Here Are The Nominations Of The Seattle Film Critics Society!


The winners will be revealed on December 16th!

BEST PICTURE OF THE YEAR

1917 (Universal Pictures)
The Farewell (A24)
Ford v Ferrari (20th Century Fox)
The Irishman (Netflix)
The Lighthouse (A24)
Little Women (Sony Pictures)
Marriage Story (Netflix)
Once Upon a Time…in Hollywood (Sony Pictures)
Parasite (NEON)
Uncut Gems (A24)

BEST DIRECTOR

Robert Eggers – The Lighthouse
Greta Gerwig – Little Women
Bong Joon-ho – Parasite
Josh & Benny Safdie – Uncut Gems
Martin Scorsese – The Irishman

BEST ACTOR in a LEADING ROLE

Antonio Banderas – Pain and Glory
Robert De Niro –The Irishman
Adam Driver – Marriage Story
Joaquin Phoenix – Joker
Adam Sandler – Uncut Gems

BEST ACTRESS in a LEADING ROLE

Awkwafina – The Farewell
Scarlett Johansson – Marriage Story
Lupita Nyong’o – Us
Saoirse Ronan – Little Women
Renée Zellweger – Judy

BEST ACTOR in a SUPPORTING ROLE

Willem Dafoe – The Lighthouse
Tom Hanks – A Beautiful Day in the Neighborhood
Song Kang-ho – Parasite
Joe Pesci – The Irishman
Brad Pitt – Once Upon a Time…in Hollywood

BEST ACTRESS in a SUPPORTING ROLE

Laura Dern – Marriage Story
Jennifer Lopez – Hustlers
Florence Pugh – Little Women
Taylor Russell – Waves
Zhao Shuzhen – The Farewell

BEST ENSEMBLE CAST

The Irishman
Knives Out
Little Women
Once Upon a Time…in Hollywood
Parasite

BEST ACTION CHOREOGRAPHY

1917
Avengers: Endgame
Ford v Ferrari
John Wick: Chapter 3 – Parabellum Shadow

BEST SCREENPLAY

The Farewell – Lulu Wang
The Irishman – Steven Zaillian
Knives Out – Rian Johnson
Marriage Story – Noah Baumbach
Parasite – Bong Joon-ho, Han Jin-won (screenplay); Bong Joon-ho (story)

BEST ANIMATED FEATURE

Frozen II – Chris Buck & Jennifer Lee, directors
How to Train Your Dragon: The Hidden World – Dean DeBlois, director
I Lost My Body – Jérémy Clapin, director
Missing Link – Chris Butler, director
Toy Story 4 – Josh Cooley, director

BEST FOREIGN LANGUAGE FILM

The Farewell – Lulu Wang, director
Monos – Alejandro Landes, director
Pain and Glory – Pedro Almodóvar, director
Parasite – Bong Joon-ho, director
Portrait of a Lady on Fire – Céline Sciamma, director

BEST DOCUMENTARY FEATURE

American Factory – Steven Bognar, Julia Reichert, directors Apollo 11 – Todd Douglas Miller, director
For Sama – Waad al-Kateab, Edward Watts, directors
Fyre – Chris Smith, director
Honeyland – Ljubomir Stefanov & Tamara Kotevska, directors

BEST CINEMATOGRAPHY

1917 – Roger Deakins
The Lighthouse – Jarin Blaschke
Once Upon a Time…in Hollywood – Robert Richardson
Parasite – Hong Kyung-pyo
Portrait of a Lady on Fire – Claire Mathon

BEST COSTUME DESIGN

Dolemite is My Name – Ruth E. Carter
Downton Abbey – Anna Mary Scott Robbins
Little Women – Jacqueline Durran
Once Upon a Time…in Hollywood – Arianne Phillips
Rocketman – Julian Day

BEST FILM EDITING

1917 – Lee Smith
The Irishman – Thelma Schoonmaker
Once Upon a Time…in Hollywood – Fred Raskin
Parasite – Yang Jin-mo
Uncut Gems – Ronald Bronstein, Benny Safdie

BEST ORIGINAL SCORE

1917 – Thomas Newman
Joker – Hildur Guðnadóttir
The Last Black Man in San Francisco – Emile Mosseri
Uncut Gems – Daniel Lopatin
Us – Michael Abels

