Retro Television Review: Homicide: Life On The Street 5.16 “Valentine’s Day”

Posted on July 12, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, Brodie gets a storyline, Luther Mahoney continues to destroy lives, and Pembleton’s marriage collapses. It’s a busy few days in Baltimore.

Episode 5.16 “Valentine’s Day”

(Dir by Clark Johnson, originally aired on February 14th, 1997)

When a man is found dead in the apartment of Alan Schack (Neil Patrick Harris), Detective Munch assume that it was a case of suicide. However, Brodie went to school with Schack and is convinced that he’s the murderer. Munch refuses to take Brodie serious but, luckily, Sgt. Howard is more open-minded. After Alan beats up Brodie and leaves him on a snowy street, Brodie leaves Baltimore because he knows he’ll never get over the shame of being beaten up Neil Patrick Harris. Just kidding! Instead, Brodie doctors a tape to make it seem as if the police have evidence of Alan killing the victim. Alan falls for it because …. I guess he’s just really stupid. Like seriously, wouldn’t Alan have — at the very least — noticed that he was dressed totally different on videotape than he was on the day he committed the murder? Or does Alan just wear the same outfit day after day?

When two seemingly unrelated bombs go off, Kellerman and Bayliss find themselves investigating a — all together now! — “red ball!” Their investigation eventually leads them to the son of the grocer who was murdered by Luther Mahoney a few episodes ago. The bombs are being sent to the people who the son blames for Luther getting away with murder. One bomb is sent to the courthouse. “Lewis is at the courthouse!” Bayliss exclaims. “So is Julianna!” Kellerman says. Well, that’s convenient.

Frank and Mary Pembleton attend marriage counseling. It doesn’t go well. Frank finally agrees to allow their newborn daughter to be baptized despite the fact that he’s still struggling with his faith. Mary, however, still leaves Frank afterwards. She takes their daughter with her. Frank is left alone in their home, staring at an empty crib.

And finally, due to budget cutbacks, Giardello has to dust his own office!

On the plus side, I related to Giardello’s need to dust. As a sometimes struggling Catholic, I appreciated that the show took seriously Mary’s concerns about their daughter dying outside of a State of Grace.

Unfortunately, the rest of the episode just felt off. Neil Patrick Harris as a tough guy drug dealer? Nope. Sorry. I loved NPH as Dr. Horrible but I’m still not buying it. As for the bombing storyline, it felt almost like a parody of an episode of Homicide. Oh no! There’s a bomb at the courthouse and Lewis and Dr. Cox just happen to be standing right outside the doorway!

I regret to say it but this episode just didn’t work for me.

Late Night Retro Television Review: Saved By The Bell 2.9 “Jessie’s Song”

Posted on July 11, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993. The entire show is currently streaming on Tubi!

This week, Jessie’s so excited!

Episode 2.9 “Jessie’s Song”

(Dir by Don Barnhart, originally aired on November 3rd, 1990)

This is it. This is the episode of Saved By The Bell that everyone knows.

Jessie gets hooked on caffeine pills!

“I’m so excited! I’m so excited! I’m so …. SCARED!”

Along with Running Zack, this is the episode that the show will never live down. In a 2o16 interview, Peter Engel stated that the script originally had Jessie getting hooked on amphetamines but NBC said they wouldn’t air the show if there were any references to “hard drugs.” The script was changed to have Jessie get hooked on over-the-counter caffeine pills.

I’m not sure the episode would have played any better if it had featured amphetamines. When I was younger, there were times when I accidentally took more of my ADHD meds than I should have and my behavior was nothing like Jessie’s in this episode. The scene where Jessie starts yelling in the Maxx about how she and Kelly and the show’s Lisa are going to beat out their competition for a record contract can only lead me to conclude that absolutely no one on the show had ever taken speed at any point in their life.

That’s the thing that makes this episode so memorable, though. Everyone remembers Zack waking up Jessie and Jessie screaming, “I’m so excited!” It’s a cringey moment but, honestly, the entire episode is a cringey moment. The only thing about his episode that feels in any way authentic is Mario Lopez’s performance as Slater.

(Seriously, Lopez was this show’s secret weapon. Mark-Paul Gosselaar, Tiffani Thiessen, Elizabeth Berkley, and Lark Voorhies eventually developed into good actors towards the end of the show. Out of respect for the deceased, I won’t comment on Dustin Diamond’s talents. But Mario Lopez was strong and believable from the start of the series.)

