6 Good Films That Were Not Nominated For Best Picture: The 2010s


Concluding our look at good films that were not nominated for best picture, here are 6 films from the 2010s.

Exit Through The Gift Shop (2010, dir by Banksy)

This wonderfully subversive documentary was my second-favorite film of 2010, right behind Black Swan.  Was it real or was it all a hoax?  In then end, does it matter?  This brilliant film definitely deserved to be the first documentary to be nominated for best picture.  Instead, sadly enough, it was only nominated for Best Documentary Feature and it lost to the rather boring Inside Job.

Upstream Color (2013, dir by Shane Carruth)

Shane Carruth’s haunting and enigmatic Upstream Color was a film unlike any others.  This brilliant film was my favorite of 2013 but, sadly, it was totally snubbed by the Academy.

A Field In England (2014, dir by Ben Wheatley)

Speaking of haunting and enigmatic, A Field In England may not be for everyone but it’s still one of the most memorable films released over the past 6 years.  Was it a horror story?  Was it a historical heist film?  Was it all a hallucination, inspired by eating mushrooms found in the field mentioned in the title?  Your guess is as good as mine but you’ll never forget about it, even if the Academy saw fit to snub it.

Calvary (2014, dir by John Michael McDonagh)

This Irish meditation on sin and salvation featured one of Brendan Gleeson’s best performances, a brilliant script, and an unforgettable ending.  Sadly, not only was Gleeson snubbed but the Academy ignored the rest of the film as well.  Still, it’s one of the best films ever made about being Catholic and Irish in the 21st Century.

Carol (2015, dir by Todd Haynes)

How this film was not nominated for best picture, I’ll never understand.  Cate Blanchett and Rooney Mara have never been better.  This is a moving and poignant film about two women who, in the end, refuse to allow society to dictate who they are and who they love.

American Honey (2016, dir Andrea Arnold)

In American Honey, Andrea Arnold creates an unforgettable portrait of life on the fringes and she gets a star-making performance from Sasha Lane, as well.  Even Shia LaBeouf is tolerable in this film!  American Honey was perhaps too long and, narratively, too loose for the Academy’s a taste.  That’s a shame because American Honey is a film that future historians will look at when they want to know what America was like in 2016.

And that concludes our look at good films that were not nominated for best picture!  Enjoy the Oscars, everyone!

 

 

Lisa Marie’s Thoughts On The Oscar Nominations


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Okay, I’ve had plenty of time to think about today’s Oscar nominations and now I’m ready to share my thoughts.  Obviously, my picks were a lot different from what the Academy selected.  That’s okay.  That’s the way it goes every year.  I don’t mind being a contrarian.

So, let’s take a look at what was nominated, category-by-category.

(If you need a refresher as to what was nominated, here’s a complete list of nominees!)

Best Live Action Short, Best Animated Short, Best Documentary Short: I’m sure that these three categories are full of wonderful nominees that were created by wonderful people but I don’t believe that I’ve seen a single one of them.  So, with that in mind, I can only imagine that the Academy did a perfect job selecting all 15 of these nominees!  Good work, Academy!

Best Foreign Language Film: Again, I have seen none of the nominees so I really can’t comment one way or another.  Normally, this would make me feel like a failure but I imagine that 90% of the people reading this post are in the same boat.  I imagine Toni Erdmann will win, just because of all the good things I’ve read about it.  But, since I haven’t actually seen any of the nominees, I will refrain from making any sort of prediction.

Best Documentary Feature: I’m disappointed that my favorite documentary, The Witness, was not nominated.  And, quite frankly, I’m shocked that Weiner was not nominated.  That said, I can’t complain about any of the documentaries that actually were nominated.  It was a good year for documentaries.  In fact, it could be argued that it was a better year for documentaries than for features.

