Lisa Marie’s Early Oscar Predictions For May


Here are my Oscar predictions for May!

Well, for once, Cannes has helped the Oscar picture to come into focus.  The triumphant premiere of Killers of the Flower Moon not only cemented the film’s status as an early front runner but it also confirmed that Leonardo DiCaprio will be in the running for Best Actor and Lily Gladstone for either Best Actress or Supporting Actress.  It also sound like Robert De Niro could receive another nomination.  (Despite the importance of his role, Jesse Plemons’s screen time is apparently limited.)

The other Oscar contender to come out of Cannes would appear to be Jonathan Glazer’s The Zone of Interest.  There is some talk that the film itself could be a bit too chilly for the Academy and, being familiar with Glazer’s work, that would not necessarily surprise me.  But, for now, The Zone of Interest is among my predicated Best Picture nominee.  I’m also going to continue to predict that Oppenheimer will be nominated and, after seeing the trailer, I’m a bit more confident that The Color Purple will be nominated as well.  And I’m still going to toss in Barbie because why not?

That said, the year isn’t even halfway over yet and there’s a lot of films to come.  It’s entirely possible that the majority of the best picture nominees are going to be films that haven’t even shown up on anyone’s radar yet.

Below are my predictions for May.  Be sure to also check out my predictions for March and April!

Best Picture

Air

Barbie

The Color Purple

Dune: Part Two

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Poor Things

The Zone of Interest

Best Director

Blitz Bazawule for The Color Purple

Jonathan Glazer for The Zone of Interest

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Leonardo DiCaprio in Killers of the Flower Moon

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Andre Holland in The Actor

Best Actress

Emily Blunt in Pain Brokers

Greta Lee in Past Lives

Natalie Portman in May December

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Robert De Niro in Killers of the Flower Moon

Ryan Gosling in Barbie

Samuel L. Jackson in The Piano Lesson

Best Supporting Actress

Viola Davis in Air

Jodie Foster in Nyad

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Da’Vine Joy Randolph in The Holdovers

Here’s What Won At Cannes


And so, another Cannes film festival has come to a close!  Despite my initial predictions and some generally respectful reviews, Ken Loach did not win a third Palme d’Or for The Old Oak so I’m happy about that.  Here’s what did win:

COMPETITION

Palme d’Or: “Anatomy of a Fall,” Justine Triet

Grand Prix: “The Zone of Interest,” Jonathan Glazer

Director: Tran Anh Hung, “The Pot au Feu”

Actor: Kōji Yakusho, “Perfect Days”

Actress: Merve Dizdar, “About Dry Grasses”

Jury Prize: “Fallen Leaves,” Aki Kaurismaki

Screenplay: Sakamoto Yûji, “Monster”

OTHER PRIZES

Camera d’Or: “Inside the Yellow Cocoon Shell,” Thien An Pham

Short Films Palme d’Or: “27,” Flóra Anna Buda.

Short Films Special Mention: “Fár,” Gunnur Martinsdóttir Schlüter

Queer Palm: “Monster”

UN CERTAIN REGARD

Un Certain Regard Award: “How to Have Sex,” Molly Manning Walker

Jury Prize: Asmae El Moudir, “Hounds”

Best Director Prize: “The Mother of All Lies,” Asmae El Moudir

Freedom Prize: “Goodbye Julia,” Mohamed Kordofani

Ensemble Prize: “The Buriti Flower,” cast and crew

New Voice Prize: “Omen,” Baloji

DIRECTORS’ FORTNIGHT

Europa Cinemas Label: “Creatura,” Elena Martín

Society of Dramatic Authors and Composers Prize: “A Prince,” Pierre Creton

CRITICS’ WEEK

Grand Prize: “Tiger Stripes,” Amanda Nell Eu

French Touch Prize: “It’s raining in the house,” Paloma Sermon-Daï

GAN Foundation Award for Distribution: Pyramide Films, “Inshallah a boy”

