Lisa Marie’s Thoughts On The Oscar Nominations


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Okay, I’ve had plenty of time to think about today’s Oscar nominations and now I’m ready to share my thoughts.  Obviously, my picks were a lot different from what the Academy selected.  That’s okay.  That’s the way it goes every year.  I don’t mind being a contrarian.

So, let’s take a look at what was nominated, category-by-category.

(If you need a refresher as to what was nominated, here’s a complete list of nominees!)

Best Live Action Short, Best Animated Short, Best Documentary Short: I’m sure that these three categories are full of wonderful nominees that were created by wonderful people but I don’t believe that I’ve seen a single one of them.  So, with that in mind, I can only imagine that the Academy did a perfect job selecting all 15 of these nominees!  Good work, Academy!

Best Foreign Language Film: Again, I have seen none of the nominees so I really can’t comment one way or another.  Normally, this would make me feel like a failure but I imagine that 90% of the people reading this post are in the same boat.  I imagine Toni Erdmann will win, just because of all the good things I’ve read about it.  But, since I haven’t actually seen any of the nominees, I will refrain from making any sort of prediction.

Best Documentary Feature: I’m disappointed that my favorite documentary, The Witness, was not nominated.  And, quite frankly, I’m shocked that Weiner was not nominated.  That said, I can’t complain about any of the documentaries that actually were nominated.  It was a good year for documentaries.  In fact, it could be argued that it was a better year for documentaries than for features.

Should Win: O.J.: Made in America

Will Win: 13th

Best Original Song: Not a single song from Sing Street was nominated and that is amazingly disappointing.  Original song can be surprising.  Remember last year when that terrible song from SPECTRE somehow won?  That said, I’m expecting that this year will see a huge sweep by La La Land and one of its nominated songs will probably win.

Should Win: Audition (The Fools Who Can Dream) from La La Land

Will Win: City of Stars from La La Land

Best Original Score: The Neon Demon deserved a nomination but I’m not surprised it was snubbed.  There’s no way the Academy was going to honor Nicholas Winding Refn’s subversive masterpiece.  La La Land is going to win this one easily.

Should Win: La La Land

Will Win: La La Land

Best Visual Effects: I was glad to see that Kubo and the Two Strings was nominated and I wish that Arrival had been nominated as well.  I’m going to go ahead and predict that Doctor Strange will be the first MCU film to win an Oscar.

Should Win: Doctor Strange

Will Win: Doctor Strange

Best Sound Editing and Best Sound Mixing: Let’s be honest.  I couldn’t explain the difference between sound editing and sound mixing and, unless you specifically work in the sound department, neither could you.  As a result, these categories are always difficult to predict.  But Hacksaw Ridge has to get some love somewhere and I bet it would happen here if not for La La Land.

Should Win (Both): Hacksaw Ridge

Will Win (Both): La La Land

Best Makeup and Hairstyling: As soon as I saw that Deadpool wasn’t nominated here, I knew it wouldn’t be nominated anywhere.  Can you believe that fucking Suicide Squad is now an Oscar nominee?  I haven’t seen A Man Called Ove but I’m going to predict its victory because I just can’t imagine the Academy honoring either Star Trek Beyond or Suicide Squad.

Should Win: Star Trek Beyond (that had good makeup in it, right?)

Will Win: A Man Called Ove

Best Film Editing: I can’t complain about any of the films nominated here.  La La Land is pretty much a guaranteed winner here.

Should Win: La La Land

Will Win: La La Land

Best Costume Design: I was shocked that Love & Friendship was not nominated.  If La La Land sweeps, it’ll win here.  When I made out my list of my personal picks for the Oscars, I gave the costuming Oscar to La La Land but now that I’m looking at the actual nominees, I’m remembering just how good everyone looked in Allied.

Should Win: Allied

Will Win: La La Land

Best Cinematography: My personal pick for this award was The Neon Demon but it wasn’t nominated.  Out of the nominated films, I would go with Moonlight but I think La La Land is going to sweep.

