Eve Smith – Through the Shattered Lens

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.

This week, the lights go out.

Episode 4.10 “Loss of Power”

(Dir by Mark Tinker, originally aired on December 11th, 1985)

Due to a blizzard, the power has gone down in Boston. At St. Eligius, the backup generator comes to a sputtering and unreliable life. Over the course of the night shift, many things happen in the dark.

Dr. Craig successfully performs lifesaving surgery without being able to use any of the tools that surgeons have come to take for granted. After the grueling operation is completed, he leaves the ER without thanking anyone else. Dr. Wade chases after him and tells him that he should have at least told everyone that they did a good job. Dr. Craig replies that everyone did their job like they were supposed to. Just the fact that he allows them into his operating room should be thanks enough.

Pru Dowler (Amanda Wyss), the developmentally challenged teenager who was caught having sex in her hospital room a few episodes ago, returns with her mother (Terrence O’Connor). Pru has been having stomach pains and morning sickness. After Dr. Morrison confirms that Pru is pregnant, her mother says that Pru will be having an abortion. Morrison tries to talk her out of it, to no avail.

Working at the nurses’ station, Helen Rosenthal gets a summons to appear in court. Lucy is suing over the incident in which Helen slapped her.

Fiscus and Mona have sex in the hospital and, when Fiscus proposes, Mona accepts.

Elliott treats a patient who claims that he’s going to turn into either a vampire or a werewolf at midnight. Elliott thinks that the man belongs in the psych ward, but then he discovers that the man is actually suffering from a real condition that makes it difficult for him to go out during the day. The man spent so much time being made fun of for his nocturnal lifestyle that he eventually decided that he really was a vampire.

And finally, Dr. Westphall is stuck in an elevator with a claustrophobic man (Michael Des Barres) who is also named Donald. Stuck in an elevator with a stranger, Westphall does what he always does. He uses the situation as an excuse to start talking about the volunteer work he did in Ethiopia and how disappointed he is that everyone doesn’t share his attitude when it comes to community outreach. The other Donald responds by talking about the time he was thrown in jail for marijuana possession. Eventually, the other Donald dislocates his shoulder when he throws himself against the elevator doors.

Seriously, can you think of anything worse than being stuck in an elevator with Donald Westphall? Westphall is already one of the most depressing people on the planet. Now imagine being trapped in a confined space with him. Once again, this episode proves that Westphall can take any situation and turn it into a lesson about how he’s right and everyone else is wrong.

That said, I liked this episode. It reminded me of the season-one episode that featured a small group of doctors working the night shift. It was interesting to see how everyone adjusted to the darkness. This was a workplace episode in which we watched as everyone did their best under less than ideal conditions. In the end, it was obvious that Dr. Craig was correct.

His people are the best.

It would just be nice if he would let them know that once in a while.

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week, the highway leads to Hollywood!

Episode 1.9 “Catch a Falling Star”

(Dir by Michael Landon, originally aired on Nov. 14, 1984)

In this rather slight episode, Daniel Davis plays movie star Lance Gaylord. Lance is both producing and starring in a western and he’s so dedicated to the film that he rarely sees his two children, Brock (Bobby Jacoby) and Karen (Emily Moultrie). His son has been acting out and Lance thinks that it’s just because the kid is a brat and he’s upset about his parents getting divorced. The truth, of course, is that Brock just wants his father’s attention.

Jonathan and Mark show up on the set of Lance’s movie and explain that they’ve been sent over by the Darwin Agency. (An angel who works for the Darwin Agency? Take that, secular humanism!) Lance tells Jonathan and Mark to keep an eye on his kids while he’s shooting his movie.

The problem is an obvious one. How can Jonathan get Lance to spend more time with his children, especially his angry son? Well, maybe the child star who is appearing in the movie could come down with the chicken pox. And then, maybe with Jonathan’s encouragement, Brock could try out for the role. At first, Lance angrily says that he will not even allow his son to audition but when Brock runs away from home and Jonathan yells at him for not being there for his son, Lance realizes the errors of his ways. When Brock returns home, he gets his audition and he gets the role. He also finally gets to go fishing with his dad.

Probably the most interesting thing about this episode is how little actually happens. It really doesn’t take much for Lance to see the errors of his ways. He just needs Jonathan to yell at him for a minute or two. The whole thing epitomizes the feel-good blandness that the show was known for. In the end, Lance isn’t a bad father. He just needed to be reminded to do what was right. Myself, I’m more concerned with the fact that Lance’s film looks way too old-fashioned to be a hit, even in the 80s. As soon as I saw Lance dressed up like a cowboy, I thought to myself, “Oh, this movie is going to be such a flop that careers are going to end.” Hopefully, Lance is keeping productions costs down or he might never work in Hollywood again.

This episode’s big scene actually doesn’t have anything to do with Lance or his children. Instead, it comes when Jonathan and Mark go to a grocery store and end up getting confronted by a junkie (Dennis A. Pratt) with a gun. With the junkie attempts to shoot Jonathan, Jonathan snatches the bullet out of the air. At the police drag him away, the junkie shouts that he’s never going to drugs again. Obviously, Jonathan and Mark were changing lives everywhere!

Next week, Jonathan and Mark help out on another film set!