Lisa Marie’s Oscar Predictions For October


Even though Horrorthon has taken up the majority of my time this October, I still have been watching as this year’s Oscar race has developed over the past 29 days.  And that’s a good thing because it’s time for my monthly predictions!

Below, you’ll find my predictions for October!  In order to see how my thinking has evolved over the course of the year, be sure to check out my predictions for February, March, April, May, June, July, August, and September!

Best Picture

Babylon

The Banshees of Inisherin

Elvis

Everything Everywhere All At Once

The Fabelmans

She Says

TAR

Till

Top Gun: Maverick

Women Talking

Best Director

Chinonye Chukwu for Till

Todd Field for TAR

Martin McDonagh for The Banshees of Insherin

Sarah Polley for Women Talking

Steven Spielberg for The Fabelmans

Best Actor

Austin Butler in Elvis

Tom Cruise in Top Gun: Maverick

Colin Farrell in The Banshees of Insherin

Hugh Jackman in The Son

Brendan Fraser in The Whale

Best Actress

Naomi Ackie in I Wanna Dance With Somebody

Cate Blanchett in TAR

Olivia Colman in Empire of Light

Danielle Deadwyler in Till

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

Brendan Gleeson in The Banshees of Insherin

Tom Hanks in Elvis

Woody Harrelson in Triangle of Sadness

Judd Hirsch in The Fabelmans

Ke Huy Quan in Everything Everywhere All At Once

Best Supporting Actress

Jessie Buckley in Women Talking

Claire Foy in Women Talking

Nina Hoss in Tar

Janelle Monae in Glass Onion: A Knives Out Mystery

Carey Mulligan in She Says

Lisa Marie’s Oscar Predictions For September


Horrorthon, my favorite time of year, starts tomorrow!  However, before we get lost in the scary season, I want to take one last look at awards season!  It’s time for me to update my Oscar nominations.  Fortunately, thanks to all of the recent festival premieres, the Oscar picture is finally starting to look a little bit clearer.  There’s still a lot of question marks out there and, as always, anything can happen.  But, finally, I can say that there’s more to my predictions that just lucky guesses and wishful thinking.

Below, you’ll find my predictions for September!  In order to see how my thinking has evolved over the course of the year, be sure to check out my predictions for February, March, April, May, June, July, and August.

Best Picture

Babylon

The Banshees of Inisherin

Elvis

Everything Everywhere All At Once

The Fabelmans

The Menu

TAR

Till

Top Gun: Maverick

Women Talking

A few thoughts on the (potential) nominees:

Babylon, I will admit, I’m including because of the trailer and the fact that it’s a Damien Chazelle film about Hollywood.  The Academy likes films about itself and one can argue that after what happened when La La Land was nominated, Chazelle is owed at least a little bit of recognition.  Then again, that same argument could have been made for First Man and we know how that turned out.

As for The Menu, I’ve got that in my surprise nominee slot.  There’s almost always at least one potential nominee that’s considered to be a long shot until the nominations are announced.  Now that we have a set number of ten nominees, the chances that one nominee will be a surprise seems even more certain than before.

Top Gun: Maverick, Elvis, and Everything Everywhere All At Once all came out early in the year but they’ve all achieved the box office success necessary to be remembered.

Till seems like the type of film that the Academy will want to acknowledge, especially with the presidential election right around the corner.

The Banshees of Inisherin, The Fabelmans, TAR, and Women Talking were all acclaimed when they made their festival debuts.  Banshees, in particular, went from being a probable also-ran to a surefire contender based on the length of the standing ovation that it received.

