Film Review: Being the Ricardos (dir by Aaron Sorkin)

Has Aaron Sorkin ever met anyone who doesn’t sound like Aaron Sorkin?

That was the question that I found myself considering as I watched Sorkin’s latest film, Being the RIcardos.  The film may present itself as being a film about Lucille Ball (Nicole Kidman) and Desi Arnaz (Javier Bardem) but neither Lucy nor Desi ever come across as being actual human beings or even celebrities trying to be human.  Instead, they both come across as Sorkin stock characters.  Lucy is the socially maladjusted genius who demands a lot from the people working for her and who struggles with apologizing.  Desi is irresponsible but a hard worker, a man who makes a lot of mistakes but who should never be underestimated.  They speak in quips and they instinctively understand what the people in their audience want to see.  Who can keep up with Lucy and Desi?  Certainly not the suits from the network!  Trial of the Chicago 7 had Tom Hayden and Abbie Hoffman taking on the military industrical complex.  Being the Ricardos has Lucy and Desi taking on both the entertainment industry and the McCarthy era.

The film claims to tell the story of the week that Lucy and Desi’s show, I Love Lucy, was nearly destroyed.  The week started with columnist Walter Winchell revealing that, when she was in her 20s, Lucy was briefly registered as a member of the Communist Party.  (Lucy explains that she did it as a favor for her grandfather, who “cared about the working man.”)  The day after learning that her subversive past has been exposed, Lucy and Desi tell the show’s writing staff that Lucy is pregnant and they expect the writers to write her pregnancy into the show regardless of what the uptight studio execs declare.  Meanwhile, Lucy has to deal with rumors of Desi’s infidelity while Desi struggles with being overshadowed by his wife.  Lucy’s co-star, Vivian Vance (Nina Arianda), resents having to play a frumpy character while her other co-star, William Frawley (J.K. Simmons), spends most of the movie drunk off his ass.  If anything Frawley and Vance come across as being more interesting than either Lucy or Desi but, just as in real life, this is the Lucy show.  Frawley makes a few drunken comments about a seven year-old communist.  Vance sits in her dressing room and fumes.  In real life, when she learned Lucy was pregnant, she reportedly yelled, “I’d tell you to go fuck yourself but apparently Desi already did that!”  That line isn’t in the film, which is a shame.

The film skips around in time.  There’s an odd framing device, taking place in what I presume is meant to be the 80s and featuring the surviving members of the production staff are being interviewed for a documentary.  Why Sorkin decided to use this documentary device is odd.  It seems like he could have just used real archival footage if he wanted to go for a documentary approach as opposed to staging a fake documentary where older actors playing real people still sound like relentlessly quippy supporting characters in a Sorkin film.  We also get the occasional flashback to the early days of Lucy and Desi’s relationship, none of which are particularly interesting.  One of the people being interviewed for the documentary tells us that, before she met Desi, Lucy was being groomed to become a serious dramatic actress.  “She could have starred in All About Eve and blown the doors off!” we’re told and that’s great but is that the opinion on the fictionalized person being interviewed for the documentary or is that something that Aaron Sorkin came up with to try to create some dramatic tension?  I mean, saying that Lucy would have been the equal of Bette Davis is quite a statement but the film doesn’t show us any scenes of Lucy being a particularly skilled dramatic actress so it just comes across as being kind of overly dramatic thing to say.

We do get several scenes of Lucy explaining why jokes are funny.  Nicole Kidman gets a very serious look on her face while Sorkin shows us what’s happening inside her mind.  Lucy pictures herself, in black-and-white, stepping on grapes in Italy.  Dramatic music swells as we snap back to Lucy declaring what the scene needs to truly be funny.  (“I lose an earring,” she says, as if she’s just figured out how to resolve Gatsby’s obsession with Daisy.)  It’s the sort of thing that makes you wonder if Aaron Sorkin has ever actually told a joke that he didn’t spend a few hours thinking about ahead of time.  The film’s portrayal of what went on behind-the-scenes of I Love Lucy is so portentous and overdramatic that it really only makes sense if you accept the idea of creating television being some sort of religious ritual, with showrunners and producers taking the place of God.  God needed 6 days to create the world but Lucy only needs 5 to create classic television comedy.  Take that, God!

