Lisa Reviews An Oscar Nominee: The Wolf of Wall Street (dir by Martin Scorsese)


Suck it, The Big Short The Wolf of Wall Street is the best film to be made about Wall Street this century.

Martin Scorsese’s 2013 financial epic tells the true story of a group of rather sleazy people who got rich and who basically, to quote Robert De Niro from an earlier Scorsese film, “fucked it all up.”  Jordan Belfort (Leonardo DiCaprio, giving what I still consider to be the best performance of his career) is the son of an accountant named Max (Rob Reiner).  Fresh out of college, Jordan gets a job on Wall Street.  Under the mentorship of the eccentric (but rich) Mark Hanna (Matthew McConaughey), Jordan discovers that the job of a stock broker is to dupe people into buying stock that they might not need while, at the same time, making a ton of money for himself.  With the money comes the cocaine and the prostitutes and everything else that fuels the absurdly aggressive and hyper-masculine world of Wall Street.  Jordan is intrigued but, after the stock market crashes in 1987, he’s also out of a job.

Fortunately, Jordan is never one to give up.  He may no longer be employed on Wall Street but that doesn’t mean that he can’t sell stocks.  He gets a job pushing “penny stocks,” which are low-priced stocks for very small companies.  Because the price of the stock is so low, the brokers get a 50% commission on everything they sell.  Because Jordan is such an aggressive salesman, he manages to make a fortune by convincing people to buy stock in otherwise worthless companies.  As Jordan’s boss (played, in an amusing cameo, by Spike Jonze) explains it, what they’re doing isn’t exactly regulated by the government, which just means more money for everyone!  Yay!

Working with his neighbor, Donny Azoff (Jonah Hill, at his most eccentric), Jordan starts his own brokerage company.  Recruiting all of his friends (the majority of whom are weed dealers who never graduated from high school), Jordan starts Stratton Oakmont.  Using high-pressure sales tactics and a whole lot of other unethical and occasionally illegal techniques, Jordan soon makes a fortune.  When Forbes Magazine publishes an expose that portrays Jordan as being little more than a greedy con man, Stratton Oakmont is flooded by aspiring stock brokers who all want to work for “the wolf of Wall Street.”

And, for a while, Jordan has everything that he wants.  While the Stratton Oakmont offices become a den of nonstop drugs and sex, Jordan buys a huge mansion, a nice car, and marries a model named Naomi (Margot Robbie).  His employees literally worship Jordan as he begins and ends every working day with inspirational (and often hilariously profane) sermons, encouraging his people to get out there and sell no matter what.  Of course, making that much money, Jordan has to find a way to hide it from the IRS.  Soon, with the help of Naomi’s aunt (Joanna Lumley), he is smuggling millions of dollars into Switzerland where a banker (Jean Dujardin, who is both hilariously suave and hilariously sleazy a the time) helps him hide it all.

When Jordan learns that the FBI and SEC are looking into his dealings, Jordan invites Agent Patrick Denham (Kyle Chandler) to come visit him on his yacht and, in a scene that launched a thousand memes, the two of them have a friendly conversation that’s largely made up of passive aggressive insults.  Jordan taunts Denham over the fact that Denham washed out when he tried to get a job on Wall Street.  Denham laughingly asks Jordan to repeat something that sounded like it may have been a bribe.  When Denham leaves the boat, Jordan taunts him by tossing a wad of hundred dollars bills into the wind….

And here’s the thing.  Yes, the media and our political class tells us that we’re supposed to hate that Jordan Belforts of the world.  One can imagine Bernie Sanders having a fit while watching Jordan brag about how he cheated the IRS.  If Adam McKay or Jay Roach had directed this film, one can imagine that they would have used the yacht scene to portray Jordan Belfort as pure evil.  (McKay probably would have tossed in Alfred Molina as a waiter, asking Belfort if he wants to feast on the lost future of the children of America.)  But the truth of the matter is that most viewers, even if they aren’t willing to admit it, will secretly be cheering for Jordan when he throws away that money.  DiCaprio is so flamboyantly charismatic and Scorsese, as director, so perfectly captures the adrenaline high of Jordan’s lifestyle that you can’t help but be sucked in.  He may be greedy and unethical but he just seems to be having so much fun!  Just as how Goodfellas and Casino portrayed life in the mafia as being an intoxicating high (as well as being more than a little bit dangerous), The Wolf of Wall Street refrains from passing easy judgment and it steadfastly refuses to climb onto a moral high horse.  Jordan narrates his own story, often talking directly to the camera and almost always defending his actions.  As a director, Scorsese is smart enough to let us make up own minds about how we feel about Jordan and his story.