Should Win: Moonlight

Will Win: La La Land

Best Production Design: Well, it won’t be Passengers!  How the Hell did that get nominated for anything?  I think, of the nominees, Arrival deserves the award for making science fiction feel and look like science fact.  But, again, I think La La Land is going to win here.  (Are you sensing a theme in my predictions?)

Should Win: Arrival

Will Win: La La Land

Best Animated Feature: I was happy that Kubo and the Two Strings, Zootopia, and Moana were all nominated.  I haven’t seen The Red Turtle or My Life as a Zucchini but, on the whole, the Academy has a record of nominating the right films for this award.  I loved Kubo and I think it might win, just because it picked up that Visual Effects nomination as well.  Zootopia, however, would allow the Academy to make a political point and Moana has Lin-Manuel Miranda.  I’m going to go out on a limb and predict a Kubo victory but I wouldn’t be surprised if any of these five nominees won.

Should Win: Kubo and the Two Strings

Will Win: Zootopia Kubo and the Two Strings Moana Zootopia Kubo and the Two Strings

Best Adapted Screenplay: With La La Land likely to sweep the technical awards and Manchester By The Sea and Moonlight set to pick up some acting awards, this category will give the Academy a chance to acknowledge Arrival.

Should Win: Arrival

Will Win: Arrival

Best Original Screenplay: I think this is one of the few awards that La La Land will not win.  This category gives the Academy a chance to honor Hell or High Water.

Should Win: Hell or High Water

Will Win: Hell or High Water

Best Supporting Actress: Viola Davis is a guaranteed winner, even though her performance was a lead role.

Should Win: Naomie Harris, Moonlight

Will Win: Viola Davis, Fences

Best Supporting Actor: I was really happy to see that Michael Shannon got a nomination because Shannon is a great actor who always seems to be taken for granted.  That said, Mahershala Ali is almost as much of a lock as Viola Davis.

Should Win: Mahershala Ali, Moonlight

Will Win: Mahershala Ali, Moonlight

Best Actress: Let’s just get this out of the way.  Amy Adams not only deserved a nomination, she also deserved the Oscar.  Arrival works because of a twist that occurs halfway through the film.  The twist works because of Amy Adams’s performance.  If not for Amy Adams, Arrival would never have been nominated for best picture.  The fact that she was not nominated will be remembered as one of the biggest mistakes in Academy history.

This morning, I was happy to see that a lot of people on twitter agreed with me about the Amy Adams snub.  What took me by surprise was how many people also agreed with me that Meryl Streep essentially took a spot that should have been given to Amy Adams.  This morning, among other things, I discovered that there’s actually a growing backlash against the annual tradition of automatically nominating Meryl Streep, regardless of whether the film was any good or not.

Could Meryl win yet again?  It depends on whether or not the Academy wants to hear another Meryl Streep speech.  Given the political climate, I wouldn’t discount that as a possibility.  Since I’m on the subject and it’s possible that everyone stopped reading a few categories ago, I’m going to go ahead and admit my unpopular opinion.  While I’m definitely not a fan of the new President, Meryl’s Golden Globe speech felt like almost a parody of upper class white liberalism.  Listening to her, it was easy to imagine Meryl at a cocktail party, bragging about how she’s on a first name basis with her maid.

But, I’m in the minority as far as that opinion is concerned.  The Industry loved Meryl’s speech and, after Donald Trump’s overreaction to it, giving an Oscar to Meryl and giving her a chance to repeat the speech on a much bigger stage would be the perfect way to give the finger to the current administration.

That said, I think Emma Stone will be carried along in the La La Land sweep.  Whether justified or not, many members of the Academy will look at her character and see themselves.

Should Win: Amy Adams in Arrival (Yes, she wasn’t nominated but she should still win, goddammit.)