Should Win: O.J.: Made in America

Will Win: 13th

Best Original Song: Not a single song from Sing Street was nominated and that is amazingly disappointing.  Original song can be surprising.  Remember last year when that terrible song from SPECTRE somehow won?  That said, I’m expecting that this year will see a huge sweep by La La Land and one of its nominated songs will probably win.

Should Win: Audition (The Fools Who Can Dream) from La La Land

Will Win: City of Stars from La La Land

Best Original Score: The Neon Demon deserved a nomination but I’m not surprised it was snubbed.  There’s no way the Academy was going to honor Nicholas Winding Refn’s subversive masterpiece.  La La Land is going to win this one easily.

Should Win: La La Land

Will Win: La La Land

Best Visual Effects: I was glad to see that Kubo and the Two Strings was nominated and I wish that Arrival had been nominated as well.  I’m going to go ahead and predict that Doctor Strange will be the first MCU film to win an Oscar.

Should Win: Doctor Strange

Will Win: Doctor Strange

Best Sound Editing and Best Sound Mixing: Let’s be honest.  I couldn’t explain the difference between sound editing and sound mixing and, unless you specifically work in the sound department, neither could you.  As a result, these categories are always difficult to predict.  But Hacksaw Ridge has to get some love somewhere and I bet it would happen here if not for La La Land.

Should Win (Both): Hacksaw Ridge

Will Win (Both): La La Land

Best Makeup and Hairstyling: As soon as I saw that Deadpool wasn’t nominated here, I knew it wouldn’t be nominated anywhere.  Can you believe that fucking Suicide Squad is now an Oscar nominee?  I haven’t seen A Man Called Ove but I’m going to predict its victory because I just can’t imagine the Academy honoring either Star Trek Beyond or Suicide Squad.

Should Win: Star Trek Beyond (that had good makeup in it, right?)

Will Win: A Man Called Ove

Best Film Editing: I can’t complain about any of the films nominated here.  La La Land is pretty much a guaranteed winner here.

Should Win: La La Land

Will Win: La La Land

Best Costume Design: I was shocked that Love & Friendship was not nominated.  If La La Land sweeps, it’ll win here.  When I made out my list of my personal picks for the Oscars, I gave the costuming Oscar to La La Land but now that I’m looking at the actual nominees, I’m remembering just how good everyone looked in Allied.

Should Win: Allied

Will Win: La La Land

Best Cinematography: My personal pick for this award was The Neon Demon but it wasn’t nominated.  Out of the nominated films, I would go with Moonlight but I think La La Land is going to sweep.

Should Win: Moonlight

Will Win: La La Land

Best Production Design: Well, it won’t be Passengers!  How the Hell did that get nominated for anything?  I think, of the nominees, Arrival deserves the award for making science fiction feel and look like science fact.  But, again, I think La La Land is going to win here.  (Are you sensing a theme in my predictions?)

Should Win: Arrival

Will Win: La La Land

Best Animated Feature: I was happy that Kubo and the Two Strings, Zootopia, and Moana were all nominated.  I haven’t seen The Red Turtle or My Life as a Zucchini but, on the whole, the Academy has a record of nominating the right films for this award.  I loved Kubo and I think it might win, just because it picked up that Visual Effects nomination as well.  Zootopia, however, would allow the Academy to make a political point and Moana has Lin-Manuel Miranda.  I’m going to go out on a limb and predict a Kubo victory but I wouldn’t be surprised if any of these five nominees won.

Should Win: Kubo and the Two Strings

Will Win: Zootopia Kubo and the Two Strings Moana Zootopia Kubo and the Two Strings

Best Adapted Screenplay: With La La Land likely to sweep the technical awards and Manchester By The Sea and Moonlight set to pick up some acting awards, this category will give the Academy a chance to acknowledge Arrival.

Should Win: Arrival

Will Win: Arrival

Best Original Screenplay: I think this is one of the few awards that La La Land will not win.  This category gives the Academy a chance to honor Hell or High Water.

