Music Video of the Day: Rage the Night Away by Steve Aoki, featuring Waka Flocka Flame (2014, dir by Gille Klabin)


One thing that I’ve noticed about music videos is that the future is always a dystopia.  It’s always full of people scurrying around dark alleys and sneaking into hidden laboratories and clubs.  It appears that, in the future, people just decided to stop picking up after themselves.  I think that’s what really bothers me about the whole concept of dystopia.  I can handle a lot but I can’t stand the idea of being surrounded by garbage.  Clean up after yourself and others.  I guess that’s my way of looking at things.

Speaking of which, today is Earth Day.  On the one hand, that makes this a great day to actually go out and do some cleaning.  I mean, you’ve got a perfect excuse and everyone who sees you doing it will be like, “Go Earth Day!  Woo hoo!”  On the other hand, Earth Day seems to bring out the worst, most sanctimonious of impulses in some people.  Whenever anyone starts bragging about how proud they are of themselves for observing Earth Day, I always want to ask them if they’re aware that the holiday was founded by a hippie who subsequently murdered his girlfriend and kept her decomposing body in a trunk for two years before fleeing to France.  That’s a true story, by the way.  Someone should make it into a movie.

So, I guess my point is that we should all do our part to pick up litter but, at the same time, don’t act like a self-righteous ass about it, okay?  And don’t leave dead people in your closet or trunk.  That’s just gross.

The other thing that I’ve noticed about music videos is that, regardless of how dystopian the future gets, people still want to dance.  That’s understandable.  It’s our ability to dance that makes us human.

Oh!  And one more thing I’ve noticed about life in a music video dystopia: there’s a lot of neon around.  Regardless of how dark the world may be, everyone’s still got a enough neon to light up the night.

Anyway, enjoy!

Music Video Of The Day: God’s Gonna Cut You Down (2006, dir by Tony Kaye)


This is a case where I like the song more than the music video.  This video was actually filmed three years after Johnny Cash’s death.  As far as “official” music videos are concerned, I always feel like a musician should have some sort of say into how their music is visually interpreted.  Obviously, Johnny Cash wasn’t around to have anything to say about the video for God’s Gonna Cut You Down.

Since Cash wasn’t available, director Tony Kaye filled the video with cameos from other actors and musicians, a few of whom (though not many) were previous Cash collaborators.  Among the celebs who make an appearance in this video: David Allan Coe, Patricia Arquette, Travis Barker, Peter Blake, Bono, Sheryl Crow, Johnny Depp, the Dixie Chicks, Flea, Billy Gibbons, Whoopi Goldberg, Woody Harrelson, Dennis Hopper, Terrence Howard, Jay-Z, Mick Jones, Kid Rock, Anthony Kiedis, Kris Kristofferson, Amy Lee, Adam Levine, Shelby Lynne, Chris Martin, Kate Moss, Graham Nash, Busy Philipps, Iggy Pop, Lisa Marie Presley, Q-Tip, Corinne Bailey Rae, Keith Richards, Chris Rock, Rick Rubin, Patti Smith, Sharon Stone, Justin Timberlake, Kanye West, Brian Wilson, and Owen Wilson.  Some of the celebs — like Dennis Hopper and Kris Kristofferson — seem like they naturally belong there.  Others seem so out-of-place that you’ll want to throw something.  You know how that works,

God’s Gonna Cut You Down is a traditional folk song.  I’ve heard countless versions of it.  I prefer Cash’s version to the more traditional gospel arrangement but, then again, I tend to find gospel music to be dull in general.  Cash’s arrangement brought new life to an old song.

Enjoy!

Remembering Avicii: Avicii: True Stories (dir by Levan Tsikurishvili)


It was a year ago today that we learned of the passing of Tim Bergling, who was better known as Avicii.  For those of us who loved Avicii’s music and who followed him throughout not only his career but also through his multiple health issues and his widely publicized retirement from touring, the loss of Avicii is one that we have yet to recover from.