Aaron Sorkin is a writer who desperately needs a cynical collaborator.  With The Social Network and Moneyball, Sorkin was fortunate to be paired with David Fincher and Bennett Miller, two directors with notably dark views of humanity and who served to temper Sorkin’s sanguine excesses.  When Sorkin directs his own material, the audience ends up with scenes like Joseph Gordon-Levitt standing in protest at the end of The Trial of the Chicago 7 or Desi Arnaz calling J. Edgar Hoover from the set of I Love Lucy in Being The Ricardos.  These are deeply silly scenes that did not happen in real life and which, even more importantly, should never have gotten past a first draft.  Sorkin’s need to end everything with a “big hero” moment is his most glaring flaw as both a writer and a director.

For the record, Lucille Ball did register as a communist when she was younger.  And, indeed, it is true that she did it as a favor for her grandfather.  It was briefly a news story but Lucy was quickly cleared.  Before shooting that week’s episode, Desi told the audience that “The only thing red about Lucy is her hair and even that is not legitimate.”  That was a good line and no, Desi didn’t need the help of J. Edgar Hoover to sell it.

Here’s The Trailer for Being The Ricardos

Javier Bardem and Nicole Kidman play Lucille Ball and Desi Arnaz in a film written and directed by Aaron Sorkin …. well, I was excited until I typed that last part. I love Javier and Nicole but this seems like the type of story that will just bring out all of Sorkin’s worst instincts. Sorkin desperatey needs a director like David Fincher to help him reign in his more earnest and preachy tendencies.

But, you know what? Let’s give it a chance! Enough with a negativity, Bowman! I hope this is a good movie. Oscars for everyone!

Here’s the trailer:

Insomnia File #48: Malice (dir by Harold Becker)

What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or Netflix? This feature is all about those insomnia-inspired discoveries!

If you were having trouble getting to sleep last night around 12 midnight, you could have turned over to the Cinemax and watched the 1993 thriller, Malice.  And then you could have spent the next few hours trying to figure out what you just watched.

Seriously, there’s a lot going on in Malice.  The screenplay is credited to Aaron Sorkin and Scott Frank and while it has enough overly arch dialogue and untrustworthy women to plainly identify it as being a product of Sorkin’s imagination, it’s also filled with a mini-series worth of incidents and subplots and random characters.  This is also one of those films where no one can simply answer a question with a “yes” or a “no.”  Instead, it’s one of those movies where everyone gets a monologue, giving the proceedings a rather theatrical feel.  It’s the type of thing that David Mamet could have pulled off.  (Check out The Spanish Prisoner for proof.)  Harold Becker, however, was a far more conventionally-minded director and he often seems to be at a loss with what to do with all of the film’s Sorkinisms (and, to be fair, Frankisms as well).

The film starts out as a thriller, with a serial rapist stalking a college campus and Prof. Andy Safian (Bill Pullman) becoming an unlikely suspect.  Then it turns into a domestic drama as Andy and his wife, Tracy (Nicole Kidman), talk about starting a family.  Then Andy meets a brilliant surgeon named Jed Hill (Alec Baldwin) and the film turns into a roommate from Hell story after Jed moves in with them.  Then it becomes a medical drama after a mistake by Dr. Hill leaves Tracy unable to have children.  Then it returns briefly to the campus rapist story before then turning into a modern-day noir as Andy discovers that Tracy has secrets of her own.  (Whenever one watches a film written by Aaron Sorkin, you can practically hear him whispering, “Women are not to be trusted….” in the background.)  Even as you try to keep up with the plot, you find yourself distracted by all of the cameos.   George C. Scott glowers as Jed’s mentor.  Anne Bancroft acts the Hell out of her role as a drunken con artist.  Peter Gallagher is the lawyer you distrust because he’s Peter Gallagher.  Tobin Bell shows up as a handyman.  Gwynneth Paltrow, in one of her first roles, plays dead convincingly

