Late Night Retro Television Review: Pacific Blue 4.19 “Near Death”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week’s episode is stupid even for Pacific Blue.

Episode 4.19 “Near Death”

(Dir by Gary Winter, originally aired on April 4th, 1999)

Before I say anything else about this episode, allow me to say this: Ugh.

Okay, so check this out. A group of home invaders, led by Claire (Monica Louwerens) and her husband Milo (Matt Borlenghi), are in a van, fleeing from their latest robbery. TC, Chris, Cory, and Bobby are all chasing after them on their bikes. The van takes a sharp turn, the passenger-side door flies open, and Claire falls out. TC swerves to avoid Claire and is thrown straight into an electrical junction box. TC gets electrocuted.

Cory, Chris, and Bobby all arrive and immediately run over to TC. TC isn’t breathing. There’s no heartbeat. Cory and Bobby perform CPR. TC, meanwhile, is having a near-death experience, which means that we get a montage of old clips. They manage to bring TC back to life, but no one bothers to check on Claire. Claire ends up in a coma and subsequently dies at the hospital. Milo blames the cops for ignoring his wife while all of them gathered around TC.

…and Milo is absolutely right. Don’t get me wrong. It makes sense that Cory, Bobby, and especially Chris would be worried about TC. But it doesn’t change the fact that they basically just left another gravely injured person on the street while they gathered around TC. This is not the first time that something like this happened on Pacific Blue, and it’s yet another example of our heroes being rather selfish people.

Later, Cory announces to all the other bicycle cops that their first priority is to track down Milo and his gang because “this one is personal.” In other words, don’t worry about any of the other crimes that might be happening in Santa Monica because those crimes don’t directly involve any of the show’s stars. As is often the case with this show, it’s never really explained why the case apparently only belongs to the bicycle patrol. We don’t see any burglary detectives investigating the home invasions or anything like that. I guess the bike patrol has jurisdiction over everything.

As for TC, he reacts to his near-death experience by becoming more philosophical. He’s determined to always tell the truth. Over the course of the episode, he insults all four of the rookies: Granger, Cruz, Jamie, and Monica. Later, once TC starts to return to normal, he apologizes to Granger, Cruz, and Jamie but smirks when Monica asks if TC has anything he wants to say to her. “Nope,” he says. It’s kind of weird how this show wants its audience to hate Monica despite the fact that Monica is usually the only one of the cops who can be depended upon to do her job.

This episode really annoyed me. There was just something really annoying about a show about bicycle cops attempting to impart some sort of philosophical message about life. Did no one consider that TC is nowhere near a deep enough character to be believable as someone who worries about the larger questions of existence? Did no one consider that Jim Davidson’s limited range made him exactly the wrong actor for this type of story? In the past, TC was always dull but reliable. In this episode, he’s condescending. Since Chris and Cory were already condescending and have been for several seasons, TC joining them pushed this episode to new heights of unearned smugness.

This was an annoying episode. At least no one went undercover.

Retro Television Review: Saved By The Bell: The New Class 2.18 “Breaking Up”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00.  The show is currently on Prime.

It’s Tommy D’s birthday!

Episode 2.18 “Breaking Up”

(Dir by Don Barnhart, originally aired on November 12th, 1994)

Lindsay wants to buy Tommy a great birthday present but, unfortunately, she’s broke.  All of her friends are broke.  It looks like they’re going to have to cancel Tommy’s birthday this year.  But then Brian comes up with a plan.  What if they convince Belding to let Brian and Bobby be in charge of the video yearbook and then the use the camera to shoot a birthday video Tommy while, at the same time, screwing over all of the students who actually want a yearbook?

It’s a great idea!  Bobby films Linsday talking about how much she dislikes everything that Tommy is really into, like cars.  Bobby also films Tommy growing close to Katie Keller (Kim Baranof), Brian’s never before-mentioned sister who does not appear to be from Switzerland.  (In all fairness, she could be a stepsister.  The show has never really made it clear just why exactly Brian left Switzerland for Bayside so maybe his mother married an American or something.)  Katie likes cars and videogames, just like Tommy!

Realizing that Tommy and Lindsay’s relationship is in trouble, Brian pays off a lot of other students to tell Tommy that Katie’s been coming onto them.  Wow, way to slutshame you own sister, Brian.  What a jerk.  Anyway, Tommy puts the kibosh on his growing attraction to Katie but, at his birthday party, Lindsay learns about how Brian spread rumors about Katie to save Lindsay’s relationship with Tommy.  Lindsay and Tommy admit to not having much in common and Saved By The Bell: The New Class’s longest relationship comes to an end….