Of course, when Jordan falls, it’s a dramatic fall.  That said, it’s not quite as dramatic of a fall as what happened to Ray Liotta in Goodfellas or Robert De Niro in Casino.  No one gets blown up, for instance.  But Jordan does lose everything that gave his life meaning.  By the end of the film, he’s been reduced to giving seminars and challenging attendees to sell him a pen.  (“Well,” one hapless gentleman begins, “it’s a very nice pen…..”)  During the film’s final scenes, it’s not so much a question of whether Jordan has learned anything from his fall.  Instead, the movie leaves you wondering if he’s even capable of learning.  At heart, he’s the wolf of Wall Street.  That’s his nature and it’s really the only thing that he knows how to do.  He’s a bit like Ray Liotta living in the suburbs at the end of Goodfellas.  He’s alive.  He has his freedom and a future.  But he’s still doesn’t quite fit in.  Much like Moses being denied the opportunity to physically enter the Promised Land, Jordan’s punishment for his hubris is to spend his life in exile from where he truly belongs.  And yet, you know that Jordan — much like Henry Hill — probably wouldn’t change a thing if he had the chance to live it all over again.  He’d just hope that he could somehow get a better ending while making the same decisions.

Unlike something like The Big Short, which got bogged down in Adam McKay’s vapid Marxism, The Wolf of Wall Street works precisely because it refuses to pass judgment.  It refuses to tell us what to think.  I imagine that a lot of people watched The Wolf of Wall Street and were outraged by the way Jordan Belfort made his money.  I imagine that an equal number of people watched the film and started thinking about how much they would love to be Jordan Belfort.  The Wolf of Wall Street is a big, long, and sometimes excessive film that dares the audience to think of themselves.  That’s one reason why it’ll be remembered after so many other Wall Street films are forgotten.

The Wolf of Wall Street was nominated for best picture of the year.  It lost to 12 Years A Slave.

Lisa Marie’s Oscar Predictions For December


Well, here we go!

This is my last set of Oscar predictions for the year.  With the critics groups and some of the guilds having now announced their picks for the best of 2019, the Oscar picture is now a lot more clear.  Once Upon A Time In Hollywood, Parasite, The Irishman, 1917, and Marriage Story all seem to be guaranteed to pick up a nomination.    

I am going to go out on a limb and predict that, despite being ignored at SAG and by the Golden Globes, Uncut Gems will get some nominations as well.  Right now, the film just seems to have momentum on its side.  Realistically, I’m not a 100% convinced that it’ll be nominated, not the way I am with some other films.  It’s divisive film and I’m sure that some people think that rewarding Adam Sandler will just lead to him using his newfound respect to get a theatrical release for the next Grown Ups sequel.  But I’m going to take a chance and go with it.

(Of course, Nightcrawler and Jake Gyllenhaal also had a lot of momentum a few years ago and ended up getting totally shut out of the Oscars.)

Below are my predictions for December.  If you want to see how my thinking has evolved, be sure to check out my predictions for January, February, March, April, May, June, July, August, September, October, and November!

Best Picture

1917

Bombshell

The Irishman

JoJo Rabbit

Little Women

Marriage Story

Once Upon A Time In Hollywood

Parasite

Uncut Gems

Best Director

Bong Joon-ho for Parasite

Sam Mendes for 1917

The Safdie Brothers for Uncut Gems

Martin Scorsese for The Irishman

Quentin Tarantino for Once Upon A Time In Hollywood

Best Actor

Leonardo DiCaprio for Once Upon A Time In Hollywood

Adam Driver for Marriage Story

Taron Egerton for Rocketman

Joaquin Phoenix for Joker

Adam Sandler for Uncut Gems

Best Actress

Scarlett Johansson for Marriage Story

Luptia Nyong’o for Us

Saoirse Ronan for Little Women

Charlize Theron for Bombshell

Renee Zellweger for Judy

Best Supporting Actor

Willem DaFoe in The Lighthouse

Tom Hanks in A Beautiful Day In The Neighborhood

Al Pacino for The Irishman

Joe Pesci for The Irishman

Brad Pitt for Once Upon A Time In Hollywood

Best Supporting Actress

Laura Dern in Marriage Story

Scarlett Johansson in JoJo Rabbit

Jennifer Lopez in Hustlers

Florence Pugh in Little Women

Margot Robbie in Once Upon A Time In Hollywood

 

The Oscar nominations will be announced on January 13th!

Happy New Year, everyone!

Oscar, in happier times

The Dallas-Ft. Worth Film Critics Association Names 1917 As The Best of 2019!