How cringey is this episode?

Screech puts on a dress and a wig and speaks with a bad Irish accent and all of the girls in the locker room believe him when he says that he’s related to Sinead O’Connor. “You taught her everything she knows!?” the show’s Lisa exclaims.

Zack is somehow able to produce, in just one day, a professional music video for Jessie, Kelly, and Lisa’s group, Hot Sundae.

That music video — oh God, the music video! It couldn’t be more 80s if it tried. The girls dance while wearing workout outfits and singing. Who wrote the song that they’re singing? Did Zack come up with it? To be honest, the video’s not that bad. It just feels extremely …. suburban. Would there have been room for Hot Sundae in 1990? Probably not. I doubt MTV was going to switch to a grunge, rap, and Hot Sundae format.

What about Jessie’s fantasy about having to go to a party school? Actually, that made me laugh. I went to a party school and I had fun. Plus, Mr. Dewey says “Cowabunga.” Still, as a general rule, any Saved By The Bell fantasy sequence automatically qualifies as cringe.

But, in the end, this will always be the “I’m so excited!” episode. Poor Elizabeth Berkley is probably so sick of people quoting that line to her. In his dubious autobiography, Dustin Diamond poked fun at his co-stars for thinking they were all giving great performances in this episode. As was often the case with Diamond, this judgment says more about his flaws than those of his co-stars. Of course the actors though they were all giving great performances. They were teenagers! They had an excuse for not knowing better. The adults, however….

In the end, Hot Sundae misses its chance for stardom because of Jessie’s freakout. It’s a good thing they’ve all got Zack Attack to fall back on.

I love this episode.

Retro Television Review: Baywatch 2.10 “The Trophy, Part Two”

Posted on July 11, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001. The entire show can be viewed on Tubi.

This week, Baywatch concludes the two storylines that began in the previous episode. Will Mitch get over his guilt? Will Eddie be able to keep his job? Who will star in this week’s slow motion monologue? These are the important questions that come with saving lives for a living.

Episode 2.10 “The Trophy, Part Two”

(Dir by Douglas Schwartz, originally aired on November 18th, 1991)

The beach is in chaos!

Bitter over being in a wheelchair and also being single, Turner continues to take dangerous risks. At one point, he decides to go hang-gliding to prove that not being able to walk doesn’t have to keep anyone from flying. At another point, we get one of those priceless Baywatch montages where Turner imagines himself being able run down the beach.

Mitch still feels guilty over Turner’s condition but eventually, even Mitch has to kneel down beside the guy and say that enough is enough. And really, that’s all it takes. Turner accepts that his ex, Megan, is now dating a hunky marine biologist named Ross and he moves on. Megan was played by Vanessa Angel and, according to the imdb, this was her final appearance on Baywatch. This was also Daniel Quinn’s final appearance as Turner. So I guess that storyline’s now over. Mitch still seemed to be feeling pretty guilty but he’ll have to learn how to deal with that on his own because Eric Turner is out of here!

(Quinn would go on to play two other characters on Baywatch and he also had a role in the Baywatch spin-off, Pacific Blue. I guess someone in the head office really liked him.)

Meanwhile, Eddie is bitter because, after being arrested for statutory rape, he’s been suspended from being a lifeguard. Well, Eddie, that’s life. That’s pretty much what would happen to any lifeguard in those circumstances. Eddie spends a lot of time on this show demanding to be treated like everyone else and then getting angry when it happens.

When Eddie’s accuser, Caroline (played by a young A.J, Langer), attempts to commit suicide by jumping off the pier, Shauni is there to rescue her. Having been rescued from drowning, Caroline confesses that she made up the story about Eddie because she wanted to impress her friends on the beach. Eddie is reinstated and Caroline says that she’s going to return home to Pennsylvania and get some psychiatric help.

This episode was pretty anti-climatic. For all the dramatic potential of Mitch’s guilt, Caroline’s accusations, and Eddie’s bitterness, both stories pretty much just ended with the sources of all the drama agreeing to live somewhere other than California. If only life was always that simple!

In the end, this episode was typical Baywatch. Yes, there was some drama. But the most important thing was always getting the next montage.