Will Win: Emma Stone in La La Land

Best Actor: Could anyone other than Casey Affleck win this one?  Denzel Washington is popular and giving him an Oscar for Fences would be a nice to way to reward all of the effort that he put into bringing this acclaimed play to the screen.  Affleck was sued for sexual harassment by a producer and a cinematogrpaher and ended up settling with both of them.  However, I doubt if it will stop him from winning the Oscar.  If the allegations were going to hurt Affleck’s chances, it would have happened long before now.

As for the nominees — well, I have no complaints.  While I wasn’t as impressed with Affleck’s performance as some, I think he did well enough. I would have liked to have seen either Sully‘s Tom Hanks or Hell or High Water‘s Chris Pine nominated.  I’m glad that Andrew Garfield picked up his first nomination.

Should Win: Denzel Washington, Fences

Will Win: Casey Affleck, Manchester By The Sea

Best Director: I’m going to go out on a limb and predict a minor upset.  I think La La Land is going to win in a lot of categories but I think that Moonlight‘s Barry Jenkins will win this Oscar.  Best Picture and Director have been split fairly regularly over the past few years and, after both the #OscarsSoWhite controversy and the 2016 presidential election, it may be felt that it’s time for a black director to finally win the Oscar.  Based on the skill shown in Whiplash and La La Land, Damien Chazelle will have other opportunities.

Should Win: Denis Villeneuve, Arrival

Will Win: Barry Jenkins, Moonlight

Best Picture: Though I don’t necessarily think it was one of the best films of the year, I would have loved it if Deadpool had actually scored a nomination.  It would have been an unexpected surprise and it would have shaken up a race that’s gotten rather predictable.

But no.  Deadpool received no nominations and the expected films were nominated.  Perhaps the only thing that could be considered surprising (though not that surprising)  was that Martin Scorsese’s passion project, Silence, was not only snubbed for best picture but also only picked up one nomination. Passengers picked up more nominations that Martin Scorsese’s latest film.  When it comes to total number of nominations, Silence is tired with Suicide Squad.

La La Land is going to win.  It’s probably going to win nearly all 14 of the Oscars it has been nominated for.  My pick for the best film of 2016 was American Honey.  Of the nominees, I think Arrival is the one that deserves to win.  But La La Land is an exuberant valentine to both the Academy and the industry.

La La Lands going to win.

Should Win: Arrival

Will Win: La La Land

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What if Lisa Picked The Oscar Nominees — 2016 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are starred and listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

(Click on the links to see my nominations for 20152014, 2013, 2012, 2011, and 2010!)

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Best Picture

*American Honey*

Arrival

Hell or High Water

Kubo and the Two Strings

La La Land

Love & Friendship

A Monster Calls

Moonlight

The Neon Demon

The Nice Guys

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Best Director

*Andrea Arnold for American Honey

Shane Black for The Nice Guys

Barry Jenkins for Moonlight

David MacKenzie for Hell or High Water

Nicholas Winding Refn for The Neon Demon

Denis Villeneuve for Arrival

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Best Actor

Andrew Garfield in Hacksaw Ridge

Ryan Gosling in The Nice Guys

Tom Hanks in Sully

Chris Pine in Hell or High Water

Ryan Reynolds in Deadpool

*Denzel Washington in Fences

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Best Actress

*Amy Adams in Arrival

Kate Beckinsale in Love & Friendship

Viola Davis in Fences

Sasha Lane in American Honey

Emma Stone in La La Land

Anya Taylor-Joy in The Witch

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Best Supporting Actor

*Mahershala Ali in Moonlight

Tom Bennett in Love & Friendship

Jeff Bridges in Hell or High Water

Alden Ehrenreich in Hail Caesar!