Reunion Tower (picture by Erin Nicole)

Here are the winners in Dallas!

BEST PICTURE

Winner: 1917

Runners-up: MARRIAGE STORY (2); PARASITE (3); THE IRISHMAN (4); ONCE UPON A TIME IN HOLLYWOOD (5); JOJO RABBIT (6); LITTLE WOMEN (7); THE FAREWELL (8); THE TWO POPES (9); KNIVES OUT (10)

BEST ACTOR

Winner: Adam Driver, MARRIAGE STORY

Runners-up: Joaquin Phoenix, JOKER (2); Antonio Banderas, PAIN AND GLORY (3); Leonardo DiCaprio, ONCE UPON A TIME IN HOLLYWOOD (4); Robert De Niro, THE IRISHMAN (5)

BEST ACTRESS

Winner: Scarlett Johansson, MARRIAGE STORY

Runners-up: Renée Zellweger, JUDY (2); Charlize Theron, BOMBSHELL (3); Saoirse Ronan, LITTLE WOMEN (4); Awkwafina, THE FAREWELL (5, tie); Lupita Nyong’o, US (5, tie)

BEST SUPPORTING ACTOR

Winner: Brad Pitt, ONCE UPON A TIME IN HOLLYWOOD

Runners-up: Willem Dafoe, THE LIGHTHOUSE (2); Joe Pesci, THE IRISHMAN (3); Al Pacino, THE IRISHMAN (4); Shia LaBeouf, HONEY BOY (5)

BEST SUPPORTING ACTRESS

Winner: Laura Dern, MARRIAGE STORY

Runners-up: Margot Robbie, BOMBSHELL (2); Florence Pugh, LITTLE WOMEN (3); Jennifer Lopez, HUSTLERS (4); Annette Bening, THE REPORT (5)

BEST DIRECTOR

Winner: Sam Mendes, 1917

Runners-up: Bong Joon-ho, PARASITE (2); Martin Scorsese, THE IRISHMAN (3); Quentin Tarantino, ONCE UPON A TIME IN HOLLYWOOD (4); Noah Baumbach, MARRIAGE STORY (5)

BEST FOREIGN LANGUAGE FILM

Winner: PARASITE

Runners-up: PAIN AND GLORY (2); THE FAREWELL (3); LES MISÉRABLES (4); PORTRAIT OF A LADY ON FIRE (5)

BEST DOCUMENTARY

Winner: APOLLO 11

Runners-up: ONE CHILD NATION (2); AMERICAN FACTORY (3); HONEYLAND (4); FOR SAMA (5)

BEST ANIMATED FILM

Winner: TOY STORY 4

Runner-up: I LOST MY BODY

BEST SCREENPLAY

Winner: Noah Baumbach, MARRIAGE STORY

Runner-up: Steven Zaillian, THE IRISHMAN

BEST CINEMATOGRAPHY

Winner: Roger Deakins, 1917

Runner-up: Hong Kyung-pyo, PARASITE

BEST MUSICAL SCORE

Winner: Thomas Newman, 1917

Runner-up: Alexandre Desplat, LITTLE WOMEN

RUSSELL SMITH AWARD (best low-budget or cutting-edge independent film)

Winner: THE LIGHTHOUSE

The St. Louis Film Critics Association Names Once Upon A Time In Hollywood The Best of 2019!


Here are the winners!

Best Picture

1917 (Runner-up)
Dolemite Is My Name
The Irishman
Jojo Rabbit
Little Women
Long Day’s Journey Into Night
Marriage Story
Once Upon a Time in Hollywood – WINNER
The Two Popes
Waves

Best Director

Sam Mendes, 1917
Martin Scorsese, The Irishman
Taika Waititi, Jojo Rabbit
Quentin Tarantino, Once Upon a Time in Hollywood – WINNER
Bong Joon Ho, Parasite (Runner-up)

Best Actress

Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story – WINNER
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renée Zellweger, Judy (Runner-up)

Best Actor

Adam Driver, Marriage Story
Eddie Murphy, Dolemite Is My Name
Joaquin Phoenix, Joker (Runner-up)
Jonathan Pryce, The Two Popes
Adam Sandler, Uncut Gems – WINNER

Best Supporting Actress

Annette Bening, The Report
Laura Dern, Marriage Story (Runner-up)
Scarlett Johansson, Jojo Rabbit
Florence Pugh, Little Women
Margot Robbie, Bombshell and Once Upon a Time in Hollywood – WINNER

Best Supporting Actor

Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman (Runner-up)
Brad Pitt, Once Upon a Time in Hollywood – WINNER
Wesley Snipes, Dolemite Is My Name