On this sad anniversary, I’m thinking about the first time that I watched Avicii: True Stories on Netflix.  This documentary, which covered the majority of Avicii’s career — from his rise to his eventual retirement, was released in Europe six months before his death.  In the U.S., it was released on Netflix on December 14th, 2018.  It’s not always an easy documentary to watch but I recommend it to anyone who loved Avicii’s music or to anyone who is just curious about the pressures that go with being a star.

Featuring interviews with not only Avicii but also his collaborators, the film follows Avicii as he quickly goes from being just being one of the many people posting remixes on online forums to being one of the top and most important DJs in the world.  We watch as Avicii maintains a hectic schedule of nonstop touring, often sacrificing both his physical and mental health in the process.  Avicii ends up in the hospital, suffering from acute pancreatitis.  Later, he again ends up in the hospital, this time to have both his appendix and his gall bladder removed.  The film makes no attempt to hide the decadence that goes along with touring but, in its best moments, it also highlights the conflict that arises from having to be both Tim Bergling, an anxious young man who finds a much-needed escape in music, and Avicii, the superstar who has to be on every night.

When we first meet Tim, he seems young and hopeful and enthusiastic.  Halfway through the film, an exhaustion starts to creep into his voice and, by the end of the film, he’s become far more world-weary.  As we watch Tim struggle with the weight of being Avicii, we’re also aware of the people around him, whose careers and finances are pretty much dependent on making sure that Tim never stops being Avicii, regardless of how much damage it does to him mentally and physically.  Throughout it all, one thing remains consistent and that is Tim’s love of music.  It’s only when creating and talking about music that Tim seems to be truly happy.  It’s his escape from a world that often seems like it’s conspiring to swallow him whole.

The film ends on what should have been a happy note.  Tim announces his retirement from touring and the film ends with him, in good spirits, on a beautiful beach.  Tim seems like he’s finally found some happiness and a chance at the inner peace that stardom often denied him.  Beyond a title card (which was added for the film’s U.S. release), Avicii: True Stories does not deal with Tim’s death but it still haunts every minute of the film.  Watching this documentary, it’s impossible not to mourn what the world lost when it lost Tim Bergling.  The film stands as both a tribute to his talent and a portrait of a good and likable man struggling to escape his demons.

Tim “Avicii” Bergling, rest in peace.

Music Video of the Day: Marijuana by Kitty (2014, dir by Shomi Patwary and Kitty)


Happy 4-20!

That’s right, it’s April 20th!  Today, some people are getting ready for Easter and some people are celebrating the fact that it’s the 20th day of the 4th month of the year and a lot of people are probably going to be doing both.

(Did you know that if you go over to Mike Gravel’s presidential campaign page and if you click on the donate link, there’s a specific option for people who want to make a donation of exactly $4.20?  A lot of that, I assume, has to do with the fact that Mike Gavel’s campaign is being run by two teenagers.  Mike Gavel is like nearly a thousand years old so I doubt he knows the significance of it.)

Anyway, my initial plan for today was to share the video for Get Yourself High by The Chemical Brothers but then I searched the site and guess what?  I already shared that video!  So, instead, here’s the video of Kitty’s Marijuana, which is I guess a more obvious choice for 4-20 but still a valid one.

Enjoy!

TV Review: Chilling Adventures of Sabrina 2.4 “Doctor Cerberus’s House of Horrors” (dir by Alex Garcia Lopez)


Is Chilling Adventures of Sabrina the most underlit show on Netflix?

Seriously, every scene on the show seems to take place in near darkness.  I get that’s because the show itself is supposed to be dark and spooky and I appreciate the fact that the show is trying to maintain a proper atmosphere but still, as I watched the fourth episode of the 2nd season, I found myself shouting, “Will someone turn on a freaking light!?”  Like a lot of things about this show, the constant darkness seems like one of those “it seemed like a good idea at the time” concepts.

That said, I also have to say that I liked this installment a bit more than the previous episode.  Though it can probably be correctly stated that this was something of a filler episode, it still had enough surreal moments to remain entertaining.  In fact, it reminded me a bit of last season’s superior Dreams In A Witch House.  Like that episode, House of Horrors largely took place in the minds of the show’s characters.  Whereas Dreams In A Witch House used the character’s nightmares as a way to provide a glimpse of their subconscious fears and desires, this episode used Tarot readings.