Best Director

Chinonye Chukwu for Till

Todd Field for TAR

Martin McDonagh for The Banshees of Insherin

Sarah Polley for Women Talking

Steven Spielberg for The Fabelmans

Best Actor

Austin Butler in Elvis

Tom Cruise in Top Gun: Maverick

Colin Farrell in The Banshees of Insherin

Ralph Fiennes in The Menu

Brendan Fraser in The Whale

Best Actress

Naomi Ackie in I Wanna Dance With Somebody

Cate Blanchett in TAR

Olivia Colman in Empire of Light

Danielle Deadwyler in Till

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

Brendan Gleeson in The Banshees of Insherin

Tom Hanks in Elvis

Woody Harrelson in Triangle of Sadness

Judd Hirsch in The Fabelmans

Ke Huy Quan in Everything Everywhere All At Once

Best Supporting Actress

Jessie Buckley in Women Talking

Jamie Lee Curtis in Everything Everywhere All At Once

Sally Field in Spoiler Alert

Frances McDormand in Women Talking

Janelle Monae in Glass Onion: A Knives Out Mystery

Scenes That I Love: Bill Murray in Zombieland


He’s not a zombie!

He’s Bill Murray!

And today is Bill Murray’s birthday so it seems like a good time to share a scene that I love.  In this scene from 2009’s Zombieland, Bill Murray proves that not even the zombie apocalypse can stop the Murraycane.

(Unfortunately, Bill comes to a tragic end in Zombieland but at least he gets to enjoy himself for a while.)

Lisa Marie’s Early Oscar Predictions For July


Little by little, the Oscar race is starting to become just a little bit clearer.  It’s still early, of course.  Really, it’s way too early to say anything for sure.  But it’s also hard to deny that certain films are now much more in the conversation than others.

The biggest development this month was the announcement that Martin Scorsese’s Killers of the Flower Moon will not be released until 2023.  That takes it out of Oscar contention …. for now.  (For those who may have forgotten, it was originally announced, halfway through 2013, that The Wolf of Wall Street would not be ready until sometimes in 2014.  Everyone dutifully updated their Oscar predictions, striking The Wolf of Wall Street from their lists of likely best picture nominees.  Then, at the last minute, Scorsese announced that the film actually would be ready for 2013.  If something similar happens this year, Killers of the Flower Moon will go right back to being a huge contender because it’s Scorsese and he’s one of the best, regardless of what certain Marvel fans would have you believe.)  With Scorsese apparently out, it would now appear that Steven Spielberg is going to be the only member of the old guard with a film in the Oscar race.  Considering that many people believe that Spielberg’s West Side Story was snubbed last year when it only took home one Oscar (out of a total of sever nominations), The Fabelmans seems like it will be a major contender.  Admittedly, my hope that David Lynch will earn an acting nomination for playing John Ford in The Fabelmans may be a longshot but it can not be denied that it would be a cool development.

As for the other contenders, Top Gun: Maverick, Elvis, and Everything Everywhere All At Once all seem poised to ride a combination of critical acclaim and box office success into the Oscar race.  Todd Field has finally returned with TarThe Whale has the potential to be a comeback vehicle for the always likable Brendan Fraser.  She Said, Till, and Women Talking all stand to take advantage of the current political climate.  And Babylon will presumably give Hollywood a chance to celebrate itself.

The Oscar picture is still a bit cloudy but, with so many major festival on the horizon, those clouds should be parting soon.

Be sure to check out my predictions for February, March, April, May, and June!

Best Picture

Babylon

Elvis

Everything Everywhere All At Once

The Fabelmans

She Said

Tar

Till

Top Gun: Maverick

The Whale

Women Talking

Best Director

Damien Chazelle for Babylon

Daniel Kwan and Daniel Scheinert (The Daniels) for Everything Everywhere All At Once

Todd Field for Tar

Sarah Polley for Women Talking

Steven Spielberg for The Fabelmans

Best Actor

Austin Butler in Elvis

Tom Cruise in Top Gun: Maverick

Adam Driver in White Noise

Brendan Fraser in The Whale

Harry Styles in My Policeman

Best Actress

Cate Blanchett in Tar

Viola Davis in The Woman King

Ana de Arms in Blonde

Danielle Deadwyler in Till

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

Tom Hanks in Elvis

Woody Harrelson in Triangle of Sadness

David Lynch in The Fabelmans

Tobey Maguire in Babylon

Ke Huy Quan in Everything Everywhere All At Once

Best Supporting Actress

Jessie Buckley in Women Talking

Patricia Clarkson in She Said

Jamie Lee Curtis in Everything Everywhere All At Once

Sally Field in Spoiler Alert: The Hero Dies

Michelle Williams in The Fabelmans

Here’s The Trailer For Midway


Earlier today, the first trailer for Midway was released.  Based on the famous World War II battle, Midway will be in theaters on November 8th.  Judging from the trailer, it would appear that this adaptation has more in common with Michael Bay’s Pearl Harbor than Christopher Nolan’s Dunkirk.