Best Original Screenplay

Booksmart
Marriage Story – WINNER (tie)
Once Upon a Time in Hollywood – WINNER (tie)
Parasite
Queen & Slim

Best Adapted Screenplay

The Irishman – WINNER
Jojo Rabbit (Runner-up)
Joker
Little Women (Runner-up)
The Two Popes

Best Cinematography

1917 – WINNER
The Irishman
Joker
The Lighthouse (Runner-up)
Once Upon a Time in Hollywood

Best Editing

1917 (Runner-up)
Ford v Ferrari
The Irishman (Runner-up)
Marriage Story
Once Upon a Time in Hollywood – WINNER

Best Production Design

1917 (Runner-up)
The Irishman
Little Women (Runner-up)
Once Upon a Time in Hollywood – WINNER
Parasite

Best Visual Effects

1917 (Runner-up)
Ad Astra (Runner-up)
Alita: Battle Angel
Avengers: Endgame – WINNER
The Irishman

Best Music Score

1917 – WINNER
Ad Astra
Avengers: Endgame
How to Train Your Dragon: The Hidden World
Marriage Story (Runner-up)

Best Music Soundtrack

Frozen II (Runner-up)
Once Upon a Time in Hollywood – WINNER
Rocketman
Waves (Runner-up)
Yesterday

Best Action Film

1917 – WINNER
Alita: Battle Angel
Avengers: Endgame (Runner-up)
Captain Marvel
John Wick 3: Parabellum

Best Animated Feature

Frozen II (Runner-up)
How to Train Your Dragon: The Hidden World
Klaus (Runner-up)
Missing Link
Toy Story 4 – WINNER

Best Comedy

Booksmart – WINNER
Dolemite Is My Name
The Farewell
Jojo Rabbit (Runner-up)
Knives Out

Best Documentary Feature

Apollo 11 – WINNER
The Biggest Little Farm
Honeyland
Linda Ronstadt: The Sound of My Voice (Runner-up)

Best Horror Film

The Lighthouse
Midsommar
Parasite (Runner-up)
Ready Or Not
Us – WINNER

Best International Feature Film (Foreign Film)

By the Grace of God
Long Day’s Journey Into Night (Runner up)
Pain and Glory
Parasite – WINNER
Portrait of a Lady on Fire

Best Scene

“Avengers Assemble,” Avengers: Endgame
Apartment fight, Marriage Story
Charlie sings, Marriage Story
Spahn Ranch, Once Upon a Time in Hollywood – WINNER
Jack visits cottage, Yesterday (Runner-up)

Here Are The SAG Nominations!


The SAG nominations were announced this morning.

For those of you keeping track of precursors and using them to shape your own predictions, the SAG nominations are usually a pretty big deal.  It’s rare that every film that gets a best ensemble nomination also gets a best picture nominations.  (In the past, The Big Sick, Trumbo, and Beasts of No Nation all got ensemble noms without also getting a best picture nomination.)  But, at the same time, the SAG is full of Academy members (the Actor’s Division is the largest part of the Academy) so their nominations are definitely a good sign of the way the winds are blowing.

So, a look at the nominations below — very bad news for Adam Sandler.  I have a hard time seeing how he can get an Oscar nomination without also a Golden Globe or SAG nomination.  Good news for Christian Bale, who is rapidly becoming the male Meryl Streep as far as automatic nominations are concerned.  Good news for Bombshell.  Good news for me, because I predicted that the liberals in Hollywood would embrace Bombshell for the same reason that they embraced films like Vice and The Big Short (i,e., “honoring Jay Roach and Adam McKay movies to own the cons”).  Potentially bad news for Kathy Bates, who received a Golden Globe nomination for her performance in Richard Jewell but not one from SAG.  Bad news for 1917, which was totally rejected by the SAG.  Potentially good news for Joker, which may have missed out on Ensemble but still picked up nominations for Joaquin Phoenix and the stunts crew.