John Goodman in 10 Cloverfield Lane

Patrick Stewart in Green Room

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Best Supporting Actress

*Naomie Harris in Moonlight

Felicity Jones in A Monster Calls

Riley Keough in American Honey

Jena Malone in The Neon Demon

Helen Mirren in Eye in the Sky

Angourie Rice in The Nice Guys

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Best Voice Over and/or Stop Motion Performance

Auli’i Cravalho in Moana

Ellen DeGeneres in Finding Dory

Ginnifer Goodwin in Zootopia

*Liam Neeson in A Monster Calls

Art Parkinson in Kubo and the Two Strings

Charlize Theron in Kubo and the Two Strings

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Best Original Screenplay

American Honey

*Hell or High Water

Kubo and the Two Strings

La La Land

The Nice Guys

The Witch

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Best Adapted Screenplay

*Arrival

The Jungle Book

Love & Friendship

Moonlight

A Monster Calls

Sully

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Best Animated Film

Finding Dory

*Kubo and the Two Strings

Moana

Sausage Party

The Secret Life of Pets

Zootopia

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Best Documentary Feature

The Confessions of Thomas Quick

Holy Hell

O.J.: Made in America

Rigged 2016

Weiner

*The Witness

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Best Casting

*American Honey

Everybody Wants Some!!

La La Land

Moonlight

Hell or High Water

Green Room

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Best Cinematography

American Honey

Arrival

Hell or High Water

La La Land

Moonlight

*The Neon Demon 

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Best Costume Design

The Conjuring 2

Hail, Caesar!

La La Land

*Love & Friendship

The Nice Guys

The Witch

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Best Editing

Arrival

Hell or High Water

Kubo and the Two Strings

*La La Land

Moonlight

A Monster Calls

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Best Makeup and Hairstyling

Captain America: Civil War

Deadpool

Doctor Strange

Everybody Wants Some!!

Hail, Caesar!

*The Neon Demon

Best Original Score

Hell or High Water

Kubo and the Two Strings

*La La Land

Moana

Moonlight

The Neon Demon

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Best Original Song

*”Audition (The Fool Who Dreams)” from La La Land

“How Far I’ll Go” from Moana

“Waving Goodbye” from The Neon Demon

“I’m so Humble” from Pop Star: Never Stop Never Stopping

“Drive It Like You Stole It” from Sing Street

“Go Now” from Sing Street

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Best Overall Use Of Music

*American Honey

The Conjuring Part Two

Hell or High Water

La La Land

The Neon Demon

Sing Street

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Best Production Design

Arrival

Don’t Breathe

Green Room

The Neon Demon

La La Land

*10 Cloverfield Lane

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Best Sound Editing

Captain America: Civil War

Deadpool

*Hacksaw Ridge

La La Land

A Monster Calls

Sully

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Best Sound Mixing

Captain America: Civil War

Deadpool

Hacksaw Ridge

A Monster Calls

La La Land

*Sully

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Best Stunt Work

Captain America: Civil War

*Deadpool

Doctor Strange

Hacksaw Ridge

Jason Bourne

The Legend of Tarzan

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Best Visual Effects

Arrival

*Doctor Strange

The Jungle Book

Kubo and the Two Strings

A Monster Calls

Rogue One: A Star Wars Story

Films Listed By Number of Nominations:

13 Nominations — La La Land

1o Nominations — Hell or High Water

9 Nominations — Moonlight, The Neon Demon

8 Nominations — American Honey, Arrival, Kubo and the Two Strings, A Monster Calls

6 Nominations — The Nice Guys

5 Nominations — Deadpool, Love & Friendship

4 Nominations — Captain America: Civil War, Hacksaw Ridge, Hail Caesar!, Moana, Sully

3 Nominations — Doctor Strange, Green Room, Sing Street

2 Nominations — The Conjuring 2, Everybody Wants Some!!, Fences, Finding Dory, The Jungle Book, 10 Cloverfield Lane, The Witch, Zootopia

1 Nomination — The Confessions of Thomas Quick, Don’t Breathe, Eye in the Sky, Holy Hell, Jason Bourne, The Legend of Tarzan, O.J.: Made in America, Pop Star: Never Stop Never Stopping, Rigged 2016, Rogue One: A Star Wars Story, Sausage Party, The Secret Life of Pets, Weiner, The Witness

Films Listed By Number of Oscars Won:

4 Oscars — American Honey

3 Oscars — La La Land

2 Oscars — Arrival, Moonlight, The Neon Demon

1 Oscar — Deadpool, Doctor Strange, Fences, Hacksaw Ridge, Hell or High Water, Kubo and the Two Strings, Love & Friendship, A Monster Calls, Sully, 10 Cloverfield Lane, The Witness

Will the Academy agree with my predictions?  Probably not but we’ll find out on Tuesday!

