A Movie A Day #113: Mother Night (1996, directed by Keith Gordon)

Posted on April 30, 2017 by Jedadiah Leland

Four years after she played the mysterious (and dead) Laura Palmer in Twin Peaks, Sheryl Lee starred as another mysterious (and possibly dead) woman in Mother Night.

Lee is cast as Helga Noth, the German wife of American expatriate Harold W. Campbell (Nick Nolte). Harold is a playwright, living in Berlin and doing propaganda broadcasts for the Nazis. Working with Frank Wirtanen (John Goodman), a military intelligence officer, Campbell has developed a series of verbal tics that are meant to secretly deliver information to the Allied Forces. It is never clear whether Harold’s information serves any real purpose just as it is left ambiguous as to whether Harold believes any of the anti-Semitic propaganda that he broadcasts over the airwaves. Working as both a propagandist and a double agent, Harold serves both the Allies and the Axis.

In the final days of the war, Helga is reportedly killed on the Eastern Front and Harold is captured by the Americans. Frank arranges for Harold to be quietly sent to New York City but tells him that the government will never admit that they used him as a double agent.

Harold spends the next fifteen years living an isolated life in New York. His only friend is an elderly painter, Kraft (Alan Arkin), with whom he plays chess. Eventually, Harold opens up to the painter and talks about his past. Kraft, for his own shady reasons, reveals Harold’s identity to a group of neo-Nazis. Though Harold initially wants nothing to do with them, this changes when they reveal that they have Helga.

Or do they? Almost no one in Mother Night is who they claim or what they seem to be, especially not Harold.

Based on a novel by Kurt Vonnegut, Mother Night suffers from the same uneven quality that seems to afflict most films based on Vonnegut’s work. It is easy to go overboard when it comes to bringing Vonnegut’s unique mix of drama and satire to the screen and Mother Night does that in a few scenes, especially once Harold reaches New York. It is still an intriguing and thought-provoking film, though. Nick Nolte gives one of his best performances as Harold and Sheryl Lee does a good job in a difficult role.

The pinnacle of Vonnegut films remains George Roy Hill’s version of Slaughterhouse-Five but Mother Night is still superior to something like Alan Rudolph’s adaptation of Breakfast of Champions.

TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter)

Posted on April 30, 2017 by Leonard Wilson

Twin Peaks

Here we go, with the second to last episode of the season.

“Miss Twin Peaks” starts with Leo (Eric Da Re), chained up as punishment for attacking Windom Earle (Kenneth Welsh – The Day After Tomorrow). While chained, he unlocks the chains for Major Briggs (Don Davis), and sets him free.

“Save Shelly.” he whispers, as Major Briggs rises to his feet and wanders off. Some time later, Windom Earle returns, asking how Briggs escaped. He would normally use the taser user he has on Leo, but has come up with a better idea – a better game – one that involves a bag of something he shakes with a sinister smile. A bag, worse than electricity? Doesn’t seem so bad, so far.

We cut to the Double R Cafe, where Norma presents some pies to Annie (Heather Graham – Horns, The Hangover) and Shelly (Madchen Amick) for the Miss Twin Peaks event. She tells them that she expects to see them in the Winner’s Circle. The pagent would be good for the town, to heal over the loss of Laura Palmer (Sheryl Lee). When asked if the town will honor her on the 20^th Anniversary of her Miss Twin Peaks win, Norma laughs it off as bribery, as she’s a judge this year.

ShellyAnnie

At the Great Northern, a barefoot Audrey Horne (Sherilyn Fenn) is sitting by the fire and dressed in red, a very subtle suggestion to her being a new woman. Ben (Richard Beymer) steps into the room with a series of books in each hand. He tells her they are the collected religious works of the world – The Bible, The Koran, The Talmud, The Tao-Te-Ching, among others. He carries these in the hopes that he’ll find the good within himself on reading them, but in explaining this to Audrey, she appears distracted. He notes this to be because of Jack (Billy Zane), who’s flown off to Brazil. She still misses him fondly, and fears she’ll never see him again. Ben promises her she will, but Audrey waves it off.

Changing the subject, Audrey informs her father that there’s a connection between the bank and the Packards, which Ben will look into. Ben asks Audrey if she’s considered joining the Miss Twin Peaks Pageant. Although Audrey scoffs at the idea, Ben explains that they could use the Pageant to voice the town’s concerns over preserving the wildlife and the Horne family plans. She reluctantly agrees to do so.