Anyway, here are the SAG film nominees:

Outstanding Performance by a Male Actor in a Leading Role:

Christian Bale (“Ford v Ferrari”)
Leonardo DiCaprio (“Once Upon a Time in Hollywood”)
Adam Driver (“Marriage Story”)
Taron Egerton (“Rocketman”)
Joaquin Phoenix (“Joker”)

Outstanding Performance by a Female Actor in a Leading Role:

Cynthia Erivo (“Harriet”)
Scarlett Johansson (“Marriage Story”)
Lupita Nyong’o (“Us”)
Charlize Theron (“Bombshell”)
Renée Zellweger (“Judy”)

Outstanding Performance by a Male Actor in a Supporting Role:

Jamie Foxx (“Just Mercy”)
Tom Hanks (“A Beautiful Day in the Neighborhood”)
Al Pacino (“The Irishman”)
Joe Pesci (“The Irishman”)
Brad Pitt (“Once Upon a Time in Hollywood”)

Outstanding Performance by a Female Actor in a Supporting Role:

Laura Dern (“Marriage Story”)
Scarlett Johansson (“Jojo Rabbit”)
Nicole Kidman (“Bombshell”)
Jennifer Lopez (“Hustlers”)
Margot Robbie (“Bombshell”)

Outstanding Performance by a Cast in a Motion Picture:

“Bombshell” (Lionsgate)
“The Irishman” (Netflix)
“Jojo Rabbit” (Fox)
“Once Upon a Time in Hollywood” (Sony)
“Parasite” (Neon)

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture:

“Avengers: Endgame”
“Ford v Ferrari”
“The Irishman”
“Joker”
“Once Upon a Time in Hollywood”

The Satellites Really Like Ford V Ferrari


The Satellite Nominations were announced earlier today and they appear to really, really like Ford v. Ferrari.

Now, you may be asking yourself, “Who gives out the Satellites?”  They are awarded by the International Press Academy.  They should not be mistaken for the Golden Globes, which are given out the Hollywood Foreign Press Association.  Instead, the Satellites should probably be considered the Golden Globes’s less popular cousins.  Unlike the Globes, they haven’t really proven themselves to be reliable as a precursor.

Anyway, here are the Satellite Film Nominations.  If you want to see their television nominations, click here!

ACTRESS IN A MOTION PICTURE DRAMA

  • Alfre Woodard, “Clemency”
  • Charlize Theron, “Bombshell”
  • Cynthia Erivo, “Harriet”
  • Helen Mirren, “The Good Liar”
  • Renee Zellweger, “Judy”
  • Scarlett Johansson, “Marriage Story”

ACTOR IN A MOTION PICTURE DRAMA

  • Adam Driver, “Marriage Story”
  • Antonio Banderas, “Pain and Glory”
  • Christian Bale, “Ford v Ferrari”
  • George MacKay, “1917″
  • Joaquin Phoenix, “Joker”
  • Mark Ruffalo, “Dark Waters” 

ACTRESS IN A MOTION PICTURE, COMEDY OR MUSICAL

  • Awkwafina, “The Farewell”
  • Ana De Armas, “Knives Out”
  • Constance Wu, “Hustlers”
  • Julianne Moore, “Gloria Bell”

ACTOR IN A MOTION PICTURE, COMEDY OR MUSICAL

  • Adam Sandler, “Uncut Gems”
  • Daniel Craig, “Knives Out”
  • Eddie Murphy, “Dolemite Is My Name”
  • Leonardo DiCaprio, “Once Upon a Time in Hollywood”
  • Taron Egerton, “Rocketman”
  • Taika Waititi, “Jojo Rabbit”

ACTRESS IN A SUPPORTING ROLE

  • Jennifer Lopez, “Hustlers”
  • Laura Dern, “Marriage Story”
  • Margot Robbie, “Bomshell”
  • Penelope Cruz, “Pain and Glory”
  • Nicole Kidman, “Bombshell”
  • Zhao Shuzhen, “The Farewell”

ACTOR IN A SUPPORTING ROLE

  • Anthony Hopkins, “The Two Popes”
  • Brad Pitt, “Once Upon a Time in Hollywood”
  • Joe Pesci, “The Irishman”
  • Tom Hanks, “A Beautiful Day in The Neighborhood”
  • Willem Dafoe, “The Lighthouse”
  • Wendell Pierce, “Burning Cane”

MOTION PICTURE, DRAMA

  • 1917 Universal Pictures
  • Bombshell Lionsgate
  • Burning Cane Array Releasing
  • Ford v Ferrari Twentieth Century Fox
  • Joker Warner Bros.
  • The Lighthouse A24
  • Marriage Story Netflix
  • Two Popes Netflix

MOTION PICTURE, COMEDY OR MUSICAL

  • Hustlers STX Entertainment
  • Knives Out Lionsgate
  • Once Upon a Time in Hollywood Columbia Pictures
  • Rocketman Paramount
  • The Farewell A24
  • Uncut Gems A24

MOTION PICTURE, INTERNATIONAL

  • Atlantics, Senegal
  • Beanpole, Russia
  • Les Miserables, France
  • Pain and Glory, Spain
  • Parasite, Korea
  • Truth and Justice, Estonia
  • Portrait of a Lady on Fire, France
  • The Painted Bird, Czech Republic