It’s a big and busy and messy film and it too often mistakes being complicated for being clever.  Bill Pullman is a likable hero but you have to be willing to overlook that the script requires him to do some truly stupid things.  Nicole Kidman is always well-cast as a femme fatale but again, the script often lets her down.

Surprisingly enough, it’s Alec Baldwin who comes out of the film unscathed.  Watching Baldwin in this film, it’s hard to believe that he’s the same actor who has since become something of a bloated self-parody.  Yes, he’s playing an arrogant character (which is pretty much his trademark) but, in Malice, he actually brings a hint of subtlety and wit to his performance.  Baldwin does very little bellowing in the film, despite playing a role that one would think would naturally appeal to all of his bellowing instincts.  Malice is a mess but it’s nice to see the type of actor that Alec Baldwin once was.

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch
  12. Beyond the Law
  13. Spring Broke
  14. Promise
  15. George Wallace
  16. Kill The Messenger
  17. The Suburbans
  18. Only The Strong
  19. Great Expectations
  20. Casual Sex?
  21. Truth
  22. Insomina
  23. Death Do Us Part
  24. A Star is Born
  25. The Winning Season
  26. Rabbit Run
  27. Remember My Name
  28. The Arrangement
  29. Day of the Animals
  30. Still of The Night
  31. Arsenal
  32. Smooth Talk
  33. The Comedian
  34. The Minus Man
  35. Donnie Brasco
  36. Punchline
  37. Evita
  38. Six: The Mark Unleashed
  39. Disclosure
  40. The Spanish Prisoner
  41. Elektra
  42. Revenge
  43. Legend
  44. Cat Run
  45. The Pyramid
  46. Enter the Ninja
  47. Downhill

Here Are The DGA Nominations!

The DGA nominations have been announced!

The Directors Guild of America nominations are about as close to a reliable Oscar precursor as you’re going to get during the awards season so this is very good news for everyone who was nominated.  It’s also good news for those of us who were worried that the Borat momentum couldn’t be stopped.

DGA Nominees

Lee Isaac Chung – “Minari”
Emerald Fennell – “Promising Young Woman”
David Fincher – “Mank”
Aaron Sorkin – “The Trial of the Chicago 7”
Chloe Zhao – “Nomadland”

DGA Nominees For First-Time Feature:

Radha Blank (“The Forty-Year-Old Version”)

Fernando Frías de la Parra (“I’m No Longer Here”)

Regina King (“One Night in Miami”)

Darius Marder (“Sound of Metal”)

Florian Zeller (“The Father”)

Lisa Marie’s Final 2020-2021 Oscar Predictions

The 2020 Oscar nominations are finally going to be announced on March 15th and then the Oscars themselves are going to be awarded at the end of April.  To be honest, we should call these the 2020-2021 Oscars because I refuse to think of Nomadland, Minari, or The Father as being 2020 films.  Because of the extended eligibility window, they’re all Oscar-eligible but still….

That means that it’s time for me to make my final Oscar predictions for this latest awards cycle.  Last night, The Golden Globes cleared up a few races and suggested that a few others are still in a state of flux.  Of the three big surprise winners from last night (Andra Day, Jodie Foster, and Rosamund Pike) Day seems to be the most likely to benefit from her victory.  I also think that Foster might benefit as well, just because she’s Jodie Foster and she doesn’t appear in a lot of films nowadays.  I’m also willing to say that, based on his getting a GG nom and a SAG nom, I think Jared Leto has a better chance than some might realize of picking up another Oscar nomination.

