Here Are The Online Film Critics Society Nominations!


The winners will be announced on December 28th.

It’s interesting to note that The Post is almost totally shut out here.  One thing I’ve noticed that critics who work for newspapers love The Post.  They see it as proof of their importance.  Online critics are far less impressed with The Post.  They tend to view it as a lament for a dead medium, a somewhat stodgy celebration of the past.  Whenever I finally get a chance to see The Post, I’ll let you know who’s right.

Best Picture
Call Me By Your Name
Dunkirk
The Florida Project
Get Out
A Ghost Story
Lady Bird
mother!
Phantom Thread
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Best Director
Paul Thomas Anderson – Phantom Thread
Greta Gerwig – Lady Bird
Christopher Nolan – Dunkirk
Jordan Peele – Get Out
Guillermo del Toro – The Shape of Water

Best Actor
Timothée Chalamet – Call Me By Your Name
James Franco – The Disaster Artist
Daniel Kaluuya – Get Out
Gary Oldman – Darkest Hour
Robert Pattinson – Good Time

Best Actress
Sally Hawkins – The Shape of Water
Cynthia Nixon – A Quiet Passion
Frances McDormand – Three Billboards Outside Ebbing, Missouri
Margot Robbie – I, Tonya
Saoirse Ronan – Lady Bird

Best Supporting Actor
Armie Hammer – Call Me By Your Name
Richard Jenkins – The Shape of Water
Sam Rockwell – Three Billboards Outside Ebbing, Missouri
Patrick Stewart – Logan
Michael Stuhlbarg – Call Me By Your Name

Best Supporting Actress
Mary J. Blige – Mudbound
Tiffany Haddish – Girls Trip
Holly Hunter – The Big Sick
Allison Janney – I, Tonya
Laurie Metcalf – Lady Bird

Best Ensemble
Get Out
Mudbound
Lady Bird
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Breakout Star
Timothée Chalamet – Call Me By Your Name
Tiffany Haddish – Girls Trip
Daniel Kaluuya – Get Out
Dafne Keen – Logan
Brooklynn Prince – The Florida Project

Best Original Screenplay
Jordan Peele – Get Out
Greta Gerwig – Lady Bird
Paul Thomas Anderson – Phantom Thread
Guillermo del Toro and Vanessa Taylor – The Shape of Water
Martin McDonagh – Three Billboards

Best Adapted Screenplay
Sofia Coppola – The Beguiled
James Ivory – Call Me By Your Name
Scott Nestadter and Micheal Weber – The Disaster Artist
James Gray – Lost City of Z
Aaron Sorkin – Molly’s Game

Best Editing
Paul Machliss and Jonathan Amos – Baby Driver
Lee Smith – Dunkirk
Ben Safdie and Ronald Bronstein – Good Time
Tatiana S Riegel – I, Tonya
Sidney Wolinsky – The Shape of Water

Best Cinematography
Roger Deakins – Blade Runner 2049
Hoyte van Hoytema – Dunkirk
Darius Khondji – Lost City of Z
Rachel Morrison – Mudbound
Dan Laustsen – The Shape of Water

Best Animated Feature
Coco
The Breadwinner
In This Corner Of The World
The LEGO Batman Movie
Loving Vincent

Best Foreign Film
BPM (Beats Per Minute)
First They Killed My Father
Nocturama
Raw
The Square
Thelma

Best Documentary
Dawson City: Frozen Time
Ex Libris: The New York Public Library
Faces Places
Jane
The Work

Memorial Award
Jonathan Demme
John Hurt
Bill Paxton
George A. Romero
Harry Dean Stanton

Lifetime Achievement Award
Willem Dafoe
Daniel Day-Lewis
Roger Deakins
Christopher Plummer
Agnes Varda

Here Are The Nominations From The Houston Film Critics!


This year, Houston proved once again that Texas is better than the upper 48.  In the face of adversity, Texans came together and helped each other out and basically but the rest of America to shame.

Then to top it all off, The Houston Film Critics got together and came up with an intriguing list of the films and performances that they consider to be the best of 2017!

Love you, Houston!

Here are their nominations:

Picture:
The Big Sick
Call Me By Your Name
Dunkirk
The Florida Project
Get Out
Lady Bird
Logan
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Director:
Guillermo del Toro, “The Shape of Water”
Greta Gerwig, “Lady Bird”
Christopher Nolan, “Dunkirk”
Jordan Peele, “Get Out”
Steven Spielberg, “The Post”

Actor:
Timothee Chalamet, “Call Me By Your Name”
James Franco, “The Disaster Artist”
Daniel Kaluuya, “Get Out”
Robert Pattinson, “Good Time”
Andy Serkis, “War for the Planet of the Apes

Actress:
Sally Hawkins, “The Shape of Water”
Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
Brooklyn Prince, “The Florida Project”
Margot Robbie, “I, Tonya”
Saoirse Ronan, “Lady Bird”

Supporting Actor:
Willem Defoe, “The Florida Project”
Richard Jenkins, “The Shape of Water”
Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”
Patrick Stewart, “Logan
Michael Stuhlbarg, “Call Me By Your Name”

Supporting Actress:
Holly Hunter, “The Big Sick”
Allison Janney, “I, Tonya”
Dafne Keen, “Logan
Laurie Metcalf, “Lady Bird”
Octavia Spencer, “The Shape of Water”

Screenplay:
“The Big Sick,” Emily V. Gordon and Kumail Nanjiani
“Get Out,” Jordan Peele
“Lady Bird,” Greta Gerwig
“The Post,” Elizabeth Hanna and Josh Singer
“Three Billboards Outside Ebbing, Missouri,” Martin McDonagh

Cinematography:
Blade Runner 2049,” Roger Deakins
“Call Me By Your Name,” Sayombhu Mukdeeprom
“Dunkirk,” Hoyte van Hoytema
“The Shape of Water,” Dan Laustsen
“Wonder Wheel,” Vittoria Storaro