Meanwhile, Andy (Harry Goaz) is in the precinct, staring at the drawing recreation from the Owl Cave. Agent Dale Cooper (Kyle MacLachlan) explains to Truman (Michael Ontkean) that on the night of Josie’s (Joan Chen – Demolition Man) death, he saw BOB (Frank Silva) appear. He theorizes that perhaps Josie’s fear is what attracted BOB, and ultimately caused her death. Listening in via the hidden mic in the room, Windom Earle now has what he needs. If he can reach the Black Lodge and BOB, his vengeance against Dale Cooper will be complete. He celebrates this briefly, and we can see that the bag he had is now empty. As he approaches Leo, he bids him farewell, telling him he liked him, but that he has to pay for letting Briggs free.

leo-line

We follow a line of string that appears to be tied to Leo’s teeth, going up and over him and leading to a box full of tarantulas! Nope! Nope, a million times, Nope. I would have rather Windom Earle just set the cabin on fire and leave Leo inside. Poor Leo. Yeah, he was a douche, but even he didn’t deserve all that, whatever his fate becomes.

A dance rehearsal for the Pageant. Donna and Shelly can’t help but laugh at all of the awkward positions that Tim Pinkle (David L. Lander) has the girls doing, while Nadine (Wendy Robie) and Lucy Moran (Kimmy Robertson) are upset at it all. Tim has a tiny loss of composure when questioned about his methods. Lana (Robyn Lively) appears to be really into it, however, probably under the impression she’s already won. She also happens to be the only dancer in heels, for some reason.

Judges

The judges – Norma, Mayor Dwayne Milford (John Boylan), and Dick Tremayne (Ian Buchanan) are looking on. Norma has to step away to handle some business, which leaves just the right opening for Lana to step in and improve her chances on becoming Miss Twin Peaks She mentions there’s something she’s looking for in the storage room, and asks Dick for some help. He joins her in the storage room with a flashlight. Lana’s communication style is through touch (because let’s face it, it’s easier to convince someone of something if there’s the slightest physical contact involved), and through this, she finds what she’s looking for. She doesn’t even need the flashlight to do so.

In Cooper’s room, Cooper records a message to Diane explaining that they’re working hard on the cave etching, and that Windom Earle is looking for the same source that they are. Should it fall into his hands, the ramifications could be disastrous. On a side note, Cooper praises Annie, who he’s very much warming up to.

Annie appears at Cooper’s door. He lets her in and she states she needs help with the Public Speaking part of the contest. Cooper explains that the Ghostwood Development could cause some problems for the town and the wildlife. In the midst of their conversation, Cooper makes a move.

“I don’t want to talk about trees anymore.” He simply says before kissing her. She leads him to his bed and they have a passionate moment together. I hope he remembered to pause his tape to Diane.

We’re watching a home movie, of Nadine and how she tackled Mike Nelson (Gary Hershberger) in wrestling class and fell in love. She and Nadine are in a room with Dr. Jacoby (Russ Tamblyn), Ed (Everett McGill) and Norma. Ed reveals to Nadine that he’s going to get married to Norma. Nadine’s stare is intense, but she smiles through it, holding on to Mike’s hand a little too tightly.

“Really?! Well that’s wonderful Eddie, ‘cause me and Mike are getting married, too!”, she says. You can hear the bones in Mike’s hand crack, and he wails in pain.

Major Briggs stumbles through the forest, finally making it to a road. He arrives just in time for Hawk (Michael Horse) to almost hit him with his Patrol Truck. Hawk gets out and puts Briggs into the truck.

The next scene has Briggs shivering and drinking water. It’s almost the same kind of shiver that Pete had. Cooper inspects Briggs and notes that he’s been shot full of Haloperidol, the same drug that the One Armed Man used to keep MIKE at bay. They try to find out where Windom Earle took Briggs, but they can’t get much from him. Andy comes back into the room, checking on the pictograph. Cooper says that if they aren’t at the right place at the right time, they might be able to find their way into the Black Lodge.

Catherine Martell (Piper Laurie), Pete (Jack Nance), and Andrew (Dan O’Herlihy) are trying to open the little box that was inside of the original black box given to Catherine. After a bit of frustration, Andrew throws the tiny metal box to the ground and shoots it with his revolver. This breaks the mini box open and reveals a key. Catherine puts the key inside a glass cake container, in full sight so that no one will steal it.