BEST PRODUCTION DESIGN

1917 – Dennis Gassner (Production Designer); Lee Sandales (Set Decorator)
The Irishman – Bob Shaw (Production Designer); Regina Graves (Set Decorator)
Little Women – Jess Gonchor (Production Designer); Claire Kaufman (Set Decorator)
Once Upon a Time…in Hollywood – Barbara Ling (Production Designer); Nancy Haigh (Set Decorator)
Parasite – Lee Ha-jun (Production Designer)

BEST VISUAL EFFECTS

1917 – Guillaume Rocheron, Greg Butler, Dominic Tuohy
Ad Astra – Allen Maris, Jedediah Smith, Guillaume Rocheron, Scott R. Fisher
Alita: Battle Angel – Nick Epstein, Joe Letteri, Eric Saindon
Avengers: Endgame – Dan DeLeeuw, Matt Aitken, Russell Earl, Dan Sudick
The Irishman – Pablo Helman, Leandro Estebecorena, Stephane Grabli, Nelson Sepulveda

BEST YOUTH PERFORMANCE (18 years of age or younger upon start of filming)

Julia Butters – Once Upon a Time…in Hollywood
Kyliegh Curran – Doctor Sleep
Roman Griffith Davis – Jojo Rabbit
Noah Jupe – Honey Boy

Thomasin McKenzie – Jojo Rabbit

VILLAIN OF THE YEAR

Arthur Fleck/The Joker – Joker – portrayed by Joaquin Phoenix
Red – Us – portrayed by Lupita Nyong’o
The Red Dress – In Fabric – portrayed by a red dress
Rose the Hat – Doctor Sleep – portrayed by Rebecca Ferguson

Russell Bufalino – The Irishman – portrayed by Joe Pesci

Here Are The 2019 Nominations of the San Diego Film Critics Society!


On December 6th, the San Diego Film Critics Society announced their nominees for the best of 2019 and here they are!

Best Picture
1917
THE IRISHMAN
JOKER
MARRIAGE STORY
ONCE UPON A TIME… IN HOLLYWOOD

Best Director
Noah Baumbach, MARRIAGE STORY
Sam Mendes, 1917
Benny Safdie, Josh Safdie, UNCUT GEMS
Martin Scorsese, THE IRISHMAN
Quentin Tarantino, ONCE UPON A TIME… IN HOLLYWOOD

Best Actor
Christian Bale, FORD V FERRARI
Adam Driver, MARRIAGE STORY
Eddie Murphy, DOLEMITE IS MY NAME
Joaquin Phoenix, JOKER
Adam Sandler, UNCUT GEMS

Best Actress
Awkwafina, THE FAREWELL
Scarlett Johansson, MARRIAGE STORY
Lupita Nyong’o, US
Saoirse Ronan, LITTLE WOMEN
Renée Zellweger, JUDY

Best Supporting Actor
Willem Dafoe, THE LIGHTHOUSE
Al Pacino, THE IRISHMAN
Joe Pesci, THE IRISHMAN
Brad Pitt, ONCE UPON A TIME… IN HOLLYWOOD
Wesley Snipes, DOLEMITE IS MY NAME

Best Supporting Actress
Laura Dern, MARRIAGE STORY
Thomasin McKenzie, JOJO RABBIT
Florence Pugh, LITTLE WOMEN
Zhao Shuzhen, THE FAREWELL
Octavia Spencer, LUCE

Best Comedic Performance
Daniel Craig, KNIVES OUT
Eddie Murphy, DOLEMITE IS MY NAME
Sam Rockwell, JOJO RABBIT
Wesley Snipes, DOLEMITE IS MY NAME
Taika Waititi, JOJO RABBIT

Best Original Screenplay
Noah Baumbach, MARRIAGE STORY
Bong Joon Ho, Jin Won Han, PARASITE
Rian Johnson, KNIVES OUT
Benny Safdie, Josh Safdie, UNCUT GEMS
Quentin Tarantino, ONCE UPON A TIME… IN HOLLYWOOD

Best Adapted Screenplay
Greta Gerwig, LITTLE WOMEN
J.C. Lee, Julius Onah, LUCE
Todd Phillips, Scott Silver, JOKER
Taika Waititi, Christine Leunens, JOJO RABBIT
Steven Zaillian, THE IRISHMAN

Best Documentary
APOLLO 11
THE BIGGEST LITTLE FARM
LOVE, ANTOSHA
ONE CHILD NATION
THEY SHALL NOT GROW OLD

Best Animated Film
ABOMINABLE
HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD
I LOST MY BODY
MISSING LINK
TOY STORY 4