Should Win: Hell or High Water

Will Win: Hell or High Water

Best Supporting Actress: Viola Davis is a guaranteed winner, even though her performance was a lead role.

Should Win: Naomie Harris, Moonlight

Will Win: Viola Davis, Fences

Best Supporting Actor: I was really happy to see that Michael Shannon got a nomination because Shannon is a great actor who always seems to be taken for granted.  That said, Mahershala Ali is almost as much of a lock as Viola Davis.

Should Win: Mahershala Ali, Moonlight

Will Win: Mahershala Ali, Moonlight

Best Actress: Let’s just get this out of the way.  Amy Adams not only deserved a nomination, she also deserved the Oscar.  Arrival works because of a twist that occurs halfway through the film.  The twist works because of Amy Adams’s performance.  If not for Amy Adams, Arrival would never have been nominated for best picture.  The fact that she was not nominated will be remembered as one of the biggest mistakes in Academy history.

This morning, I was happy to see that a lot of people on twitter agreed with me about the Amy Adams snub.  What took me by surprise was how many people also agreed with me that Meryl Streep essentially took a spot that should have been given to Amy Adams.  This morning, among other things, I discovered that there’s actually a growing backlash against the annual tradition of automatically nominating Meryl Streep, regardless of whether the film was any good or not.

Could Meryl win yet again?  It depends on whether or not the Academy wants to hear another Meryl Streep speech.  Given the political climate, I wouldn’t discount that as a possibility.  Since I’m on the subject and it’s possible that everyone stopped reading a few categories ago, I’m going to go ahead and admit my unpopular opinion.  While I’m definitely not a fan of the new President, Meryl’s Golden Globe speech felt like almost a parody of upper class white liberalism.  Listening to her, it was easy to imagine Meryl at a cocktail party, bragging about how she’s on a first name basis with her maid.

But, I’m in the minority as far as that opinion is concerned.  The Industry loved Meryl’s speech and, after Donald Trump’s overreaction to it, giving an Oscar to Meryl and giving her a chance to repeat the speech on a much bigger stage would be the perfect way to give the finger to the current administration.

That said, I think Emma Stone will be carried along in the La La Land sweep.  Whether justified or not, many members of the Academy will look at her character and see themselves.

Should Win: Amy Adams in Arrival (Yes, she wasn’t nominated but she should still win, goddammit.)

Will Win: Emma Stone in La La Land

Best Actor: Could anyone other than Casey Affleck win this one?  Denzel Washington is popular and giving him an Oscar for Fences would be a nice to way to reward all of the effort that he put into bringing this acclaimed play to the screen.  Affleck was sued for sexual harassment by a producer and a cinematogrpaher and ended up settling with both of them.  However, I doubt if it will stop him from winning the Oscar.  If the allegations were going to hurt Affleck’s chances, it would have happened long before now.

As for the nominees — well, I have no complaints.  While I wasn’t as impressed with Affleck’s performance as some, I think he did well enough. I would have liked to have seen either Sully‘s Tom Hanks or Hell or High Water‘s Chris Pine nominated.  I’m glad that Andrew Garfield picked up his first nomination.

Should Win: Denzel Washington, Fences

Will Win: Casey Affleck, Manchester By The Sea

Best Director: I’m going to go out on a limb and predict a minor upset.  I think La La Land is going to win in a lot of categories but I think that Moonlight‘s Barry Jenkins will win this Oscar.  Best Picture and Director have been split fairly regularly over the past few years and, after both the #OscarsSoWhite controversy and the 2016 presidential election, it may be felt that it’s time for a black director to finally win the Oscar.  Based on the skill shown in Whiplash and La La Land, Damien Chazelle will have other opportunities.

Should Win: Denis Villeneuve, Arrival

Will Win: Barry Jenkins, Moonlight

Best Picture: Though I don’t necessarily think it was one of the best films of the year, I would have loved it if Deadpool had actually scored a nomination.  It would have been an unexpected surprise and it would have shaken up a race that’s gotten rather predictable.