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Oscar Season Continues with the Denver Film Critics Society!


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Well, with the Oscar nominations due to be announced next Tuesday, there’s just a few more precursors left to consider.  And, since nomination voting has been closed, it’s debatable whether any of these remaining precursors matter.

But you know me.  I love three things: movies, lists, and awards.

So, let’s get things started with the Denver Film Critics Society!  On the 17th, they announced their picks for the best of 2016.  And here they are:

Best Picture: “Moonlight”

Best Director: Barry Jenkins, “Moonlight”

Best Actor: Casey Affleck, “Manchester By the Sea”

Best Actress: Natalie Portman, “Jackie”

Best Supporting Actor: Mahershala Ali, “Moonlight”

Best Supporting Actress: Viola Davis, “Fences”

Best Animated Film: “Zootopia”

Best Science Fiction/Horror Film: “Arrival”

Best Comedy: “Deadpool”

Best Original Screenplay: Taylor Sheridan, “Hell or High Water”

Best Adapted Screenplay: Barry Jenkins, “Moonlight”

Best Documentary: “O.J.: Made in America”

Best Visual Effects: “Doctor Strange”

Best Original Song: “Drive It Like You Stole It” from “Sing Street”

Best Score: Justin Hurwitz, “La La Land”

Best Foreign Language Film: “Toni Erdmann”

2016 in Review: Lisa Marie Picks The 26 Best Films of 2016!


Well, the time is here!  It’s time for me to reveal my picks for the best 26 films of 2016!

If there’s been any theme that I’ve found myself constantly returning to while looking back at the previous year, it’s that 2016 just wasn’t as good as 2015.  That’s certainly true as far as movies are concerned.  Whereas 2015 provided us with an embarrasment of riches, 2016 was — overall — a pretty bland year as far as cinema is concerned.

That doesn’t mean there weren’t some great films released in 2016.  I’m proud of this list below.  At the same time, I’m also a little bit frustrated.  As happens every year, there are a few films that, as of this writing, I have yet to see.  Weather permitting, I will see Silence and Jackie tomorrow and on Monday.  If I feel that they need to be included in my top 26, I will come back and edit this list.  And, of course, I still need to see some of the films that are no longer playing in theaters — Captain Fantastic, Hunt for the Wilderpeople, and some others.  The list below should be considered my picks for the best 2016 films that I actually got to see.

Also, I still need to write reviews for two of the films listed below.  Hopefully, I’ll be able to do that today.  As soon as those reviews are posted, I’ll add links.

With all that in mind, here’s the list!

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  1. American Honey
  2. Arrival
  3. Kubo and the Two Strings
  4. The Neon Demon
  5. La La Land
  6. Moonlight
  7. The Nice Guys
  8. Hell or High Water
  9. A Monster Calls
  10. Love & Friendship
  11. Sing Street
  12. The Witch
  13. Hacksaw Ridge
  14. Sully
  15. The Green Room
  16. 10 Cloverfield Lane
  17. Captain America: Civil War
  18. Finding Dory
  19. Popstar: Never Stop Never Stopping
  20. Fences
  21. Manchester By The Sea
  22. Eye in the Sky
  23. Hush
  24. The Conjuring 2
  25. Hail Caesar
  26. Everybody Wants Some!!

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You can check out my picks for previous years by clicking on 2010, 2011, 2012, 2013, 2014, and 2015!

Agree?  Disagree?  Have a list of your own?  Let us know in the comments!

