Lisa Marie’s Possibly Pointless Oscar Predictions For March


I’ve been going back and forth on whether or not I should even bother to continue my monthly Oscar predictions.  With the current Coronavirus pandemic, it’s not unreasonable to wonder if there will even be an Oscar ceremony next year.  Many completed films have been taken off the schedule so that they can be released at a time when people aren’t scared to leave their house.  Meanwhile, production on several other films — some of them expected to be Oscar contenders — has been suspended.  New films are continuing to premiere on the streaming services but the Academy has always insisted that films also play in a theater if they want to contend for an Oscar.  That’s going to be difficult with the majority of the country’s theaters currently being closed.

Unlike a lot of people, I’m not necessarily apocalyptic or even that pessimistic in my outlook.  I think that, one way or another, we will eventually be able to leave our homes again and that at least some of the movie theaters will reopen.  So, I think that we will be able to have some sort of Oscar ceremony.  For that reason, I’m going to make my predictions for March but, needless to say, take all of these with an even bigger grain of salt than usual.

If you’re curious to see what my Oscar thinking was in the months before the world went crazy, check out my predictions for January and February!

(I’ve tried to take the fact that the Coronavirus led to the suspension of many ongoing productions while making out my list below.  As far as I know, filming wrapped on all of the films listed below before the outbreak.)

Best Picture

Ammonite

Annette

Hillbilly Elegy

The Father

Minari

News of the World

Nomadland

On the Rocks

Tenet

West Side Story

Best Director

Isaac Lee Chung for Minari

Paul Greengrass for News of the World

Christopher Nolan for Tenet

Steven Spielberg for West Side Story

Florian Zeller for The Father

Best Actor

Tom Hanks in News of the World

Anthony Hopkins in The Father

Bill Murray in On the Rocks

Gary Oldman in Mank

Will Smith in King Richard

Best Actress

Amy Adams in Hillbilly Elegy

Clare Dunne in Herself

Jennifer Hudson in Respect

Frances McDormand in Nomadland

Kate Winslet in Ammonite

Best Supporting Actor

Tom Burke in Mank

Richard E. Grant in Everybody’s Talking About Jamie

Mark Rylance in The Trial of the Chicago 7

Forest Whitaker in Respect

Steve Yeun in Minari

Best Supporting Actress

Abigail Breslin in Stillwater

Glenn Close in Hillybilly Elegy

Vera Farmiga in The Many Saints of Newark

Saoirse Ronan in Ammonite

Helena Zengel in News of the World

 

4 Shots From 4 Films: Special Ewan McGregor Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is not just Christoper Walken’s birthday!  It’s also the birthday of another one of my favorite actors, the only and only Ewan McGregor!  And you know what that means.  It’s time for….

4 Shots From 4 Ewan McGregor Films

Trainspotting (1996, dir by Danny Boyle)

Moulin Rouge! (2001, dir by Baz Luhrmann)

T2: Trainspotting (2017, dir by Danny Boyle)

Doctor Sleep (2019, dir by Mike Flanagan)

Ranking The Films of Quentin Tarantino


Since Today is Quentin Tarantino’s 57th birthday, I figured this would be a good time to rank the ten films that he’s directed so far!

Please note that I have not included things like Natural Born Killers, True Romance, Four Rooms, Sin City, or those episodes of CSI and ER on the list below.  These are just the feature films that Tarantino has directed.

So, without further ado, for worst to best, here are the ten film of Quentin Tarantino:

10) The Hateful Eight (2015)

The Hateful Eight is one of those films that people either seem to love or hate.  I personally think that it’s the one Tarantino film in which QT truly stepped over the line and became a parody of himself.  From the punishing run time to the lengthy “chapters” that went nowhere to the overwritten dialogue that read more like someone trying to write like Tarantino than Tarantino himself, The Hateful Eight is my least favorite of his films.  For me, the final straw was when — after already having forced audiences to endure two and half hours of this film — Tarantino stopped the action completely for a totally unnecessary flashback that apparently only existed so Tarantino could work in a Zoe Bell cameo.