Late Night Retro Television Review: Freddy’s Nightmares 2.19 “A Family Affair”

Posted on July 10, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week’s episode is all about death, natural and otherwise.

Episode 2.19 “A Family Affair”

(Dir by Keith Samples, originally aired on February 19th, 1990)

Paul (Leonard O. Turner) is having an affair with Claire (Kim Morgan Greene). He doesn’t want his wife, Helen (Marlene Warfield), or his son, Jason (Morris Chestnut) to find out so when Claire becomes possessive and breaks into his house, he resorts to drastic measures and kills her. However, he and Jason then discover that Claire has already killed Helen. Months later, Paul and Jason are now estranged and Jason is doing drugs. When Paul has a heart attack, he is visited by Claire’s spirit. Claire is now the Angel of Death and has come to claim his soul. Paul begs Claire to give one more week of life so that he can settle his affairs. Claire agrees and then says that she still can’t return empty-handed. Guess who overdoses?

“Drugs,” Freddy Krueger says, “Now there’s a real nightmare!”

Did you hear that kids? The horribly scarred. undead serial killer who is the host of this show says that you better not do drugs. Freddy — or I should say, Robert Englund — delivers the line in a very solemn tone. Freddy’s Nightmares is trying to be socially responsible.

Oh, what to say about this episode? Kim Morgan Greene was enjoyably snarky while playing the Angel of Death. Otherwise, this was a pretty boring episode. Paul’s a jerk and, as a result, he loses everyone that he cares about. If Paul was in any way sympathetic, that would be sad. As it is, it’s hard to care.

Only three episodes left!

Retro Television Review: St. Elsewhere 4.2 “Fathers and Sons”

Posted on July 10, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.

This week, Dr. Craig’s son returns home.

Episode 4.2 “Fathers and Sons”

(Dir by Mark Tinker, originally aired on September 25th, 1985)

In this episode, we discover what Dr. Westphall did after he left St. Eligius. After checking Tommy into a special school for autistic children, Westphall went to Africa and volunteered his time at a clinic. Now that he’s returned to Boston, he wants St. Eligius and its residents to follow his example. In fact, he’s requiring it. He wants to set up a free clinic. He wants to set up a charity. He tells the residents that they will now be required to volunteer in the community. He’s planning on shaking things up. Auschlander tells Westphall that not all of his plans are practical. Westphall says that he doesn’t care.

Westphall also proceeds to move back into his old house and he retrieves Tommy from the school. (Tommy responds by hitting Westphall.) It’s actually pretty easy to see what’s happening here. At the end of the previous season, Westphall was determined to move on with his life. He was going to leave his depressing house. He was going to admit that he couldn’t raise Tommy by himself. However, now that he’s returned to Boston, Westphall is returning to his old life while expecting St. Eligius to change. Westphall is channeling his personal frustrations into the hospital. I don’t think this is going to go well.

Speaking of change, Luther is training to become a paramedic. In this episode, he rides around in an ambulance with two bickering paramedics who are also a couple (played by Adam Arkin and Melanie Chartoff). This storyline allowed the action to move beyond the confines at the hospital and, at times, it almost played like a parody of a more traditional medical show. Luther becomes a stand-in for the viewer, watching as the domestic drama unfolds in between medical emergencies.

The majority of the episode revolves around Dr. Craig, who is not happy that his son, Stephen (Scott Paulin), is visiting with his very pregnant wife, Yvonne (Suzanne Lederer). When we last saw Stephen, he was a hotshot Ivy League medical student with a bright future ahead of him. Then he got busted for drug possession and Dr. Craig stopped speaking about him. In this episode, we learn that Stephen is now a student at Ohio State. Stephen claims that he’s no longer on drugs but it’s obvious that Dr. Craig is never going to be able to forgive Stephen for letting him down. That said, Dr. Craig does soften a bit when he talks to Yvonne and she lets him feel the baby kicking.

At the end of the episode, Stephen is driving down a street in Boston. He’s just had dinner with his parents. Yvonne is in the passenger’s seat. A quick shot of Stephen’s eyes reveal that he’s high on something. Yvonne screams as Stephen crashes the car. Yikes! That’s a frightening way to end things!

This was a good episode. It appears that, with the start of season four, the showrunners finally figured out that Dr. Craig was the most interesting character on the show. William Daniels and Bonnie Bartlett are both excellent in this episode.