Previous Entries In The Best of 2016:

  1. TFG’s 2016 Comics Year In Review : Top Tens, Worsts, And Everything In Between
  2. Anime of the Year: 2016
  3. 25 Best, Worst, and Gems I Saw In 2016
  4. 2016 in Review: The Best of SyFy
  5. 2016 in Review: The Best of Lifetime
  6. 2016 in Review: Lisa Picks the 16 Worst Films of 2016!
  7. Necromoonyeti’s Top Ten Albums of 2016
  8. 2016 In Review: Lisa Marie’s 14 Favorite Songs of 2016
  9. 2016 In Review: 10 Good Things I Saw On Television in 2016
  10. 2016 in Review: Lisa Marie’s 10 Favorite Non-Fiction Books of 2016
  11. 2016 in Review: Lisa Marie’s 20 Favorite Novels of 2016

Playing Catch-Up: Sing Street (dir by John Carney)


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The Irish musical comedy drama romance (that’s a lot of genres to take in, I know) Sing Street was one of the great and most sadly overlooked films of the previous year.  Fortunately, it’s on Netflix now and I seriously recommend that you watch it.  I watched it last night and I absolutely loved it.

Well, actually, it took me a while to realize that I loved it.  When the movie first started, I was kinda like, “Well, that’s cute and sweet but it’s not exactly blowing me away…”  It tells the story of a 15 year-old boy named Conor (Ferdia Walsh-Peelo) who is growing up in Dublin in the early 80s.  His father (Aidan Gillen) and his mother (Maria Doyle Kennedy) are constantly fighting and Conor suspects that they’re on the verge of separating.  His older brother, the charismatic but bitter Brendan (Jack Reynor), has dropped out of college and moved back home.  Brendan spends his days stoned and talking about music.

Because the family is short on money, Conor has been transferred to a free school, Synge Street.  It’s a far rougher school than what Conor is used to.  Bullies target him as soon as he arrives.  Meanwhile, the principal, Brother Baxter (Don Wycherly), has taken a somewhat disturbing interest in his newest student.  When Conor can’t afford to buy the black shoes that he’s required to wear to school, Baxter forces him to spend the school day in his socks.

Perhaps the only positive in Conor’s life is Raphina (Lucy Boynton), a 16 year-old who lives across the street from the school.  Raphina is an aspiring model with an older boyfriend and plans to move to London.  Conor tells Raphina that he’s in a band and that he wants her to star in a music video.  To Conor’s surprise, Raphina agrees.

Now, Conor just has to get a band together…

Sing Street was directed by John Carney, the same man who previously gave us the wonderful Once and the somewhat-less-wonderful-but-still-good Begin Again.  Much like those previous two films, Sing Street is a deliriously romantic and rather bittersweet little film, one in which love and emotion are expressed through song.  As a director, Carney has a real skill for capturing the excitement of creation.  The scenes in which Conor and his friend Eamon (Mark McKenna) work on their songs are just as enthralling as the scenes of Raphina and Conor falling in love.

And the music itself is wonderful.  While the soundtrack never quite reaches the heights of Once, it is a definite improvement over Begin Again.  The songs are all catchy and enjoyable but, even more importantly, they sound like the songs that actually would have been written by a talented but confused 15 year-old who has just started his own band.  There’s an aching sincerity to Sing Street‘s songs and they stay with you.  They remind you of how wonderful it is to know that you have your entire future ahead of you.

As I said, I didn’t realize how good Sing Street was until I had nearly reached the end of the movie.  Sing Street is one of those low-key films that kind of sneaks up on you.  At first, you think that you’re just watching another well-made coming of age film and then suddenly, you’re in tears.  You’re hoping that Raphina will make it to London and that Conor will find some sort of happiness.  The film ends on a somewhat ambiguous note but, in the end, you realize you really don’t need to know the exact details of what happened to Raphina and Conor in the future.  Instead, what’s important is that they had this wonderful experience when they were young.  Regardless of what happens to them in the future, you’re happy that they had the experience.

