4 Shots From 4 Films: A Trip To The Moon, Moon, Apollo 18, Melancholia


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Happy End of the World Day!

(In certain cultures….)

4 Shots From 4 Films

A Trip to the Moon (1902, dir by Georges Melies)

Moon (2009, directed by Duncan Jones)

Apollo 18 (2011, dir by Gonzalo López-Gallego)

Melancholia (2011, dir by Lars Von Trier)

Clowntergeist: Preview, Review and Trailer


Sorry I have been “Clowning” it up a but with my last few reviews, but you know, Coulrophobia and all!

 

ok, seriously, my last movie review was about clowns; and now this one.

Clowntergeist 04

Let’s get the technicals out of the way:

Studio: High Octane Pictures

Director: Aaron Mirtes

Cast :  Tom Seidman, Burt Culver and Brittany Belland

 

Plot:

Emma, a college student with a crippling fear of clowns, must come face to face with her worst fear when an evil spirit in the body of a clown is summoned terrorizing the town she calls home. One by one Emma and her friends receive a balloon with the exact time and date of when it will appear to kill them written on it. After receiving her balloon, Emma realizes that she has two days left to live, and must fight against the clock to find a way to survive.

 

Review:

As much as this movie captured all the, shall I say tongue-in-cheek, plot lines. It did manage to scare me quiet a bit!

Now, please don’t read to much into the plot holes when you watch this movie. They are several to fall into. At times I am not sure this is meant to be a serious movie. But I was thoroughly entertained!

 

Would I recommend this movie?

On my horror scale:

3.25 out of 5. But factor the fun of it, I give it a 4!

Poster: 

clowntegeist

 

But, since it is time for IT (trailer via Lisa Marie Bowman)  to come out, no wonder I am getting so many clown movies to screen! And nightmares to sleep thru!

 

Should we watch the trailer for ‘Clowntergeist’ together? Yes we should!

 

 

Who wants to hold hands now!

Clowntergeist 02

 

Clowntergeist will be available on VOD on all your platforms September 12, 2017 And on DVD in October, just in time for Halloween!

 

4 Shots From 4 Films: Breakfast at Tiffany’s, Inferno, Cat’s Eye, Sleepwalkers


Happy International Cat Day from the Shattered Lens!

4 Shots From 4 Films

Breakfast at Tiffany’s (1961, dir by Blake Edwards)

Inferno (1980, dir by Dario Argento)

Cat’s Eye (1985, dir by Lewis Teague)

Sleepwalkers (1992, dir by Mick Garris)

Catnip party at my place!

4 Shots From 4 Films: Dancing Mothers, It, Wings, The Wild Party


Happy birthday, Clara Bow!

4 Shots From 4 Films

Dancing Mothers (1926, dir by Herbert Brenon)

It (1927, directed by Clarence Badger)

Wings (1927, dir by William Wellman)

The Wild Party (1929, dir by Dorothy Arzner)

Lisa’s Early Oscar Nominations for July


With each passing month, the Oscar race becomes just a little bit clearer.  We are still a few months away from the true Oscar season but a few contenders have emerged.

My predictions are below.  Previously, my predictions were all based on wishful thinking and instinct.  Well, there’s still a lot of wishful thinking to be found below but, at the same time, the festival season is providing a guide and there are some early reviews that have started to come in.  I’ve never been a 100% correct in my predictions and I doubt this year is going to be any different.  (For one thing, I always predict 10 best picture nominees, even though that’s close to being a mathematical impossibility under the current Academy rules.)

One final note: Some day, the Academy will get over their resistance to Netflix and streaming.  I don’t think that’s going to happen this year, though.  I kept that in mind while considering the chances of such heavily hyped (and, for that matter, less heavily hyped) contenders as Mudbound and The Meyerowitz Stories.

Anyway, here are my predictions for July!  Be sure to check out my predictions for January, February, March, April, May, and June as well!

Best Picture

Call Me By Your Name

Darkest Hour

Detroit

The Disaster Artist

Dunkirk

The Florida Project

Goodbye Christopher Robin

The Greatest Showman

Logan

Wonderstruck

Best Director

Sean Baker for The Florida Project

Kathryn Bigelow for Detroit

Michael Gracey for The Greatest Showman

Christopher Nolan for Dunkirk

Joe Wright for Darkest Hour

Best Actor

Chadwick Boseman in Marshall

Willem DaFoe in The Florida Project

Hugh Jackman in The Greatest Showman

Gary Oldman in Darkest Hour

Donald Sutherland in The Leisure Seeker

Best Actress

Judi Dench in Victoria and Abdul

Kirsten Dunst in Woodshock

Frances McDormand in Three Billboards Outside of Ebbing Missouri

Emma Stone in Battle of the Sexes

Meryl Streep in The Papers

Best Supporting Actor

Steve Carell in Battle of the Sexes

James Franco in The Disaster Artist

Armie Hammer in Call Me By Your Name

Will Poulter in Detroit

Patrick Stewart in Logan

Best Supporting Actress

Penelope Cruz in Murder on the Orient Express

Holly Hunter in The Big Sick

Melissa Leo in The Novitiate

Julianne Moore in Wonderstuck

Margot Robbie in Goodbye Christopher Robin

 

Rest in Peace, George Romero


George Romero has died, at the age of 77.