But no.  Deadpool received no nominations and the expected films were nominated.  Perhaps the only thing that could be considered surprising (though not that surprising)  was that Martin Scorsese’s passion project, Silence, was not only snubbed for best picture but also only picked up one nomination. Passengers picked up more nominations that Martin Scorsese’s latest film.  When it comes to total number of nominations, Silence is tired with Suicide Squad.

La La Land is going to win.  It’s probably going to win nearly all 14 of the Oscars it has been nominated for.  My pick for the best film of 2016 was American Honey.  Of the nominees, I think Arrival is the one that deserves to win.  But La La Land is an exuberant valentine to both the Academy and the industry.

La La Lands going to win.

Should Win: Arrival

Will Win: La La Land

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What if Lisa Picked The Oscar Nominees — 2016 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are starred and listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

(Click on the links to see my nominations for 20152014, 2013, 2012, 2011, and 2010!)

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Best Picture

*American Honey*

Arrival

Hell or High Water

Kubo and the Two Strings

La La Land

Love & Friendship

A Monster Calls

Moonlight

The Neon Demon

The Nice Guys

andrea-arnold

Best Director

*Andrea Arnold for American Honey

Shane Black for The Nice Guys

Barry Jenkins for Moonlight

David MacKenzie for Hell or High Water

Nicholas Winding Refn for The Neon Demon

Denis Villeneuve for Arrival

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Best Actor

Andrew Garfield in Hacksaw Ridge

Ryan Gosling in The Nice Guys

Tom Hanks in Sully

Chris Pine in Hell or High Water

Ryan Reynolds in Deadpool

*Denzel Washington in Fences

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Best Actress

*Amy Adams in Arrival

Kate Beckinsale in Love & Friendship

Viola Davis in Fences

Sasha Lane in American Honey

Emma Stone in La La Land

Anya Taylor-Joy in The Witch

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Best Supporting Actor

*Mahershala Ali in Moonlight

Tom Bennett in Love & Friendship

Jeff Bridges in Hell or High Water

Alden Ehrenreich in Hail Caesar!

John Goodman in 10 Cloverfield Lane

Patrick Stewart in Green Room

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Best Supporting Actress

*Naomie Harris in Moonlight

Felicity Jones in A Monster Calls

Riley Keough in American Honey

Jena Malone in The Neon Demon

Helen Mirren in Eye in the Sky

Angourie Rice in The Nice Guys

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Best Voice Over and/or Stop Motion Performance

Auli’i Cravalho in Moana

Ellen DeGeneres in Finding Dory

Ginnifer Goodwin in Zootopia

*Liam Neeson in A Monster Calls

Art Parkinson in Kubo and the Two Strings

Charlize Theron in Kubo and the Two Strings

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Best Original Screenplay

American Honey

*Hell or High Water

Kubo and the Two Strings

La La Land

The Nice Guys

The Witch

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Best Adapted Screenplay

*Arrival

The Jungle Book

Love & Friendship

Moonlight

A Monster Calls

Sully

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Best Animated Film

Finding Dory

*Kubo and the Two Strings

Moana

Sausage Party

The Secret Life of Pets

Zootopia

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Best Documentary Feature

The Confessions of Thomas Quick

Holy Hell

O.J.: Made in America

Rigged 2016

Weiner

*The Witness

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Best Casting

*American Honey

Everybody Wants Some!!

La La Land

Moonlight

Hell or High Water

Green Room

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Best Cinematography

American Honey

Arrival

Hell or High Water

La La Land

Moonlight

*The Neon Demon 

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Best Costume Design

The Conjuring 2

Hail, Caesar!

La La Land

*Love & Friendship

The Nice Guys

The Witch

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Best Editing

Arrival

Hell or High Water

Kubo and the Two Strings

*La La Land

Moonlight

A Monster Calls

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Best Makeup and Hairstyling

Captain America: Civil War

Deadpool

Doctor Strange

Everybody Wants Some!!