Best Foreign-language Film
THE FAREWELL
PAIN & GLORY
PARASITE
PORTRAIT OF A LADY ON FIRE
TRANSIT

Best Costume Design
Ruth E. Carter, DOLEMITE IS MY NAME
Julian Day, ROCKETMAN
Jacqueline Durran, LITTLE WOMEN
Arianne Phillips, ONCE UPON A TIME… IN HOLLYWOOD
Anna Robbins, DOWNTON ABBEY

Best Editing
Andrew Buckland, Michael McCusker & Dirk Westervelt, FORD V FERRARI
Jennifer Lame, MARRIAGE STORY
Fred Raskin, ONCE UPON A TIME… IN HOLLYWOOD
Benny Safdie, Ronald Bronstein, UNCUT GEMS
Thelma Schoonmaker, THE IRISHMAN

Best Cinematography
Jarin Blaschke, THE LIGHTHOUSE
Roger Deakins, 1917
Hoyte Van Hoytema, AD ASTRA
Rodrigo Prieto, THE IRISHMAN
Phedon Papamichael, FORD V FERRARI

Best Production Design
Dennis Gassner, 1917
Jess Gonchor, LITTLE WOMEN
Clay A. Griffith, DOLEMITE IS MY NAME
Barbara Ling, ONCE UPON A TIME… IN HOLLYWOOD
Bob Shaw, THE IRISHMAN
Donal Woods, DOWNTON ABBEY

Best Visual Effects
1917
AD ASTRA
THE AERONAUTS
AVENGERS: ENDGAME
THE IRISHMAN

Best Use of Music
JOJO RABBIT
JOKER
ONCE UPON A TIME… IN HOLLYWOOD
ROCKETMAN
YESTERDAY

Best Ensemble
DOWNTON ABBEY
THE IRISHMAN
KNIVES OUT
MARRIAGE STORY
ONCE UPON A TIME… IN HOLLYWOOD

Breakthrough Artist
Jessie Buckley, JUDY, WILD ROSE
Julia Butters, ONCE UPON A TIME… IN HOLLYWOOD
Roman Griffin Davis, JOJO RABBIT
Kelvin Harrison Jr., LUCE, WAVES
Florence Pugh, LITTLE WOMEN, MIDSOMMAR

Here Are The 2019 Nominations of the Detroit Film Critics Society!


Earlier on Friday, the Detroit Film Critics Society released their nominations for the best of 2019!

Now, back in 2018, the DFCS honored some great films that were overlooked by the Academy, films like Eighth Grade, A Quiet Place, and First Reformed.  I mean, I really, really loved the 2018 DFCS awards.  And you know what?  I’m pretty happy with what they came up with for 2019 as well!  I especially like the nomination for Anna Paquin in The Irishman.  With all the overblown controversy about how many lines she spoke in the film, it is often overlooked that she gave a great performance and, with just the power of her withering glare, pretty much transformed Peggy into the conscience of the film.

Here are the DFCS nominees for the best of 2019!  The winners will be announced on December 9th!

BEST PICTURE
The Irishman
Jojo Rabbit
Marriage Story
Once Upon a Time… in Hollywood
Parasite

BEST DIRECTOR
Noah Baumbach – Marriage Story
Bong Joon-ho – Parasite
Martin Scorsese – The Irishman
Quentin Tarantino – Once Upon a Time… in Hollywood
Taika Waititi – Jojo Rabbit

BEST ACTRESS
Scarlett Johansson – Marriage Story
Julianne Moore – Gloria Bell
Lupita Nyong’o – Us
Charlize Theron – Bombshell
Renee Zellweger – Judy

BEST ACTOR
Robert De Niro – The Irishman
Adam Driver – Marriage Story
Robert Pattinson – The Lighthouse
Joaquin Phoenix – Joker
Adam Sandler – Uncut Gems

SUPPORTING ACTOR
Willem Dafoe – The Lighthouse
Tom Hanks – A Beautiful Day in the Neighborhood
Joe Pesci – The Irishman
Brad Pitt – Once Upon a Time… in Hollywood
Sam Rockwell – Richard Jewell
Wesley Snipes – Dolemite Is My Name

SUPPORTING ACTRESS
Kathy Bates – Richard Jewell
Laura Dern – Marriage Story
Scarlett Johansson – Jojo Rabbit
Anna Paquin – The Irishman
Florence Pugh – Little Women

BEST SCREENPLAY
The Irishman
The Lighthouse
Marriage Story
Once Upon a Time… in Hollywood
Parasite

