Song of the Day: The Power of Love by Huey Lewis and the News


Since today is Robert Zemeckis’s birthday, today’s song of the day is an obvious one.  Here is The Power of Love, by Huey Lewis and the News!

The power of love is a curious thing
Make a one man weep, make another man sing
Change a hawk to a little white dove
More than a feeling, that’s the power of love

Tougher than diamonds, rich like cream
Stronger and harder than a bad girl’s dream
Make a bad one good, mm, make a wrong one right
Power of love that keep you home at night

You don’t need money, don’t take fame
Don’t need no credit card to ride this train
It’s strong and it’s sudden, and it’s cruel sometimes
But it might just save your life
That’s the power of love
That’s the power of love

First time you feel it, it might make you sad
Next time you feel it, it might make you mad
But you’ll be glad, baby, when you’ve found
That’s the power makes the world go ’round

And it don’t take money, don’t take fame
Don’t need no credit card to ride this train
It’s strong and it’s sudden, it can be cruel sometimes
But it might just save your life

They say that all in love is fair
Yeah, but you don’t care (ooh)
But you know what to do (what to do)
When it gets hold of you
And with a little help from above
You feel the power of love
You feel the power of love
Can you feel it?
Hm-hm

It don’t take money, and it don’t take fame
Don’t need no credit card to ride this train
Tougher than diamonds and stronger than steel
But you won’t feel nothin’ ’til you feel

You feel the power, just feel the power of love
That’s the power, mm, that’s the power of love
You feel the power of love
You feel the power of love
Feel the power of love

Songwriters: Huey Lewis / John Victor Colla / Christopher John Hayes

Song of the Day: The Twilight Zone Theme by Marius Constant


Technically, the French composer Marius Constant did not set out to write the theme song for The Twilight Zone.  In the 50s, CBS commissioned Constant to compose a number of short pieces for CBS stock music library, basically as musical stingers that could be used for radio shows.  In 1960, when The Twilight Zone needed a theme song, an enterprising CBS employee combined two of Constant’s composition to create the iconic Twilight Zone theme.

Enjoy our short but haunting song of the day.

Song of the Day: My My, Hey Hey (Out of the Blue) by Neil Young


This is the song that gave it’s title to one of the best films ever made.

My my, hey hey
Rock and roll is here to stay
It’s better to burn out
Than to fade away
My my, hey hey.

Out of the blue
and into the black
They give you this,
but you pay for that
And once you’re gone,
you can never come back
When you’re out of the blue
and into the black.

The king is gone
but he’s not forgotten
This is the story
of a Johnny Rotten
It’s better to burn out
than it is to rust
The king is gone
but he’s not forgotten.

Hey hey, my my
Rock and roll can never die
There’s more to the picture
Than meets the eye.
Hey hey, my my.

Songwriters: Neil Young and Jeff Blackburn

 

Song of the Day: Paranoid (by Black Sabbath)


Paranoid” kicks off with that racing riff that instantly puts you on edge, like you’re glancing over your shoulder waiting for trouble to catch up. It’s short, loud, and ridiculously catchy, but what really makes it stick is how alive it feels the whole way through, like the band is barely holding back all that energy. Alongside their other iconic single “War Pigs” from the same second studio album, Paranoid, these tracks are straight-up building blocks of what would become heavy metal—raw power, dark vibes, and riffs that redefined everything.

What I love most is how Tony Iommi’s guitar doesn’t just sit in the background—it drives the whole thing. The man lost the tips of his right-hand ring and middle fingers in a factory accident but came back playing like a bat out of hell, way better than dudes with all their fingertips intact. The riffs are sharp and urgent, but the solo is where it really takes off, because it sounds loose, clever, and aggressive all at once.

The guitar solo begins at about 1:23 in the original track, and that’s the moment the song really opens up and starts flexing. From there, Iommi keeps it simple enough that it feels memorable on first listen, but the phrasing has this gritty personality that makes it sound way bigger than the number of notes would suggest. It’s a great example of how a solo can be compact and still feel huge.

So if someone’s never heard “Paranoid” before, I’d tell them to start here and just let it rip. It’s heavy without being bloated, exciting without being messy, and the solo gives it that extra spark that makes the whole song feel iconic. Tracks like this and “War Pigs” are exactly why Tony Iommi earned his title as the “Godfather of Heavy Metal”—even if you’re not usually into older metal, this one has such a direct punch that it’s hard not to get pulled in.

Paranoid

Verse 1]
Finished with my woman
‘Cause she couldn’t help me with my mind
People think I’m insane
Because I am frowning all the time

[Verse 2]
All day long I think of things
But nothing seems to satisfy
Think I’ll lose my mind
If I don’t find something to pacify

[Bridge]
Can you help me
Occupy my brain?
Oh yeah

[Verse 3]
I need someone to show me
The things in life that I can’t find
I can’t see the things that make true happiness
I must be blind

[Guitar Solo @1:23]

[Verse 4]
Make a joke and I will sigh
And you will laugh and I will cry
Happiness, I cannot feel
And love to me is so unreal

[Verse 5]
And so, as you hear these words
Telling you now of my state
I tell you to enjoy life
I wish I could, but it’s too late

Great Guitar Solos Series

Song of the Day: Revenge of the Ninja by Robert J. Walsh


Today’s song of the day comes to us from the soundtrack of the 1983 film, Revenge of the Ninja.  Composed by Robert J. Walsh, this soundtrack will definitely leave you prepared to defeat all of your enemies, ninja-style!

(Actually, don’t try to do that without getting some training once.  I speak with the experience who sprained her ankle multiple times as a result of trying to duplicated Kate Beckinsale’s Underworld moves.)

Song of the Day: Two Mules For Sister Sara by Ennio Morricone


This 1970 film, which was heavily influenced by Clint Eastwood’s Spaghetti westerns, featured a soundtrack from Ennio Morricone.  It only seems appropriate that his excellent work should also provide us with our song of the day.