Donna comes downstairs in the Hayward house, dressed for the Pageant. She confronts her parents, demanding to know what the deal is between her mom (Mary Jo Deschanel) and Ben Horne. The parents won’t tell her, so she decides to get her answers from Ben.

Back at the precinct, Cooper realizes that one element was misread. He’s able to deduce that the map refers to Jupiter and Saturn coming into conjunction. They also learn that entering the portal requires Fear and/or Love (“Fear and Love open the doors.”, Briggs mumbles). If Windom Earle takes the Queen – in this case, Miss Twin Peaks – to the doorway, he should be able to get it to open. At least, that’s what I made of it. As they discuss this, Andy has a relegation, but is unable to share it, as Andy knocks over the bonsai plant. The plant breaks, and reveals Windom Earle’s bug. Now aware that he’s been listening in the whole time, Cooper, Truman and Andy head over to Miss Twin Peaks Pageant.

Here we are at the Miss Twin Peaks Pageant. The ladies of Twin Peaks are having an opening dance number. The show is underway, and there are a number of things occurring. Bobby Briggs (Dana Ashbrook) notices the Log Lady (Catherine E. Coulson) sitting by the bar, but then also notices her standing about 30 feet near him, by the restroom. When Bobby approaches the log lady by the door, we find it’s actually Window Earle, who bonks him on the head with his log, knocking him out.

MissTwinPeaks

Meanwhile, Lucy is dancing on stage. For someone due to have a baby in less than a year, she handles herself well on stage. Cooper and Truman arrive, and Truman notes that they have deputies surrounding the place. After her number is Lana’s, which is a bellydance that entrances the audience and the male judges. Lana’s gaze is focused primarily on Dick and Dwayne as she dances. Andy arrives on the scene, looking for Cooper to tell him what he was unable to say before.

Audrey gives a short speech on fighting for the environment, before leaving and seeing her dad before heading back out. Backstage, Donna confronts Ben, and asks him for the truth. We all learn that she is in fact Ben Horne’s daughter and Audrey’s half-sister. She runs off in tears before any major explanation can be given.

Annie gives a moving speech, one that catches Dick’s attention. Audrey also has a great speech. Lucy meets with Dick and Andy backstage to inform them that Andy will be the father of her child. Andy is surprised, and Dick is elated. Andy promises to be a great father, but he has to locate Cooper, and he leaves her standing there. It’s a humorous moment in the mix of everything.

The announcement is underway. The winner and the new Miss Twin Peaks is…..Annie Blackburn!! There’s applause from the crowd as Annie accepts her award. Lana peeks out from behind the crowd to stare at Dwayne as if to say “What happened?”. Dwayne turns to Dick and asks him about the vote. Dick replies that Annie’s speech won him over.

The lights suddenly go out, and then flicker like a strobe. Very similar to Brian DePalma’s Carrie, we have pandemonium as everyone tries to evacuate. Nadine, standing under a ladder, is hit on the head with a sand bag, knocking her unconscious. Cooper catches sight of Windom Earle, but in trying to reach him, Earle sets of a flashbang that disorients Cooper. This gives Earle enough time to capture Annie with some chloroform and get out of the building. When Cooper comes to his senses, he tells Truman, who starts to get a perimeter setup. It’s here that Andy is finally able to reach Cooper and tell him what he found.

Windom-Annie

The puzzle they’ve been studying isn’t a puzzle at all, but a map!

So now, we come to the Season Finale (and ultimately the Series Finale) of Twin Peaks, which Lisa will close out tomorrow. Can Cooper save Annie? Can he catch Windom Earle? Is Nadine okay? What about Lucy and Andy? What about that blooming key? Will Donna confront all of her parents? Will Leo manage to escape the box of tarantulas? Hopefully, all of these will be answered.

This is my final piece on Twin Peaks. I hope that you’ve enjoyed reading about this show as we have writing about it. A lot of work went into this from different sides. This has been an awesome project to be a part of, and I’d like to give a quick thanks to both Lisa and Jeff for having me on board.