9) Death Proof (2007)

Oh, Death Proof.  I really liked Death Proof the first time that I saw it but whenever I’ve tried to rewatch it, it’s been a struggle to get through it.  Yes, Kurt Russell is great as Stuntman Mike and, unlike her previously mentioned cameo in The Hateful Eight, Zoe Bell is a welcome addition to Death Proof‘s ensemble.  But oh my God, why doesn’t the film just start in Tennessee?  Why do we have to suffer through all of that crap in Austin?

8) Kill Bill: Volume One (2003)

Now, it may seem like I’m ranking the first volume of Kill Bill fairly low on the list but you have to understand that, as far as I’m concerned, Tarantino has only made two bad films.  Kill Bill: Volume One is an exciting thriller and it not only features Uma Thurman at her best but it also has some of the best and most energetic fight scenes of all time.  If Kill Bill: Volume One seems ranked low, it’s just because it has some truly tough competition to deal with.

 

7) Jackie Brown (1997)

The first time I saw Jackie Brown, I thought it was a bit too slow and I guess I didn’t really “get” it.  As I’ve gotten older, I’ve come to better appreciate this surprisingly low-key and rather sad film.  Jackie Brown features Tarantino in the type of contemplative mood that he wouldn’t really return to until making Once Upon A Time In Hollywood.

6) Pulp Fiction (1994)

One of the most influential films ever made, Pulp Fiction was not only the first of Tarantino’s first film to be nominated for an Oscar but it was also his first film to truly establish that his filmography takes place in its own separate, pop culture-centered universe.  If there’s anything that’s keeping Pulp Fiction from being listed higher, it’s the painfully self-indulgent taxi cab conversation between Bruce Willis and Angela Jones and Quentin Tarantino’s own terrible cameo as Jimmy, the casually racist homeowner.  That said, this is still one of the most — if not the most — essential film for the 90s.  If you want to understand that decade, you have to watch Pulp Fiction.

5) Django Unchained (2012)

Despite the fact that it features one of Leonardo Di Caprio’s worst performances (I know I’m the only one who thinks that), Django Unchained is still Tarantino at his most provocative and angry.  After decades of Hollywood films that attempts to explain away the history and legacy of slavery or that suggested that racism could easily be overcome, Tarantino and Django stepped up to say, “Fuck that.”  While the film received a lot of attention for its violence, I think it revealed that Tarantino is an artist with a conscience.  When Christoph Waltz speaks against the evils of slavery, it’s obvious that he’s speaking for Tarantino as well.  In much the same fashion of 12 Years A Slave (which would come out a year later), Django Unchained doesn’t flinch away from showing the horrors of slavery.

4) Inglourious Basterds (2009)

With Inglourious Basterds, Tarantino showed how art could be used to fix history’s mistakes.  In reality, many of the leaders of Nazi Germany escaped justice by committing suicide.  In Inglourious Basterds, they get blown away by a group of Jewish soldiers.  The film itself features some of Tarantino’s best set pieces and one of his best casts.  Despite the film’s length, this is also one of the few Tarantino films where there’s not a single scene that you can look at and say, “Well, that could have been cut.”  For once, every minute of the run time is needed to tell the film’s story.  Christoph Waltz became the first actor to win an Oscar for appearing in a Tarantino film.

3) Kill Bill: Volume Two (2004)

The Kill Bill saga concludes in grand fashion in Kill Bill: Volume Two.  For all of the fights and the violence, this film is more about accepting the consequences of your actions.  Uma Thurman and David Carradine give great performances but the heart of the film belongs to poor Michael Madsen, sitting in his trailer and waiting for justice to come and get him.  The scene where Thurman digs herself out of her grave is a justifiable classic and the final confrontation between Carradine and Thurman is Tarantino at his best.

2) Reservoir Dogs (1992)

Tarantino’s debut film is still one of the most exciting and, in it’s way, funniest crime films ever made.  Every line is quotable.  Every performance is perfect.  Every song on the soundtrack is perfectly selected.  Who can forget Harvey Keitel’s incoherent scream of pain as he realizes that he’s been betrayed?  Personally, I just hope Mr. Pink escaped with the diamonds.