Animated Film:
“The Breadwinner”
“Coco”
“Despicable Me 3”
The Lego Batman Movie
“Loving Vincent”

Original Score:
Blade Runner 2049,” Ben Wallfisch and Hans Zimmer
“Dunkirk,” Hans Zimmer
“The Post,” John Williams
“The Shape of Water,” Alexandre Desplat
War for the Planet of the Apes,” Michael Giacchino

Best Original Song:
“Evermore” (“Beauty and the Beast”)
“I Get Overwhelmed” (“A Ghost Story”)
“Never Forget” (“Murder on the Orient Express”)
“Remember Me” (“Coco”)
“Visions of Gideon” (“Call Me By Your Name”)

Foreign Language Film:
“BPM”
“Blade of the Immortal”
“First They Killed My Father”
“The Square”
“Thelma”

Documentary Feature:
“Faces Places”
“Jane”
“Kedi”
“Step”
“The Work”

Visual Effects:
Blade Runner 2049
“The Shape of Water”
War for the Planet of the Apes

Poster:
Baby Driver
It
“Logan Lucky”
“Mother”
“The Shape of Water”

Texas Independent Film Award:
A Ghost Story
“Mr. Roosevelt”
“Mustang Island”
“The Secret Life of Lance Letscher”
Song to Song

Here Are The Chicago Film Critics Association Nominations!


Okay, only a few more precursors to go and we’ll be caught up.

Yesterday, The Chicago Film Critics Association announced their nominees for the best of 2017!  I’m happy that they did so because it gives me an excuse to use that picture of Al Capone that I use whenever I post anything about the Chicago Film Critics.

Here are their nominees!

Best Picture
“Call Me By Your Name”
“Dunkirk”
“Lady Bird”
“The Shape of Water”
“Three Billboards outside Ebbing, Missouri”

Best Director
Guillermo Del Toro, “The Shape of Water”
Greta Gerwig, “Lady Bird”
Luca Guadagnino, “Call Me By Your Name”
Christopher Nolan, “Dunkirk”
Jordan Peele, “Get Out”

Best Actress
Sally Hawkins, “The Shape of Water”
Vicky Krieps, “Phantom Thread”
Frances McDormand, “Three Billboards outside Ebbing, Missouri”
Margot Robbie, “I, Tonya”
Saoirse Ronan, “Lady Bird”

Best Actor
Timothee Chalamet, “Call Me By Your Name”
Daniel Day-Lewis, “Phantom Thread”
James Franco, “The Disaster Artist”
Gary Oldman, “Darkest Hour”
Harry Dean Stanton, “Lucky”

Best Supporting Actress
Mary J. Blige, “Mudbound”
Holly Hunter, “The Big Sick”
Allison Janney, “I, Tonya”
Lesley Manville, “Phantom Thread”
Laurie Metcalf, “Lady Bird”

Best Supporting Actor
Willem Dafoe, “The Florida Project”
Armie Hammer, “Call Me By Your Name”
Jason Mitchell, “Mudbound”
Sam Rockwell, “Three Billboards outside Ebbing, Missouri”
Michael Stuhlbarg, “Call Me By Your Name”

Best Adapted Screenplay
“Blade Runner 2049”
“Call My By Your Name”
“The Disaster Artist”
“Logan”
“Mudbound”

Best Original Screenplay
“The Big Sick”
“Get Out”
“Lady Bird”
“Phantom Thread”
“The Shape of Water”
“Three Billboards outside Ebbing, Missouri”

Best Animated Film
“The Breadwinner”
“Coco”
“The LEGO Batman Movie”
“Loving Vincent”
“Your Name”

Best Documentary
“Abacus: Small Enough to Jail”
“City of Ghosts”
“Ex Libris: New York Public Library”
“Faces Places”
“Jane”
“Kedi”

“BPM (Beats Per Minute)”
“A Fantastic Woman”
“Loveless”
“Raw”
“The Square”

Best Art Direction
“Beauty and the Beast”
“Blade Runner 2049”
“Dunkirk”
“Phantom Thread”
“The Shape of Water”

Best Editing
“Baby Driver”
“Call Me By Your Name”
“Dunkirk”
“The Florida Project”
“Get Out”

Best Original Score
“Blade Runner 2049”
“Dunkirk”
“Phantom Thread”
“The Shape of Water”
“War For the Planet of the Apes”

Best Cinematography
“Blade Runner 2049”
“Dunkirk”
“The Florida Project”
“Mudbound”
“The Shape of Water”

Breakthrough Performer
Timothee Chalamet, “Call Me By Your Name”
Dafne Keen, “Logan”
Jessie Pinnick, “Princess Cyd”
Brooklynn Prince, “The Florida Project”
Florence Pugh, “Lady Macbeth”
Bria Vinaite, “The Florida Project”

Breakthrough Filmmaker
Kogonada, “Columbus”
Jordan Peele, “Get Out”
Greta Gerwig, “Lady Bird”
John Carroll Lynch, “Lucky”
Julia Ducournau, “Raw”

Here Are The Seattle Film Critics Nominations!


Earlier today, the Seattle Film Critics Society announced their nominations for the best of 2017!  The winners will be announced on December 18th.

The most interesting thing about Seattle’s nominations?  The amount of love that they showed to Blade Runner 2049, an acclaimed film that, with the exception of Roger Deakins’s cinematography, was running the risk of being forgotten during the precursor season.  They also showed some love to Logan and The Disaster Artist, which made me happy.

With a tip of the hat to AwardsWatch, here are their nominations:

BEST PICTURE OF THE YEAR:

Blade Runner 2049 (Warner Bros.)

The Disaster Artist (A24)

Dunkirk (Warner Bros.)

