Mahoney can handle almost anything but he can’t handle losing money.

Mahoney demands that Antonio meet him at a public park. What Mahoney doesn’t know is that the police — including Kellerman, Stivers, and Lewis — have got the park staked out. When Mahoney, in a fit of rage, shoots both Brookdale and an innocent mother with her kids, the police rush to the scene. A panicked Mahoney jumps in his vehicle and drives away, leaving his crew behind to get arrested.

Lewis tracks Mahoney down to his apartment, where Mahoney is desperately packing up his money. The sight of Mahoney causes Lewis to lose control. He starts hitting Mahoney, demanding to know why Mahoney had to kill so many people when he could have just been content to sell drugs. Mahoney manages to grab Lewis’s gun. Kellerman and Stivers burst into the apartment with their own guns drawn. Seeing them, Mahoney lowers his gun and says, “What are you going to do? Read me my rights?”

“You have the right to remain silent….” Kellerman says, before shooting and killing Mahoney.

OH MY GOD, KELLERMAN JUST EXECUTED LUTHER MAHONEY!

Technically, you could argue that, as Mahoney was still holding the gun, the shooting was justified. Mahoney lowered the gun but he never dropped it. Nor did Mahoney ever say that he was surrendering. Instead, he laughed and mocked the cops. If Mahoney had raised the gun quickly enough, he probably could have gotten at least one shot in before Stivers and Kellerman had time to take action. Then again, Kellerman also never ordered Mahoney to drop the gun. Instead, he just shot him. After Mahoney falls, Kellerman asks Lewis and Stivers if either has a problem with what happened. “Nope,” Lewis says. Stivers, however, doesn’t look convinced that the shooting was justified.

It’s a shocking moment but it’s also a moment that feels somewhat inevitable. Kellerman has spent this entire season with people accusing him of being crooked. Even though he was never charged, even his fellow detectives assumed that he must have been doing something to get in trouble in the first place. Meanwhile, Mahoney killed numerous people and smirked every time that he got away with it. Kellerman snapped and probably committed a crime.

If that’s not bad enough, Munch is contacted by Punchy DeLeon (Lewis Black), a small-time mobster who has just spent ten years in prison on a murder charge. Punchy tells Munch that he knows that a criminal associate of his, Jimmy Pugliese, was murdered and buried in section C of the parking lot at the Plimco race track. With Munch and Brodie in attendance, the parking lot is dug up and …. nothing is found. Munch does some further investigating and discovers that Pugliese had a girlfriend named Fallon (Deborah Hazlett). When he drives out to see her, he discovers that Pugliese (Brian Hemmingsen) is still alive. Pugliese orders to Much to get off his front porch. Much leaves, not realizing that he’s been followed by Punchy.

Back at the office, Sgt. Howard tells Munch not to worry about it because there hasn’t been an actual homicide. However, then Fallon shows up and says that Pugliese has disappeared. Munch drives out to Plimco, where he finds Punch waiting for him in Lot C. Punchy explains that he took the fall for a murder the Pugliese committed. Because Pugliese didn’t keep his promise to take care of Punchy’s wife while Punchy was in prison, Punchy used Munch to track down Pugliese. And now, Pugliese really is buried under the parking lot. (It helped that the parking lot itself was already ripped up due to Munch searching for the body the first time.) Munch tells Punchy that he’s going back to prison. Punchy replies that he did ten years for a murder he didn’t commit and suggests that should allow him to commit one murder without punishment. It doesn’t work that way, which is kind of sad because Punchy was a likable guy.

Finally, Bayliss and Pembleton decide to be partners again. Good news! But Bayliss is also buying groceries for the uncle who molested him. What the Hell, Bayliss!?

Seriously, this episode got dark!

Well, dark or not, this was one of the better episodes of season 5. This was Homicide at its most cynical. Luther Mahoney is dead but someone else will inevitably take his place and now Kellerman really has committed a crime. (For all the cheering the cops do as they listen to Mahoney incriminate himself on tape, it’s not going to be much comfort to children of the innocent woman that he shot in the park.) For once, Munch actually does his job well and the end result is a man getting murdered and Punchy going back to prison.

One final note: I will miss the magnificently evil performance of Erik Dellums, who played Luther Mahoney with the right mix of arrogance, hubris, and ruthlessness. A good villain is hard to find!

Late Night Retro Television Review: Saved By The Bell 2.12 “Running Zack”

Posted on August 1, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993. The entire show is currently streaming on Tubi!

This episode, Zack does some research on his family tree. Things are about to get supercringey.

Episode 2.12 “Running Zack”

(Dir by Don Barnhart, originally aired on November 24th, 1990)

Ms. Wentworth (Carol Lawrence), who is a slightly less sociopathic version of Ms. Bliss, has assigned everyone to do a report on their family tree. She hands out grades based on what people discover about their family’s past. I’m not sure if that’s really a good idea. What if someone comes from a family that doesn’t have any dark secrets? And really, if your family did have a dark secret, what business is it of Ms. Wentworth’s?