MOTION PICTURE, ANIMATED OR MIXED MEDIA

  • A Shaun the Sheep Movie: Farmageddon Netflix
  • Alita: Battle Angel Twentieth Century Fox
  • Buñuel in the Labyrinth of the Turtles GKIDS
  • How to Train Your Dragon 2: The Hidden World Universal Pictures
  • The Lion King Walt Disney Studios Motion Pictures
  • Toy Story 4 Walt Disney Studios Motion Pictures
  • Weathering With You GKIDS

MOTION PICTURE, DOCUMENTARY

  • 63 Up BritBox
  • Apollo 11 Neon
  • Citizen K Greenwich Entertainment
  • Honeyland KJ Films
  • One Child Nation Amazon Studios
  • The Apollo HBO Documentary
  • The Cave National Geographic Documentary Films
  • FOR SAMA PBS

DIRECTOR

  • Bong Joon Ho, “Parasite”
  • James Mangold, “Ford v Ferrari”
  • Noah Baumbach, “Marriage Story”
  • Pedro Almodóvar, “Pain and Glory”
  • Sam Mendes, “1917″
  • Quentin Tarantino, “Once Upon a Time… in Hollywood”

SCREENPLAY, ORIGINAL

  • Bong Joon Ho, “Parasite”
  • Jez Butterworth, John-Henry Butterworth, and Jason Keller, “Ford v Ferrari”
  • Lulu Wang, “The Farewell”
  • Noah Baumbach, “Marriage Story”
  • Pedro Almodóvar, “Pain and Glory”
  • Quentin Tarantino, “Once Upon a Time… in Hollywood”

SCREENPLAY, ADAPTED

  • Anthony McCarten, “The Two Popes”
  • Edward Norton, “Motherless Brooklyn”
  • Matthew Michael Carnahan, Mario Correa, Nathaniel Rich, “Dark Waters”
  • Steven Zaillian, “The Irishman”
  • Taika Waititi, “Jojo Rabbit”
  • Todd Phillips & Scott Silver, “Joker”

ORIGINAL SCORE

  • Thomas Newman, “1917″
  • Marco Beltrami & Buck Sanders, “Ford v Ferrari”
  • Randy Newman, “Marriage Story”
  • Robbie Robertson, “The Irishman”
  • Terence Blanchard, “Harriet”
  • Hildur Guonadottir, “Joker”

ORIGINAL SONG

  • Don’t Call Me (Angel), “Charlie’s Angels”
  • Into the Unknown, “Frozen II”
  • (I’m Gonna) Love Me Again, “Rocketman”
  • Spirit, “Lion King”
  • The Ballade of the Lonesome Cowboy, “Toy Story 4”
  • Swan Song, “Alita: Battle Angel”

CINEMATOGRAPHY

  • Dick Pope, “Motherless Brooklyn”
  • George Richmond, “Rocketman”
  • Lawrence Sher, “Joker”
  • Phedon Papamichael, ASC, GSC, “Ford v Ferrari”
  • Rodrigo Prieto, “The Irishman”
  • Roger Deakins, “1917”

FILM EDITING

  • 1917
    Lee Smith, ACE
  • Ford v Ferrari
    Michael McCusker, ACE
    Andrew Buckland
  • Joker
    Jeff Groth
  • Marriage Story
    Jennifer Lame, ACE
  • Rocketman
    Chris Dickens
  • The Irishman
    Thelma Schoonmaker

SOUND (EDITING AND MIXING)

  • 1917
    Oliver Tarney
    Stuart Wilson
    Scott Millan
    Mark Taylor
  • Avengers: Endgame
    Shannon Mills
    Daniel Laurie
    Tom Johnson
    Juan Peralta
    John Pritchett, CAS
  • Ford v Ferrari
    Donald Sylvester
    Paul Massey
    David Giammarco
    Steven A. Morrow, CAS
  • Joker
    Alan Robert Murray
    Tom Ozanich
    Dean Zupancic
  • Once Upon a Time in Hollywood
    Wylie Stateman
    Mark Ulano, CAS
    Michael Minkler, CAS
    Christian P. Minkler, CAS
  • Rocketman
    Matthew Collinge
    John Hayes

VISUAL EFFECTS

  • Alita: Battle Angel
    Joe Letteri
    Eric Saindon
  • Avengers: Endgame
    Dan DeLeeuw
    Matt Aitken
    Russell Earl
    Dan Sudick
  • The Lion King
    Robert Legato, ASC; Andrew R. Jones
    Adam Valdez; Elliot Newman
  • Ford v Ferrari
    Olivier Dumont
    Mark Byers
    Kathy Segal
  • Joker
    Edwin Rivera
    Mathew Giampa
    Bryan Godwin
  • The Irishman
    Pablo Helman