 

1) Once Upon A Time In Hollywood (2019)

Tarantino’s latest film is also his best, a love letter to the movies and the actors whose legacies live on in his own films.  For all the criticism that the film took for Margot Robbie’s lack of dialogue, her performance as Sharon Tate is the perfect epitome of everyone’s fantasy of what Hollywood was like in the years before the Manson murders made everyone lock their doors.  Leonardo Di Caprio and Brad Pitt are perfectly cast as Rick and Cliff and the film’s finale may be bloody but, at the same time, it corrected history in much the same way that Inglorious Basterds did.  By the end of the film, Rick Dalton knows that he’ll probably never be as big of a star as he could have been but at least he’s made some new friends.  He’s been accepted, in much the same way that a somewhat dorky former Hollywood video store clerk was eventually accepted by a film industry that, at first, wasn’t sure what to make of him.

Happy birthday, Quentin Tarantino!

4 Shots From 4 Spike Lee Films: Summer of Sam, 25th Hour, Oldboy, Da Sweet Blood of Jesus


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is Spike Lee’s 63rd birthday and you know what the means.  It’s time that we honor one of American cinema’s greatest provocateurs with….

4 Shots From 4 Films

Summer of Sam (1999, dir by Spike Lee)

25th Hour (2002, dir by Spike Lee)

Oldboy (2013, dir by Spike Lee)

Da Sweet Blood of Jesus (2014, dir by Spike Lee)

4 Shots From 4 Films: Special David Cronenberg Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy birthday to one of the greatest Canadian filmmakers of all time, David Cronenberg!  Cronenberg is not only one of the best directors to come out of Canada but he’s also a favorite of those of us here at the Shattered Lens as well.  Just check out Arleigh’s review of Eastern Promises, for example.

In honor of a great artists’s birthday, here are….

4 Shots From 4 David Cronenberg Films

The Brood (1979, dir by David Cronenberg)

Scanners (1981, dir by David Cronenberg)

Videodrome (1983, dir by David Cronenberg)

existenz (1999, dir by David Cronenberg)

4 Shots From 4 Ania Pieroni Films: Inferno, The House By The Cemetery, Tenebre, Fracchia vs Dracula


Today is the birthday of Italian actress Ania Pieroni.

You may not recognize the name but, if you’re a fan of Italian horror, chances are that you’ve seen Ania Pieroni at least once.  Even though she only has 11 credits listed on the imdb and apparently made her last film over 30 years ago, Ania Pieroni achieved screen immortality by playing key roles in three of the greatest Italian films ever made.

In Dario Argento’s Inferno, she was the first actress to play the mysterious Mother of Tears.

In Lucio Fulci’s The House By The Cemetery, she played the mysterious housekeeper and nanny who, in one of the film’s most memorable scenes, nonchalantly mops up a huge pool of blood before subsequently losing her head in the house’s basement.

And then, in Argento’s Tenebre, she played the unfortunate shoplifter who pays a steep price for not paying for Peter Neal’s latest novel.

Today, the Shattered Lens wishes a happy birthday to Ania Pieroni with….

4 Shots From 4 Films

Inferno (1980, dir by Dario Argento)

The House By The Cemetery (1981, dir by Lucio Fulci)

Tenebre (1982, dir by Dario Argento)

Fracchia vs Dracula (1985, dir by Neri Parenti)

4 Shots From 4 Elizabeth Taylor Films: A Place In The Sun, Suddenly Last Summer, Boom!, Night Watch


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the birthday of one of the greatest films stars ever, Elizabeth Taylor!  And you know what that means.  It’s time for….

4 Shots From 4 Elizabeth Taylor Films

A Place in the Sun (1951, dir by George Stevens)

Suddenly, Last Summer (1959, dir by Joseph L. Mankiewicz

Boom! (1968, dir by Joseph Losey)

Night Watch (1973, dir by Brian G. Hutton)