Hail, Caesar!

*The Neon Demon

Best Original Score

Hell or High Water

Kubo and the Two Strings

*La La Land

Moana

Moonlight

The Neon Demon

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Best Original Song

*”Audition (The Fool Who Dreams)” from La La Land

“How Far I’ll Go” from Moana

“Waving Goodbye” from The Neon Demon

“I’m so Humble” from Pop Star: Never Stop Never Stopping

“Drive It Like You Stole It” from Sing Street

“Go Now” from Sing Street

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Best Overall Use Of Music

*American Honey

The Conjuring Part Two

Hell or High Water

La La Land

The Neon Demon

Sing Street

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Best Production Design

Arrival

Don’t Breathe

Green Room

The Neon Demon

La La Land

*10 Cloverfield Lane

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Best Sound Editing

Captain America: Civil War

Deadpool

*Hacksaw Ridge

La La Land

A Monster Calls

Sully

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Best Sound Mixing

Captain America: Civil War

Deadpool

Hacksaw Ridge

A Monster Calls

La La Land

*Sully

deadpool

Best Stunt Work

Captain America: Civil War

*Deadpool

Doctor Strange

Hacksaw Ridge

Jason Bourne

The Legend of Tarzan

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Best Visual Effects

Arrival

*Doctor Strange

The Jungle Book

Kubo and the Two Strings

A Monster Calls

Rogue One: A Star Wars Story

Films Listed By Number of Nominations:

13 Nominations — La La Land

1o Nominations — Hell or High Water

9 Nominations — Moonlight, The Neon Demon

8 Nominations — American Honey, Arrival, Kubo and the Two Strings, A Monster Calls

6 Nominations — The Nice Guys

5 Nominations — Deadpool, Love & Friendship

4 Nominations — Captain America: Civil War, Hacksaw Ridge, Hail Caesar!, Moana, Sully

3 Nominations — Doctor Strange, Green Room, Sing Street

2 Nominations — The Conjuring 2, Everybody Wants Some!!, Fences, Finding Dory, The Jungle Book, 10 Cloverfield Lane, The Witch, Zootopia

1 Nomination — The Confessions of Thomas Quick, Don’t Breathe, Eye in the Sky, Holy Hell, Jason Bourne, The Legend of Tarzan, O.J.: Made in America, Pop Star: Never Stop Never Stopping, Rigged 2016, Rogue One: A Star Wars Story, Sausage Party, The Secret Life of Pets, Weiner, The Witness

Films Listed By Number of Oscars Won:

4 Oscars — American Honey

3 Oscars — La La Land

2 Oscars — Arrival, Moonlight, The Neon Demon

1 Oscar — Deadpool, Doctor Strange, Fences, Hacksaw Ridge, Hell or High Water, Kubo and the Two Strings, Love & Friendship, A Monster Calls, Sully, 10 Cloverfield Lane, The Witness

Will the Academy agree with my predictions?  Probably not but we’ll find out on Tuesday!

2-ten

2016 in Review: Lisa Marie Picks The 26 Best Films of 2016!


Well, the time is here!  It’s time for me to reveal my picks for the best 26 films of 2016!

If there’s been any theme that I’ve found myself constantly returning to while looking back at the previous year, it’s that 2016 just wasn’t as good as 2015.  That’s certainly true as far as movies are concerned.  Whereas 2015 provided us with an embarrasment of riches, 2016 was — overall — a pretty bland year as far as cinema is concerned.

That doesn’t mean there weren’t some great films released in 2016.  I’m proud of this list below.  At the same time, I’m also a little bit frustrated.  As happens every year, there are a few films that, as of this writing, I have yet to see.  Weather permitting, I will see Silence and Jackie tomorrow and on Monday.  If I feel that they need to be included in my top 26, I will come back and edit this list.  And, of course, I still need to see some of the films that are no longer playing in theaters — Captain Fantastic, Hunt for the Wilderpeople, and some others.  The list below should be considered my picks for the best 2016 films that I actually got to see.