ART DIRECTION & PRODUCTION DESIGN

  • 1917
    Dennis Gassner
    Lee Sandales
  • Ford v Ferrari
    François Audouy
    Peter Lando
  • Joker
    Mark Friedberg
    Laura Ballinger
  • Motherless Brooklyn
    Beth Mickle
    Michael Ahern
  • Once Upon a Time in Hollywood
    Barbara Ling
    Nancy Haigh
  • The Two Popes
    Mark Tildesley
    Saverio Sammali

COSTUME DESIGN 

  • Dolemite Is My Name
    Ruth E. Carter
  • Joker
    Mark Bridges
  • Judy
    Jeny Temime
  • Rocketman
    Julian Day
  • The Two Popes
    Luka Canfora
  • Downton Abbey
    Caroline McCall
    Anna Robbins
    Susannah Buxton
    Rosalind Ebbutt

Here Are The Hollywood Critics Association’s Nominations For The Best of 2019


The Hollywood Critics Association was, up until a few days ago, known as the Los Angeles Online Film Critics Society.  Perhaps realizing that HCA just plans looks better than LAOFCS, they announced yesterday that they were changing their name.

They also announced their nominees for the best of films and performances of 2019!  While the HCA may not be one of the major precursors of awards season, their nominations do give a fairly good picture of which films and performances are currently being touted as possible Oscar nominees.

And here they are:

BEST PICTURE

  • “1917”
  • “Booksmart”
  • “The Farewell”
  • “The Irishman”
  • “Joker”
  • “Jojo Rabbit”
  • “Parasite”
  • “Marriage Story”
  • “Once Upon a Time in Hollywood”
  • “Waves

BEST ACTOR

  • Adam Driver, “Marriage Story”
  • Eddie Murphy, “Dolemite Is My Name”
  • Joaquin Phoenix, “Joker”
  • Leonardo DiCaprio, “Once Upon a Time in Hollywood”
  • “Taron Egerton, “Rocketman”

BEST ACTRESS

  • Awkwafina, “The Farewell”
  • “Charlize Theron, “Bombshell”
  • Lupita Nyong’o, “Us”
  • Renée Zellweger, “Judy”
  • Scarlett Johansson, “Marriage Story”

BEST SUPPORTING ACTOR

  • Brad Pitt, “Once Upon a Time in Hollywood”
  • Joe Pesci, “The Irishman”
  • Shia LaBeouf, “Honey Boy”
  • Sterling K. Brown, “Waves”
  • Tom Hanks, “A Beautiful Day in the Neighborhood”

BEST SUPPORTING ACTRESS

  • Jennifer Lopez, “Hustlers”
  • Laura Dern, “Marriage Story”
  • Margot Robbie, “Once Upon a Time in Hollywood”
  • Taylor Russell, “Waves”
  • Zhao Shuzhen, “The Farewell”

BEST MALE DIRECTOR

  • Bong Joon-ho, “Parasite”
  • Martin Scorsese, “The Irishman”
  • Noah Baumbach, “Marriage Story”
  • Quentin Tarantino, “Once Upon a Time in Hollywood”
  • Taika Waititi, “Jojo Rabbit”

BEST FEMALE DIRECTOR

  • Alma Har’el, “Honey Boy”
  • Greta Gerwig, “Little Women”
  • Lorene Scafaria, “Hustlers”
  • Lulu Wang, “The Farewell”
  • Olivia Wilde, “Booksmart”

ORIGINAL SCREENPLAY

  • Bong Joon-ho & Han Jin-won, “Parasite”
  • Emily Halpern, Sarah Haskins, Susanna Fogel, & Katie Silberman, “Booksmart”
  • Lulu Wang, “The Farewell”
  • Noah Baumbach, “Marriage Story”
  • Rian Johnson, “Knives Out”

ADAPTED SCREENPLAY

  • Anthony McCarten, “The Two Popes”
  • Lorene Scafaria, “Hustlers”
  • Scott Silver and Todd Phillips, “Joker”
  • Steven Zailian, “The Irishman”
  • Taika Waititi, “Jojo Rabbit”

BEST PERFORMANCE BY AN ACTOR OR ACTRESS 23 AND UNDER

  • Kaitlyn Dever, “Booksmart”
  • Julia Butters, “Once Upon a Time in Hollywood”
  • Noah Jupe, “Honey Boy”
  • Roman Griffin Davis, “Jojo Rabbit”
  • Thomasin McKenzie, “Jojo Rabbit”