Louis Roederer Foundation Rising Star Award: Jovan Ginić, “Lost Country”

As far as the Oscars are concerned, I think the big winner at Cannes was Martin Scorsese’s Killers of the Flower Moon.  Yes, it was screened out of competition but the response to the film was so enthusiastic that it pretty much confirmed that, for now, it’s the Oscar front runner.  If nothing else, the response temporarily silenced those who have been insisting that Killers of the Flower Moon would be a disappointment.  (Bizarrely, there’s a whole generation of film commentators who seem to be obsessed with claiming that Scorsese is somehow overrated.  I’d hate to think this is all about something as petty as Scorsese’s criticism of the Marvel films but then again, we live in petty times.)  I would also keep an eye on Jonathan Glazer’s The Zone of Interest, which many expected would win the Palme but which had to settle for the jury prize.  From what I’ve read, Glazer’s film sounds like it could be an Oscar contender.

Lisa Marie’s Way Too Early Oscar Predictions For April


Here are my Oscar predictions for April!  As always, when it’s this early in the year, I recommend taking all of these with a grain of salt.  At this point, the only thing that anyone knows for sure is that it’s safe to remove Jonathan Majors and Magazine Dreams from any list of predictions.

Check out my predictions for March by clicking here!

Best Picture

The Actor

Barbie

The Color Purple

Dumb Money

Dune: Part Two

Flint Strong

The Holdovers

Killers of the Flower Moon

Oppenheimer

Rustin

Best Director

Blitz Bazawule for The Color Purple

Rachel Morrison for Flint Strong

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Andre Holland in The Actor

Anthony Hopkins in Freud’s Last Session

Best Actress

Fantasia Barrino in The Color Purple

Emily Blunt in Pain Brokers

Greta Lee in Past Lives

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Brian Tyree Henry in Flint Strong

Samuel L. Jackson in The Piano Lesson

Jesse Plemons in Killers of the Flower Moon

Best Supporting Actress

Viola Davis in Air

Jodie Foster in Nyad

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Da’Vine Joy Randolph in The Holdovers

Here’s What’s Coming To The 2023 Cannes Film Festival


The initial line-up for the 2023 Cannes Film Festival was announced today.  Usually, films are added (and occasionally even withdrawn) after the initial announcement so this list will probably be added to in the days and weeks to come:

COMPETITION:

Club Zero, Jessica Hausner
Asteroid City, Wes Anderson
The Zone of Interest, Jonathan Glazer
Fallen Leaves, Aki Kaurismaki
Les Filles D’Olfa (Four Daughters), Kaouther Ben Hania
Anatomie D’une Chute, Justine Triet
Monster, Kore-eda Hirokazu
Il Sol Dell’Avvenire, Nanni Moretti,
La Chimera, Alice Rohrwacher,
About Dry Grasses, Nuri Bilge Ceylan,
L’Ete Dernier, Catherine Breillat,
The Passion of Dodin Bouffant, Tran Anh Hung,
Rapito, Marco Bellocchio,
May December, Todd Haynes,
Firebrand, Karim Ainouz,
The Old Oak, Ken Loach,
Perfect Days, Wim Wenders,
Banel Et Adama, Ramata-Toulaye Sy,
Jeunesse, Wang Bing,

OUT OF COMPETITION:

Killers of the Flower Moon, Martin Scorsese
The Idol, Sam Levinson
Cobweb, Kim Jee-woon
Indiana Jones and the Dial of Destiny, James Mangold
Jeanne du Barry, Maiwenn

MIDNIGHT SCREENINGS:

Omar la Fraise, Elias Belkeddar
Kennedy,” Anurag Kashyap
Acide, Just Philippot

SPECIAL SCREENINGS:

Retratos Fantasmas (Pictures of Ghosts), Kleber Mendonca Filho
Anselm, Wim Wenders
Occupied City, Steve McQueen
Man in Black, Wang Bing