Also, I still need to write reviews for two of the films listed below.  Hopefully, I’ll be able to do that today.  As soon as those reviews are posted, I’ll add links.

With all that in mind, here’s the list!

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  1. American Honey
  2. Arrival
  3. Kubo and the Two Strings
  4. The Neon Demon
  5. La La Land
  6. Moonlight
  7. The Nice Guys
  8. Hell or High Water
  9. A Monster Calls
  10. Love & Friendship
  11. Sing Street
  12. The Witch
  13. Hacksaw Ridge
  14. Sully
  15. The Green Room
  16. 10 Cloverfield Lane
  17. Captain America: Civil War
  18. Finding Dory
  19. Popstar: Never Stop Never Stopping
  20. Fences
  21. Manchester By The Sea
  22. Eye in the Sky
  23. Hush
  24. The Conjuring 2
  25. Hail Caesar
  26. Everybody Wants Some!!

Hail,_Caesar!_Teaser_poster

You can check out my picks for previous years by clicking on 2010, 2011, 2012, 2013, 2014, and 2015!

Agree?  Disagree?  Have a list of your own?  Let us know in the comments!

Previous Entries In The Best of 2016:

  1. TFG’s 2016 Comics Year In Review : Top Tens, Worsts, And Everything In Between
  2. Anime of the Year: 2016
  3. 25 Best, Worst, and Gems I Saw In 2016
  4. 2016 in Review: The Best of SyFy
  5. 2016 in Review: The Best of Lifetime
  6. 2016 in Review: Lisa Picks the 16 Worst Films of 2016!
  7. Necromoonyeti’s Top Ten Albums of 2016
  8. 2016 In Review: Lisa Marie’s 14 Favorite Songs of 2016
  9. 2016 In Review: 10 Good Things I Saw On Television in 2016
  10. 2016 in Review: Lisa Marie’s 10 Favorite Non-Fiction Books of 2016
  11. 2016 in Review: Lisa Marie’s 20 Favorite Novels of 2016

Film Review: American Honey (dir by Andrea Arnold)


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You would probably be justified in thinking that there’s no way that a great film could be made about those weirdos who occasionally show up at your front door and pressure you to buy a dozen magazine subscriptions (the better to help them win a trip to Europe or go to drug rehab or get a college education) but Andrea Arnold has managed to do just that with American Honey.

American Honey features several scenes of the film’s characters swarming through neighborhoods, knocking on doors and launching into their sales pitch.  We see how the group’s top salesman, Jake (Shia LaBeouf, for once playing a role that makes perfect use of his “permanently full of shit” image), changes his approach from house to house and we listen as he explains his selling technique.  When the smarmy but charming Jake knocks on a door and then starts to flirt with the teenage girl who answers, I immediately started to have flashbacks to when I was going to college and, every summer, the magazine people would descend on Denton, looking for gullible students.  I once opened the door of my apartment and got trapped into a long conversation with a cute but annoyingly hyper guy who ended every sentence by holding up his hand and going, “High five!”  He very well could have been Jake.

We also watch as Krystal (Riley Keough), the group’s somewhat frightening manager, gives everyone their assignments and constantly pressures her crew to bring in as much money as possible.  Though the film never quite becomes an expose, it doesn’t shy away from the fact that the whole door-to-door magazine subscription industry is essentially an unregulated scam that largely survives by exploiting people who don’t have anywhere else to go.  As Krystal puts it, if someone can’t make their sales, that person can easily just be left on the side of the road.