Previous Entries in The TSL’s Look At Twin Peaks:

What Lisa Watched Last Night #162: Manny Dearest (dir by Chad Krowchuk)

Posted on April 30, 2017 by Lisa Marie Bowman

Last night, as thunder rumbled outside and the skies were lit up by lighting, I curled up on the couch and I watched the latest Lifetime original film, Manny Dearest!

Why Was I Watching It?

A Canadian film called Manny Dearest? As soon as I saw the title, I assumed that it had to be a sequel to Degrassi: The Next Generation, one that would follow Manny Santos as she searched for love and success in Hollywood.

(Before you say that was a silly assumption on my part, just consider the number of Degrassi actors who regularly appear on the Lifetime network.)

Anyway, it turned out that I was wrong but I was already live-tweeting the movie so I kept watching.

What Was It About?

Karen (Ashely Scott) needs someone to help watch her two sons. Alex (Mitch Ryan) is a male nanny, otherwise known as a manny. Now, if this was a Hallmark film, Karen and Alex would fall in love and Alex would end up dumping her fiancée, a recovering alcoholic named Greg (Woody Jeffreys). But, since this is a Lifetime film, Alex turns out to be just a little crazy. Not only does he become obsessed with Karen and plot to get Greg out of the picture but he also teaches Karen’s sons some questionable lessons about how to deal with bullies.

What Worked?

This was actually one of the better Lifetime films that I’ve seen this year. Yes, it was obvious that Alex was going to turn out to be crazy but that’s Lifetime. When you sit down to watch a Lifetime movie, you know that the nanny is always going to turn out to be crazy. It would have been a betrayal of the audience to not have Alex turn out to be just a little insane.

Mitch Ryan did an excellent job playing Alex. Even though he was crazy and a murderer and he regularly drugged other people, Alex was still strangely likable. Last night, the majority of twitter was Team Alex. We especially enjoyed it when he scared the Hell out of a bully who was giving Karen’s son a hard time. Take that, bully! Add to that, Alex cooked, he did the dishes, he cleaned the house, and, whenever he showed up at the house at 3 in the morning, he was very careful about not waking anyone up.

My favorite character was Cori (Jordan Largy), a single mother who took one look at Alex and decided that she liked what she saw. The thing I liked about Cori is that she always said exactly what was on her mind and she didn’t let anything hold her back. Cori was the type of person who, when she brought her daughters over to play with Karen’s sons, greeted Alex by saying, “We thought we’d come by for a quickie.”

At this point, it’s a bit of a cliché for me to praise a Lifetime film for taking place in a nice house but, seriously, Karen had a really nice house.

What Did Not Work?

I guess some people would say that it was a problem that the villain was a hundred times more likable than the people he was menacing but not me. This is was a fun and entertaining Lifetime movie. As far as I’m concerned, it all worked.

“Oh my God! Just like me!” Moments

At one point, when Alex tells Cori that he’s not interested, Cori responds with, “Your loss.” I once said the same thing while breaking up with someone and I felt good about myself for a whole month afterward.

Lessons Learned

I like to think that, between watching Degrassi and Lifetime films like this one, I’ve learned a good deal about Canada. For me, the most Canadian moment of Manny Dearest came when the police approached Alex and, despite having guns, did not open fire on him. Restraint, it’s very Canadian.

Love you, Canada!

Song of the Day – “Go” by Moby

Posted on April 30, 2017 by Leonard Wilson

I wanted to throw this one in before we’re all done with the Twin Peaks marathon this month. From the very first episode of the show, there was something strangely familiar to me about Angelo Badalamenti’s theme for Laura Palmer. I found out that I already heard a version of it years ago, via Moby’s “I Love to Score” album. He had a song called “Go”, which uses the theme. Of course, after a month of everything Twin Peaks, it’s hard to get it out of your head.

Artwork of the Day: When Worlds Collide

Posted on April 30, 2017 by Dazzling Erin

By Robert Stanley

Music Video of the Day: Honey Honey by ABBA (1974, dir. ???)

Posted on April 30, 2017 by Valerie Troutman

I messed up again, because cut back to 1974, and there appears to be a music video for their song Honey Honey.

Nothing especially notable about it other than that Frida appears to have been shot with a tranquilizer before filming. They also appear to be shooting on a set designed to see if the cinematographer can keep camera reflections from showing up.

Oh, and there’s this.

Why? Was it completely necessary to show the world Agnetha and Frida’s orgasm face just because there’s some heavy breathing in the song?