The Florida Project (A24)

Get Out (Universal)

Lady Bird (A24)

Logan (20th Century Fox)

Phantom Thread (Focus Features)

The Post (20th Century Fox)

Three Billboards Outside Ebbing, Missouri (Fox Searchlight)

 

BEST DIRECTOR:

Sean Baker – The Florida Project

Greta Gerwig – Lady Bird

Christopher Nolan – Dunkirk

Jordan Peele – Get Out

Denis Villeneuve – Blade Runner 2049

 

BEST ACTOR in a LEADING ROLE:

Daniel Day-Lewis – Phantom Thread

James Franco – The Disaster Artist

Daniel Kaluuya – Get Out

Gary Oldman – Darkest Hour

Robert Pattinson – Good Time

 

BEST ACTRESS in a LEADING ROLE:

Sally Hawkins – The Shape of Water

Frances McDormand – Three Billboards Outside Ebbing, Missouri

Margot Robbie – I, Tonya

Saoirse Ronan – Lady Bird

Meryl Streep – The Post

 

BEST ACTOR in a SUPPORTING ROLE:

Willem Dafoe – The Florida Project

Barry Keoghan – The Killing of a Sacred Deer

Sam Rockwell – Three Billboards Outside Ebbing, Missouri

Michael Shannon – The Shape of Water

Patrick Stewart – Logan

 

BEST ACTRESS in a SUPPORTING ROLE:

Tiffany Haddish – Girls Trip

Holly Hunter – The Big Sick

Allison Janney – I, Tonya

Lesley Manville – Phantom Thread

Laurie Metcalf – Lady Bird

 

BEST ENSEMBLE CAST:

Call Me by Your Name

Get Out

Lady Bird

The Post

Three Billboards Outside Ebbing, Missouri

 

BEST SCREENPLAY:

The Big Sick – Emily V. Gordon & Kumail Nanjiani

The Disaster Artist – Scott Neustadter & Michael H. Weber

Get Out – Jordan Peele

Lady Bird – Greta Gerwig

Three Billboards Outside Ebbing, Missouri – Martin McDonagh

 

BEST ANIMATED FEATURE:

The Breadwinner – Nora Twomey, director

Coco – Adrian Molina, Lee Unkrich, directors

The LEGO Batman Movie – Chris McKay, director

Loving Vincent – Dorota Kobiela, Hugh Welchman, directors

Your Name. – Makoto Shinkai, director

 

BEST FOREIGN LANGUAGE FILM:

Blade of the Immortal – Takashi Miike, director
BPM (Beats Per Minute) – Robin Campillo, director

Frantz – François Ozon, director

Raw – Julia Ducournau, director

Thelma – Joachim Trier, director

 

BEST DOCUMENTARY FEATURE:

City of Ghosts – Matthew Heineman, director

Ex Libris: The New York Public Library – Frederick Wiseman, director

Faces Places – JR, Agnès Varda, co-directors

LA 92 – Daniel Lindsay, T.J. Martin, directors

Step – Amanda Lipitz, director

 

BEST CINEMATOGRAPHY:

Blade Runner 2049 – Roger A. Deakins

Columbus – Elisha Christian

Dunkirk – Hoyte von Hoytema

The Florida Project – Alexis Zabé

The Shape of Water – Dan Laustsen

 

BEST COSTUME DESIGN:

Beauty and the Beast – Jacqueline Durran

Blade Runner 2049 – Rénee April

Darkest Hour – Jacqueline Durran

Phantom Thread – Mark Bridges

The Shape of Water – Luis Sequeira

 

BEST FILM EDITING:

Baby Driver – Paul Machliss, Jonathan Amos

Blade Runner 2049 – Joe Walker

Dunkirk – Lee Smith

Get Out – Gregory Plotkin

Lady Bird – Nick Houy

 

BEST ORIGINAL SCORE:

Blade Runner 2049 – Benjamin Wallfisch, Hans Zimmer

Dunkirk – Hans Zimmer

Phantom Thread – Jonny Greenwood

War for the Planet of the Apes – Michael Giacchino

Wonderstruck – Carter Burwell

 

BEST PRODUCTION DESIGN:

Blade Runner 2049 – Dennis Gassner (Production Designer); Alessandra Querzola (Set Decorator)

Dunkirk – Nathan Crowley (Production Designer); Gary Fettis (Supervising Set Decorator)

Murder on the Orient Express – Jim Clay (Production Designer); Rebecca Alleway (Set Decorator)

Phantom Thread – Mark Tildesley (Production Designer); Véronique Melery (Set Decorator)

The Shape of Water – Paul Denham Austerberry (Production Designer); Shane Vieau, Jeff Melvin (Set Decorators)

 

BEST VISUAL EFFECTS:

Blade Runner 2049 – John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer
Dunkirk – Andrew Jackson, Andrew Lockley, Scott Fisher, Paul Corbould

The Shape of Water – Dennis Berardi, Luke Groves, Trey Harrell, Kevin Scott

Valerian and the City of a Thousand Planets – Scott Stokdyk, Jérome Lionard

War for the Planet of the Apes – Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

 

BEST YOUTH PERFORMANCE (18 years of age or younger upon start of filming):

Dafne Keen – Logan
Sophia Lillis It

Brooklynn Prince – The Florida Project

Millicent Simmonds – Wonderstruck

Jacob Tremblay – Wonder

 

VILLAIN OF THE YEAR:

Dennis and various multiple personalities – Split – portrayed by James McAvoy

Martin – The Killing of a Sacred Deer – portrayed by Barry Keoghan

Pennywise – It – portrayed by Bill Skarsgård

Philip Krauss – Detroit – portrayed by Will Poulter

Richard Strickland – The Shape of Water – portrayed by Michael Shannon

The Washington D.C. Area Film Critics Get In With Get Out!


Today, the Washington D.C. Area Film Critics announced their picks for the best of 2017!  After picking up awards from many of the other precursors, Get Out has finally been named best picture of the year.  While it’s always debatable how much weight these various groups carry with the Academy, Get Out can use all the help it can get to become one of the few horror films to ever receive a best picture nomination.