What about Glenn Close?  On the one hand, Close has never won an Oscar and she gives a very awards baity performance in Hillbilly Elegy.  On the other hand, Hillbilly Elegy was critically-blasted and both the film and Close’s performance were included on the Razzie longlist, which was released earlier today.  (The Razzies suck but that’s a topic for another post.)  I would feel better about Close’s chances if she had won a Golden Globe last night but I’m still inclined to include her in my predictions.

(To be honest, up until Close lost, I still thought there was a chance that Hillbilly Elegy could pick up an Extremely Loud and Incredibly Close-style best picture nomination, the type of nomination that comes as a result of voters watching a critically lambasted film for one performance and saying, “Well, that wasn’t as bad as everyone says!”)

Finally, I’m going to continue to predict a surprise Best Picture nomination for Borat Subsequent Moviefilm, just because it’ll be another chance for the same voters who nominated Vice to express their feelings about Donald Trump and Rudy Guiliani.

If you want to see how my thinking has evolved over this long awards season, check out my predictions for January (2020)February (2020), March (2020AprilMayJuneJulyAugustSeptemberOctoberNovember, December, and January (2021)!

Here are my final predictions:

Best Picture

Borat Subsequent Moviefilm

Ma Rainey’s Black Bottom



News of the World


One Night In Miami

Promising Young Woman

The Trial of the Chicago 7

(I’m predicting 9 best picture nominees. I’m looking forward to the Academy going back to having a set number of best picture nominees.  It breaks my heart not to include First Cow and Sound of Metal among my predicted nominees.)

Best Director

Lee Isaac Chung for Minari

Emerald Fennell for Promising Young Woman

Regina King for One Night in Miami

Aaron Sorkin for Mank

Chloe Zhao for Nomadland

Best Actor

Riz Ahmed in Sound of Metal

Chadwick Boseman in Ma Rainey’s Black Bottom

Anthony Hopkins in The Father

Gary Oldman in Mank

Steven Yeun in Minari

Best Actress

Viola Davis in Ma Rainey’s Black Bottom

Andra Day in The United States vs. Billie Holliday

Vanessa Kirby in Pieces of a Woman

Frances McDormand in Nomadland

Carey Mulligan in Promising Young Woman

Best Supporting Actor

Sacha Baron Cohen in The Trial of the Chicago 7

Chadwick Boseman in Da 5 Bloods

Daniel Kaluuya in Judas and the Black Messiah

Jared Leto in The Little Things

Leslie Odom Jr. in One Night In Miami

Best Supporting Actress

Maria Bakalova in Borat Subsequent Moviefilm

Glenn Close in Hillbilly Elegy

Jodie Foster in The Mauritanian

Amanda Seyfried in Mank

Youn Yuh-jung in Minari

We’ll find out how right or wrong I am on March 15th!

Here Are The Golden Globe Winners!

Supporting Actor, Motion Picture — Daniel Kaluuya, Judas and the Black Messiah

Supporting Actor, Television — John Boyega, Small Axe

Actress, TV Music or Comedy — Catherine O’Hara, Schitt’s Creek

Motion Picture, Animated — Soul

Actor, TV Limited Series or Movie — Mark Ruffalo, I Know This Much Is True

Screenplay, Motion Picture — Aaron Sorkin, The Trial of the Chicago 7

Actress, TV Series, Drama — Emma Corrin, The Crown

Original Song, Motion Picture — lo Si, The Life Ahead

Original Score, Motion Picture — Trent Reznor, Atticus Ross, Jon Batiste, Soul

Actor, TV Series, Musical or Comedy — Jason Sudeikis, Ted Lasso

TV Series, Musical or Comedy — Schitt’s Creek

Actress. Musical or Comedy Film — Rosamund Pike, I Care A Lot

Actor, TV Series, Drama — Josh O’Connor, The Crown

Foreign Language Film — Minari

TV Series, Drama — The Crown

Supporting Actress, Film — Jodie Foster, The Mauritanian

Supporting Actress, TV Drama — Gillian Anderson, The Crown

Actress, TV Limited Series or Made-For-Television Film — Anya Taylor-Joy, The Queen’s Gambit