CANNES PREMIERE:

Le Temps D’Aimer, Katell Quillevere,
Cerrar Los Ojos, Victor Erice,
Bonnard, Pierre et Marthe, Martin Provost,
Kubi, Takeshi Kitano

For Oscar watchers, the big news is probably that both Asteroid City and Killers of The Flower Moon will be premiering at Cannes.  Asteroid City is the latest from Wes Anderson and, to be honest, I have my doubts about it as an Oscar contender.  The trailer indicates that it’s very, very quirky.  While Anderson did receive some Oscar recognition for Grand Budapest Hotel, a good deal of that film’s success was due to Ralph Fiennes’s lead performance.  Fieness kept Grand Budapest rooted in a stylized reality.  I’m not sure if anyone in the cast of Asteroid City is going to perform the same duty.  If Asteroid City is going to become an Oscar contender, a good showing at Cannes would definitely help.

As for Killers of the Flower Moon, it’s being shown out of competition.  I can understand the logic.  With all of the high expectations that come along with being Martin Scorsese’s latest film (as well as being the first Scorsese film to feature both De Niro and Di Caprio), it’s best not to run the risk of being snubbed by the unpredictable Cannes jury.  The last thing anyone wants is for the narrative to shift from “sure-fire contender” to “late career disappointment.”

The Cannes Film Festival runs from May 16th to May 27th!

Lisa Marie’s Way Too Early Oscar Predictions For March


Now that the 2022 Oscars are over with, it’s time to move on to the 2023 Oscars!

Needless to say, there’s probably nothing more pointless than trying to guess which films are going to be nominated a year from now.  I can’t even guarantee that all of the films listed below are even going to be released this year.  And, even if they are released this year, I can’t guarantee that they’ll actually be any good or that the Academy will show any interest in them.  I mean, Martin Scorsese always seems like a safe bet but we all remember what happened with Silence.  For months, everyone said Silence would be the Oscar front runner.  Then it was released to respectful but not ecstatic reviews.  Audiences stayed away.  The film ended up with one technical nomination.

My point is that no one knows anything.  As much as I hate quoting William Goldman (because, seriously, quoting Goldman on a film site is such a cliché at this point), Goldman was right.

So, you may be asking, how did I come up with the nominees below?  For the most part, I guessed.  A few of them I went with because of the people who made the film.  Though shooting has wrapped, Ferrari might not even be released this year but it’s a Michael Mann film that stars Adam Driver so, for now, I have to include it.  Of course, I had to include Scorsese and Killers of the Flower Moon.  Asteroid City is there because the Academy embraced Wes Anderson once and it could always happen again.  Fair Play and Magazine Dreams‘s Jonathan Majors are listed because the Sundance Film Festival is still a recent memory.  Maestro is there because the Academy seems like to Bradley Cooper.  Dune Part Two and Oppenheimer are there because Film Twitter is convinced that they will be.

In other words, there’s no real science to these predictions.  It’s too early in the year to do anything but guess.  And for now, these are my guesses.  A year from now, they’ll be good for either bragging rights or a laugh.  Hopefully, they’ll be good for both.

Best Picture

Asteroid City

The Color Purple

Dune Part Two

Fair Play

Ferrari

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Rustin

Best Director

Chloe Domont for Fair Play

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Denis Villeneuve for Dune Part Two

Best Actor

Bradley Cooper in Maestro

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Jonathan Majors in Magazine Dreams

Cillian Murphy in Oppenheimer

Best Actress

Emily Blunt in Pain Hustlers

Carey Mulligan in Maestro

Da’Vine Joy Randolph in The Holdovers

Julia Roberts in Leave the World Behind

Teyana Taylor in A Thousand and One

Best Supporting Actor

Mahershala Ali in Leave The World Behind

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Ethan Hawke in Strange Way Of Life

Jesse Plemons in Killers of the Flower Moon

Best Supporting Actress

Emily Blunt in Oppenheimer

Tantoo Cardinal in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Florence Pugh in Oppenheimer

Tilda Swinton in Asteroid City

A Few Thoughts On The 95th Oscar Ceremony


This year’s Oscar ceremony was all about the Slap.