BEST ANIMATED FILM
Frozen II
How to Train Your Dragon: The Hidden World
I Lost My Body
Klaus
Toy Story 4

BEST USE OF MUSIC
1917
Once Upon a Time… in Hollywood
Rocketman
Uncut Gems
Wild Rose

BEST ENSEMBLE
Dolemite Is My Name
The Farewell
The Irishman
Once Upon a Time… in Hollywood
Parasite

BEST DOCUMENTARY
Amazing Grace
Apollo 11
Horror Noire: A History of Black Horror
Knocking Down the House
Rolling Thunder Review: A Bob Dylan Story by Martin Scorsese

BREAKTHROUGH
Ana de Armas – actress (Knives Out, The Informer, Yesterday)
Jessie Buckley – actress (Wild Rose, Judy)
Kaitlyn Dever – actress (Booksmart, Them That Follow)
Aisling Franciosi – actress (The Nightingale)
Paul Walter Hauser – actor (Richard Jewell)
Florence Pugh – actress (Fighting with My Family, Midsommar, Little Women)
Lulu Wang – director (The Farewell)
Olivia Wilde – director (Booksmart)

The Satellites Really Like Ford V Ferrari


The Satellite Nominations were announced earlier today and they appear to really, really like Ford v. Ferrari.

Now, you may be asking yourself, “Who gives out the Satellites?”  They are awarded by the International Press Academy.  They should not be mistaken for the Golden Globes, which are given out the Hollywood Foreign Press Association.  Instead, the Satellites should probably be considered the Golden Globes’s less popular cousins.  Unlike the Globes, they haven’t really proven themselves to be reliable as a precursor.

Anyway, here are the Satellite Film Nominations.  If you want to see their television nominations, click here!

ACTRESS IN A MOTION PICTURE DRAMA

  • Alfre Woodard, “Clemency”
  • Charlize Theron, “Bombshell”
  • Cynthia Erivo, “Harriet”
  • Helen Mirren, “The Good Liar”
  • Renee Zellweger, “Judy”
  • Scarlett Johansson, “Marriage Story”

ACTOR IN A MOTION PICTURE DRAMA

  • Adam Driver, “Marriage Story”
  • Antonio Banderas, “Pain and Glory”
  • Christian Bale, “Ford v Ferrari”
  • George MacKay, “1917″
  • Joaquin Phoenix, “Joker”
  • Mark Ruffalo, “Dark Waters” 

ACTRESS IN A MOTION PICTURE, COMEDY OR MUSICAL

  • Awkwafina, “The Farewell”
  • Ana De Armas, “Knives Out”
  • Constance Wu, “Hustlers”
  • Julianne Moore, “Gloria Bell”

ACTOR IN A MOTION PICTURE, COMEDY OR MUSICAL

  • Adam Sandler, “Uncut Gems”
  • Daniel Craig, “Knives Out”
  • Eddie Murphy, “Dolemite Is My Name”
  • Leonardo DiCaprio, “Once Upon a Time in Hollywood”
  • Taron Egerton, “Rocketman”
  • Taika Waititi, “Jojo Rabbit”

ACTRESS IN A SUPPORTING ROLE

  • Jennifer Lopez, “Hustlers”
  • Laura Dern, “Marriage Story”
  • Margot Robbie, “Bomshell”
  • Penelope Cruz, “Pain and Glory”
  • Nicole Kidman, “Bombshell”
  • Zhao Shuzhen, “The Farewell”

ACTOR IN A SUPPORTING ROLE

  • Anthony Hopkins, “The Two Popes”
  • Brad Pitt, “Once Upon a Time in Hollywood”
  • Joe Pesci, “The Irishman”
  • Tom Hanks, “A Beautiful Day in The Neighborhood”
  • Willem Dafoe, “The Lighthouse”
  • Wendell Pierce, “Burning Cane”

MOTION PICTURE, DRAMA

  • 1917 Universal Pictures
  • Bombshell Lionsgate
  • Burning Cane Array Releasing
  • Ford v Ferrari Twentieth Century Fox
  • Joker Warner Bros.
  • The Lighthouse A24
  • Marriage Story Netflix
  • Two Popes Netflix

MOTION PICTURE, COMEDY OR MUSICAL

  • Hustlers STX Entertainment
  • Knives Out Lionsgate
  • Once Upon a Time in Hollywood Columbia Pictures
  • Rocketman Paramount
  • The Farewell A24
  • Uncut Gems A24