​Best Film
Call Me by Your Name
Dunkirk
Get Out – WINNER
Lady Bird
Three Billboards Outside Ebbing, Missouri

Best Director
Guillermo del Toro – The Shape of Water
Greta Gerwig – Lady Bird
Christopher Nolan – Dunkirk – WINNER
Jordan Peele – Get Out
Dee Rees – Mudbound

Best Actor
Timothée Chalamet – Call Me By Your Name
Daniel Day-Lewis – Phantom Thread
James Franco – The Disaster Artist
Daniel Kaluuya – Get Out
Gary Oldman – Darkest Hour – WINNER

Best Actress
Sally Hawkins – The Shape of Water
Frances McDormand – Three Billboards Outside Ebbing Missouri – WINNER
Margot Robbie – I, Tonya
Saoirse Ronan – Lady Bird
Meryl Streep – The Post

Best Supporting Actor
Willem Dafoe – The Florida Project
Armie Hammer – Call Me By Your Name
Jason Mitchell – Mudbound
Sam Rockwell – Three Billboards Outside Ebbing Missouri – WINNER
Michael Stuhlbarg – Call Me By Your Name

Best Supporting Actress
Mary J. Blige – Mudbound
Tiffany Haddish – Girls Trip
Holly Hunter – The Big Sick
Allison Janney – I, Tonya
Laurie Metcalf – Lady Bird – WINNER

Best Acting Ensemble
Dunkirk
It
Mudbound
The Post
Three Billboards Outside Ebbing Missouri – WINNER

Best Youth Performance
Dafne Keen – Logan
Sophia Lillis – It
Brooklynn Prince – The Florida Project – WINNER
Millicent Simmonds – Wonderstruck
Jacob Tremblay – Wonder

Best Voice Performance
Will Arnett – The LEGO Batman Movie
Gael García Bernal – Coco
Michael Cera – The LEGO Batman Movie
Bradley Cooper – Guardians of the Galaxy Vol. 2
Anthony Gonzalez – Coco – WINNER

Best Motion Capture Performance
Andy Serkis – War for the Planet of the Apes – WINNER
Dan Stevens – Beauty and the Beast
Steve Zahn – War for the Planet of the Apes
Taika Waititi – Thor: Ragnarok

Best Original Screenplay
Emily V. Gordon and Kumail Nanjiani – The Big Sick
Jordan Peele – Get Out – WINNER
Greta Gerwig – Lady Bird
Martin McDonagh – Three Billboards Outside Ebbing Missouri
Guillermo del Toro and Vanessa Taylor – The Shape of Water

Best Adapted Screenplay
Hampton Fancher & Michael Green, Story by Hampton Fancher – Blade Runner 2049
James Ivory – Call Me by Your Name
Scott Neustadter & Michael H. Weber – The Disaster Artist
Aaron Sorkin – Molly’s Game
Virgil Williams and Dee Rees – Mudbound – WINNER

Best Animated Feature
The Breadwinner
Coco – WINNER
Despicable Me 3
The LEGO Batman Movie
Loving Vincent

Best Documentary
City of Ghosts
Faces Places
An Inconvenient Sequel: Truth to Power
Jane – WINNER
Step

Best Foreign Language Film
BPM (Beats Per Minute) – WINNER
First They Killed My Father
In the Fade
The Square
Thelma

Best Production Design
Beauty and the Beast
Blade Runner 2049 – WINNER
Dunkirk
The Shape of Water
Wonder Woman

Best Cinematography
Roger A. Deakins – Blade Runner 2049 – WINNER
Sayombhu Mukdeeprom – Call Me by Your Name
Hoyte Van Hoytema – Dunkirk
Rachel Morrison – Mudbound
Dan Laustsen – The Shape of Water

Best Editing
Baby Driver – WINNER
Blade Runner 2049
Dunkirk
Get Out
The Shape of Water

Best Original Score
Blade Runner 2049 – WINNER
Coco
Dunkirk
The Shape of Water
Three Billboards Outside Ebbing Missouri

The Joe Barber Award for Best Portrayal of Washington, DC:
An Inconvenient Sequel: Truth to Power
Last Flag Flying
Mark Felt: The Man Who Brought Down the White House
Spider-Man: Homecoming
The Post – WINNER

Here Are The Nominations of the Los Angeles Online Film Critics!


On December 4th, because there weren’t already enough critics group to keep track of, the Los Angeles Online Film Critics (founded 2016) announced the nominees for their inagural awards!  The winners will be named on January 3rd, 2018.

Here are the nominees.  There’s a lot of them.

BEST PICTURE 

“The Big Sick”
“Colossal”
“Call Me By Your Name”
“Get Out”
“I, Tonya”
“Lady Bird”
“Molly’s Game”
“The Post”
“The Shape of Water”
“Three Billboards Outside Ebbing, Missouri”

BEST FEMALE DIRECTOR

Dee Rees, “Mudbound
Greta Gerwig, “Lady Bird”
Kathryn Bigelow, “Detroit”
Patty Jenkins, “Wonder Woman
Sofia Coppola, “The Beguiled”

BEST MALE DIRECTOR

Christopher Nolan, “Dunkirk”
Guillermo del Toro, “The Shape of Water”
Jordan Peele, “Get Out”
Luca Guadagnino, “Call Me By Your Name”
Steven Spielberg, “The Post”

BEST ANIMATED / VISUAL EFFECT PERFORMANCE

Andy Serkis, “War for the Planet of the Apes
Doug Jones, “The Shape of Water”
Dan Stevens, “Beauty and the Beast

BEST EDITING

Baby Driver
“Dunkirk”
“I, Tonya”
“The Post”
“The Shape of Water”