Of course, we shouldn’t be too surprised by that.  Midway is the latest film from Roland Emmerich and that’ll probably mean a lot of action, not a lot of character development, and maybe a half-assed debate about whether or not Shakespeare wrote Hamlet.  (I have to admit that I have never forgiven Emmerich for Anonymous, a film that not only promoted a silly conspiracy theory but which also accused Shakespeare of murdering Christopher Marlowe.)  Of course, Midway could still be a good film, even if it is a typical Emmerich production.  Sometimes, you just want to spend a few hours watching stuff blow up.

Midway does have a big cast: Ed Skrein, Patrick Wilson, Luke Evans, Aaron Eckhart, Nick Jonas, Mandy Moore, Dennis Quaid, Darren Criss and Woody Harrelson.  I don’t know if I’d say that was an intriguing cast, if just because Woody Harrelson and Dennis Quaid appear to be legally required to appear in ensemble war films like this.  Still, it’ll be interesting to see if Midway can do for Nick Jonas what Dunkirk did for Harry Styles.

Here’s the trailer:

Music Video Of The Day: God’s Gonna Cut You Down (2006, dir by Tony Kaye)


This is a case where I like the song more than the music video.  This video was actually filmed three years after Johnny Cash’s death.  As far as “official” music videos are concerned, I always feel like a musician should have some sort of say into how their music is visually interpreted.  Obviously, Johnny Cash wasn’t around to have anything to say about the video for God’s Gonna Cut You Down.

Since Cash wasn’t available, director Tony Kaye filled the video with cameos from other actors and musicians, a few of whom (though not many) were previous Cash collaborators.  Among the celebs who make an appearance in this video: David Allan Coe, Patricia Arquette, Travis Barker, Peter Blake, Bono, Sheryl Crow, Johnny Depp, the Dixie Chicks, Flea, Billy Gibbons, Whoopi Goldberg, Woody Harrelson, Dennis Hopper, Terrence Howard, Jay-Z, Mick Jones, Kid Rock, Anthony Kiedis, Kris Kristofferson, Amy Lee, Adam Levine, Shelby Lynne, Chris Martin, Kate Moss, Graham Nash, Busy Philipps, Iggy Pop, Lisa Marie Presley, Q-Tip, Corinne Bailey Rae, Keith Richards, Chris Rock, Rick Rubin, Patti Smith, Sharon Stone, Justin Timberlake, Kanye West, Brian Wilson, and Owen Wilson.  Some of the celebs — like Dennis Hopper and Kris Kristofferson — seem like they naturally belong there.  Others seem so out-of-place that you’ll want to throw something.  You know how that works,

God’s Gonna Cut You Down is a traditional folk song.  I’ve heard countless versions of it.  I prefer Cash’s version to the more traditional gospel arrangement but, then again, I tend to find gospel music to be dull in general.  Cash’s arrangement brought new life to an old song.

Enjoy!

Solo: A Star Wars Story, A review with the spoilers that you deserve! By Case Wright


 

GO SEE THIS MOVIE! I don’t remember when Star Wars came out, but I do remember when Empire did and I loved it.  Yes, there were some deeper themes to these movies, but at their heart they were fun like a beach read.  We, the fans, have made these films into something they never were serious think pieces.  I just saw a youtube video where a guy was trying to describe the “correct” routes Han would have to take through the Kessel Run. Give it a rest!

This movie did what the last 6 have failed to do: Entertain.  Rogue One was a melancholy piece of trash about sending an email on a vhs tape.  BORING.  The rest are mind-numbingly painful experiences that are determined to take themselves so seriously that I have had more fun reviewing license agreements for my latest Turbo Tax software.  I really don’t care about Rey or the Ugly Gloomy Kid Kylo Ren who failed to get any of Han’s good looks.  If I were Han, I would have called up Maury Povich about that kid.