MOTION PICTURE, INTERNATIONAL

  • Atlantics, Senegal
  • Beanpole, Russia
  • Les Miserables, France
  • Pain and Glory, Spain
  • Parasite, Korea
  • Truth and Justice, Estonia
  • Portrait of a Lady on Fire, France
  • The Painted Bird, Czech Republic

MOTION PICTURE, ANIMATED OR MIXED MEDIA

  • A Shaun the Sheep Movie: Farmageddon Netflix
  • Alita: Battle Angel Twentieth Century Fox
  • Buñuel in the Labyrinth of the Turtles GKIDS
  • How to Train Your Dragon 2: The Hidden World Universal Pictures
  • The Lion King Walt Disney Studios Motion Pictures
  • Toy Story 4 Walt Disney Studios Motion Pictures
  • Weathering With You GKIDS

MOTION PICTURE, DOCUMENTARY

  • 63 Up BritBox
  • Apollo 11 Neon
  • Citizen K Greenwich Entertainment
  • Honeyland KJ Films
  • One Child Nation Amazon Studios
  • The Apollo HBO Documentary
  • The Cave National Geographic Documentary Films
  • FOR SAMA PBS

DIRECTOR

  • Bong Joon Ho, “Parasite”
  • James Mangold, “Ford v Ferrari”
  • Noah Baumbach, “Marriage Story”
  • Pedro Almodóvar, “Pain and Glory”
  • Sam Mendes, “1917″
  • Quentin Tarantino, “Once Upon a Time… in Hollywood”

SCREENPLAY, ORIGINAL

  • Bong Joon Ho, “Parasite”
  • Jez Butterworth, John-Henry Butterworth, and Jason Keller, “Ford v Ferrari”
  • Lulu Wang, “The Farewell”
  • Noah Baumbach, “Marriage Story”
  • Pedro Almodóvar, “Pain and Glory”
  • Quentin Tarantino, “Once Upon a Time… in Hollywood”

SCREENPLAY, ADAPTED

  • Anthony McCarten, “The Two Popes”
  • Edward Norton, “Motherless Brooklyn”
  • Matthew Michael Carnahan, Mario Correa, Nathaniel Rich, “Dark Waters”
  • Steven Zaillian, “The Irishman”
  • Taika Waititi, “Jojo Rabbit”
  • Todd Phillips & Scott Silver, “Joker”

ORIGINAL SCORE

  • Thomas Newman, “1917″
  • Marco Beltrami & Buck Sanders, “Ford v Ferrari”
  • Randy Newman, “Marriage Story”
  • Robbie Robertson, “The Irishman”
  • Terence Blanchard, “Harriet”
  • Hildur Guonadottir, “Joker”

ORIGINAL SONG

  • Don’t Call Me (Angel), “Charlie’s Angels”
  • Into the Unknown, “Frozen II”
  • (I’m Gonna) Love Me Again, “Rocketman”
  • Spirit, “Lion King”
  • The Ballade of the Lonesome Cowboy, “Toy Story 4”
  • Swan Song, “Alita: Battle Angel”

CINEMATOGRAPHY

  • Dick Pope, “Motherless Brooklyn”
  • George Richmond, “Rocketman”
  • Lawrence Sher, “Joker”
  • Phedon Papamichael, ASC, GSC, “Ford v Ferrari”
  • Rodrigo Prieto, “The Irishman”
  • Roger Deakins, “1917”

FILM EDITING

  • 1917
    Lee Smith, ACE
  • Ford v Ferrari
    Michael McCusker, ACE
    Andrew Buckland
  • Joker
    Jeff Groth
  • Marriage Story
    Jennifer Lame, ACE
  • Rocketman
    Chris Dickens
  • The Irishman
    Thelma Schoonmaker

SOUND (EDITING AND MIXING)

  • 1917
    Oliver Tarney
    Stuart Wilson
    Scott Millan
    Mark Taylor
  • Avengers: Endgame
    Shannon Mills
    Daniel Laurie
    Tom Johnson
    Juan Peralta
    John Pritchett, CAS
  • Ford v Ferrari
    Donald Sylvester
    Paul Massey
    David Giammarco
    Steven A. Morrow, CAS
  • Joker
    Alan Robert Murray
    Tom Ozanich
    Dean Zupancic
  • Once Upon a Time in Hollywood
    Wylie Stateman
    Mark Ulano, CAS
    Michael Minkler, CAS
    Christian P. Minkler, CAS
  • Rocketman
    Matthew Collinge
    John Hayes