BEST SCORE

Blade Runner 2049
“Dunkirk”
“Phantom Thread”
“The Shape of Water”
War for the Planet of the Apes

BEST STUNT WORK

“Atomic Blonde”
Baby Driver
“Dunkirk”
“John Wick: Chapter 2”
Wonder Woman

BEST PERFORMANCE BY AN ACTOR OR ACTRESS UNDER 23 YEARS OLD

Brooklynn Prince, “The Florida Project”
Dafne Keen, “Logan
Jacob Tremblay, “Wonder”
Saoirse Ronan, “Lady Bird”
Timothée Chalamet, “Call Me By Your Name”

BEST SCI-FI/ HORROR

Blade Runner 2049
“Get Out”
It
It Comes at Night
“The Shape of Water”

BEST ACTION/WAR

Baby Driver
“Dunkirk”
Logan
War for the Planet of the Apes
Wonder Woman

BEST COMEDY/MUSICAL

“The Big Sick”
“The Disaster Artist”
“Girls Trip”
“I, Tonya”
“Lady Bird”

BEST FIRST FEATURE

Aaron Sorkin, “Molly’s Game”
Greta Gerwig, “Lady Bird”
Kogonada, “Columbus”
Jeremy Gasper, “Patti Cake$”
Jordan Peele, “Get Out”

BEST INDEPENDENT FILM

“The Big Sick”
“Colossal”
A Ghost Story
“I, Tonya”
“Lady Bird”

BEST BLOCKBUSTER

Beauty and the Beast”
“Dunkirk”
Logan
War for the Planet of the Apes
Wonder Woman”

BEST CINEMATOGRAPHY

Bruno Delbonnel, “Darkest Hour”
Dan Laustsen, “The Shape of Water”
Hoyte van Hoytema, “Dunkirk”
Rachel Morrison, “Mudbound
Roger Deakins, “Blade Runner 2049”

BEST VISUAL EFFECTS

“Blade Runner 2049”
“Dunkirk”
“The Shape of Water”
“War for the Planet of the Apes”
“Wonder Woman”

BEST DOCUMENTARY

“An Inconvenient Sequel”
“Jane”
“Jim & Andy: The Great Beyond”
“Step”
“Whose Streets?”

BEST FOREIGN LANGUAGE FILM

“BPM,” France
“First They Killed My Father,” Cambodia
“In the Fade,” Germany
“The Square,” Sweden
“Thelma,” Norway

BEST ANIMATED FILM

“The Breadwinner”
“Coco”
“Captain Underpants: The First Epic Movie”
The LEGO Batman Movie”
“Loving Vincent”

BEST ORIGINAL SCREENPLAY

Emily V. Gordon & Kumail Nanjiani, “The Big Sick”
Greta Gerwig, “Lady Bird”
Guillermo del Toro & Vanessa Taylor, “The Shape of Water”
Jordan Peele, “Get Out”
Martin McDonagh, “Three Billboards Outside Ebbing, Missouri”

BEST ADAPTED SCREENPLAY

Aaron Sorkin, “Molly’s Game”
Luca Guadagnino, James Ivory, & Walter Fasano, “Call Me by Your Name”
Michael H. Weber & Scott Neustadter, “The Disaster Artist”
Scott Frank, James Mangold, & Michael Green, “Logan
Virgil Williams & Dee Rees, “Mudbound

BEST SUPPORTING ACTRESS

Allison Janney, “I, Tonya”
Holly Hunter, “The Big Sick”
Laurie Metcalf, “Lady Bird”
Octavia Spencer, “The Shape of Water”
Tiffany Haddish, “Girls Trip”

BEST SUPPORTING ACTOR

Idris Elba, “Molly’s Game”
Michael Stuhlbarg, “Call Me By Your Name”
Patrick Stewart, “Logan
Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”
Williem Dafoe, “The Florida Project”

BEST ACTRESS

Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
Margot Robbie, “I, Tonya”
Jessica Chastain, “Molly’s Game”
Sally Hawkins, “The Shape of Water”
Saoirse Ronan, “Lady Bird”

BEST ACTOR

Daniel Kaluuya, “Get Out”
Gary Oldman, “Darkest Hour”
James Franco, “The Disaster Artist”
Timothée Chalamet, “Call Me By Your Name”
Tom Hanks, “The Post”

Here Are The Nominations For the 23rd Annual Critics Choice Awards!


Awards season is in full swing!  I’m running a little bit behind in updating all of the precursor awards here on the Shattered Lens but hopefully, I’ll have the site up-to-date by the end of today!

For instance, today, the Broadcast Film Critics Association announced their nominations and, just judging from the number of nominations it received, it looks like they really, really liked Guillermo Del Toro’s The Shape of Water!

Here are the film nominees:

BEST PICTURE

“The Big Sick”
“Call Me by Your Name”
“Darkest Hour”
“Dunkirk”
“The Florida Project”
“Get Out”
“Lady Bird”
“The Post”
“The Shape of Water”
“Three Billboards Outside Ebbing, Missouri”

BEST ACTOR

Timothée Chalamet – “Call Me by Your Name”
James Franco – “The Disaster Artist”
Jake Gyllenhaal – “Stronger”
Tom Hanks – “The Post”
Daniel Kaluuya – “Get Out”
Daniel Day-Lewis – “Phantom Thread”
Gary Oldman – “Darkest Hour”

BEST ACTRESS

Jessica Chastain – “Molly’s Game”
Sally Hawkins – “The Shape of Water”
Frances McDormand – “Three Billboards Outside Ebbing, Missouri”
Margot Robbie – “I, Tonya”
Saoirse Ronan – “Lady Bird”
Meryl Streep – “The Post”

BEST SUPPORTING ACTOR

Willem Dafoe – “The Florida Project”
Armie Hammer – “Call Me By Your Name”
Richard Jenkins – “The Shape of Water”
Sam Rockwell – “Three Billboards Outside Ebbing, Missouri”
Patrick Stewart – “Logan
Michael Stuhlbarg – “Call Me by Your Name”