The episode begins with Hilda and Dr. Cee hanging out at Cerebrus Books.  No mention is made of the fact that Dr. Cee apparently has an incubus inside of him, which seems like an odd thing to go unmentioned.  Anyway, a fortune teller (played by Veronica Cartwright) shows up and asks if she can do readings in the back of the store.  Hilda and Dr. Cee promptly agree because …. well, when do they ever say no to anyone?

For the next hour, various characters wandered into Cerebrus Books and got their fortune read.  The fortune teller turning over her cards would lead to everyone having a surreal vision of the future.  The visions rarely turned out well but, with one huge exception, the fortune teller was always quick to explain that the ominous vision was actually a good thing.  For instance, Sabrina may have seen herself getting killed during Nick’s magic show but the fortune teller was quick to explain that the vision meant Sabrina should put her faith in Nick and not trust anyone else.  Theo may have had a vision of turning into a boy and then having his body turn to wood but apparently, that meant Theo should trust others to help him out.  Roz was thinking of having an operation to get her sight restored but her vision — in which a blind girl accused Roz of stealing her eyes — convinced Roz that she should remain blind.  Harvey saw that going to Rhode Island would lead to him having a Satanic roommate.  Hilda envisioned telling Father Blackwood the truth about the baby but then discovered that would just lead to Blackwood cheating on her.  “Some secrets,” the fortune teller announces, “should stay secrets.”

Finally, Ambrose showed up and got his vision of the future.  Four things disturbed him.  First off, Luke was nowhere in the vision.  Secondly, in the vision, Father Blackwood made him a member of the Judas Society and ordered him to murder the Spellmans.  Third, in the vision, Ambrose did just that.  And fourth, the fortune teller told Ambrose this was going to happen, regardless of what he did.

Rushing to Father Blackwood’s office, Ambrose asked for an assurance that Father Blackwood would never hurt the Spellmans. “Of course not!” Blackwood replied before informing Ambrose that Luke was dead and that Ambrose was now a member of the Judas Society….

After all this, it was revealed that the fortune teller had actually been Ms. Wardwell in disguise.  I can’t say that I was particularly surprised by this reveal.  Since Wardwell was, up until the show’s final five minutes, the only regular not to have made an appearance, it was obvious that the fortune teller would turn out to be her.  I’m going to assume that her advice was intentionally bad and we should definitely be worried about Sabrina’s relationship with Nick.

Anyway, this episode was entertaining enough.  Since Sabrina is really the only multidimensional character on the show, Chilling Adventures can be uneven when it doesn’t focus on her but this show managed to do a pretty good job with the other characters.  We may not have learned anything new about any of them but some of their visions were enjoyably surreal and macabre.  The scenes of Theo’s body turning to wood were well-handled and Roz’s vision was genuinely frightening.  Even though you knew they weren’t real, the scenes of a murderous Ambrose stalking through the Spellman House were appropriately creepy.

Up next in the TSL’s Sabrina review-a-thon: Case returns with his reviews of Episodes Five and Six!

Music Video of the Day: Water by Palmistry (2019, dir by Marcus Söderlund)


Finally!  A video that delivers exactly what it promises.

Speaking of water, I mentioned earlier that it rained all day Saturday.  Well, despite that, It didn’t rain at all on Sunday and I have to say that I’m a little bit disappointed.  I really enjoyed that rain and the bad weather gave me the perfect excuse to spend an entire day doing nothing.  Fortunately, it does appear that it might rain over the upcoming week so keep me in your storm-filled thoughts!

Enjoy!

TV Review: Chilling Adventures of Sabrina Season 2 Episode 3 “Lupercalia” (dir by Salli Richardson-Whitfield)


Hi, everyone!  Case already reviewed the first two episodes of the second season of Netflix’s Chilling Adventures of Sabrina and now, I’m here to take care of episode 3.