Lisa reveals that her family escaped slavery and then helped over slaves escape as well. “My family calls the Underground Railroad the original Soul Train,” she says.

Jessie discovers that her family was made up of slave traders. Jessie proceeds to have a breakdown, even though Lisa says that Jessie shouldn’t feel responsible for anything that her ancestors did. To a lot of people, that probably sounds like common sense but it’s also the type of sentiment that now gets you cancelled on Bluesky.

Screech reveals that he’s Italian and his ancestors were all great lovers. “What is mi grade?” Screech asks. “A!” Ms. Wentworth says with a dramatic flourish.

We never learn about Slater’s family tree, despite the fact that, along with Lisa, he’s one of the few characters who is obviously not a generic white person. However, we do learn about Zack’s family background. Looking through the family records, he finds one picture of an Indian. Zack promptly declares himself to be a Native American. However, when Zack can’t even answer a few basic questions about his family’s background, Ms. Wentworth threatens to flunk him. But if Zack flunks, how will he compete at the track meet!? Bayside has never beat Valley …. in track, at least.

Ms. Wentworth sends Zack to meet Chief Henry (Dehl Berti, who, unlike Mark-Paul Gosselaar, actually was of Native American ancestry), an American Indian who apparently lives in a cluttered shack. Chief Henry takes one look at the picture and is able to identify Zack’s ancestor by name. He also gives Zack the name “Running Zack.” He helps Zack to appreciate his Native heritage. And then Chief Henry promptly dies offscreen.

Zack isn’t sure that he can run in the track meet. He’s feeling pretty depressed about the death of the old man he met twice. Chief Henry’s ghost appears to Zack and tells him to run because beating Valley is obviously the most important thing. Zack agrees to go to the track meet and Henry vanishes. Zack’s Native American ancestry is never mentioned again.

This episode is the equivalent of those old DNA test commercials where an extremely white person would say that their DNA test revealed that they were 2% Native American and that it had changed their entire life. As I rewatched it for this review, I couldn’t help but think about Elizabeth Warren, whose claims of Native American ancestry were even flimsier than Zack’s. I found myself thinking about the fact that there’s actually a name — Pretendian — for generic white people who try to be more interesting by falsely claiming Native heritage. What’s funny is that Mark-Paul Gosselaar’s actual heritage — Dutch and Jewish on his father’s side, Indonesian on his mother’s side — is actually pretty interesting. But, in this episode, it’s revealed that Zack is Nez Perce. (Though the tribe isn’t named, Zack’s ancestor is described as being one of Chief Joseph’s main warriors.)

Gosselaar used to refer to this as being his favorite episode of Saved By The Bell. In 2016, he changed his tune and said that the episode actually was insensitive to Native Americans. Gosselaar’s correct about that. Even after Ms. Wentworth tells Zack that his original presentation was disrespectful to the memory of his ancestor, she still calls him “kimosabe.” At no point does Zack show any curiosity as to why he had never heard much about his Native ancestry to begin with. And, needless to say, it’s never mentioned again. Like, ever. Seriously, I had a friend who, in 2007, discovered that she was 98% European and 2% North African and she hasn’t shut up about it in nearly 20 years.

The main problem with this episode is that Chief Henry conveniently dies off-screen, despite there not being any indication that he was in any way unhealthy. We never learn what Henry died of. Instead, he shows up long enough to teach Zack a lesson and then he dies so that the show doesn’t have to worry about bringing him back in the future. Zack declares that he might not run the track meet. Ms. Wentworth sobs. Well, at least Ms. Wentworth actually knew Chief Henry. Zack really seems like he’s just being performative about it.

Myself, I’m Irish on my father’s side and Italian/Spanish on my mother’s side. I would have definitely gotten an A in Ms. Wentworth’s class.

Lisa Marie’s Week In Television: 7/26/26 — 8/1/26

Posted on August 1, 2026 by Lisa Marie Bowman

Austin City Limits (PBS)

I watched an episode of this show on Saturday morning. My musical tastes pretty much start and end with EDM. Sorry, Austin.

Big Brother 28 (24/7, CBS, Paramout+, Pluto TV)

I’ve been sharing my thoughts on the show that I love to hate over at the RealityTVChat Blog. Feel free to leave a comment over there because, right now, the blog is not quite living up to the chat part of the name.

The Larry Sanders Show (HBOMax)

It’s a funny show and it helps to ease my anxiety. I’ve watched quite a few episodes this week.

Rogue’s Gallery (NightFlight+)

I watched an episode about John Dillinger on Friday. Now there was a handsome bank robber!

Saved By The Bell (Tubi)

Running Zack! I’ll be posting a review of this week’s episode in a bit.