BEST SUPPORTING ACTRESS

Mary J. Blige – “Mudbound
Hong Chau – “Downsizing”
Tiffany Haddish – “Girls Trip”
Holly Hunter – “The Big Sick”
Allison Janney – “I, Tonya”
Laurie Metcalf – “Lady Bird”
Octavia Spencer – “The Shape of Water”

BEST YOUNG ACTOR/ACTRESS

Mckenna Grace – “Gifted”
Dafne Keen – “Logan”
Brooklynn Prince – “The Florida Project”
Millicent Simmonds – “Wonderstruck”
Jacob Tremblay – “Wonder”

BEST ACTING ENSEMBLE

“Dunkirk”
“Lady Bird”
“Mudbound”
“The Post”
“Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR

Guillermo del Toro – “The Shape of Water”
Greta Gerwig – “Lady Bird”
Martin McDonagh – “Three Billboards Outside Ebbing, Missouri”
Christopher Nolan – “Dunkirk”
Luca Guadagnino – “Call Me By Your Name”
Jordan Peele – “Get Out”
Steven Spielberg – “The Post”

BEST ORIGINAL SCREENPLAY

Guillermo del Toro and Vanessa Taylor – “The Shape of Water”
Greta Gerwig – “Lady Bird”
Emily V. Gordon and Kumail Nanjiani – “The Big Sick”
Liz Hannah and Josh Singer – “The Post”
Martin McDonagh – “Three Billboards Outside Ebbing, Missouri”
Jordan Peele – “Get Out”

BEST ADAPTED SCREENPLAY

James Ivory – “Call Me by Your Name”
Scott Neustadter and Michael H. Weber – “The Disaster Artist”
Dee Rees and Virgil Williams – “Mudbound
Aaron Sorkin – “Molly’s Game”
Jack Thorne, Steve Conrad, Stephen Chbosky – “Wonder”

BEST CINEMATOGRAPHY

Roger Deakins – “Blade Runner 2049”
Hoyte van Hoytema – “Dunkirk”
Dan Laustsen – “The Shape of Water”
Rachel Morrison – “Mudbound
Sayombhu Mukdeeprom – “Call Me By Your Name”

BEST PRODUCTION DESIGN

Paul Denham Austerberry, Shane Vieau, Jeff Melvin – “The Shape of Water”
Jim Clay, Rebecca Alleway – “Murder on the Orient Express”
Nathan Crowley, Gary Fettis – “Dunkirk”
Dennis Gassner, Alessandra Querzola – “Blade Runner 2049
Sarah Greenwood, Katie Spencer – “Beauty and the Beast
Mark Tildesley, Véronique Melery – “Phantom Thread”

BEST EDITING

Michael Kahn, Sarah Broshar – “The Post”
Paul Machliss, Jonathan Amos – “Baby Driver
Lee Smith – “Dunkirk”
Joe Walker – “Blade Runner 2049”
Sidney Wolinsky – “The Shape of Water”

BEST COSTUME DESIGN

Renée April – “Blade Runner 2049
Mark Bridges – “Phantom Thread”
Jacqueline Durran – “Beauty and the Beast
Lindy Hemming – “Wonder Woman
Luis Sequeira – “The Shape of Water”

BEST HAIR AND MAKEUP

Beauty and the Beast
“Darkest Hour”
“I, Tonya”
“The Shape of Water”
“Wonder”

BEST VISUAL EFFECTS

Blade Runner 2049
“Dunkirk”
“The Shape of Water”
“Thor: Ragnarok”
War for the Planet of the Apes
Wonder Woman

BEST ANIMATED FEATURE

“The Breadwinner”
“Coco”
“Despicable Me 3”
“The LEGO Batman Movie”
“Loving Vincent”

BEST ACTION MOVIE

Baby Driver”
Logan”
“Thor: Ragnarok”
War for the Planet of the Apes”
“Wonder Woman”

BEST COMEDY

“The Big Sick”
“The Disaster Artist”
“Girls Trip”
“I, Tonya”
“Lady Bird”

BEST ACTOR IN A COMEDY

Steve Carell – “Battle of the Sexes”
James Franco – “The Disaster Artist”
Chris Hemsworth – “Thor: Ragnarok”
Kumail Nanjiani – “The Big Sick”
Adam Sandler – “The Meyerowitz Stories (New and Selected)”

BEST ACTRESS IN A COMEDY

Tiffany Haddish – “Girls Trip”
Zoe Kazan – “The Big Sick”
Margot Robbie – “I, Tonya”
Saoirse Ronan – “Lady Bird”
Emma Stone – “Battle of the Sexes”

BEST SCI-FI OR HORROR MOVIE

Blade Runner 2049
“Get Out”
It
“The Shape of Water”

BEST FOREIGN LANGUAGE FILM

“BPM (Beats Per Minute)”
“A Fantastic Woman”
“First They Killed My Father”
“In the Fade”
“The Square”
“Thelma”

BEST SONG

“Evermore” – “Beauty and the Beast
“Mystery of Love” – “Call Me By Your Name”
“Remember Me” – “Coco”
“Stand Up for Something” – “Marshall”
“This Is Me” – “The Greatest Showman”

BEST SCORE

Alexandre Desplat – “The Shape of Water”
Jonny Greenwood – “Phantom Thread”
Dario Marianelli – “Darkest Hour”
Benjamin Wallfisch and Hans Zimmer – “Blade Runner 2049”
John Williams – “The Post”
Hans Zimmer – “Dunkirk”

Quick Review: Logan (dir. by James Mangold)


logan_2017_posterHey, bub! Before you read this,  Lisa already has an awesome review for Logan. Start there first, and if you feel like it, double back here.

The short of it:

+ Might be Jackman and Stewart’s best turn in their roles since X-2:X-Men United.