And that’s  not really a good thing for either Lindsay or Tommy D.  This isn’t like when Slater and Jessie used to break up.  Slater and Jessie actually had personalities that went beyond who they were dating.  The same can’t really be said about Tommy and Lindsay.  It’s not the fault of the actors, as Jonathan Angel and Natalia Cigliuti were actually two of the more likable members of the ensemble.  It’s just that Saved By The Bell: The New Class was never about complex characters.

It’s also not about continuity.  Lindsay and Tommy D are still dating in the country club episodes.  Because all of the members of the Gang already knew Screech in the country club episodes, that means that they had to have taken place in the summer after the school episodes.  Plus, in this episode, Brian is not dating Rachel and that again means that the country club episodes had to happen after this episode.  So, Lindsay and Tommy D are either going to get back together or the show’s writers just didn’t care.

What a mess!

Scene That I Love: Garrison Meets X in JFK


Today is Oliver Stone’s birthday so, for all conspiracy-loving readers, here is a key scene from Stone’s 1991 film, JFK!  In this scene, Kevin Costner’s Jim Garrison meets the mysterious man known as X (played by the much-missed Donald Sutherland).  X explains the conspiracy to Garrison.

This scene certainly convinced a lot of people.  Personally, I think Oswald acted alone but one cannot deny Stone’s talent as a filmmaker.

4 Shots From 4 Films: Special Jean Renoir Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

132 years ago today, the great French film director Jean Renoir was born in Paris!  The son of Pierre-Auguste Renoir, Jean would go on to become just as revolutionary a force in the world of cinema as his father was in the world of painting.  Today, in honor of the birth and legacy of Jean Renoir, here are….

4 Shots From 4 Jean Renoir Films

Grand Illusion (1937, dir by Jean Renoir, DP: Christian Matras)

The Rules of the Games (1939, dir by Jean Renoir, DP: Jean-Paul Alphen, Jean Bachelet, Jacques Lemare, Alain Renoir)

The Southerner (1945, dir by Jean Renoir, DP: Lucien N. Adroit)

The Woman On The Beach (1947, dir by Jean Renoir. DP: Leo Tover and Harry J. Wild)

Late Night Retro Television Review: CHiPs 6.8 “Head Over Heels”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch falls in love.

Episode 6.8 “Head Over Heels”

(Dir by Richard Irving, originally aired on December 5th, 1982)

Ponch falls in love.

Well,  of course he does.

Listen, it’s not like Bobby is going to be allowed to fall in love.  Bruce isn’t going to fall in love.  Grossman?  He’s been on this show since the beginning and he’s still struggling to even get a date.  Nope, if anyone on CHiPs was going to fall in love, it was going to be Ponch.  Watching this episode and taking the last few seasons into account, I wouldn’t be surprised if that was specifically written into Erik Estrada’s contract.

We all know what we’re watching.

Ponch falls for Vanessa (Beverly Adams), a teacher who he meets while speaking at a Mothers Against Drunk Driving meeting.  It’s a whirlwind romance.  Sure, they have their problems.  Vanessa isn’t sure that she can handle falling in love with a “street cop” who puts his life in danger every day.  Ponch gets mad when he sees Vanessa talking to her ex (Dennis Holahan).   But eventually, Vanessa realizes that Ponch will always be a cop and Ponch is informed that talking does not necessarily equal cheating.  Ponch asks Vanessa to marry him.  He gives her a “space puppy” that he buys from a kid on a street corner.  (“He’s not really from space,” the kid says.  Hey, kid, we saw Ponch battle a UFO a few weeks ago.)  Everything is perfect….

And then, during a big picnic to celebrate the engagement, Vanessa gets run over by a drunk driver.  Vanessa dies with Ponch holding her.  It should have been a big dramatic and emotional moment and perhaps it would have been if the show had let the scene play out as opposed to dropping in a montage of flashbacks to scenes that we had just watched ten minutes ago.  Perhaps if the episode had been scored to the unnerving silence that comes with most tragedies, it would have brought tears to my eyes in a way that the adult contemporary romantic ballad did not.  We get the full Erik Estrada experience as Vanessa dies, with Erik trying so hard to force us to cry that the performance runs the risk of having the opposite effect.  Ponch is distraught but Estrada still makes sure that the camera gets his good side.