Limited Series or TV Movie — The Queen’s Gambit

Actor, Motion Picture Drama — Chadwick Boseman, Ma Rainey’s Black Bottom

Director, Motion Picture — Chloe Zhao, Nomadland

Motion Picture Comedy — Borat Subsequent Moviefilm

Actor, Motion Picture Comedy — Sacha Baron Cohen, Borat Subsequent Moviefilm

Actress, Motion Picture Drama — Andra Day, The United States vs. Billie Holliday

Motion Picture Drama — Nomadland

Here Are The 2020 Nominees of the Vancouver Film Critics Circle!

The never-ending awards season continues with the Vancouver Film Critics announcing their nominees for the best of 2020!  Apparently, up in Vancouver, they really, really like Mank.  I guess it’s because of the whole drunk socialist thing, I don’t know.

The Vancouver nominations are kind of strange because, in most of the categories, there’s only three nominees.  I mean, that just seems kind of pointless to me.  When other groups are nominating a 100 movies for best picture before selecting Nomadland, why would you only nominate three?  It’s especially strange when you consider that the eligibility period has been extended to such an extent that it seems to be practically begging everyone to give into excess.  The three nominee thing is odd and it’s going to leave me thinking for the next few hours or so.  Of course, as well all know, Vancouver is never less than intriguing.

Anyway, the winners will be announced on February 22nd!  Here are the nominees:

Best Picture
Promising Young Woman

Best Director
Thomas Vinterberg – Another Round
David Fincher – Mank
Chloe Zhao – Nomadland

Best Screenplay
Jack Fincher – Mank
Emerald Fennell – Promising Young Woman
Aaron Sorkin – The Trial of the Chicago 7

Best Actor
Anthony Hopkins – The Father
Gary Oldman – Mank
Chadwick Boseman – Ma Rainey’s Black Bottom
Riz Ahmed – Sound of Metal

Best Actress
Viola Davis – Ma Rainey’s Black Bottom
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

Best Supporting Actor
Daniel Kaluuya – Judas and the Black Messiah
Leslie Odom Jr. – One Night in Miami
Sacha Baron Cohen – The Trial of the Chicago 7

Best Supporting Actress
Maria Bakalova – Borat Subsequent Moviefilm
Amanda Seyfried – Mank
Yuh-jung Youn – Minari

Best Documentary
Athlete A
Totally Under Control

Best Foreign Language Film
Another Round
Dear Comrades

Nomadland Wins At The Satellite Awards

Here’s what won at the Satellite Awards on the 15th.  I apologize for being a bit late in posting this but the weather conspired to keep me from watching the Satellite Awards.

Actually, did anyone watch the Satellite Awards?  Does anyone even know who is even giving these things out?

Well, regardless, here’s what won in the film categories:


Mary Pickford Award: Tilda Swinton
Tesla Award: Dick Pope
Auteur Award: Emerald Fennell – Promising Young Woman
Best First Feature: Channing Godfrey Peoples – Miss Juneteenth
Stunt Performance Award: Gaëlle Cohen
Humanitarian Award: Mark Wahlberg
Ensemble Motion Picture: The Trial of the Chicago 7
Ensemble Television: The Good Lord Bird

Actress in a Motion Picture Drama
Carey Mulligan – Promising Young Woman
Frances McDormand – Nomadland
Vanessa Kirby – Pieces of a Woman
Viola Davis – Ma Rainey’s Black Bottom
Kate Winslet – Ammonite
Sophia Loren – The Life Ahead

Actor in a Motion Picture Drama 
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Riz Ahmed – Sound of Metal
Steven Yeun – Minari
Chadwick Boseman – Ma Rainey’s Black Bottom
Gary Oldman – Mank