Don’t get me wrong.  No one got slapped during the ceremony.  No one got yelled at.  There wasn’t any major controversy at all, beyond the question of whether Everything Everywhere All At Once actually deserved all of those Oscars.  Most of the awards speeches were nice.  Ke Huy Quan was a highlight, calling his story “an American dream.”  Much as when Gary Oldman praised America upon winning his Oscar for Best Actor, you could tell the audience at the ceremony wasn’t sure how to react to unironic praise of America but I can promise you that his speech touched the hearts of almost everyone watching.  Compared to previous ceremonies, there wasn’t a lot of political blathering and the orchestra did its job and kept people from rambling on for too long.  Obviously, the Academy learned its lesson from the Soderbergh Oscars and that guy who wouldn’t shut up about his octopus.

That said, from the start, it was obvious that The Slap and preventing another incident was on everyone’s mind.  As opposed to last year’s Oscars, the entire ceremony felt tightly controlled.  Jimmy Kimmel kept his jokes light and only poked fun at people who didn’t show for the ceremony, like James Cameron and Tom Cruise.  Amongst the presenters, there was a definite lack of comedians or, really, anyone who might threaten to go off script and say something controversial.  The show was carefully constructed to keep anything shocking from happening and, as a result, it was a bit dull.  For all the drama and controversy that surrounded the Slap, it was probably one of the few truly spontaneous moments that we’ve seen on the Oscars.  Certainly, more people talked about the Slap last year than are going to be talking the ceremony this year.

This year was safe and boring, though it was never as downright dull as the Soderbergh Oscars.  Most of the victories felt inevitable.  I guess the biggest upset was Jamie Lee Curtis winning Best Supporting Actress over Angela Bassett.  (Though I appreciated that Curtis epitomized everything that normal people hate about the IRS, I was rooting for Kerry Condon.)  There was a brief moment of excitement when it seemed like All Quiet On The Western Front might upset Everything Everywhere All At Once but that ended up as soon as All Quiet lost the Adapted Screenplay Oscar to Women Talking.

As far as the speeches go, Ke Huy Quan won the evening by giving a genuine, heartfelt acceptance speech.  The Daniels got to give three acceptance speeches and they both seemed to get just a little bit more impressed with themselves with each speech.  (A lot of people are going to have their knives out when the Daniels get around to making their third film.)  EEAAO‘s editor went on for a bit too long, which is actually kind of a funny thing for an editor to do.  Michelle Yeoh’s speech was classy and should be used as a guide who ever wonders what to say when accepting an award.

I was kind of dreading the prospect of Jimmy Kimmel hosting but I thought he did a good job.  Other than throwing in a few heavy-handed political jabs towards the end, Kimmel struck the right tone for the show.  Jimmy certainly seemed to have a better handle on things than Amy Schumer, Wanda Sykes, and Regina Hall did last year.  Of course, unlike those three, Kimmel didn’t have to deal with any nominees walking on stage and striking a presenter.

As far as the musical performances go, the performance of RRR‘s nominated song was a lot of fun and I also thought Lady Gaga did a wonderful job with her song.  The other performances didn’t do much for me, though none of them were particularly bad.  They were just kind of safe.  The fact that EEAAO got a nomination for that song should have been everyone’s first clue that the Academy was going to love the movie.

The ceremony this year was controlled and boring and, most importantly, it’s now over.  Now, we can start talking about what’s going to win in 2024!