I’ll say this.  I appreciate that the show’s anti-drunk driving message.  (Rumor has it that this episode was specifically made in an attempt to turn down the heat after Tom Reilly was arrested for driving under the influence and the real Highway Patrol  threatened to pull their sponsorship as a result.)  Imagine the episode’s impact if the victim had been someone we actually knew as opposed to a one-off character who was so obviously being set up to tragically die that she might as well have had “Doomed” stamped onto her forehead.  As it is, Vanessa ends up feeling more like a plot device than an actual human.

That said, don’t drink and drive.  It’s not worth it.

Retro Television Review: Crime Story 1.19 “The Pinnacle”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988.  The entire show can be found on Tubi!

This week, things get dark.

Episode 1.19 “The Pinncale”

(Dir by John Nicolella, originally aired on February 27th, 1987)

When an earnest businessman named Pete Bauer (Bob Stupak) decides to open up a casino with Luca’s help, he has no idea what he’s getting himself into. Pete’s vision is a fun tourist destination where a chicken plays tic-tac-toe and the biggest loser at a table is still given $5,000 for being a good sport. Luca’s vision is to drive Pete out of business by skimming all of his profits, fixing his slot machines so that they always pay off, and sending Pauli, Holman, and Jack Claymore over to make sure everything goes off as planned.

As we learned last week, Jack is an FBI agent working undercover. Being sent over to Pete’s casino gives Jack a chance to see how Luca and his people rip off others. One night, when Pauli has a date with a showgirl, Jack is the one who gets to take the envelope containing the cash over to Luca. Jack hands it over. Luca gives him a $500 tip, little realizing that he’s also given Jack enough evidence to take back to Torello and Abrams.

Unfortunately, Pete is forced to sell his casino to Luca before Jack’s next meeting with Torello and Abrams. Pauli and Holman decide to celebrate. They stop off at Jack’s apartment complex to pick him up. Unfortunately, they arrive just in time to catch Jack in a phone booth leaving a message for Torello. They beat up Jack and then drag him off to a deserted construction site, where he’s tied crucifixion-style to a casino sign.

When Luca finds out, he leaves a meeting with Manny Weisbord so that he can personally shoot Jack in the back of the head. As Luca explains to Steve Kordo, there are some things that he simply has to do himself. Even though Luca may be recreating himself as a businessman in Las Vegas, he’s still a Chicago gangster at heart.

When Abrams and Torello find Jack’s body, Abrams says that whatever chance they had to arrest Luca was just blown out of Jack’s head. Yikes! That’s a graphic way to put it, but Abrams isn’t wrong.

This episode was a case of tonal whiplash, starting out as a comedy but ending in tragedy. For the first 30 minutes, it was hard not to be amused by how efficiently Luca and his men ruined Pete’s business. (Holman even convinced Pete to book a polka band.) However, the final few minutes reminded us that Luca, Holman, and even Pauli are all ruthless murderers. It doesn’t matter if you were a likable character like Jack Claymore. If you betray Luca, you’ll regret it.

As for Torello, this is the second cop he’s lost in his pursuit of Luca. His entire obsession with taking down Luca started with the murder of Detective Wes Connelly in the pilot. How will he react now that he’s seeking justice not just for Wes but for Jack as well?

Join #MondayMania For Dying For A Bid!


Hi, everyone!  Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania!  Join us for Dying For A Bid!

 

That’s right, it’s sorority drama!

You can find the movie on Prime and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!

Song of the Day: 6th Avenue Heartache by The Wallflowers


I’ve always liked this song, perhaps even more so than The Wallflowers’s best known song, One Headlight.  Jakob Dylan (who certainly has the talent necessary to be worthy of being known as something more than just “Bob’s son”) was inspired to write this song by a homeless man who he used to see on 6th Avenue.  One day, the homeless man was gone but all of his possessions were still sitting on the sidewalk.  As the days passed, the man’s possessions disappeared one-by-one.  Jakob considers this to be the first true song that he ever wrote.

This music video was directed by David Fincher, who you may have heard of.

Scenes I Love: Jeff Boomhauer Explains the Internet


Today’s scene that I love comes from the greatest show ever made about my home state of Texas, Mike Judge’s King of the Hill.

Listen as Jeff Boonhaumer explains the Internet!