VISUAL EFFECTS

  • Alita: Battle Angel
    Joe Letteri
    Eric Saindon
  • Avengers: Endgame
    Dan DeLeeuw
    Matt Aitken
    Russell Earl
    Dan Sudick
  • The Lion King
    Robert Legato, ASC; Andrew R. Jones
    Adam Valdez; Elliot Newman
  • Ford v Ferrari
    Olivier Dumont
    Mark Byers
    Kathy Segal
  • Joker
    Edwin Rivera
    Mathew Giampa
    Bryan Godwin
  • The Irishman
    Pablo Helman

ART DIRECTION & PRODUCTION DESIGN

  • 1917
    Dennis Gassner
    Lee Sandales
  • Ford v Ferrari
    François Audouy
    Peter Lando
  • Joker
    Mark Friedberg
    Laura Ballinger
  • Motherless Brooklyn
    Beth Mickle
    Michael Ahern
  • Once Upon a Time in Hollywood
    Barbara Ling
    Nancy Haigh
  • The Two Popes
    Mark Tildesley
    Saverio Sammali

COSTUME DESIGN 

  • Dolemite Is My Name
    Ruth E. Carter
  • Joker
    Mark Bridges
  • Judy
    Jeny Temime
  • Rocketman
    Julian Day
  • The Two Popes
    Luka Canfora
  • Downton Abbey
    Caroline McCall
    Anna Robbins
    Susannah Buxton
    Rosalind Ebbutt

Here Are The 2019 Independent Spirit Award Nominees!


Here are the 2019 Indie Spirit Award nominations!  These nominations are meant to honor the best independent films of 2019 and their announcement marks the official beginning of awards season (at least as far as this sight is concerned!)  I hate to say it but I still need to see quite a few of the films nominated below so, for now, I’ll hold off on any editorial commentary.

For those looking for some sort of evidence of how the Oscar nominations can go, the Independent Spirit Awards can be an iffy precursor, just because several of the expensive, major studio contenders aren’t eligible to nominated.  (For instance, neither The Irishman nor Once Upon A Time In Hollywood were eligible.)  That said, for the record, the two biggest Spirit nominees are The Lighthouse and Uncut Gems.  Waves and The Farewell, which have been the center of considerable Oscar speculation, did not do as strongly in the nominations as many people apparently expected.  Make of that what you will!

Here are the nominees!

Best Supporting Female

  • Jennifer Lopez – HUSTLERS
  • Taylor Russell – WAVES
  • Zhao Shuzhen – THE FAREWELL
  • Lauren “Lolo” Spencer – GIVE ME LIBERTY
  • Octavia Spencer – LUCE
  • Best Supporting Male
  • Willem Dafoe – THE LIGHTHOUSE
  • Noah Jupe – HONEY BOY
  • Shia Labeouf – HONEY BOY
  • Jonathan Majors – THE LAST BLACK MAN IN SAN FRANCISCO
  • Wendell Pierce – BURNING CANE

Best Screenplay

  • Noah Baumbach – MARRIAGE STORY
  • Jason Begue, Shawn Snyder – TO DUST
  • Ronald Bronstein, Benny Safdie, Josh Safdie – UNCUT GEMS
  • Chinonye Chukwu – CLEMENCY
  • Tarell Alvin Mccraney – HIGH FLYING BIRD

Best First Screenplay

  • Fredrica Bailey, Stefon Bristol – SEE YOU YESTERDAY
  • Hannah Bos, Paul Thureen – DRIVEWAYS
  • Bridget Savage Cole, Danielle Krudy – BLOW THE MAN DOWN
  • Jocelyn Deboer, Dawn Luebbe – GREENER GRASS
  • James Montague, Craig W. Sanger – THE VAST OF NIGHT

Best Cinematography

  • Todd Banhazl – HUSTLERS
  • Jarin Blaschke – THE LIGHTHOUSE
  • Natasha Braier – HONEY BOY
  • Chananun Chotrungroj – THE THIRD WIFE
  • Pawel Pogorzelski – MIDSOMMAR

Best Editing

  • Julie Béziau – THE THIRD WIFE
  • Ronald Bronstein, Benny Safdie – UNCUT GEMS
  • Tyler L. Cook – SWORD OF TRUST
  • Louise Ford – THE LIGHTHOUSE
  • Kirill Mikhanovsky – GIVE ME LIBERTY

