Brad reviews the new South Korean film HOPE (2026)! 


I’ve been seeing trailers for the South Korean action film HOPE (2026). Being a fan of the country’s cinema, it definitely piqued my interest. As I investigated a little further, I saw that it was written and directed by Na Hong-Jin who did the same for the unsettling THE WAILING back in 2016. Digging even deeper, I recognized actor Hwang Jung-Min as the lead of the film. He’s been great for a long time, starring in South Korean classics like A BITTERSWEET LIFE (2005), NEW WORLD (2013), VETERAN (2015), and the director’s THE WAILING. This being my birthday week, I decided I’d start it off with a bang by heading to the movie theater to see what this intriguing film has up its sleeves! 

The movie gets right into the action as we meet small town Police Chief Beom Seok (Hwang Jung-Min) in the middle of his investigation of the vicious death of a cow. The incident was reported by a group of hunters who think the wounds look out of the ordinary. Wondering if a bear or a tiger might be on prowl as he’s driving back, he arrives in town where all hell has broken loose. It seems there’s something causing death and destruction, but it’s way too powerful to be a bear or a tiger. I won’t say anymore because the fun of the first half of the film is discovering just what the hell is bringing such chaos to this normally sleepy harbor town. 

HOPE has a lot of good stuff going for it. The performances from the leads are at the very top of my list, beginning with Hwang Jung-min as the police chief. He has this ability to project goofy exasperation better than anyone else I know. A lesser actor might take this too far, but not Hwang. He is able to balance the film’s absurd humor while also being tough and fearless when he needs to be. He’s great here. Next up is Hoyeon (SQUID GAME), who plays police officer Sung Ae. I won’t say too much, but her character’s introduction into the film is incredibly fun and badass. I loved it, and you can’t help but love her as the film progresses. Finally, I really enjoyed actor Zo In-sung’s performance as one of the hunters who reports the suspicious cow death at the beginning of the film. At first he seems like a guy being set up as a victim, but he turns out to be much more than that by the end. I’ll have to give writer Na Hong-jin credit for creating such fun characters. I’ll mention here that Michael Fassbender and Alicia Vikander are also in the cast, but I won’t say anything more about their characters. 

After actually watching the film, I can say that writer-director Na Hong-jin really did come up with a very interesting premise for HOPE. The first half of the film is so fun as our characters fight for their lives and simultaneously try to figure out what the hell they’re dealing with. I would say this is the best section of the film. When we finally see what our ragtag group is up against, we get an exciting, non-stop action sequence that ends with a bit of luck and relief for our heroes. Up to this point, the movie has been a violent, funny, action-packed ride!

The second half of the film, while still enjoyable, isn’t quite as successful as the first. The primary issue is the extreme length of the film. HOPE clocks in at over two and a half hours. While it continues on as a non-stop action ride, I think this movie would be just as good at only two hours long by cutting some repetitive action sequences. The last part of the film introduces a whole new storyline solely to set up future sequels. HOPE had the biggest box office opening weekend in South Korea thus far in 2026, so the sequels will definitely be coming. I’m certainly looking forward to them, but if you’re looking for closure for any of these characters, you won’t get it here. There is an almost unbelievable mid-credits sequence that’s truly absurd, but it’s also not out of line with the craziness of the film we just watched. Don’t miss that part! 

For me, watching HOPE at the theater was 100% worth my time and an awesome start to my birthday week. It’s not a perfect film, but I truly enjoyed it, and I’ll be on the lookout for the sequels! 

4 Shots From 4 Films About Being Watched


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films.  As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

4 Scenes From 4 Films

19842

1984 (1956, directed by Michael Anderson)

F For Fake (1974, directed by Orson Welles)

F For Fake (1974, directed by Orson Welles)

Nineteen Eighty-Four (1984, directed by Michael Radford)

Nineteen Eighty-Four (1984, directed by Michael Radford)

Lost Highway (1997, directed by David Lynch)

Lost Highway (1997, directed by David Lynch)

Happy Birthday, Brian De Palma!


As I was discovering my love of movies, the first director I ever became obsessed with was Brian De Palma. His BLOW OUT (1981) played frequently on Fox 16 out of Little Rock, and I still consider it one of my favorite films. I consider his version of THE UNTOUCHABLES to almost be a perfect film. To celebrate his 86th birthday, I thought I’d share this scene featuring the Oscar winning performance of Sean Connery, along with Kevin Costner and Andy Garcia. Enjoy, my friends!

6 Shots From 6 Films: Special Brian De Palma Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the birthday of Brian De Palma and that means that it is time for….