BREAKTHROUGH PERFORMANCE

  • Jessie Buckley, “Wild Rose”
  • Kelvin Harrison Jr., “Waves”
  • Paul Walter Hauser, “Richard Jewell”
  • Taylor Russell, “Waves”
  • Zack Gottsagen, “The Peanut Butter Falcon”

BEST CAST

  • “Avengers: Endgame”
  • “The Irishman”
  • “Knives Out”
  • “Once Upon a Time in Hollywood”
  • “Waves”

BEST FIRST FEATURE

  • “Brittany Runs a Marathon”
  • “Booksmart”
  • “Honey Boy”
  • “The Peanut Butter Falcon”
  • “Queen & Slim”

BEST INDEPENDENT FILM

  • “Booksmart”
  • “The Farewell”
  • “Honey Boy”
  • “Luce”
  • “Waves”

BEST ACTION/WAR FILM

  • “1917”
  • “Avengers: Endgame”
  • “Captain Marvel”
  • “Fast & Furious Presents: Hobbs & Shaw”
  • “John Wick: Chapter 3 — Parabellum”

BEST ANIMATED FILM

  • “Abominable”
  • “Frozen II”
  • “How to Train Your Dragon: The Hidden World”
  • “Missing Link”
  • “Toy Story 4”

BEST BLOCKBUSTER

  • “Avengers: Endgame”
  • “Captain Marvel”
  • “Once Upon a Time in Hollywood”
  • “Shazam!”
  • “Spider-Man: Far from Home”

BEST COMEDY/MUSICAL

  • “Booksmart”
  • “Blinded by the Light”
  • Dolemite Is My Name”
  • “Long Shot”
  • “Rocketman”

BEST DOCUMENTARY

  • “American Factory”
  • “Apollo 11”
  • “Hail Satan?”
  • “The Kingmaker”
  • “Love, Antosha”

BEST FOREIGN LANGUAGE FILM

  • “The Farewell”
  • “Monos”
  • “Pain & Glory”
  • “Parasite”
  • “Portrait of a Lady on Fire”

BEST HORROR FILM

  • “Crawl”
  • “Doctor Sleep”
  • “Midsommar”
  • “Ready or Not”
  • “Us”

BEST ANIMATED OR VFX PERFORMANCE

  • Josh Brolin, “Avengers: Endgame”
  • Robert De Niro, “The Irishman”
  • Rosa Salazar, “Alita: Battle Angel”
  • Ryan Reynolds, “Detective Pikachu”
  • Tom Hanks, “Toy Story 4”

BEST CINEMATOGRAPHY

  • Drew Daniel, “Waves”
  • Jarin Blaschke, “The Lighthouse”
  • Lawrence Sher, “Joker”
  • Robert Richardson, “Once Upon a Time in Hollywood”
  • Roger Deakins, “1917”

BEST COSTUME DESIGN

  • Arianne Phillips, “Once Upon a Time in Hollywood”
  • Julian Day, “Rocketman”
  • Jacqueline Durran, “Little Women”
  • Ruth E. Carter, “Dolemite Is My Name”
  • Mark Bridges, “Joker”

BEST EDITING

  • Fred Raskin, “Once Upon a Time in Hollywood”
  • Lee Smith, “1917”
  • Michael McCusker, “Ford v Ferrari”
  • Thelma Schoonmaker, ‘The Irishman”
  • Yang Jin-mo, “Parasite”

BEST HAIR AND MAKEUP

  • “Bombshell”
  • “Joker”
  • “Judy”
  • “Rocketman”
  • “The Irishman”

BEST ORIGINAL SONG

  • “Catchy Song” from “The Lego Movie: The Second Part”
  • “Glasgow” from “Wild Rose”
  • “(I’m Gonna) Love Me Again” from “Rocketman”
  • “Into the Unknown” from “Frozen II”
  • “Speechless” from “Aladdin”

BEST SCORE

  • Alexandre Desplat, “Little Women”
  • Hildur Guðnadóttir, “Joker”
  • Michael Abels, “Us”
  • Thomas Newman, “1917”
  • Trent Reznor and Atticus Ross, “Waves”

BEST STUNT WORK

  • “1917”
  • “Avengers: Endgame”
  • “Captain Marvel”
  • “Fast & Furious Presents: Hobbs & Shaw”
  • “John Wick: Chapter 3 — Parabellum”

BEST VISUAL EFFECTS

  • “1917”
  • “Ad Astra”
  • “Avengers: Endgame”
  • “Alita: Battle Angel”
  • “The Irishman”

The winners will announced in December!