Actress in Motion Picture, Comedy or Musical 
Meryl Streep – The Prom
Rashida Jones – On the Rocks
Margot Robbie – Birds of Prey
Michelle Pfeiffer – French Exit
Maria Bakalova – Borat Subsequent Moviefilm
Anya Taylor-Joy – Emma

Actor in Motion Picture, Comedy or Musical
Andy Samberg – Palm Springs
Lin-Manuel Miranda – Hamilton
Dev Patel – The Personal History of David Copperfield
Sacha Baron Cohen – Borat Subsequent Moviefilm
Leslie Odom Jr. – Hamilton

Actress in a Supporting Role
Amanda Seyfried – Mank
Olivia Colman – The Father
Yuh-Jung Youn – Minari
Ellen Burstyn – Pieces of a Woman
Nicole Kidman – The Prom
Helena Zengel – News of the World

Actor in a Supporting Role
Brian Dennehy – Driveways
David Strathairn – Nomadland
Sacha Baron Cohen – The Trial of the Chicago 7
Chadwick Boseman – Da 5 Bloods
Kingsley Ben-Adir – One Night in Miami
Bill Murray – On the Rocks

Motion Picture, Drama
The Trial of the Chicago 7
The Father
Promising Young Woman
Ma Rainey’s Black Bottom
Sound of Metal
One Night in Miami
Miss Juneteenth

Motion Picture, Comedy or Musical 
On the Rocks
Borat Subsequent Moviefilm
Palm Springs
The Personal History of David Copperfield
The Forty-Year-Old Version

Motion Picture, International
Another Round
A Sun
Two of Us
I’m No Longer Here
My Little Sister
La Llorona

Motion Picture, Animated or Mixed Media
Over the Moon
Demon Slayer-Kimetsu No Yaiba-The Movie: Mugen Train
Accidental Luxuriance of the Translucent Watery Rebus
No. 7 Cherry Lane

Motion Picture, Documentary
Crip Camp
The Dissident
A Most Beautiful Thing
The Truffle Hunters
Acasa, My Home
Coup 53
Circus of Books

Aaron Sorkin – The Trial of the Chicago 7
Chloé Zhao – Nomadland
David Fincher – Mank
Darius Marder – Sound of Metal
Lee Isaac Chung – Minari
Florian Zeller – The Father

Screenplay, Original
Lee Isaac Chung – Minari
Aaron Sorkin – The Trial of the Chicago 7
Jack Fincher – Mank
Pete Docter, Mike Jones & Kemp Powers – Soul
Andy Siara – Palm Springs
Emerald Fennell – Promising Young Woman

Screenplay, Adapted
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Christopher Hampton & Florian Zeller – The Father
Jessica Bruder & Chloe Zhao – Nomadland
Kemp Powers – One Night in Miami
Edoardo Ponti – The Life Ahead
Luke Davies & Paul Greengrass – News of the World

Original Score
Ludwig Goransson – Tenet
Trent Reznor & Atticus Ross – Mank
Alexandre Desplat – The Midnight Sky
James Newton Howard – News of the World
Emile Mosseri – Minari
Terence Blanchard – One Night in Miami

Original Song
“Io Si” – The Life Ahead
“Hear My Voice” – The Trial of the Chicago 7
“Rocket to the Moon” – Over the Moon
“Speak Now” – One Night in Miami
“Everybody Cries” – The Outpost
“The Other Side” – Trolls World Tour

The Midnight Sky
News of the World
One Night in Miami

Film Editing
The Father
The Trial of the Chicago 7
One Night in Miami

Sound (Editing and Mixing)
Sound of Metal
The Prom
The Midnight Sky

Visual Effects
The Midnight Sky
Birds of Prey

Art Direction and Production Design
The Personal History of David Copperfield
One Night in Miami
The Midnight Sky
The Prom

Costume Design
Ma Rainey’s Black Bottom
The Personal History of David Copperfield
One Night in Miami

The Washington D.C. Film Critics Honor Wonder Woman 1984!