That said, American Honey isn’t really about selling magazines.  What is it about?  It’s about many things.  It’s a road movie, one that lasts nearly three hours and which features a narrative that at times seems to meander almost aimlessly.  (Of course, that randomness is deceptive.  Andrea Arnold knows exactly what she’s doing.)  It’s a tour of what has been termed flyover county, with the crew invading neighborhoods both wealthy and poor.  (When they arrive in a poor South Dakota town, Krystal announces, “I got a lot of relatives here!”)  It’s a celebration of youth and impulsiveness because, even though the magazine crew is being exploited, they’re also having a really good time.  Most of the members of the crew were played by nonactors and they bring a rough authenticity to their roles.  They may be outcasts but, if just for a little while, they’ve formed their own family.  (Albeit a family that lives in vans, cheap motels, and occasionally a deserted farmouse…)

Ultimately, the film is coming-of-age story.  When we first meet Star (Sasha Lane), she’s 18 and she’s living in Oklahoma.  Star was born in Texas and her meth-addict mother died when she was young.  Now that she’s in Oklahoma, she’s working as some sort of live-in nanny, taking care of two children while their mother dances at a redneck bar and their father continually gropes her.  When she sees Jake and the magazine crew dancing in a supermarket (and getting thrown out by security), she’s immediately drawn to them.  When Jake offers her a position with the crew, it’s a chance to both escape and to belong.  Krystal asks if Star is 18.  Star says that she is.  Krystal asks if anyone is going to miss Star after she leaves.  Star says no one will.

And soon, Star is in the back of a van, being driven across the country.  Krystal doesn’t like or trust her.  Jake may or may not be using her.  But, for the first time, Star has a family.  For the first time, she belongs.

And, she soon finds herself discovering and seeing things that she would never have had a chance to see otherwise.  One morning, she sits out on a hill and watches as an equally curious bear approaches her.  When she and Jake attempt to sell in a rich neighborhood, she watches with barely disguised jealousy as a spoiled teenager celebrates her birthday.  In one of the film’s best scenes, she ends up attending an impromptu barbecue with three cowboys and we find ourselves, much like her, trying to figure out just how much she can trust these seemingly friendly men.  In one of film’s saddest scenes, she stops at a house and discovers three neglected children and a junkie mother.  And, in one of the film’s most disturbing scenes, an oil rig worker says he doesn’t want any magazines but he’ll pay her $1,000 for a hand job.

Through it all, we watch as Star approaches each new situation with equal doses of fear and hope, confidence and doubt.  And like her, we find ourselves wondering how far she should go and who she should trust.  Sasha Lane is in every scene of the film and gives an amazingly good performance, one that is all the more remarkable for the fact that this was her first movie.  Much like Katie Jarvis in Arnold’s Fish Tank, Sasha Lane was discovered by the director.  (Jarvis was famously discovered after yelling at her boyfriend on a train platform.  Lane was discovered under somewhat less contentious circumstances, while sunbathing on the beach.)   Sasha Lane gives a brave and unflinchingly honest performance.  At times, I found myself cringing because I could totally understand what Star was feeling and what she was going through.  (Though I never ended up selling magazines, I went through my lost phase.)  There was not a single false note to be found in Lane’s performance.

Special mention should also be made of Riley Keough’s work as the manipulative Krystal.  Keough alternates between being harsh and being strangely likable with such skill that it’s impossible not to share both Star’s fear and her occasional admiration of her.

Ultimately, though, this is Andrea Arnold’s film.  The British director approaches the so-called heartland of America with an outsider’s view and she captures some of the most unexpected and strikingly beautiful images of 2016.  American Honey is a powerful, demanding, and occasionally enigmatic movie, one that feels almost like the type of film that Terrence Malick would make if Malick could curb his tendency to descend into self-parody.  American Honey is one of the best of the year.

The Florida Film Critics Circle Honors The Lobster!


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Yesterday, the Florida Film Critics Circle announced their picks for the best of 2016!  And guess what?  While there’s plenty of familiar names on the list of honorees, Florida still went its own way by naming The Lobster as best film of the year!