I just hope the baby will be okay.

Late Night Retro Television Review: Hunter 1.11 “The Garbage Man”

Posted on July 9, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!

This week, Hunter and McCall deal with some familiar faces.

Episode 1.11 “The Garbage Man”

(Dir by Bruce Kessler, originally aired on January 11th, 1985)

This week’s episode is all about spotting the guest stars.

Hey, there’s Christopher McDonald as Sonny Dupree, a parolee who has been accused of murdering his parole officer. He’s on the run but, when Hunter corners him, Sonny makes a convincing argument that he was set up. It also turns out that someone doctored Sonny’s arrest record to make him look like a far more viscous criminal than he actually is.

Hey, there’s Nicholas Worth, playing a friend of Sonny’s. Nicholas Worth might not be a household name but you’d recognize if you saw him. He was big and bald and intimidating.

Oh my God, it’s Frances McDormand! She plays a new parole officer named Nina and she develops a crush on Hunter! At one point, McCall pretends to be Nina on the phone and does a fairly bad imitation of McDormand’s genuine Southern accent.

And wait, is that Ed O’Neill!? Yes, it is. A skinny Ed O’Neill plays Dan Colson, a parole officer who is determined to track down Sonny and who is even more violent than Hunter. When Sonny explains that someone has been executing parolees, it doesn’t take a genius to guess who the killer is.

McDonald, Worth, McDormand, and O’Neill all give strong performances in this episode. Fred Dryer and Stepfanie Kramer get to be their usual dependable selves while the guest cast runs off with all the drama.

As for the overall episode, it features a few plot twists that don’t really make much sense. We’re asked to believe that Sonny Dupree, who is trying to straighten out his life and who has a wife and daughter, would agree to have his criminal record doctored just so he could serve as bait for the vigilante. There’s also — and this was often the case with Hunter — absolutely no suspense about who the murderer is. As soon as we meet Colson, we know he’s guilty. Even if he was being played by as complete nobody, we would know that he was guilty. Hunter is not exactly a subtle show.

That said, this episode had some good action sequences and it also showcased the chemistry between Fred Dryer and Stepfanie Kramer. The scene where McCall and Hunter argue over who should chase Colson was a classic, with McCall sensibly pointing out that she didn’t want to dent up her new car. Hunter’s car, naturally, was already covered in dents.

In the end, this episode worked. The guest stars, the action, the comedy, it all added up to an enjoyable 48 minutes.

Retro Television Review: Decoy 1.37 “The Comeback”

Posted on July 9, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

This week, Peter Falk guest stars!

Episode 1.37 “The Comeback”

(Dir by David Alexander, originally aired on June 23rd, 1958)

When a fire breaks out at the race track, someone steals two rolls of blank tickets. The police think that the syndicate is planning on printing up counterfeit tickets that they can use to make a killing at the track. Casey quickly figures out that track clerk Fred Dana (Peter Falk) was in the perfect position to steal the tickets during the fire.

Because Fred already saw (and flirted with) Casey at the police station, Casey can’t do her usual undercover shtick. Instead, when she later approaches Fred, she tells him that she’s looking to make some extra money and she’s willing to help Fred and his bosses get away with their crime. Fred introduces Casey to his boss and then that boss introduces Casey to another boss and soon, Casey is working her way to the top.

However, Fred is worried that Casey is getting in over her head and starts warning her that she shouldn’t get involved. When Fred figures out that Casey is just pretending to be crooked, he doesn’t betray her. Instead, he betrays the Syndicate and helps to save Casey’s life.

Why?

Fred says that Casey has “class.”

Casey looks at the camera and tells the viewers that Fred is the one with class.

Awwww!

So, this was a typical Casey-Gets-In-Over-Head storyline. We’re only two episodes away from Decoy’s finale and it’s hard not to feel that, as the series progressed, the writers made Casey less-and-less competent. She’s gone from being a smart, streetwise cop to someone whose cover is continually getting blown. This time, it’s Peter Falk who steps up to save not only Casey but also this entire episode. Falk was 30 when he appeared on Decoy but he already looked several years older. He gives an intelligent and sensitive performance here, one that almost feels like it could come from an alternative universe where Columbo became a low-level mob associate instead of a detective. His scenes with Garland are especially interesting to watch. It wasn’t unusual for Decoy to feature men hitting on Casey. But this is the only episode (at least so far) where there was a genuine romantic chemistry.