Episode 3 is centered around Lupercalia, an actual Pagan holiday from ancient Rome that is reimagined here as a sort of Valentine’s Day for witches and warlocks.  Basically, in the Sabrina version of Lupercalia, the holiday begins with the Matching, where each witch is paired up with a warlock.  This leads to the Courting, where the warlock and the witch go out into the woods, get naked, and spend the night staring up at the moon.  Then, finally, we get the Hunt, where each witch chases her warlock through the woods and the whole thing ends with a big orgy.  (The Sabrina version sounds considerably more fun than the real version, which involved a lot of animal sacrifices.)  Though participation in Lupercalia is voluntary, Zelda tells Sabrina that it would be foolish for her not to take part.  (Hilda, meanwhile, can’t even bring herself to say the word “sex.”)  After all, now that Sabrina and Harvey are no more, this would be a perfect opportunity for Sabrina to spend some time with that charming young warlock, Nicholas Scratch.

Interestingly enough, Nick is just as fascinated with Valentine’s Day as Sabrina is with Lupercalia.  As eager as Sabrina is to leave behind Baxter High and experience life at the Academy, Nick is just as curious about experiencing what it’s like to be a mortal.  It’s actually one of the more clever things about this sometimes uneven episode.  Though I don’t trust Nick, he and Sabrina do make for a far more interesting couple than Sabrina and Harvey ever did.  It also helps that Kiernan Shipka and Gavin Leatherwood have an undeniable chemistry together.  You believe their romance, even when the show occasionally seems determined to mess things up with unnecessary filler.

Yes, that’s right.  I just used the dreaded “f” word.  As I watched Lupercalia, it occurred to me that I’d probably like The Chilling Adventures of Sabrina a lot more if each episode was only 30 to 40 minutes long.  That way, the show could focus on Sabrina and we wouldn’t have to waste time with any of the less interesting characters or subplots.  Instead, this episode was a little over an hour long and it seemed that, every time that I started to get really involved in Sabrina and Nick’s storyline, the episode would cut to something less interesting.

For instance, Sabrina and Nick discover that Nick is being stalked by his former familiar, a wolf named Amalia.  Amalia is jealous of Nick’s attraction to Sabrina.  Ms. Wardwell says that the only solution is for Nick to murder his familiar.  Will Nick kill for Sabrina?  Will Sabrina kill for Nick?  Well, before we can find that out, we have to deal with stuff like Roz suddenly going blind right after she kisses Harvey and Father Blackwood asking Zelda to marry him.  Or else Hilda’s trying to let Dr. Cee know how she feels about him, just to discover that he can’t be with her because he has an incubus inside of him.  And the whole time this is going on, I was just thinking to myself, “Yes, but what about Sabrina?  I DON’T CARE ABOUT ANY OF THESE OTHER CHARACTERS!”

Kiernan Shipka has always been the best thing about Chilling Adventures of Sabrina.  Even when the writers fail her, Shipka always manages to keep the show afloat.  She’s likable, she’s compelling, and she’s believable as both a curious teenager and a naive witch.  Shipka has many great moments in Lupercalia but the episode’s momentum seems to come to a halt whenever she’s not on screen.  It’s not that the rest of the cast isn’t capable as much as their characters are all rather one-note.  Hilda is always insecure and introverted.  Zelda is always arch and sardonic.  Roz is always going blind and Harvey is always kind of a goof.  The only character, other than Sabrina, who is the least bit interesting is Theo and that’s because his storyline is about how far society has come and how far it has yet to go.

In the end, Lupercalia is an interesting but uneven episode of a frequently interesting but uneven show.

A few final notes:

  • It’s interesting to note that, much like Romulus and Remus — whom Lupercalia is meant to honor — Nick was raised by a wolf.
  • Though I find Ms. Wardwell to be a bit of a one-note character, I did enjoy her shock and horror upon discovering that she has a fiance.
  • The scenes in the woods were gorgeously filmed and full of atmosphere.  I’ve seen some people online saying that it doesn’t make any sense that Nick and Sabrina would be comfortable spending an entire February night outside in their underwear but since when does love and lust have to make sense?
  • The scene where Theo told his father that he was a boy (“I’m not a girl.”) was nicely and sensitively handled, I thought.
  • This episode ended with Sabrina killing a wolf, Nick in tears, and Roz apparently blind. What will happen next?  We’ll find out and I’ll be here to review episode 4 before turning things back over to Case for episodes 5 and 6!