Well, the Washington D.C. Area Film Critics did pick Wonder Woman 1984 as being the best 2020 cinematic depiction of life in Washington D.C.

However, Nomadland won best picture.  Chloe Zhao picked up best director.  Frances McDormand won best actress.  In fact, to be honest, it was pretty much the same films and people who have been winning the majority of the prizes since award season began.  That’s not a complaint, mind you.  It’s just that, when the same film keeps winning over and over again, it makes you appreciate things like Wonder Woman 1984 picking up an award for being the best cinematic depiction of life in Washington D.C.

Here are the winners from our nation’s capital:

Best Film
First Cow
One Night in Miami…
Promising Young Woman

Best Director
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
Regina King – One Night in Miami…
Kelly Reichardt – First Cow
Chloé Zhao – Nomadland

Best Actor
Riz Ahmed – Sound Of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Steven Yeun – Minari

Best Actress
Viola Davis – Ma Rainey’s Black Bottom
Vanessa Kirby – Pieces Of A Woman
Frances McDormand – Nomadland
Elisabeth Moss – The Invisible Man
Carey Mulligan – Promising Young Woman

Best Supporting Actor
Sacha Baron Cohen – The Trial Of The Chicago 7
Daniel Kaluuya – Judas And The Black Messiah
Bill Murray – On The Rocks
Leslie Odom, Jr. – One Night in Miami…
Paul Raci – Sound Of Metal

Best Supporting Actress
Maria Bakalova – Borat Subsequent Moviefilm
Olivia Colman – The Father
Dominique Fishback – Judas And The Black Messiah
Amanda Seyfried – Mank
Yuh-Jung Youn – Minari

Best Acting Ensemble
Da 5 Bloods
Ma Rainey’s Black Bottom
One Night in Miami…
The Trial Of The Chicago 7

Best Youth Performance
Millie Bobby Brown – Enola Holmes
Sidney Flanigan – Never Rarely Sometimes Always
Alan Kim – Minari
Talia Ryder – Never Rarely Sometimes Always
Helena Zengel – News Of The World

Best Voice Performance
Tina Fey – Soul
Jamie Foxx – Soul
Tom Holland – Onward
Honor Kneafsey – Wolfwalkers
Octavia Spencer – Onward

Best Original Screenplay
Lee Isaac Chung – Minari
Andy Siara – Palm Springs
Emerald Fennell – Promising Young Woman
Darius Marder & Abraham Marder – Sound Of Metal
Aaron Sorkin – The Trial Of The Chicago 7

Best Adapted Screenplay
Jon Raymond & Kelly Reichardt – First Cow
Charlie Kaufman – I’m Thinking Of Ending Things
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Chloé Zhao – Nomadland
Kemp Powers – One Night in Miami…

Best Animated Feature
The Croods: A New Age
Over the Moon

Best Documentary
Boys State
Crip Camp: A Disability Revolution
Dick Johnson Is Dead

Best International/Foreign Language Film
Another Round
La Llorona
Night of the Kings
The Mole Agent

Best Production Design
Ma Rainey’s Black Bottom
News Of The World

Best Cinematography
Newton Thomas Sigel – Da 5 Bloods
Erik Messerschmidt – Mank
Dariusz Wolski – News Of The World
Joshua James Richards – Nomadland
Hoyte van Hoytema – Tenet

Best Editing
Kirk Baxter – Mank
Chloé Zhao – Nomadland
Mikkel E. G. Nielsen – Sound Of Metal
Jennifer Lame – Tenet
Alan Baumgarten – The Trial Of The Chicago 7

Best Original Score
Trent Reznor & Atticus Ross – Mank
Emile Mosseri – Minari
James Newton Howard – News Of The World
Trent Reznor, Atticus Ross & Jon Batiste – Soul
Ludwig Göransson – Tenet

The Joe Barber Award for Best Portrayal of Washington, DC
Crip Camp: A Disability Revolution
The Fight
Jimmy Carter: Rock & Roll President
John Lewis: Good Trouble
Wonder Woman 1984

The London Film Critics Circle Honors Nomadland

Even in London, they love Nomadland!

The London Film Critics Circle named their best of the year yesterday.  I imagine that this will have negligible influence on the Oscar race since some of the films honored have yet to be released in the States and some of the biggest Oscar contenders have yet to be released in the UK.  Still, I think it’s always interesting to see what films are being honored outside of the U.S.  Cinema is an international art form.

Here are the nominees and, in bold, the winners from London:

About Endlessness
I’m Thinking of Ending Things
Lovers Rock
The Mauritanian
Promising Young Woman
Saint Maud

About Endlessness
Another Round
Les Misérables

Bloody Nose, Empty Pockets
Dick Johnson Is Dead
The Truffle Hunters

The Father
Lovers Rock
Saint Maud

David Fincher – Mank
Rose Glass – Saint Maud
Kevin Macdonald – The Mauritanian
Steve McQueen – Small Axe
Chloé Zhao – Nomadland

Jack Fincher – Mank
Rose Glass – Saint Maud
Charlie Kaufman – I’m Thinking of Ending Things
Aaron Sorkin – The Trial of the Chicago 7
Chloé Zhao – Nomadland

Morfydd Clark – Saint Maud
Viola Davis – Ma Rainey’s Black Bottom
Vanessa Kirby – Pieces of a Woman
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

Riz Ahmed – Sound of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Tahar Rahim – The Mauritanian

Maria Bakalova – Borat Subsequent Moviefilm
Ellen Burstyn – Pieces of a Woman
Essie Davis – Babyteeth
Jennifer Ehle – Saint Maud
Amanda Seyfried – Mank

Sacha Baron Cohen – The Trial of the Chicago 7
Chadwick Boseman – Da 5 Bloods
Aldis Hodge – Clemency
Ben Mendelsohn – Babyteeth
Shaun Parkes – Mangrove

Bukky Bakray – Rocks
Jessie Buckley – I’m Thinking of Ending Things & Misbehaviour
Morfydd Clark – Eternal Beauty & Saint Maud
Vanessa Kirby – Pieces of a Woman & The World to Come
Carey Mulligan – The Dig & Promising Young Woman

Riz Ahmed – Mogul Mowgli & Sound of Metal
Sacha Baron Cohen – Borat Subsequent Moviefilm & The Trial of the Chicago 7
John Boyega – Red, White and Blue
Anthony Hopkins – The Father
Cosmo Jarvis – Calm With Horses & Nocturnal

Henry Blake – County Lines
Fyzal Boulifa – Lynn + Lucy
Emerald Fennell – Promising Young Woman
Rose Glass – Saint Maud
Remi Weekes – His House

Kosar Ali – Rocks
Bukky Bakray – Rocks
Millie Bobby Brown – Enola Holmes
Conrad Khan – County Lines
Molly Windsor – Make Up

Filipiñana – Rafael Manuel, director
Hungry Joe – Paul Holbrook, director
Lizard – Akinola Davies Jr, director
The Long Goodbye – Aneil Karia, director
The Shift – Laura Carreira, director

Ammonite – Stéphane Fontaine, cinematography
Birds of Prey – Deborah Lamia Denaver & Adruitha Lee, makeup & hair
Lovers Rock – Mica Levi, music
Mank – Donald Graham Burt, production design
Nomadland – Joshua James Richards, cinematography
Rocks – Lucy Pardee, casting
Soul – Pete Docter, animation
Sound of Metal – Nicolas Becker, sound design
Tenet – Jennifer Lame, film editing
Wolfwalkers – Tomm Moore & Ross Stewart, animation