Indeed, Fred had class.

Late Night Retro Television Review: 1st & Ten 4.7 “Saturday, Bloody Saturday”

Posted on July 8, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, Lawrence Taylor shows up!

Episode 4.7 “Saturday, Bloody Saturday”

(Dir by Stan Lathan, originally aired on November 16th, 1988)

Ever since I started reviewing this show, my friend Mark has been telling me to keep an eye out for Lawrence Taylor. Taylor is an actual football player who has gone on to have a sporadic acting career. (He also did Dancing With The Stars.) This week, after months of searching, I finally spotted Lawrence Taylor’s name in the credits.

Taylor plays Tombstone Packer, an opposing player who goes on television and announces that he’s going to destroy the Bulls to get revenge on Dr. Death for crippling one of Tombstone’s teammates. Usually, I joke about how the worst actors on shows like this are always the professional athletes. But I have to admit that Lawrence Taylor is not that bad in this episode. Of course, he spends most of the episode yelling at and threatening people and I imagine that would come naturally to most football players. Still, that’s more than most of the basketball players who appeared on Hang Time were capable of pulling off.

There’s a lot of drama in this episode, even beyond Tombstone Packer’s search for vengeance. For instance, Billy Cooper is shocked to discover that his newest girlfriend, Sybil (Samantha Eggar, seriously slumming), is the wife of Dodds Corporation executive Robert Nelson (Derek Patridge). Making things even worse is that Sybil dies of a drug overdose and Billy is worried that he and the players might be blamed and even criminally charged. Billy shouldn’t have worried, though. It turns out that Sybil had a long history of sleeping with athletes and Robert was okay with it. He’s not even that upset to hear that his wife has died.

Meanwhile, TD Parker (OJ Simpson) meets Gillian (Michael Michele). The newly-divorced TD flirts with Gillian at a supermarket and learns that she’s a soccer player. TD decides that it’s time for the Bulls to make history by signing Gillian as their backup field goal kicker! Over the objections of Coach Denardo, Gillian becomes the first woman to play professional football. Of course, Tombstone tackles her as soon as she makes her first kick and she’s carted off the field with a bruised leg. The show ends with TD welcoming Gillian to the team but, according to imdb, this was Gillian’s only appearance on the show. Hopefully, she didn’t make TD angry.

(I should also say that, on Tubi, this episode’s sound was extremely muddy and the close captioning was running way behind so the show ended before the captions even reached TD’s postgame talk with Gillian. Their conversation was not always easy to hear. That said, Gillian looked really happy so I’m assuming that TD welcomed her to the team.)

As I watched this episode, I remembered that, a few years ago, a woman actually did try out to be a kicker in the NFL. She received a lot of media hype in the days leading up to the try-out. Everyone was really excited until she actually kicked the football and sent it skidding over to the sidelines. I also thought about how Degrassi spent an entire season building up Jane as being a totally badass football player, just to abandon the idea after a few episodes. I guess my point is that I guess it would be great if a woman played in the NFL and totally dominated all of the 300-pound men who play in that league but I just don’t think it’s going to happen in my lifetime.

Oh well! At least I can now say that I’ve spotted Lawrence Taylor on 1st & Ten.

Retro Television Review: The Love Boat 7.27 “Best Ex-Friends/All the Congressman’s Women/Three Faces of Love”

Posted on July 8, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week, season 7 comes to an end,

Episode 7.27 “Best Ex-Friends/All the Congressman’s Women/Three Faces of Love”

(Dir by Ted Lange, originally aired on May 12th, 1984)

This week, on The Love Boat, Gopher fires Isaac!

You read that right. Gopher told Isaac, “You’re fired,” and it was one of the most shocking things I’ve ever seen on The Love Boat. Some of that was because Gopher and Isaac were best friends. Most of it was because I had no idea that Gopher could fire people.

Why does Gopher fire Isaac? Because Isaac refuses to fire Tina Burnell (Eugenia Wright), the new barmaid that Isaac is currently dating. In Gopher’s defense, Tina is terrible at her job. Also, in Gopher’s defense, it really doesn’t seem ethical for Isaac to hire someone just because he wants to sleep with her. In fact, that seems kind of icky by today’s standards. Then again, this episode aired in 1984. Times were apparently different back then.