Best International Film

  • INVISIBLE LIFE, Brazil
  • LES MISERABLES, France
  • PARASITE, South Korea
  • PORTRAIT OF A LADY ON FIRE, France
  • RETABLO, Peru
  • THE SOUVENIR, United Kingdom

Best Documentary (Award given to the director and producer)

  • AMERICAN FACTORY
  • APOLLO 11
  • FOR SAMA
  • HONEYLAND
  • ISLAND OF THE HUNGRY GHOSTS

The John Cassavetes Award is presented to the best feature made for under $500,000 and is given to the writer, director, and producer. 2020 #SpiritAwards Nominees are:

  • BURNING CANE
  • COLEWELL
  • GIVE ME LIBERTY
  • PREMATURE
  • WILD NIGHTS WITH EMILY

Best Female Lead

  • Karen Allen – COLEWELL
  • Hong Chau – DRIVEWAYS
  • Elisabeth Moss – HER SMELL
  • Mary Kay Place – DIANE
  • Alfre Woodard – CLEMENCY
  • Renée Zellweger – JUDY

Best Male Lead 

  • Chris Galust – GIVE ME LIBERTY
  • Kelvin Harrison  Jr., – LUCE
  • Robert Pattinson – THE LIGHTHOUSE
  • Adam Sandler – UNCUT GEMS
  • Matthias Schoenaerts – THE MUSTANG

Best First Feature (Award given to the director and producer)

  • BOOKSMART
  • THE CLIMB
  • DIANE
  • THE LAST BLACK MAN IN SAN FRANCISCO
  • THE MUSTANG
  • SEE YOU YESTERDAY

Best Feature [award given to the producer(s)]

  • A HIDDEN LIFE
  • CLEMENCY
  • THE FAREWELL
  • MARRIAGE STORY
  • UNCUT GEMS

Best Director

  • Robert Eggers – THE LIGHTHOUSE
  • Alma Har’el – HONEY BOY
  • Julius Onah – LUCE
  • Benny Safdie, Josh Safdie – UNCUT GEMS
  • Lorene Scafaria – HUSTLERS

The Robert Altman Award is given to the ensemble cast, director & casting director of one film: MARRIAGE STORY – Noah Baumbach, Douglas Aibel, Francine Maisler, Alan Alda, Laura Dern, Adam Driver, Julie Hagerty, Scarlett Johansson, Ray Liotta, Azhy Robertson, Merritt Wever

The Truer Than Fiction Award, in its 25th year, is for emerging directors of non-fiction features and includes an unrestricted grant. Finalists:
Khalik Allah – BLACK MOTHER
Davy Rothbart – 17 BLOCKS
Nadia Shihab – JADDOLAND
Erick Stoll & Chase Whiteside – AMÉRICA

The Producers Award, now in its 23rd year, honors emerging producers who demonstrate creativity, tenacity and vision, despite highly limited resources. The award includes an unrestricted grant. These are the finalists:
Mollye Asher
Krista Parris
Ryan Zacarias

The Someone To Watch Award, in its 26th year, recognizes a talented filmmaker of singular vision and includes an unrestricted grant. The finalists are:
Rashaad Ernesto Green – PREMATURE
Ash Mayfair – THE THIRD WIFE
Joe Talbot – THE LAST BLACK MAN IN SAN FRANCISCO

The Bonnie Award will recognize a mid-career female director with a $50,000 unrestricted grant. The 2020 Film Independent #SpiritAwards Bonnie Award finalists are:
MarielleHeller
KellyReichardt
LuluWang

Retro Game Review: Beyond: Two Souls (2013, Quantic Dream)


In between replaying Heavy Rain and Detroit: Become Human, I decided to go ahead and also replay Qunatic Dream’s Beyond: Two Souls.

In Beyond: Two Souls you play two characters who are linked together.  Jodie (Ellen Page) is a troubled young woman who, after being rejected by her family while still a child, is raised by paranormal researcher, Nathan Dawkins (Willem DaFoe).  You are also Aiden, a mysterious psychic force that Jodie can use to read minds and move objects.  Because of Jodie’s powers, the CIA wants them to work for her.  Because Jodie does not want to assassinate progressive world leaders just because the CIA wants them dead (remember, this is a French game), Jodie goes on the run.  The game itself is told out of chronological order, with the player going back and forth from Jodie’s childhood and Jodie’s present as a fugitive.  Like Heavy Rain and Detroit: Become Human, Beyond: Two Souls has multiple endings depending on what you do during the game.