Here Are Your Oscar Winners


Best Picture — Everything Everywhere All At Once

Best Director — The Daniels, Everything Everywhere All At Once

Best Actor — Brendan Fraser, The Whale

Best Actress — Michelle Yeoh, Everything Everywhere All At Once

Best Supporting Actor — Ke Huy Quan, Everything Everywhere All At Once

Best Supporting Actress — Jamie Lee Curtis, Everything Everywhere All At Once

Best Adapted Screenplay — Women Talking

Best Original Screenplay — Everything Everywhere All At Once

Best Animated Feature Film — Guillermo Del Toro’s Pinocchio

Best International Film — All Quiet On The Western Front

Best Documentary Feature Film — Nalvany

Best Live Action Short — An Irish Goodbye

Best Animated Short — The Boy, The Mole, The Fox, and The Horse

Best Documentary Short — The Elephant Whisperers

Best Original Score — All Quiet On The Western Front

Best Original Song — RRR

Best Cinematography — All Quiet On The Western Front

Best Costume Design — Black Panther: Wakanda Forever

Best Editing — Everything Everywhere All At Once

Best Makeup and Hairstyling — The Whale

Best Production Design — All Quiet On The Western Front

Best Sound — Top Gun: Maverick

Best Visual Effects — Avatar: The Way of Water

10 Oscar Snubs From The 2010s


And now, we reach the present day!  A lot has changed over the past few decades but one thing has remained consistent.  No matter how hard the Academy tries, some good movies and performances are always going to get snubbed.  Here are ten snubs from the previous decade.

2011: Shame Is Totally Ignored

Despite being critically acclaimed and receiving nominations from other groups, Steve McQueen’s Shame was totally ignored by the Academy.  My theory is a lot of people looked at Michael Fassbender playing an emotionally detached, self-destructive sex addict and they basically saw aspects of themselves that they didn’t want to acknowledge.  Shame caused too much shame amongst the voters.

2012: The Master Is Not Nominates For Best Picture

When The Master was first released, a lot of people didn’t really know what to make of Paul Thomas Anderson’s barely disguised portrait of Scientology.  The film received only three nominations, for Joaquin Phoenix, Philip Seymour Hoffman, and Amy Adams.  It deserved quite a bit more but, in 2012, I imagine the film’s portrait of a charismatic cult leader taking advantage of his wealthy followers seemed a bit too familiar to some voters.

2013: Tom Hanks Is Not Nominated For Best Actor For Captain Phillips

Looking over today’s list of snubs, a recurring theme seems to be actors who were not nominated because the Academy took them and their talent for granted.  That’s the only possible reason that I can come up with for the Academy to have not nominated Tom Hanks for his outstanding lead performance in Captain Phillips.  Just consider the scene at the end of the film, when the shellshocked and exhausted Captain Phillips is examined by a nurse and he can’t stop talking about the blood on his clothes.  It’s a devastating scene, largely because the audience doesn’t feel as if they’re watching Tom Hanks give a performance.  At that moment, they feel that they are watching a man who has just been through the worst experience of his life and who, even though he is now safe, will be forever haunted by what he has witnessed.

2014: Guardians of the Galaxy Is Not Nominated For Best Picture

Seriously, if any MCU film deserved to be nominated for Best Picture, it was Guardians of the Galaxy.  It was a fun movie with a charismatic cast and, despite what some critics claimed, it actually did have something to say about the importance of tolerance and individual freedom.  It even holds up well to repeat viewings, which is not exactly something that you can say about a few of the other MCU film.

2016: Amy Adams Is Not Nominated For Best Actress For Arrival

Much as they did with Tom Hanks and his performance in Captain Phillips, the Academy took Amy Adams for granted and failed to nominate her for Arrival, despite the fact that it was her best performance to date.  At this point, if I’m Amy Adams, I would be wondering just what it is that I’m going to have to do to finally get my Oscar.

2017: Ethan Hawke Is Not Nominates For Best Actor For First Reformed

This is another snub that I can’t get my head around.  Ethan Hawke has been nominated in the past.  The Academy is obviously not resistant to honoring Ethan Hawke.  So how was it that one of his best performances went unnominated?  For that matter, how is it that First Reformed itself only received one Oscar nomination?