The next morning, Gopher rehires Isaac and the two of them forgive each other. But then Gopher puts in for a transfer to another ship because he feels that he’s too close to everyone on the boat to do a good job. (Gopher is probably correct about this.) Isaac finally admits that Tina is not a good enough barmaid and he gently fires her. He assures her that, with her looks and personality, she’ll be able to find a new boss who wants to sleep with her and she’ll get a new job in no time. Isaac chooses friendship over meaningless sex. Awwwww!

I’m being snarky but this story actually worked far better than it had any right to. Ted Lange and Fred Grandy always made for a good team. Their friendship always feels real and, all other issues aside, it’s hard not be happy that they’re still friends at the end of this episode.

As for the other stories, Sal Viscuso plays a movie makeup artist who fears that his girlfriend (Heidi Bohay) is going to cheat on him. He disguises himself as both Burt Reynolds and Doc Bricker in order to test her loyalty. Amazingly, she’s touched by his devotion.

And finally, 11 year-old Tori Spelling plays a sociopathic little brat who doesn’t want her Congressman father (Sam Goom) to run for governor or marry his campaign manager (Phyllis Davis). So, Tori starts cutting up newspapers and magazines and using the headlines to create threatening letters. Somehow, no one has figured out that Tori is the culprit and the Congressman is traveling with a bodyguard. (Hopefully, the Congressman is paying for the bodyguard himself and not charging the taxpayers.) Eventually, Tori comes clean but only after she’s caught with a scissors, glue, and cut up magazine. Personally, I think Tori should have been tossed overboard but instead, she accepts her father’s ambition and her new stepmother’s love.

This was the final episode of Season 7 and it wasn’t a bad one to go out on. Tori Spelling was a terrible actress even at the age of eleven but the Gopher/Isaac storyline was touching. Sadly, this was Lauren Tewes’s final episode and she did not get a grand send-off. Instead, she was fired after this season because, as Tewes has admitted in several interviews, she was struggling with a serious cocaine addiction. Tewes didn’t get to do much during Season 7 and, when you consider how important Julie was during the early seasons of The Love Boat, that’s a shame.

Out of respect for Lauren’s final episode, we’re retiring the HOW COKED UP WAS JULIE scale. What’s important is that Lauren herself got clean and went on to appear in Twin Peaks: The Return. Good for her!

Late Night Retro Television Review: Pacific Blue 4.9 “Cutting Edge”

Posted on July 7, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, TC goes surfing!

Episode 4.9 “Cutting Edge”

(Dir by Terence H. Winkless, originally aired on October 18th, 1998)

When an up-and-coming surfer named Kenny Slaughter (Reed Ferichs) is pressured by a corrupt surf board salesman named Rip Cutter (Matt Battaglia), TC befriends Kenny. He and Kenny go surfing. They discuss the philosophy of catching a great wave. “Are you sure you’re a cop?” Kenny asks.

Uhmm, Kenny …. are you kidding? TC is the most uptight guy on the beach. Everything about him screams “cop.”

This episode is an example of something that happened quite frequently with Pacific Blue. One of the bike cops would befriend someone and the viewer would be left to wonder how that could have possibly happened. Friendship usually requires a modicum of likability and that’s something that no one on this show seems to have. Whether it’s Chris saying, “Just doing my job,” after nearly running someone down with her bicycle or Cory rolling her eyes every time that she has to deal with anyone younger than her, there are literally no likable bike cops. Even this episode features Cory complaining about the attitude that Kenny gave her when she arrested him while he and Rip were having a fight on the beach. It’s hard not to notice that almost every episode features Cory complaining about someone’s attitude. It’s a bit of a cliche but it’s true. If everyone you meet is a jerk, that means that you’re the jerk.

TC assigns Monica to work undercover in Rip’s surf shop. This means that Monica has to frequently come over to TC’s apartment to give him updates. Because TC can’t tell anyone that Monica is working undercover, Chris gets suspicious about why Monica is always coming over. Chris and Cory being paranoid about Monica has been going on for nine episodes now and I think that, narratively, it might be a good idea to just move on from it. It wasn’t that interesting to begin with and, at this point, Chris and Cory are just coming across as being overage mean girls.

Anyway, this episode actually felt like an abandoned Baywatch storyline. TC’s no surfer.