This movie did what it was supposed to do first: entertain.  It’s like the other movies never bothered to put that basic principle into the writers’ room.  Ron Howard really did a great job with the film and Alden Ehrenreich really succeeded in capturing a pre-cynical, but still cocky Han.  It could be that I also liked this story because Han reminds me the most of myself: edgy, cocky, wise-cracking, iconoclast, with devastating good looks.

The story even opens uniquely without any moody sad bullshit. Instead, it opens with some text, the title card, and Han driving away fast and furious, and a bit bloodied.  There’s no everyone’s perfect and noble blah blah blah.  Within 30 minutes, you are transported to a high-stakes futuristic train robbery that if it had a couple tumbleweeds and player piano, it would have been a great Western.

Han begins his quest because he loses his love Emilia Clarke.  Han between you and me: you gotta lock that down.  Other than Emilia, everyone else in the universe is gross and scaly even pretty people make ugly kids (see above) there must be radiation in this galaxy far far away or some such shit.  Han figures that if he does enough smuggling and heists he’ll get enough cash, to buy a ship and get Emilia Clarke out of the hellhole from whence she came. It doesn’t quite work out the way he plans, but you see a great character arc as Han become more cynical and savvy as the rogue we will eventually love.

As he is going on his big heist, we watch his friendship develop with Chewy, Lando, and most of all the Millenium Falcon which comes across as a character herself.  Most of the critics who have done middling reviews seem to focus on the box office, but unless you’re a shareholder of Newscorp or an accountant at 20th Century fox, why do you care?!  Another bizarre critique is that it’s too fun or not melancholy enough as Rogue One.  Okay, I have solution for the people who don’t think this amazingly well-done feature isn’t sad enough for them:  Go see this film, then shortly thereafter do a search for political twitter and then click show threads or just look up one of your hollywood heroes and count the indictments.

 

 

Film Review: Solo: A Star Wars Story (dir. by Ron Howard)


solo-poster-1I feel like the Grinch, standing high on his mountain and looking down at all the Who’s in Whoville. Look at them, enjoying Solo – A Star Wars Story. Look at them, geeking over Chewie, the Millenium Falcon and the Kessel Run. Look at them smile at Lando Calrissian, still cool after these years. From where I stood, I had fun, but not nearly as much as they all did. Did we all watch the same film?

I think I’m a little jealous for not feeling that, and somewhat sad.

Granted, I didn’t outright despise Solo. I adore heist films like Thief and Heat. Perhaps it’s because the cast is fun to watch on-screen. You have the seedy side of the universe, and frankly, I’ve love to see more of it in future installments. This was closer to what I originally hoped to see with the Prequels, or even The Force Awakens. Not every Star Wars tale has to be an Empire vs. Rebellion / Jedi vs. Sith one (though lightsaber battles are always appreciated).

On the other hand, I had the same experience here that I did with Rogue One. The film almost lost me until it started to induce some nostalgia. With the exception of a few key scenes, I had a tough time feeling anything for most of this film. Boredom slapped me in the face for a little while here. Maybe I’ve just reached the age where I can put Star Wars on the shelf and maybe move on from it altogether. Judging by the number of people who chose to check their cell phones rather than watch the movie, I don’t think I’m alone there.

I initially bought a ticket for the 10:15pm Thursday IMAX showing, and then realized I wanted to come home early. I purchased a 7pm 3D showing, which is where this review is coming from. I didn’t feel the need to stay for the IMAX. Maybe that’s the best way to sum it up.

The movie was originally helmed by The Lego Movie’s Phil Lord and Christopher Miller, but due to creative differences, they were taken off the project and replaced by Ron Howard. Howard’s familar with Lucasfilm, having worked on Willow back in the late 1980’s. The result of this is that you have a very safe film. Howard dots the I’s, crosses the t’s and make the movie everything the writing duo of Jonathan and Lawrence Kasdan need. Since we know where Han & Chewie are going to end up, it’s just a matter of getting from Point A to Point B, without any real worries about the characters. I’m somewhat curious of what we could have had if Lord/Miller stayed on.