2019: The Souvenir Is Ignored

Despite being one of the best films of the past ten years, The Souvenir was ignored by Academy.  The things that made the film work, like its low-key but honest performances and its refusal to pass easy judgment on its characters, are probably the same things that caused the Academy to overlook it.

2020: The Assistant Is Ignored

This was a powerful film and it featured an award-worthy performance from Julia Garner.  It was also about Harvey Weinstein so I guess I shouldn’t be too shocked that the Academy snubbed it.  The Assistant is a film that probably hit too close to home for many members of the Academy.

2021: Val Is Not Nominated For Best Documentary Feature

Val is one of the most affecting documentaries that I’ve ever seen but the Documentary Branch failed to even give it a nomination.  Maybe, like The Assistant, Val just hit too close to home for some of the voters.

2021: Mass Is Ignored

Again, I will never understand how the Academy can fail to give even one nomination to a film as good as Mass.  As with The Souvenir, I can only guess that the Academy did not know how to react to Mass’s honest approach to its subject matter.  Mass worked because it avoided easy judgments and solutions.  That’s probably the same thing that led to the Academy ignoring both the film and its outstanding cast.

Agree?  Disagree?  Do you have any bigger Oscar snub that you’d like to mention?  Let us know in the comments!

And now, get ready to enjoy the show!  And, if you don’t care about the Oscars, fear not!  My review of The Black Godfather will be posting in an hour.

10 Oscar Snubs From The 2000s


Welcome to the aughts. The new century started out with the terror of 9-11 and it ended with the collapse of the world’s economy. In between, a lot of films were released. Some of them were really good. A few of them were nominated for Best Picture. Most of them were not.  As always, there were snubs aplenty.

2000: Michael Douglas Is Not Nominated For Wonder Boys

I recently saw someone online bemoaning the fact that Michael Douglas appears to be fated to end his career as a supporting character in the MCU as opposed to playing the type of “mature” roles with which he made his reputation.  And I actually think that person had a good point.  Michael Douglas, whose performances once epitomized the last few decades of the 20th Century, does seem a bit out of place surrounded by CGI and responding to the overly quippy dialogue of the MCU.  If you want to see a truly good Michael Douglas performance that doesn’t involve anyone shrinking, check him out in Curtis Hanson’s Wonder Boys.  Though Wonder Boys won the Oscar for Best Original Song and picked up nominations for Editing and Adapted Screenplay, Michael Douglas’s wonderful lead performance was overlooked.

2001: Mulholland Drive Is Almost Totally Ignored

Considering the reverence with which it is now viewed, it’s interesting to note that Mulholland Drive only received one Oscar nomination, for David Lynch’s direction.  The film was not nominated for Best Picture.  Naomi Watts and Laura Harring both went unnominated.  At the time, I imagine the film was too strange for Academy voters and its origin as a television pilot probably worked against it.  Today, it is regularly cited as one of the best films ever made.

2002: Leonardo DiCaprio and Tom Hanks Are Not Nominated For Catch Me If You Can

Catch Me If You Can was that rarest of movies, an underrated Steven Spielberg production.  Christopher Walken was nominated for Best Supporting Actor and the film’s score was nominated as well.  But both Leonard DiCaprio and Tom Hanks went unnominated, despite doing some of the best work of their careers.

2002: Robin Williams Is Not Nominated For One Hour Photo

One Hour Photo featured what I consider to be Robin Williams’s best and most poignant performance.  It was also perhaps his most frightening performance, which probably explains why the Academy shied away from honoring it.

2003: Scarlet Johansson Is Not Nominated For Best Actress For Lost In Translation

Though Bill Murray got most of the awards attention, Scarlet Johansson’s performance was just as important to the success of Lost In Translation.