+ Logan’s well written, with some good characterization, particularly among the leads. There’s a vulnerability here.

+ It’s brutal. Logan is the bloody version of Wolverine we all hoped for.

+ Moves like the best of Westerns. Just about as cool as 3:10 to Yuma.

+ Though changed from her comic book origins Laura (X-23) is awesome on screen.

– The film feels long. For a film that’s just a hair over 2 hours, it feel almost like 3.

– Some of the action scenes may be a little quick for the camera.

– There isn’t an answer/explanation for everything (nor should there be).

The long of it:

I was 25 when I saw the original X-Men in the cinema. While everyone was excited to see their favorite mutants show up on screen (no Nightcrawler for me – that would take the sequel), it was Wolverine that caused the most buzz. When Hugh Jackman first stepped into the role, there was a great deal of skepticism. He wasn’t short and stocky nor big and bulky, and there was only so much one could do to give him that Wolverine look. Yet, he made the role his own and despite a few stutter-steps (such as X-Men: The Last Stand, X-Men Origins: Wolverine), it’s hard to fathom any X-Men film without him.

The same can also be said of Patrick Stewart. Just about the easiest first pick for Charles Xavier anyone could have, his time with the X-Men is only slightly shorter as he wasn’t really needed for X-Men: First Class.

It’s been roughly 17 years for them both. That’s longer than any single actor’s run of James Bond. Longer than any superhero portrayal – Christopher Reeve only had a decade as Superman. Robert Downey Jr. Has about 9 years under his belt as Iron Man. It’s about time that their stories come to a close.

There was a bit of yawning and exaggerated sighing in my screening of Logan, which leads me to believe the audience was really expecting a faster paced film. I didn’t get the outright snoring that occurred during a Manhattan showing of the Robocop remake, if that’s any consolation. Usually the Midnight crowd are the liveliest bunch of patrons, particularly when it comes to superhero or action films. At its heart, Logan is a drama piece peppered with action sequences. It honestly felt like a really good Western, with an old cowboy that wants nothing more than to hang up his guns, yet finds their peace constantly challenged. The film has a lot of exposition through dialogue, and for some, this could make the story feel really slow at times. It’s not a superhero action film, even though it has its moments.

The Western angle is of no real surprise here, given that Logan reunites 3:10 to Yuma and The Wolverine director James Mangold with both Hugh Jackman and Patrick Stewart. It flows in the same fashion as Yuma, but with mutants.

Logan takes place in a future timeline where no new mutants have appeared in nearly 20 years (which is very similar to Alfonso Cuaron’s Children of Men). James Howlett is a broken individual working as a limo driver. Time has taken its toll on The Wolverine. He doesn’t heal as well as he used to and he struggles with the Adamantium in his bones. Adding to Logan’s troubles is an ailing Charles Xavier. Forced to take care of him both out of friendship and the possible danger he poses, I felt it added a great level of vulnerability to both individuals. They’re both nearing their end and they can’t count on their abilities to rescue them as well as it once could. The conversations between them speak of regrets and/or just keeping afloat, though Xavier is still hopeful that there’s some good on the horizon. Their long term friendship also adds to the banter between the two, with a few comical quips throughout the film.

The audience never truly learns how this timeline occurred, but it doesn’t truly matter. This is a character driven film, not so much a plot driven one. The story amps up a little once Laura (Dafne Keen, in her first role) enters the mix. Those familiar with her comic origins will spot the connection, though it’s been changed in a number of ways to fit Mangold’s screenplay. Both Keen and Laura match up so well here that you could disregard the comic altogether in favor of this cinematic origin. Laura is being chased by a group of mercenaries led by Pierce (Brad Holbrook – Netflix’s Narcos), and her protector asks Logan to take her to a designated place.

Taking a cue from Deadpool’s success, Logan went with a R rating and makes the most of it. There’s profanity abound, and when the claws come out, there’s major bloodshed. Heads are skewered, limbs are lost and it’s a beautiful sight to behold. Did the movie have to have the blood? Perhaps not, but it doesn’t really detract from the story. If anything, it might come as a surprise when you first witness it all on screen. The only drawback to this is that some of the fight sequences are so quick that you could miss some of the movements. It’s not a terrible thing at all, but it may warrant a second viewing to catch everything.

In the end, Logan a perfect final chapter for one of the most popular X-Men out there.  We’ve all grown with both the character and the actors involved.

Film Review: Logan (dir by James Mangold)


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Logan is the first great film of 2017.

It’s also one of the darkest.  The specter of death hangs over almost every scene and, when death does come, it doesn’t discriminate.  Good and likable people are just as likely to die as the film’s villains and, when they do die, it’s never a merciful passing.  There is some humor but it’s the type of humor that’s generated by being trapped in a hopeless situation.  This is one of those movies where, when you do laugh, it’s because the only other alternative is just to give up.

What’s the common complaint about comic book films?  That they only exist to sell more comic books and that they are often fatally compromised by the need to appeal to as many viewers as possible?  Well, that’s not a problem with Logan.  Logan is a film for grown ups.  During the film, when Logan (played, of course, by Hugh Jackman) comes across an X-Men comic book, he dismisses it as a fairy tale.  “In the real world,” he snaps, “people die!”

That’s not to say that Logan’s a hopeless film.  There is an optimistic streak to the film but it’s a cautious optimism.  Much like Mad Max: Fury Road, Logan suggests that the best thing that the world has left to offer is a chance for redemption.

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Now, I should point out that, while I enjoyed some of the previous films (particularly X-Men: First Class), I’m hardly an expert on the X-men franchise.  But, with Logan, that doesn’t matter.  Certainly, it helps to have seen some of the previous films.  There are a few references to X-Men: Apocalypse.  But, in the end, Logan works as a stand alone film.  Even if you’ve seen none of the previous X-men films, you’ll find yourselves getting swept up in the story of Logan, Professor Xavier (Patrick Stewart), Caliban (Stephen Merchant), and Laura (Dafne Keen).