2121 Jump Street, perhaps?

Solo-Emilia Clarke

Emilia Clarke’s Qi’Ra, from Solo: A Star Wars Story.

While we’re on the topic of the writing, the Kasdans manage to drop a few bells and whistles that many fans will enjoy. There’s a line that Emilia Clarke’s Qi’Ra utters about her abilities that left me smiling and slowly nodding like a person who just received a toast. Lucasfilm is learning from The Last Jedi’s mistakes, that much is certain. It’s a tight script that rarely goes off tangent.

The movie finds a young Han Solo (Alden Ehrenreich, Beautiful Creatures, Hail Casear) looking to acquire some Hyperfuel, a power source that most smugglers pay a handsome price for. He dreams of becoming a pilot, someday having his own ship so that he can be reunited with an old flame/partner. This leads him to eventually join up with a heist crew and a task that needs to be fulfilled. I won’t give away any more, but it’s a great thing to see all of the pieces fall into place.

Solo-Han-Chewie

Han and Chewie, not caring about the odds.

The supporting cast in Solo is wonderful. That was something that felt right. Between Donald Glover’s scene stealing Lando Calrissian (which eerily sounds like Billy Dee Williams sometimes), Paul Bettany’s Dryden Vos, and Phoebe Waller-Bridge’s L3-37 , everyone in Solo gives a good performance. Aldenreich, I’m not sure of. I didn’t expect him to be Harrison Ford, but he seemed a little generic, for want of a better word. You could have plucked him out, dropped in someone else and it might be the same. At least, that’s how I felt. Still, he doesn’t give a bad performance. Han felt like the supporting character in his own film, the cast is that good.

From an effects standpoint, there are a number of creatures and various new ship tech to behold. It all looks and feels great (especially the Millennium Falcon flight sequences), though I should point out that the 3D presentation isn’t really necessarily. In fact, the first 20 minutes of the film are so dimly lit that the sunglass effect of 3D shades feels like you’re just watching silhouettes on-screen. Howard does a good Job of setting up scenes and keeping everything flowing. It’s a pretty tight production, overall and you’ll be suprised at how fast the film seems to move.

John Powell (X-Men: The Last Stand, The Bourne Trilogy, How to Train Your Dragon) takes on the musical responsibilities since Michael Giacchino’s doing everything else for Disney these days. It’s a great score, though if there is a particular theme for Han, I can’t say I caught it. I do plan on picking up the soundtrack when it comes out next week.

Overall, Solo: A Star Wars Story isn’t one you have to run to the theatre for. It’s not a terrible film by any means. It just didn’t hold me the way I wanted it to. I feel that’s more a reflection of myself than of the film overall. Still, if you can wait the three months to catch it digitally, you might be better off doing so.

Of course, as the Dude from the Big Lebowski says “That’s just like, your Opinion, man.” Go out there, see the film and form your own.  Hope you enjoy it.

 

Here’s The Trailer For Shock and Awe (which appears to deliver little of either)


Here’s the trailer for Shock and Awe, which is apparently a film about the media at the start of the Iraq War.

Don’t get too excited.  It was directed by Rob Reiner, who hasn’t done anything worthwhile in quite some time.  To be honest, this sounds like exactly the type of project that will bring out all of Reiner’s worst, most middlebrow instincts as a filmmaker.

But who knows?  At least Tommy Lee Jones is in it.

Here’s the Second Trailer For Solo: A Star Wars Story!


Hi, everyone!

So, the second trailer for Solo dropped on Sunday and here it is!

Y’know, compared to the other contributors here at the Shattered Lens, I’m not a huge Star Wars fan but I really have to say that this trailer looks really, really, really, really cool.  It has a totally different feel to it than any of the other Star Wars trailers that I’ve seen.  It has a sort of Ocean’s 11/Snowpiercer/Baby Driver-in-space kind of feel to it.

Plus, it also has Donald Glover!

Solo will be released on May 25th!