So yeah, a decade before Cyndi Lauper would do this same thing in a car for She Bop, Agnetha and Frida of ABBA did it too.

She Bop by Cyndi Lauper (1984)

At least the costumes are fine. Better than the unfortunate outfits Bucks Fizz had to wear in 1981. I also call Bucks Fizz, ABBA 2.0, which is why I am mentioning them here.

The Land Of Make Believe by Bucks Fizz (1981)

Enjoy!

ABBA retrospective:

So What The Hell Is A “Babybel Wax Bodysuit,” Anyway?

Posted on April 29, 2017 by Ryan C. (fourcolorapocalypse)

Trash Film Guru

Once upon a time, the “single-creator anthology” was an actual going concern in comics, and let me tell you, those were some very good days indeed. Cartoonists like Chester Brown, Daniel Clowes, Peter Bagge, Chris Ware, and others had books they could call their own, where anything and everything went : long-form stories that ran for several issues ran alongside shorter “one-off” strips of varying lengths, the subject matter was eclectic and well and truly ran the gamut — these folks were just going wherever their individual muses took them, and their publishers had faith in them to come up with good stuff, which they invariably did.

In these beleaguered times, however, you don’t see publications of that sort on your LCS shelves too often. So thank goodness for Eric Kostiuk Williams.

I admit, his is not a name with which I was previously familiar (although apparently he self-published a…

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A Movie A Day #112: The Trial (1993, directed by David Jones)

Posted on April 29, 2017 by Jedadiah Leland

One morning, in turn of the century Prague, Josef K. (Kyle MacLachlan) wakes up to discover that two detectives are in his room. They tell him that he is under arrest but they do not tell him the charges. Josef remains free to go about his everyday life but he must report to the court whenever the court deems to see him. No matter where Josef turns or who he talks to, he cannot get any answers concerning what he has been charged with. Even his disinterested attorney (Jason Robards) can not give him a straight answer on why he is being prosecuted. No matter how much Josef protests that he is innocent of whatever has been accused of, his fate has already been decided.

On paper, this film version of Franz Kafka’s classic novel sound like it should be a masterpiece. The film was shot on location in Prague, the script was written by Harold Pinter, and Kyle MacLachlan seems like the perfect choice for Josef K. Unfortunately, director David Jones takes a very straightforward approach to the material and does not exploit the story’s nightmarish qualities. This is a version of Kafka that could easily play on Masterpiece Theater. (The perfect choice to direct The Trial would have been MacLachlan’s frequent director, David Lynch.) MacLachlan does well as Josef K. but he is overshadowed by a steady and distracting stream of cameos from actors like Anthony Hopkins, Alfred Molina, and David Thewlis.

Despite not being totally faithful to its source material, Orson Welles’s 1962 adaptation, which stars Anthony Perkins as Josef K., remains the version to see.

Hell Bent for Vengeance: Randolph Scott in DECISION AT SUNDOWN (Columbia 1957)

Posted on April 29, 2017 by gary loggins

cracked rear viewer

I seem to have gained some new channels along with my new DirecTV receiver. I’m not sure why, but I won’t argue… at least until I see the bill! One of them is Sony Movie Channel, featuring the Columbia Pictures catalog, and I recently viewed DECISION AT SUNDOWN, the third of seven Western collaborations between star Randolph Scott and director Budd Boetticher. The plot and setting are simple, yet within that framework we get a tense psychological drama about a man consumed by vengeance and hatred.

Scott, still cutting a dashing figure at age 59, plays Bart Allison, who along with his pal Sam, ride into the town of Sundown on the day of Tate Kimbrough’s wedding to Lucy Summerton. Bart’s not there to offer his congratulations though; he announces his intention to kill town boss Tate. The reason: Bart holds Tate responsible for his wife’s suicide three years ago. Bart and Sam then hole up…

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TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal)

Posted on April 29, 2017 by Jedadiah Leland

Welcome back to Twin Peaks!

Our latest episode begins with a closeup of Rusty Tomasky’s (Ted Raimi) face as the members of the Twin Peaks police force struggle to get the giant paper mache chess piece out of the gazebo. While this goes on, one of Rusty’s friends talks to Andy (Harry Goaz), Cooper (Kyle MacLachlan) and Harry (Michael Ontkean). Rusty was in a band and was supposed to play a gig at Snake River. On the way there, a tire went out on the van and a man emerged from the woods, wanting to know if Rusty wanted some “brew.” Rusty’s friend starts to cry, which makes Andy cry.