6 Shots From 6 Brian De Palma Films

Phantom of Paradise (1974, dir by Brian De Palma, DP: Larry Pizer)

Carrie (1976, dir by Brian De Palma, DP: Mario Tosi)

Dressed to Kill (1980, dir by Brian De Palma, DP: Ralf D. Bode)

Blow Out (1981, dir by Brian De Palma, DP: Vilmos Zsigmond)

Scarface (1983, dir by Brian De Palma, DP: John A. Alonzo)

Body Double (1984, dir by Brian De Palma, DP: Stephen Burum)

4 Shots From 4 Films: In Memory of James Dean


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

On September 30th, it will have been 71 years since James Dean was killed in a tragic car accident.  At the time of his death, he had already filmed East of Eden, Rebel Without A Cause, and GiantEast of Eden would be the only one of his starring roles that Dean would live to see.  Dean went on to be nominated for two posthumous academy awards and, in death, he became an icon that will live forever.

In honor of James Dean’s career and his legacy, here are….

4 Shots From 4 James Dean Films

Hill Number One (1951, dir by Arthur Pierson)

East of Eden (1955, dir by Elia Kazan)

Rebel Without A Cause (1955, dir by Nicholas Ray)

Giant (1956, dir by George Stevens)

4 Shots From 4 Films: Special Elia Kazan Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

117 years ago, on this date, Elia Kazan was born Istanbul.  Kazan would go on to become a groundbreaking director, both for the stage and in movies.  He would play a key role in turning both Marlon Brando and James Dean into stars and he made films, like Gentleman’s Agreement and A Face In The Crowd, that challenged the political pieties of the day.  Of course, he also named names in front of HUAC, a decision that continues to be controversial to this day.  Two of Kazan’s films — Gentleman’s Agreement and On The Waterfront — won the Oscar for Best Picture.  A Streetcar Named Desire was widely expected to win before it was upset by An American In Paris.  A Face In The Crowd is often cited as being one of the most prophetic films ever made.  When Kazan was given an honorary Oscar in 1999, many in the auditorium refused to applaud but his influence as a filmmaker cannot be denied.

It’s time for….

4 Shots From 4 Elia Kazan Films

A Streetcar Named Desire (1951, dir by Elia Kazan, DP: Harry Stradling)

On The Waterfront (1954, dir by Elia Kazan, DP: Boris Kaufman)

East of Eden (1955, dir by Elia Kazan, DP: Ted D. McCord)

A Face In The Crowd (1957, dir by Elia Kazan, DP: Gayne Rescher and Harry Stradling)

4 Shots From 4 Films: Special Tommy Lee Wallace Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today, the Shattered Lens wishes a happy birthday to director Tommy Lee Wallace!

4 Shots From 4 Tommy Lee Wallace Films

Halloween III: Season of the Witch (1982, dir by Tommy Lee Wallace)

Fright Night Part 2 (1988, dir by Tommy Lee Wallace)

It (1990, dir by Tommy Lee Wallace)

Vampires: Los Muertos (2002, dir by Tommy Lee Wallace)

8 Shots From 8 Films: Special Werner Herzog Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to one our favorite directors, the great Werner Herzog!  It’s time for….

8 Shots From 8 Werner Herzog Films

Fata Morgana (1971, dir by Werner Herzog, DP: Jörg Schmidt-Reitwein)

Aguirre The Wrath of God (1972, dir by Werner Herzog. DP: Thomas Mauch)

The Enigma of Kaspar Hauser (1974, dir by Werner Herzog, DP: Jörg Schmidt-Reitwein)

Stroszek (1977, dir by Werner Herzog, DP: Thomas Mauch)

Woyzeck (1979, dir by Werner Herzog, DP: Jorg Schmidt-Reitwein)

Nosferatu The Vampyre (1979, dir by Werner Herzog, DP: Jörg Schmidt-Reitwein)

Fitzcarraldo (1982, dir by Werner Herzog, DP: Thomas Mauch)

Bad Lieutenant: Port of Call New Orleans (2009, dir by Werner Herzog, DP: Peter Ziedlinger)

4 Shots From 4 Films: Special Edward Dmytryk Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

117 years ago, on this date in Columbia, Canada, director Edward Dmytryk was born.  Today, we honor this underrated filmmaker with….

4 Shots From 4 Edward Dmytryk Films

Murder, My Sweet (1944, dir by Edward Dmytryk, DP: Harry J. Wild)

Crossfire (1947, dir by Edward Dmytryk, DP: J. Roy Hunt)

The Caine Mutiny (1954, dir by Edward Dmytryk, DP: Franz Planer)

The Carpetbaggers (1964, dir by Edward Dmytryk, DP: Joseph MacDonald)