The film opens in 2029.  There are only a few hints that we’re in the future: driverless truck rule the roads and, more disturbingly, it seems as if there’s fewer people around than before.  Watching the film, which is full of wide open spaces and desolate towns, one gets the feeling that something has happened that has wiped out a good deal of the population.  Almost all of the mutants are dead.  Logan (Hugh Jackman) lives across the border, in Mexico.  His only companion is the albino Caliban and Xavier.

However, this Xavier is far different from the one that we’ve seen in previous films.  Suffering from Alzheimer’s, Xavier is often confused as to where he is and, if he’s not properly medicated, he can’t control his psychic powers.  What’s left of Logan’s life is now dedicated to trying to keep the greatest mind in the world from destroying itself.

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Logan has also changed.  In the previous films, Logan was indestructible.  However, his powers are weakening.  He no longer heals as quickly as before.  He’s losing his eyesight.  Even his famous claws are no longer as reliable as they once were.  Logan now works as a limo driver in El Paso.  One night, a group of frat boys have him drive by the border crossing so that they can chant “USA!  USA!”  Another night, he drives around a drunken bachelorette party, trying to ignore one of the bridesmaids exposing her breasts to him.  And then, he picks up Gabriella (Elizabeth Rodriguez) and Laura.

Gabriella is a nurse.  Laura is an apparently mute 11 year-old girl who has the same powers as Logan.  Gabriella asks Logan to help them get to North Dakota (or “Eden,” as Gabriella calls it).  Logan says no but he quickly discovers that he doesn’t have a choice.  A sadistic cyborg named Donald Pierce (Boyd Holbrook, giving a disturbingly charismatic performance) is searching for Gabriella, Laura, and Logan.  The only way for Logan to protect Xavier is to make that trip to North Dakota.

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Pierce, I should mention, isn’t alone.  Pierce has a black-clad army of mercenaries at his disposal but he, and his employer (Richard E. Grant, in the role of the bad guy with the British accent), have a secret weapon.  This weapon looks and acts like a young Logan and there’s a reason for that.  By the end of the film, Logan truly is at war with the savage beast that he once was.

Logan is a violent film, one that doesn’t flinch when it comes to earning its R-rated.  I don’t want to give too much away so excuse my vagueness when I say that, a little over an hour into Logan, there’s a fight scene of such brutality and uncompromising violence that it left me shaken in a way that no other “comic book” film ever has.  Logan earns that R-rating but it never feels exploitive or gratuitous.  When Logan curses (which he does quite a bit), it’s because that’s what people do when they’re in a hopeless situation.  And, for all the fighting and all the blood and all the death, Logan never celebrates violence.

Instead, it celebrates redemption.

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Early on, there’s a rather sweet scene where Xavier and Laura watch Shane on television.  It’s an important scene because, in many ways, Logan is a western.  Logan is the mysterious gunslinger who, after a lifetime of violence, finally has a chance to do something to preserve life rather than spread death.  Just in case we missed, director James Mangold includes a scene in which Logan and Xavier help a family of ranchers round up some horses.  Later, there’s a tense stand-off between Logan and a group of cowboy hat-wearing rednecks that feels as if it could have come straight from a spaghetti western.

Hugh Jackman is an acclaimed and accomplished actor but, to many people, he will always be the Wolverine.  This is his 9th time to play the character and Jackman gives not only his best performance in the role but perhaps the best performance of his career.  (It’s certainly the equal of his Oscar-nominated work in Les Miserables.)  One look at Jackman’s weathered face and his haunted eyes and you immediately know that there’s going to be more to Logan than just comic book action.  And then there’s Patrick Stewart, who has never been more heartbreaking and vulnerable than he is here.  Finally, Dafne Keen gives a fierce performance, one that will probably remind many people of Chloe Grace Moretz’s breakthrough role in Kick-Ass.

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Earlier, I mentioned Mad Max: Fury Road.  It’s an appropriate comparison, as the two films have much in common.  (That said, Logan definitely establishes its own identity.)  There’s been some talk that Logan could be the first comic book film to ever receive a nomination for best picture.  I don’t know if that’s going to happen or not.  (I fear that a lot of Academy members will mentally check out during a jokey pre-credits sequence, one that serves as a teaser for the sequel to Deadpool.  I understand why it was included it at the beginning of the film.  Logan ends on such a poignant note that a post-credits scene would have felt inappropriate.  But still, as much as I love Ryan Reynolds, it feels out-of-place.)  I will say this — Logan deserves consideration.  Logan occasionally had me fighting to catch my breath and it left me with tears in my eyes.  For Logan to get a nomination, it’s going to need the same support from the critics groups that Mad Max: Fury Road received.  The Academy is going to need the critics to reassure them that it’s okay to nominate a film about mutants being chased by a cyborg.  It’s still early in the year.  Anything could happen.

It could be nominated for every Oscar or it could be nominated for none.  But, in the end, Logan is a great film.

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Logan: The 2nd Trailer


Fox recently released the 2nd trailer for James Mangold’s Logan, and we finally get more an idea of what one of my favorite Marvel characters has to offer, with a little bloodshed. I’ve been waiting for some confirmation that the girl is actually Laura Kinney (a.k.a. X-23), and this trailer pretty much removes all doubt with her dual blades. So far, it’s looking interesting, though I’m not sure how it all fits into what’s become of the X-Men Timeline. Hopefully, those answers will come when the film premieres in early March (in the U.S.). Enjoy.

 

 

While you’re at it, if you’re looking to learn more about the character, Marvel’s Uncanny X-Men-The New Age: The Cruelest Cut covers Issues 450-454, with the first two showcasing X-23 as a feral assassin up against the X-Men. You can also find Kinney in Marvel vs Capcom.