2004: Eternal Sunshine of the Spotless Mind Is Not Nominated For Best Picture or Best Actor

Even before he decided to present himself as being an expert on vaccines and modern art, I wasn’t a huge fan of Jim Carrey’s.  That said, even I have to admit that he deserved a nomination for Eternal Sunshine of the Spotless Mind.  The film itself was only nominated for two Oscars.  Kate Winslet was nominated for Best Actress and Charlie Kaufman won the Oscar for Original Screenplay.  The film deserved quite a bit more.

2007: Once Is Not Nominated For Best Picture

This is one snub that I haven’t quite gotten over.  Once, a beautiful independent film from Ireland, deserved far more love than it received from the Academy.  That said, it did win the Oscar for Best Original Song and Glen Hansard gave one of the best acceptance speeches in Oscar history.  So, there is a little justice.

2008: The Dark Knight Is Not Nominated For Best Picture

If ever there was a comic book movie that deserved to be nominated for Best Picture, it was this one. To me, I think the main reason why The Dark Knight is superior to so many other comic book movies is because, even with Batman and the Joker running around, it still feels as if it’s taking place in the real world.  The smartest decision that Christopher Nolan made was to use a real city for Gotham instead of constructing a phony-looking set.  The fact that The Dark Knight received 8 nominations without also receiving a nomination for Best Picture leaves little doubt that the film’s lack of a nomination was due to its origins as a comic book movie.  There was such an uproar about The Dark Knight failing to pick up a Best Picture nomination that the Academy increased the number of Best Picture nominees to ten.  (Of course, that’s didn’t do much to help anything.)

2008: Robert Downey, Jr. Is Not Nominated For Best Actor For Iron Man

The MCU is now so big that it’s easy to forget that, if Robert Downey, Jr. hadn’t been a convincing Tony Stark in 2008, the whole thing would have never happened.  Going back and watching the early MCU films, before they got bogged down in their own formula, can be an eye-opening experience.  Downey’s performance in the first Iron Man holds up extremely well.  He goes from being an irresponsible businessman to being a hero and he’s convincing at every turn.  He gave such a good performance that it convinced even those of us who weren’t comic book readers to stick around and see what was coming up next in the Marvel Cinematic Universe.

2009: George Wyner Is Not Nominated For Best Supporting Actor For A Serious Man

Not all snubs involve big stars or famous actors.  Some of them involve talented character actors like George Wyner who totally knock their one scene out of the park but who still don’t get the recognition that they deserve.  In A Serious Man, Wyner plays the rabbi who tells Larry Gopnik (Michael Stuhlbarg) the parable of the dentist who found Hebrew phrases on the teeth of one of his patients.  It’s a mesmerizing scene, thanks to George Wyner’s skill as a storyteller.

Agree?  Disagree?  Have a snub of your own that you’d like to mention?  Let us know in the comments!

Coming up next, we go from the 2010s to the present day!

10 Oscar Snubs From the 1990s


Ah, the 90s. Some would say that this was the last good decade that the world would ever experience. It was certainly a good decade for films!  Still, there were some notable Oscar snubs during this decade.  Here are ten of them.

1990: Ray Liotta Is Not Nominated For Goodfellas

The fact that Ray Liotta did not even receive a nomination for playing Henry Hill in Goodfellas will always astound me.  While the film did receive several nominations (and really, it should have won the majority of them), Ray Liotta was snubbed despite the fact that it was his performance that pretty much held the film together.  Alec Baldwin, Tom Cruise, and Val Kilmer were among those who were considered for the role before Liotta received it.  They’re all fine actors but it’s hard to imagine any of them bringing Henry to life quite as well as Ray Liotta.

1991: John Goodman is Not Nominated for Barton Fink

“I WILL SHOW YOU THE LIFE OF THE MIND!”

It’s a little bit amazing that John Goodman has never received an Oscar nomination.  I don’t think he’s ever been scarier (and, in his way, more poignant) than when he played Charley “Mad Man Mundt” Meadows in Barton Fink.