The whole film is undeniably well-acted but I want to make special mention of Jack Reynor, who brings a wounded dignity and rueful humor to the role of Brendan.  He dominates his few scenes and you find yourself happy that, regardless of how messed up the rest of his family may be, Conor has a brother like Brendan.

As I said at the start of this review, Sing Street is on Netflix.  And you should definitely watch it.

The Oklahoma Film Critics Circle Picks La La Land As the Best of 2016!


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The Oklahoma Film Critics Circle has announced their picks for the best of 2016!
Best Picture
La La Land
Best Director
Damien Chazelle – La La Land
Runner Up: Barry Jenkins – Moonlight
Best Actor
Casey Affleck – Manchester By The Sea
Runner Up: Denzel Washington – Fences
Best Actress
Amy Adams – Arrival
Runner Up: Emma Stone – La La Land
Best Supporting Actor
Mahershala Ali – Moonlight
Runner Up: Michael Shannon – Nocturnal Animals
Best Supporting Actress
Michelle Williams – Manchester By The Sea
Runner Up: Viola Davis – Fences
Best Animated Film
Zootopia
Runner: Kubo & The Two Strings
Best Documentary
OJ: Made In America
Runner Up: Weiner
Best Foreign Film
The Handmaiden
Runner Up: Elle
Best Ensemble
Manchester By The Sea
Runner Up: Moonlight
Best First Feature
The Witch
Runner Up: The Edge Of Seventeen
Best Original Screenplay
Manchester By The Sea
Runner Up: Hell Or High Water
Best Adapted Screenplay
Arrival
Runner Up: Moonlight
Best Body of Work
Amy Adams
Runner Up: Michael Shannon
Top 10 Films
La La Land
Moonlight
Manchester By The Sea
OJ: Made In America
Arrival
Hell Or High Water
Jackie
Green Room
Kubo & The Two Strings
Sing Street

The Austin Film Critics Association Honors Moonlight!


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The Austin Film Critics Association have announced their picks for the best of 2016!

Best Film: Moonlight (dir: Barry Jenkins)

Best Director: Barry Jenkins, Moonlight

Best Actor: Casey Affleck, Manchester by the Sea

Best Actress: Isabelle Huppert, Elle

Best Supporting Actor: Mahershala Ali, Moonlight

Best Supporting Actress: Viola Davis, Fences

Best Original Screenplay: Barry Jenkins, Moonlight

Best Adapted Screenplay: Eric Heisserer, Arrival

Best Cinematography: Linus Sandgren, La La Land

Best Score: Justin Hurwitz, La La Land

Best Foreign-Language Film: The Handmaiden (dir: Park Chan-wook)

Best Documentary: Tower (dir: Keith Maitland)

Best Animated Film: Kubo and the Two Strings (dir: Travis Knight)

Best First Film: The Witch (dir: Robert Eggers)

The Robert R. “Bobby” McCurdy Memorial Breakthrough Artist Award: Keith Maitland, Tower

Austin Film Award: Tower (dir: Keith Maitland)

Special Honorary Award: To the ensemble cast of Moonlight and casting director Yesi Ramirez for excellence as an ensemble.

Special Honorary Award: To honor Anton Yelchin for his contribution to the cinema of 2016, including performances in Green Room and Star Trek Beyond. His was a brilliant career cut profoundly short.

Special Honorary Award: To A24 Films for excellence in production in distribution. Their work gave us Moonlight, Green Room, Swiss Army Man, The Lobster, The Witch, and 20th Century Women, among others.

Special Honorary Award: To filmmaker Keith Maitland and his film Tower for revisiting a tragic event in Austin, Texas history in a sensitive and unique manner.

AFCA 2016 Top Ten Films:

  1. Moonlight
  2. La La Land
  3. Arrival
  4. The Handmaiden
  5. Manchester by the Sea
  6. Elle
  7. Hell or High Water
  8. The Lobster
  9. Jackie
  10. Sing Street