Here are the winners!

BEST PICTURE

BEST DIRECTOR

BEST ACTOR

  • Casey Affleck – Manchester by the Sea
  • Runner-Up:  Joel Edgerton – Loving

BEST ACTRESS

BEST SUPPORTING ACTOR

BEST SUPPORTING ACTRESS

  • Michelle Williams – Manchester by the Sea
  • Runner-Up: Viola Davis – Fences

BEST ENSEMBLE

BEST ORIGINAL SCREENPLAY

  • The Lobster
  • Runner-Up: Manchester by the Sea

BEST ADAPTED SCREENPLAY

BEST CINEMATOGRAPHY

BEST VISUAL EFFECTS

BEST ART DIRECTION/PRODUCTION

BEST SCORE

BEST DOCUMENTARY

  • Cameraperson
  • Runner-Up: OJ: Made In America

BEST FOREIGN LANGUAGE FILM

  • Elle
  • Runner-Up: The Handmaiden

BEST ANIMATED FILM

BEST FIRST FILM

  • The Edge of Seventeen
  • Runner-Up    The Witch

PAULINE KAEL BREAKOUT AWARD:

GOLDEN ORANGE

Here Are The Florida Film Critics Circle Nominations!


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The winners will be announced on December 23rd.

BEST PICTURE
Hell or High Water
La La Land
The Lobster
Manchester by the Sea
Moonlight

BEST DIRECTOR
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Yorgos Lanthimos – The Lobster
Kenneth Lonergan – Manchester by the Sea

BEST ACTOR
Casey Affleck – Manchester by the Sea
Joel Edgerton – Loving
Ryan Gosling – La La Land
Viggo Mortensen – Captain Fantastic
Denzel Washington – Fences

BEST ACTRESS
Annette Bening – 20th Century Women
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land

BEST SUPPORTING ACTOR
Mahershala Ali – Moonlight
Jeff Bridges – Hell or High Water
Ralph Fiennes – A Bigger Splash
André Holland – Moonlight
Michael Shannon – Nocturnal Animals

BEST SUPPORTING ACTRESS
Viola Davis – Fences
Greta Gerwig – 20th Century Women
Lily Gladstone – Certain Women
Naomie Harris – Moonlight
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester by the Sea

BEST ENSEMBLE
20th Century Women
American Honey
Hidden Figures
Manchester by the Sea
Moonlight

BEST ORIGINAL SCREENPLAY
20th Century Women
Hell or High Water
La La Land
The Lobster
Manchester by the Sea

BEST ADAPTED SCREENPLAY
Arrival
Fences
Love & Friendship
Moonlight
Nocturnal Animals

BEST CINEMATOGRAPHY
Arrival
The Handmaiden
Jackie
La La Land
Moonlight

BEST VISUAL EFFECTS
Arrival
Doctor Strange
Fantastic Beasts and Where to Find Them
The Jungle Book
Rogue One: A Star Wars Story

BEST ART DIRECTION/PRODUCTION DESIGN
Arrival
Fantastic Beasts and Where to Find Them
Jackie
La La Land
Love & Friendship

BEST SCORE
Arrival
Jackie
La La Land
Moonlight

BEST DOCUMENTARY
Cameraperson
I Am Not Your Negro
Life, Animated
O.J.: Made In America
Weiner

BEST FOREIGN LANGUAGE FILM
Elle
Embrace of the Serpent
The Handmaiden
The Salesman
Toni Erdmann

BEST ANIMATED FILM
Kubo and the Two Strings
Moana
Sausage Party
Zootopia

BEST FIRST FILM
The Childhood of a Leader
The Edge of Seventeen
Moonlight
Spa Night
Swiss Army Man
The Witch

BREAKOUT AWARD
Barry Jenkins – Moonlight
Lucas Hedges – Manchester by the Sea

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