1993: The Age of Innocence Is Not Nominated For Best Picture

While we’re on the subject of Scorsese films that were snubbed by the Academy, it’s amazing to me that Scorsese’s witty, smart, and visually stunning adaptation of The Age of Innocence did not receive a Best Picture nomination.

1993: Dazed and Confused Is Completely Snubbed

Okay, maybe this one isn’t as surprising as the Academy snubbing as Scorsese picture.  Even today, it’s doubtful that the Academy would embrace a film about a bunch of stoned Texas high school kids.  Still, it bothers me that Dazed and Confused received not a single nomination.  It’s certainly better remembered than many of the films that were nominated that year.

1995: Heat Is Completely Ignored

Considering that the film is now regularly cited as one of the best crime films ever made, it’s interesting to note that the Academy totally ignored Heat.  The film received no acting nominations.  Michael Mann was not nominated for his skill in juggling several different storylines.  The film didn’t even receive any technical nominations.  The cinematography was ignored.  You would think that the massive shoot-out would have gotten the film a nomination for Best Sound Editing but, even in that category, Heat was ignored.

Needless to say, Heat was not nominated for Best Picture.  The 1995 Best Picture line-up has always seemed like an odd mix of films, with Babe, Apollo 13, Sense and Sensibility, and Il Postino all losing out to Mel Gibson’s Braveheart.  Apollo 13 and Sense and Sensibility didn’t even receive nominations for their directors, Ron Howard and Ang Lee.  It was an odd year, I guess.  Heat was not the only acclaimed film to miss out on a Best Picture nomination but at least Casino, Leaving Las Vegas, and Dead Man Walking still received nominations in other categories.  Heat was totally snubbed.

1996: Steve Buscemi Is Not Nominated For Fargo

Despite being a cultural institution, Steve Buscemi has never received an Oscar nomination.  I would have nominated him for Fargo.

1997: Boogie Nights Is Not Nominated For Best Picture, Best Director, or Best Actor

Despite receiving two acting nominations for Burt Reynolds and Julianne Moore and a screenplay nomination, Boogie Nights missed out on the big award.  To be honest, I have a feeling that the film would have been nominated if it had been released today.  But, in the year of Titanic, the Academy may not have been ready to embrace a film about the Golden Age of Porn.  And they certainly weren’t ready to embrace Mark Wahlberg, despite his award-worthy performance of The Touch.  Given a choice, the Academy will always embrace the James Camerons of the world before it embraces the Jack Horners.  That said, as we saw in the film, Dirk and Angels Live In My Town swept the AFAA awaards and that’s the important things.

1997: Billy Zane Is Not Nominated For Titanic

C’mon, he was the best thing about the movie!  If Billy Zane can’t receive a nomination for shouting, “I hope you’ll be very happy together!” while chasing Leo and Kate through a sinking ship, what is the point of even having the Oscars?

1999: Reese Witherspoon Is Not Nominated For Best Actress For Election

Reese Witherspoon’s performance as Tracey Flick is iconic precisely because it feels so real.  Everyone has known as Tracey Flick.  Everyone has been annoyed by a Tracey Flick.  Everyone has hoped for a Tracey Flick to fail.  And everyone has inwardly lost a little faith in karma as the Tracey Flicks of the world have continued to find work as mid-level bureaucrats.  In fact, I imagine that might be the reason why Reese Witherspoon was not nominated for her outstanding performance in Election.  No one wanted to reward Tracey Flick.

1999: Bruce Willis Is Not Nominated For Best Actor For The Sixth Sense

Seriously, everyone really took him for granted.  Just try to imagine The Sixth Sense with someone else in his role.

Agree?  Disagree?  Do you have an Oscar snub that you think is even worse than the 10 listed here?  Let us know in the comments!

Up next: A new century brings new snubs!