Beyond: Two Souls is a weaker game than both Heavy Rain and Detroit: Become Human but, when I replayed it, I discovered that it was not as bad as I remembered.  Willem DaFoe and especially Ellen Page are amazing in the roles of Jodie and Nathan and the parts of the game that took place during Jodie’s childhood actually improved on a second playing.  (There’s nothing more fun than burning down the bully’s house.)  The nonlinear storytelling was still needlessly confusing.  Fortunately, there is an option to play the game’s chapters in chronological order.

The game’s flaws were still there, though.  The CIA stuff was heavy-handed but that is to be expected from Quantic Dream.  The main problem I had with the game is that the constant switching back and forth between Jodie and Aiden felt awkward.  You can switch between the two throughout the game and I kept pushing the wrong button and I would suddenly find myself stuck in Aiden form, even when there wasn’t anything for Aiden to do.  The game’s heavy reliance on quick time events also made me feel as if I didn’t have as much control over the narrative as I did in Heavy Rain and Detroit: Become Human.

Quantic Dream is one of my favorite video game developers because they are willing to experiment and take risks.  Sometimes, those risks pay off and sometimes they lead to an interesting failure, like Beyond: Two Souls.  Tomorrow, I’ll look at one of their experiment’s that worked.

Horror Film Review: The Hunger (dir by Tony Scott)


“Bela Lugosi’s dead….” Peter Murphy sings at the start of 1983’s The Hunger and, in the case of this film, it’s as much of a challenge as a tribute.

Bela Lugosi and Dracula are gone, the film announces, and so is the old-fashioned vampire movie.  Here’s a new look at an old favorite….

Of course, seen today, The Hunger doesn’t seem new.  Since The Hunger‘s release, there’s been  a countless number of films in which vampires have been decadent and chic aristocrats, hanging out in dark nightclubs and looking at the world with ennui-stricken eyes.  By today’s standards, the stylish decadence of The Hunger can seem almost quaint.  Much like Paul Schrader’s remake of Cat People, The Hunger is such a film of the 80s that you half-expect someone to offer you a line coke while you’re watching it.  Also, like Cat People, it’s such a glorious tribute to excess that there’s no way you can’t watch it once it starts.  It’s hypnotic in its excess.

In The Hunger, our vampires are Miriam Blaylock (Catherine Deneuve) and her lover, John (David Bowie).  Miriam has been a vampire since at least the time of the ancient Egyptians.  Rather than sinking her fangs into the necks of her victims, Miriam uses an Ankh pendant to slit their throats.  John was once a cellist in 18th century France.  Now, they live in an expensive New York townhouse, where they teach classical music and occasionally murder anyone that they can convince to come up to see them.

When they first met, Miriam promised John that he would have eternal life but she didn’t promise him eternal youth.  Unfortunately, it takes 200 years for John to notice.  When he starts to rapidly age, he seeks out aging expert Dr. Sarah Roberts (Susan Sarandon) for help.  Though Dr. Roberts is originally dismissive of his claims, she is shocked to see John age several years in just an hour.

When an angry and desperate John kills the music student (Beth Ehlers) that Miriam was hoping to transform into her next lover, Miriam is forced to search elsewhere.  When Sarah shows up, searching for the man who aged years in an hour, Miriam feels that her search may be over.

As one might expect from a film directed by Tony Scott, The Hunger is an extremely stylish film, to the extent that the film’s story is often secondary to the way that Scott chooses to tell it.  The set design is so ornate and every scene is so precisely lit and shot and that, at times, the movie feels a bit like a commercial for vampirism.  It’s easy to imagine Britney Spears singing “Work Bitch” in the background of some of the scenes.  (“You want a hot body?  You want a Bugatti?  You Want a Maserati?  You better work vamp.”)  Throughout the film, New York glows like a neon wonderland while John and Miriam coolly look out over the world like 18th century French aristocrats who have no idea that they have a future date with the guillotine.  At times, it’s a film that becomes almost ludicrous in its celebration of grandeur and style.  One could imagine Jean Rollin telling the same story just as effectively while spending a lot less money.

And yet, it’s that very embrace of the over-the-top ludicrousness of it all that makes The Hunger a memorable film.  The film’s a tribute to excess, with an ending that falters precisely because it attempts to reject precisely what it’s spent the past hour and a half celebrating.  The Hunger doesn’t add up too much but its hypnotically stylish and well-acted by a cast who does their best to keep up with Tony Scott’s camera.