Survivor 50 (CBS, Wednesday Night)

CBS has been re-airing Survivor 50 after episodes of Big Brother. I missed Survivor 50 when it first aired and I’m still struggling to get into it right now. I prefered Survivor when it was only an hour long. I have ADHD so asking me to concentrate for 90 minutes is a bit much.

Watched And Reviewed:

Retro Television Review: Baywatch 2.13 “Now Sit Right Back And You’ll Hear A Tale”

Posted on August 1, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001. The entire show can be viewed on Tubi.

This week, Eddie suffers a serious injury.

A quick note, before we begin: this episode was actually the 16th episode to air during the second season but apparently, it was originally meant to be the 13th episode and, in reruns, it usually airs after the Reunion episode. I’ve decided to go with the production order for the purpose of these reviews. Of course, it really doesn’t matter because it’s not like Baywatch had any use for continuity to begin with.

Episode 2.13 “Now Sit Right Back and You’ll Hear a Tale”

(Dir by Douglas Schwartz, originally aired on February 24th, 1992)

After rescuing a jet skier who ran out of fuel in the middle of the ocean, Eddie and Shauni discover a previously unchartered island. (Or, at least, that’s what we’re told. The beach that Eddie and Shauni explore is obviously the same beach from last week’s Reunion episode.) On the beach, they find Gilligan (Bob Denver) and Mary Ann (Dawn Wells), who have been stranded on the island ever since the 60s. Eddie and Shauni take them back to civilization.

Captain Thorpe is so impressed with Gilligan and Mary Ann’s story that he decides that he’s going to start his own media company and produce a miniseries about their life on the Island. He also thinks that it would be a good idea to go back to the island and rescue the other castaways. (Gee, you think?) He arranges for a three-hour expedition to the island. Garner will serve as the skipper. Eddie will be the first mate. Harvey is coming along as a professor, for some reason. Shauni wants to star in the miniseries so she decides to dress up like a movie star and come on the tour as well.

Uh-oh, there’s a storm! Everyone ends up washed up on the island. Eddie finds himself torn between Mary Ann and Shauni but then he realizes that Gilligan is the one who truly loves Mary Ann….

No, I’m not making this up. Stop it, I swear I’m not.

Eventually, Eddie wakes up in Baywatch Headquarters. It turns out that he slipped and hit his head earlier and the entire episode has been a dream. (Shocker!) It sound like Eddie probably has a severe concussion but no one seems to be too concerned about that.

Hasselhoff appears for a few minutes at the start and the end of the episode. Apparently, he knew better than to board the boat.

Oh God, this episode. Well, actually, this episode makes sense once you learn that Douglas Schwartz (who both directed this week and also served as executive producer of the show) was the nephew of Sherwood Schwartz, the producer of Gilligan’s Island. It’s a silly episode but Baywatch is a silly show so that’s to be expected. The episode’s main mistake is that it opens with Eddie watching an episode of Gilligan’s Island and then it shows us Eddie slipping and hitting his head. As a result, we pretty much know the whole episode is a dream from the start and we spend the entire episode waiting for Eddie to wake up. It’s kind of boring.

Next week …. oh, who knows? I’m sure it’ll be something involving a lot of slow motion running on the beach.

Late Night Retro Television Review: Freddy’s Nightmares 2.21 “Prisoner of Love”

Posted on July 31, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

Let’s go to prison! Is Freddy coming?

Episode 2.21 “Prisoner of Love”

(Dir by Richard T. Schor, originally aired on March 4th, 1990)

A flakey Episcopalian named Father Jarvis (Vincent Baggetta) is appointed the new chaplain of Springwood Prison. Jarvis has just returned from Haiti and has a rather liberal outlook towards prison reform. When he falls in love with Death Row prisoner Violet (Maria Richwine), he gives her a Haitian drug that will make it appear as if she’s died. He promises her that he will dig her up from the prison graveyard before she suffocates. Unfortunately, Jarvis oversleeps and Violet suffocates in her coffin.

Still, another prisoner named Brenda (Tara Buckman) overheard Jarvis talking to Violet and she decides that she wants the same drug. Jarvis gives it to her but it turns out that Jarvis is also being haunted by the ghost of Violet. Violet says that she can’t move on until Brenda forgives her for killing Brenda’s boyfriend. Brenda finds herself being held captive by the crazed Father Jarvis.

This episode was the second-to-late for Freddy’s Nightmares and, unfortunately, it’s not very good. Between the histrionic acting and the predictable plot, this story really makes you wish that Freddy was doing something more than just introducing it. As it was, this episode really reminded me of how limiting the show’s format was. Whenever something scary happens, it’s always a given that it will turn out to be a dream. It’s predictable and a little bit dull, unless it’s one of the rare episodes in which Freddy actually played a role in the story.

Next week, we will finish up Freddy’s Nightmares!