Cooper says that Windom has taken another pawn but he did not tell them his next move. “Windom Earle is playing off the board.”

The next morning, at the sheriff’s station, Lucy (Kimmy Robertson) asks Andy what he knows about saving the planet. Andy says that styrofoam never dies and people need to stop tossing their beer cans into Pearl Lake. Lucy says that tomorrow will be D-Day, “Dad day.” She will be choosing her baby’s father, either Andy Brennan or Dick Tremayne. She will also be entering the Miss Twin Peaks contest because she and the baby could use the money.

At the Great Northern, Doctor Hayward (Warren Frost) is giving Ben (Richard Beymer) a physical examination. Hayward tells Ben that he believes that Ben is trying to do the right thing but that he needs to stay away from Eileen. Ben says he has no choice. He has to do what his heart commands him to do. Wheeler (Billy Zane) steps into the office. He says that he has been looking for Audrey. Ben says that Audrey should be back any minute but Wheeler does not have a minute. His business partner has been murdered in Brazil.

In the attic of the Hayward house, Donna (Lara Flynn Boyle) looks over her birth certificate and sees that the identity of her father has been left blank. She finds a scrapbook, full of pictures of her parents with Ben.

Audrey (Sherilyn Fenn) returns to the Great Northern, where Deputy Hawk (Michael Horse) is waiting for her. Hawks tells he that Cooper needs to see her at the station, immediately.

In his office, Ben is still talking to Wheeler. Ben is more concerned about Stop Ghostwood than Wheeler’s dead business partner. Wheeler says that he has no choice but to go. Not realizing that Audrey’s back, Wheeler gives Ben a note and asks him to deliver it to her. Wheeler leaves the office.

At the sheriff’s station, Major Briggs (Don S. Davis) has obtained all of the Project Blue Book files dealing with Windom Earle. Briggs plays a video tape of Earle ranting about the Black Lodge. Cooper says that Earle did not come to Twin Peaks to get revenge on him. Instead, he came to Twin Peaks to find the Black Lodge. Now, they just have to figure out how the Black Lodge is connected to the drawing found in the cave.

Little do they know that, through the microphone hidden in the bonsai tree, Windom Earle (Kenneth Welsh) is listening to their conversation. Earle tells Leo (Eric Da Re) that the time has come to invite Major Briggs to a Project Blue Book reunion.

At the diner, an old woman who we have never been seen before is eating cheery pie when her hand starts to shake so uncontrollably that she has to grab it with her other hand to stop it.

In a booth, Shelly (Madchen Amick) reads her Miss Twin Peaks speech on how to protect the environment to Bobby (Dana Ashbrook). Bobby says that he has been thinking about his relationship with Shelly. Bobby says that he knows he has not been a great boyfriend but, when he saw Shelly kissing Gordon Cole, something in his brain snapped and he realized how much he loved Shelly. They share a passionate kiss that is interrupted by a phone call from Cooper.

At the Roadhouse, preparations are being made for the Miss Twin Peaks Contest. Mayor Milford (John Boylan) tells Lana (Robyn Lively) that the other two judges are going to be Norma Jennings and Richard Tremayne. The Mayor says that all they have to do to win is get Lana alone in a room with Richard. He tells her to wear “a dress slit all the way to Seattle.” The Mayor then starts to cry, wishing that they could just elope. Lana says that she will only marry him if she wins Miss Twin Peaks.

At the station, Cooper tells Audrey, Shelly, and Donna that all three of them are in danger. He orders them to check in with the sheriff at least twice a day and to never go anywhere alone.

At the cabin, Windom is talking about blood-drinking priests while Leo cleans up. Leo sees a picture of Shelly’s face glued to a playing card. Windom says that if Shelly wins Miss Twin Peaks, she will die. He says that Leo can help if he wants. “No!” Leo says before trying to attack Windom with the zapper, which does not work because, even though Leo has managed to grabbed the zapper, he is still the one wearing the electric collar. Leo ends up zapping himself.