I wrote this in 2015:

When I say “George Romero,” you probably immediately think of zombies.  And why not?  Night of the Living Dead is perhaps the best known zombie film ever made and Dawn of the Dead is perhaps the second best known.  Day of the Dead and Land of the Dead both have their fervent admirers.  Without the work of George Romero, there would be no Walking Dead.  Without the zombie films of George Romero, countless children would have never grown up to become horror filmmakers.  Without George Romero, there would have been no Italian zombie films, which means that I would never have fallen in love with Italian horror and I wouldn’t have been tweeting about it that day in 2010 when Arleigh asked me if I wanted to be a contributor to this website.

Though he had directed commercials and a few industrial films, 1968’s Night of the Living Dead was George Romero’s first feature film.  His first!  I cannot even imagine what it must feel like to totally change the face and history of cinema with your very first feature film.  All modern horror films owe a debt not only to Night of the Living Dead but to all of Romero’s subsequent films as well.

Romero, himself, didn’t necessarily set out to be a horror film director.  As he himself often said, the main reason that he and his associates made Night of the Living Dead was because they knew there was a market for cheap horror films.  He followed up Night of the Living Dead with Touch of Vanilla, a hippie love story that few people saw.  And while Romero eventually did accept that he would be forever known as a horror filmmaker, his films were always concerned with more than just scaring people.  Whether intentional or not, Night of the Living Dead is a powerful allegory about prejudice and mankind’s inability to work together.  (For all the zombies, the film’s scariest scene comes at the end when the African-American Ben is shot by a redneck deputy and casually tossed onto a pile of bodies.)  The Dario Argento-produced Dawn of the Dead was a satire of consumerism while The Crazies suggested that people were already so crazy that it was hardly necessary for a chemical spill to bring out the worst in us.  In Martin, Romero cast a weary eye on organized religion while Land of the Dead was perhaps Romero’s angriest film, taking on the state of post-911 America.  With films like Creepshow and The Dark Half, Romero showed that he was one of the few directors who could successfully adapt the sometimes unwieldy prose of Stephen King to the screen.  It’s a shame that his long-rumored adaptations of The Stand and The Dark Tower turned out to be just that, rumors.

Yes, George Romero was a great horror filmmaker but more than that, he was a great director period.  He never sacrificed his independence, choosing to make some of his best-regarded movies in Philadelphia.  He never compromised his message, offering up visions of the world that continued to grow bleaker and bleaker.  Though he never received the awards that he deserved or, to be honest, the critical acclaim that he was owed, George Romero will be remembered as one of the most important American filmmakers of all time.

George Romero died, of lung cancer, surrounded by his loved ones.  Reportedly, he died listening to The Quiet Man soundtrack.

Rest in peace, George.

Lisa’s Early Oscar Predictions for June


Hi there!

Well, it’s time for me to make my monthly Oscar predictions!  Though my predictions are no longer “too early,” they are still definitely early.  Most of these predictions are based on a combination of wild speculation and wishful thinking.

For instance, do I really think that Wonder Woman will be an Oscar contender?

Well, I think it could be.  I’d like it if it was.  If really pressed, I’ll say that I think it has a better chance of being nominated than Logan does.  And, as you’ll remember, I had Logan listed as a best picture nominee back in March.

I guess what I’m saying is that these predictions should always be taken with a grain of salt.  To be honest, right now, the only precursor that we have is Cannes and Cannes is notoriously unreliable when it comes to being used as a tool to predict what will actually be nominated.

Anyway, these predictions will probably be good for a laugh or two next February.  Be sure to check out my previous predictions for January, February, March, April, and May!

Best Picture

The Beguiled

Blade Runner 2049

Call Me By Your Name

Darkest Hour

Detroit

The Disaster Artist

Dunkirk

Goodbye, Christopher Robin

Mudbound

Wonder Woman

Best Director

Sofia Coppola for The Beguiled

Simon Curtis for Goodbye, Christopher Robin

Christopher Nolan for Dunkirk

Dee Rees for Mudbound

Joe Wright for Darkest Hour

Best Actor

Chadwick Boseman in Marshall

Hugh Jackman in The Greatest Showman

Gary Oldman in Darkest Hour

Robert Pattinson in Good Time

Joaquin Phoenix in You Were Never Really Here

Best Actress

Judi Dench in Victoria and Abdul

Kirsten Dunst in Woodshock

Gal Gadot in Wonder Woman

Carey Mulligan in Mudbound

Michelle Pfieffer in Where Is Kyra?

Best Supporting Actor

Steve Carell in Battle of the Sexes

James Franco in The Disaster Artist

Woody Harrelson in The Glass Castle

Jason Mitchell in Mudbound

Adam Sandler in The Meyerowitz Stories

Best Supporting Actress

Melissa Leo in Novitiate

Julianne Moore in Wonderstruck

Margot Robbie in Goodbye, Christopher Robin

Kristin Scott Thomas in Darkest Hour

Naomi Watts in The Glass Castle