Audrey returns to the Great Northern, walking through the lobby and barely missing Wheeler, who is checking out. Audrey goes to Ben’s office, when Ben welcomes her back and then tells her that the Stop Ghostwood Campaign needs a spokesperson. Ben wants her to enter Miss Twin Peaks. Audrey wants to know where Wheeler is. Ben finally tells her that Wheeler had to leave for the Brazilian rain forest and tries to give the letter to Audrey. Audrey leaves, hoping to catch Wheeler at the airport.

At the sheriff’s station, Cooper, Harry, and Andy are examining the cave drawing. Cooper says that the symbols suggest a time but a time for what? Cooper admits that he is having a hard time focusing because he can not stop thinking about Annie. Suddenly, Cooper’s hand starts to shake until he grabs it with his other hand.

Major Briggs is walking through the woods when he is approached by Windom Earle and Leo, who are wearing a horse costume. “Hello, Wilbur!” Earle says before shooting the Major with a tranquilizer dart.

At the airport, Wheeler is getting in his private plane. He stops to take one final look for Audrey.

At the diner, Cooper orders a slice of cheery pie and uses a quote from St. Augustine to encourage Annie (Heather Graham) to enter the Miss Twin Peaks contest. Cooper confesses that he spends most of his time thinking about Annie. Annie says she spends all of her time thinking about Cooper. Cooper asks Annie to go dancing with him and leans in to kiss her. Dishes all of the counter and syrup ominously drips on the floor.

At the airport, Pete (Jack Nance) drives Audrey across the airstrip, letting her off in front of Wheeler’s plane. Audrey runs in front of the taxiing airplane, yelling for Wheeler to stop. Luckily, Wheeler does stop before running her over.

“I’m a virgin!” Audrey says, “I want you to make love to me.”

“Here and now?” Wheeler asks.

“It’s your jet.”

Realizing that Audrey has a point, Wheeler leads her into his plane, while Pete watches from his truck. Pete has tears in his eyes. Suddenly, his hand starts to shake uncontrollably.

At the cabin, Earle interrogates the bound Briggs, shooting arrows at him whenever Briggs says that he is not at liberty to divulge any information. Earle gets annoyed and gives the major a shot of truth serum. Earle asks Briggs what his greatest fear is.

“The possibility that love is not enough,” Briggs says.

(I would have said salmonella but that’s just me.)

Under the influence of the serum, Briggs says that the signs in the cave mean that “there is a time, if Jupiter and Saturn meet, they will receive you.”

At the Martell house, Catherine (Piper Laurie) is showing Eckhardt’s lunar box to Andrew (Dan O’Herlihy). Andrew pushes the buttons the box and it pops open, revealing another box. Andrew smashes that box, revealing yet another box inside.

At the Roadhouse, Annie and Cooper are dancing. Looking at the decorations for the Miss Twin Peaks pageant, Annie tells Cooper that she has decided to enter. Annie says that being Miss Twin Peaks would be like being in a fairy tale. “And you’re the queen,” Cooper says.

Suddenly, time freezes for everyone but Cooper. The lights go down. The Giant (Carel Struycken) appears on the stage, shaking his head “NO.” Cooper looks confused though it should be obvious to him that the Giant is saying, “No, do not enter the contest!”

At the airport, Wheeler’s plane finally takes off. Pete gets out of his truck and is approached by a newly mature Audrey who says that she finally met the man of his dreams and now he is on his way to Brazil. Audrey cries that Wheeler offered to take her fishing but he never did. Pete says he has some tackle in the truck. Pete tells her that the best cure for a broken heart is trout’s leap at midnight.

At the cabin, Leo is shaking and the Major is screaming. Earle is singing about mummy wheat. Earle has figured out that the drawing is actually a map to the Black Lodge.

At the dance, the Giant finally disappears. As Cooper kisses Annie. Mayor Milford tries to get a microphone to work. “Something’s not right,” he says, “there’s something wrong here.”

In the woods, Killer BOB (Frank Silva) emerges from a portal while the red curtains are reflected in a nearby puddle.

With only two episodes left, this was a pretty good episode. All of the disparate plotlines of the latter half of the second season are finally coming together and the appearance of both the Giant and BOB at the end promises that the finale will be a return to the Twin Peaks of old.

Leonard is doing tomorrow’s episode and then Lisa is doing the finale so this is my last recap. I have really enjoyed rewatching Twin Peaks and sharing my thoughts about the show with all of you. Thank you for reading!

Previous Entries in The TSL’s Look At Twin Peaks: