Late Night Retro Television Review: Hunter 1.17 “The Last Kill”

Posted on August 20, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!

This week, Hunter helps an ex-girlfriend.

Episode 1.17 “The Last Kill”

(Dir by Bruce Kessler, originally aired on April 20th, 1985)

Internationally famous model Christine Le Masters (Stephanie Blackmore) thinks that her husband, Kerry (Madison Mason), is cheating on her. Christine tells Kerry that she’s heading to the airport to catch a flight for Europe and a new ad campaign. Instead, she follows Kerry when he heads over to a cheap motel. Christine is expecting to catch her husband with his mistress. Instead, she finds a prostitute who has been shot in the back of the head by a hitman.

Not wanting her husband to know that she lied about leaving the country, Christine goes to an ex-boyfriend for help. The name of that ex-boyfriend? Rick Hunter.

Hunter and McCall do investigate and discover that the prostitute is just one of many low-level criminals who have apparently all been killed by the same assassin. Hunter uses his little-mentioned mob contacts to dig into the murders and finds out that there’s a hitman named George who has been killing everyone involved in a plot to blackmail a mob boss. However, George appears to be doing this out of the kindness of his heart. Hunter suspects that George is just trying to get close to the mob boss so that he can kill him. He also suspects that George is actually Kerry Le Masters!

Is Hunter just jealous that Kerry is married to his ex-girlfriend, or is he correct about Kerry being a killer? It turns out that both things can be true! Don’t worry, though. Even though Kerry is holding a gun at his wife’s head at the time, Hunter is still able to shoot him without hurting Christine. Hunter tells police dispatch to send “the coroner’s wagon.” The police dispatcher doesn’t sound surprised. Hunter kills an average of three people a day.

This episode never really made it clear why Kerry would decide to become a hitman in the first place. I mean, he’s already rich. But I did appreciate that the Hunter family’s mob ties were mentioned again and that we got to learn a little about his past. When Kerry told Hunter that the two of them were heading for a standoff that only one would survive, Hunter replied, “Works for me.” It was a cool moment on an otherwise standard episode of Hunter.

Late Night Retro Television Review: Hunter 1.16 “Guilty”

Posted on August 13, 2026 by Lisa Marie Bowman

This week, it’s another violent couple of days in Los Angeles.

Episode 1.16 “Guilty”

(Dir by Michael Lange, originally aired on April 13th, 1985)

In 1979, Louis McMahon (Ken Foree) was convicted of murder and given a life sentence. Six years later, he’s been paroled and …. wait, really? He served six years for murder? What the Hell, California!?

Louis is free and working as a cook. When someone starts stalking and killing the jurors at his trial, Louis is the number one suspect. However, before the killer strikes, he always calls his victims and rasps, “Guilty.” Louis’s throat was slashed in prison and he’s now mute! Or is he? McCall suggests that Louis is faking being mute and …. well, yeah. That’s what he was doing alright.

This is the most simplistic episode of Hunter yet. McCall and Hunter figure out quickly that Louis is the murderer. All the other cops refuse to take Hunter and McCall seriously because of …. reasons, I guess? I mean, there really is no other suspect. Louis is the one person who has a reason to what to commit the murders. The only thing linking the victims is that they all voted to convict Louis. And yet, once again, Hunter and McCall find themselves being told not to bother the obvious murderer.

Of course, Hunter ends up shooting Louis. We haven’t finished the first season and I’ve already lost track of the amount of people that Hunter has shot. While I am as concerned as anyone is about trigger-happy cops, I do have to say that everyone that Hunter has shot had it coming. That’s especially true of Louis, who was an absolute monster. Ken Foree did a really good job playing him. Foree was so scary so that it kind of made up for the fact that this was one of the most predictable hours of television that I’ve ever watched.

Once again, Hunter and McCall save countless lives and they get no credit for it. Instead, they get sent to park to arrest muggers. As the episode ends, they actually catch one. I was surprised Hunter didn’t just shoot him.

Late Night Retro Television Review: Hunter 1.13 “Snow Queen: Part One”

Posted on July 23, 2026 by Lisa Marie Bowman

This week, we have part one of a two part story.

Episode 1.13 “Snow Queen: Part One”

(Dir by Tony Mordente, originally aired on March 23rd, 1985)

This week’s episode features two tough guys who are both named Dennis.

Dennis Farina appears as Vic Terranova, a gangster who owns a nightclub and who loves country music. McCall is working undercover as a country-western singer in order to take both him and his cocaine-dealing operation down.

Meanwhile, Dennis Franz appears as Sgt. Jackie Molinas, a sleazy detective from New York who comes to Los Angeles to extradite Sally LaPone (Lycia Neff), a former New York drug dealer who relocated to Los Angeles after she witnessed a murder in the Big Apple. Sally is now the exclusive drug dealer for rock star Darby Slash (Brendan Hughes). When she’s arrested at a raid on one of Terranova’s clubs, Molinas demands that she be turned over to him. Correctly assuming that Molinas is planning on killing her, Sally escapes his custody. Molinas’s search for Sally leads to him apparently killing both Darby Slash and also one Hunter’s informants.

Hunter can’t prove that Molinas is the killer but he suspects it. It seems like he could just ask his Mafia relatives if Molinas is working for the Mob but this show has kind of forgotten that Hunter has relatives in the Mafia.

This episode was part one of two so this review is going to feel incomplete. When the episode ended, McCall had gotten a job singing for Terranova and Molinas was closing in on Sally. We’ll see how it all plays out next week. For this week, I’ll simply say that Dennis and Dennis delivered. Dennis Farina was properly smooth as Terranova. Meanwhile, Dennis Franz turned Jackie Molinas into one of the sleaziest, most obnoxious characters that I’ve ever seen. He’s the type of guy who walks into a place, insults all of the men, crudely hits on all of the women, and then attempts to murder a stranger. Franz made Molinas into a character worthy of loathing.

I always find it interesting when Rick Hunter has to deal with a bad cop. It’s like the show is saying, “Yes, Rick kills a lot of people but at least he’s not that guy!”

We’ll see how things work out next week.

Late Night Retro Television Review: Hunter 1.12 “The Avenging Angel”

Posted on July 16, 2026 by Lisa Marie Bowman

This week, someone wants to help out Hunter!

Episode 1.12 “The Avenging Angel”

(Dir by James Whitmore, Jr., originally aired on January 18th, 1985)

After Hunter receives an anonymous phone tip, he arrests Dr. Pierpoint (Angus Duncan) for attempting to hire a criminal known as “The Rat” to kill his wife. When Hunter makes the arrest, he actually has to Mirandize him twice because the doctor was unconscious the first time that Hunter read him his rights. Oh, Hunter!

Unfortunately, things fall apart at trial. The Rat (Robert Pastorelli, whose career later fell apart after the mysterious death of his girlfriend) changes his testimony at the last minute and says that Pierpoint never hired him to kill his wife. The case is dismissed. Hunter is upset. Even more upset is Arnold Morton (Robert Gray), a surveillance expert who idolizes Hunter and who makes it his mission to take down not just Pierpoint and the Rat but also defense attorney Nell Armstong (Nancy Stafford).

This was an interesting episode. The story didn’t quite work but the idea behind it was intriguing. Morton, who has bugged Hunter and has been following him for weeks, considers himself to be Hunter’s avenging angel. When Hunter makes it clear that he’s not cool with the whole vigilante thing, Morton turns on him like a lover scorned. This is like Hunter’s version of Magnum Force.

As for McCall, she spends most of this episode just trying to go on a date with her latest boyfriend, Ted (Rod Haase). Unfortunately, Hunter keeps interrupting. Ted is a nice guy about it but it’s pretty obvious that McCall and Hunter are meant to be together.

The highlight of this episode? Hunter destroying his phone while searching for a bug. In the role of Captain Dolan, John Amos got to do his whole, “Hunter, what the Hell are you doing!?” thing. That’s always entertaining.

As I said, the episode didn’t quite work. I never really bought that Arnold could do everything that he managed to do in this episode. I mean, for someone who lived in an abandoned arcade and drove a broken-down van, Arnold seemed to have unlimited resources. I will give a shout out to the show’s art department for including a poster of Lucio Fulci’s Zombi 2 in Arnold’s office.

It’s always funny to me how, in every episode, Hunter has got someone trying to kill him and no one but McCall seems to care.

Late Night Retro Television Review: Hunter 1.10 “The Shooter”

Posted on June 25, 2026 by Lisa Marie Bowman

This week, Hunter and a biker compete to see who has the fastest draw.

Episode 1.10 “The Shooter”

(Dir by Michael Lange, originally aired on January 4th, 1985)

Someone is gunning down motorcycle cops. It’s a crime that both Hunter and McCall take personally. Unfortunately, Bernie Terwiliger is in charge of the investigation and he insists that he doesn’t need any help from Hunter or “the brass cupcake.” Considering that McCall’s husband was a police officer who was killed while doing a routine traffic stop, you would think Terwiliger would be a little bit more sensitive but nope. That’s not the way things are done on Hunter.

Hunter and McCall conduct their own investigation, which leads them a country-western bar and a quick-draw video game. Deke Broder (Robert Dryer) is a redneck who is very proud of having the fastest draw on the game. The only problem is that cops keep coming in the bar and beating his time. So, Deke stalks and kills them.

Deke — it’s just a game!

Soon, Hunter is playing the video game and Deke has a new target.

Now, this is a good episode! It’s everything that you could want from an episode of Hunter. It’s violent. It’s fast-paced. It’s got enough atmosphere to hold the viewer’s interest and it features a bad guy who is more interesting than the run-of-the-mill cop show villain. Deke and Hunter have a lot in common. They’re both cocky. They’re both convinced their the best. And they both really like to shoot their guns. Between the motorcycles and Deke’s leather kill suit, this episode was pure style.

This is exactly what an episode of Hunter should be like.

Late Night Retro Television Review: Hunter 1.9 “High Bleacher Man”

Posted on June 18, 2026 by Lisa Marie Bowman

This week, Hunter gets another bad assignment.

Episode 1.9 “High Bleacher Man”

(Dir by Arnold Laven, originally aired on December 7th, 1984)

Hunter and McCall have finally arrested Elton Gavin (Michael Baselon), a murderous punk who has been causing mayhem all over Los Angeles. Unfortunately, Gavin works out a deal. For immunity, he’ll turn on gangster Nate Demarest (Richard Romanus). With Demarest eager to kill the informant, Hunter finds himself assigned to protect Gavin until Gavin can testify.

The problem, of course, is that Gavin is a sociopath. Hunter doesn’t want to protect Gavin. He doesn’t want Gavin to get immunity. He certainly doesn’t want to see Gavin back out on the streets. When Hunter learns that McCall once investigated Demarest for killing a federal agent, he asks her to reopen the case. If they can get Demarest on that charge, then there won’t be any reason to give Gavin immunity.

Poor Hunter and McCall. They always get the worst assignments. This was pretty much a standard episode of Hunter but the chemistry between Fred Dryer and Stepfanie Kramer was fun to watch. In the middle of all the action and the bullets, Dryer and Kramer were actually a pretty good comedy team. It’s fun to listen to them talk.

As I watched this episode, I suddenly remembered that Hunter’s father was a gangster and therefore, one would think that Hunter would have more contacts in the world of organized crime than he does. Hunter’s mob background is one of those things that the show sometimes seems to forget about.

The other thing that occurred to me as I watched this episode is that, in 1984, John Amos probably had one of the easiest jobs in television. He played Dolan, Hunter and McCall’s captain. As far as I can tell, his role consisted of showing up at the end of each episode and yelling at Hunter for taking unnecessary risks. That was pretty much it. Amos just had to be annoyed for two-minutes every week.

Of course, it didn’t matter how much Dolan got annoyed,

Hunter got results!

Late Night Retro Television Review: Hunter 1.7 “Pen Pals”

Posted on May 28, 2026 by Lisa Marie Bowman

This week, Hunter goes to jail!

Episode 1.7 “Pen Pals”

(Dir by Larry Stewart, originally aired on November 16th, 1984)

Rick Hunter, murderer!

Well, not quite. It is true that someone used Hunter’s gun to assassinate a drug dealer but, at the time of the shooting, Hunter was helping a woman who came by his apartment and said that her car had broken down. It’s a set up! But, because Hunter threatened to kill the drug dealer earlier and he’s killed around 20 0ther people since the pilot, everyone assumes that he’s guilty. He’s sent to jail for 72 hours. McCall, forced to partner up with the charming but incompetent Detective Glascow (Tim Thomerson), attempts to prove that Hunter was framed. Meanwhile, Hunter befriends one prisoner (Tracey Walter) and is targeted by another (Jack O’Halloran).

There were a few odd things about this episode. First off, why wasn’t Hunter put in protective custody? Everyone in the jail knew that he was a cop. He hadn’t actually been convicted of anything. So, what was he doing in general population?

Secondly, what happened to Hunter’s mob connections? Previous episodes have hinted that Hunter’s father is one of the most powerful gangsters in California. Wouldn’t that give him some sort of protection in prison? Couldn’t the Hunter crime family have asked around and discovered who set Rick Hunter up?

Oh well, no matter. This was a fun episode! Tim Thomerson was wonderfully smarmy as McCall’s new partner. Jack O’Halloran was properly psychotic as the scary prisoner looking to take down Hunter. If any actor was born to be filmed beating up people in a prison cafeteria, it was Fred Dryer.

Luckily, Hunter got out of jail at the end of the episode. Now, he and McCall can get back to falling in love.

Late Night Retro Television Review: Hunter 1.6 “Flight of the Dead Pigeon”

Posted on May 21, 2026 by Lisa Marie Bowman

This week, Hunter searches for a pigeon.

Episode 1.6 “Flight of the Dead Pigeon”

(Dir by Michael Preece, originally aired on November 9th, 1984)

When a little girl (Marissa Mendenhall) shows up at the police station and asks for Hunter’s help in finding her stolen carrier pigeons, Hunter’s like, “Buzz off, kid!” However, when it turns out that the girl’s uncle was a degenerate gambler and that he was thrown off the roof of a building by the mob, Hunter and McCall get involved. It turns out that the Mexican cartels want to use the pigeons to carry drugs into America. Because the little girl is the only one who knows how to train the pigeons, they want to kidnap her as well….

Yeah, this was a pretty dumb episode. I don’t doubt that pigeons could be used to smuggle drugs but I do doubt that any successful criminal organization would go through all the trouble that they go to in this episode. There are far simpler ways to smuggle drugs. I’m also sure they could have found someone to train the pigeons without abducting a child. Hunter and McCall are able to rescue the girl and the episode ends with her smiling cheerfully as she’s sent into foster care.

“Hunter,” McCall asks, “have you ever wanted kids?”

“Nope,” Hunter replies.

“Me neither,” McCall says, not sounding particularly convincing.

What a sad ending! Seriously, if Hunter and McCall aren’t married by the end of this series, I will throw a fit. They’re totally meant for each other. Even in a kind of dumb episode like this one, their chemistry saves the day.

Late Night Retro Television Review: Hunter 1.5 “Legacy”

Posted on May 14, 2026 by Lisa Marie Bowman

This week, Hunter and McCall investigate a mob hit!

Episode 1.5 “Legacy”

(Dir by Ron Satlof, originally aired on November 2nd, 1984)

Gangster John Vincent (Tony Girogio) has been gunned down in his own mansion. Detective Bernie Terwilliger thinks that it’s a case of burglary gone wrong. Rick Hunter thinks that it was a mob hit and that one of John’s sons is responsible. He and McCall search for Sandy Newton (Mary-Margaret Humes), the woman who was with Michael Vincent (Vincent Baggetta) the night that his father was killed.

I have to admit that I had totally forgotten that Rick Hunter was supposed to be the son of a mobster. This episode featured Rick associating with his childhood buddies and, if nothing else, it showed just how unconvincing Fred Dryer was as the scion of a mob family. Don’t get me wrong. Fred Dryer was great when he was gunning down a suspect and then saying, “Works for me.” And Fred Dryer had a fun chemistry with Stepfanie Kramer. But there was absolutely nothing about Fred Dryer that, in any way, said, “Mobster.” Surrounding Dryer with a bunch of tough-looking Italian-American character actors did nothing to change the fact that Dryer essentially looked like a former football player from sunny California.

This episode had a predictable story but it also had two good action scenes: a fight on a pier and a mob hit in a warehouse. It also introduced John Amos as Captain Dolan, who is the new police captain but who appears to dislike Hunter and McCall just as much as the previous captain. It’s hard not to feel that Amos will be entertaining as he yells at Hunter for not following regulations and costing the city money.

We’ll see how it goes!

Late Night Retro Television Review: Hunter 1.2 “Hard Contract”

Posted on April 23, 2026 by Lisa Marie Bowman

This week, Hunter breaks rules and shoots people.

Episode 1.2 “Hard Contract”

(Dir by Bruce Kessler, originally aired on September 28th, 1984)

When McCall calls in sick and says that she’s taking the week off, Capt. Cain (now played by Arthur Rosenberg) assigns Hunter to work with bowtie-wearing Bernie Terwilliger. Cain sees this as an opportunity to get rid of Hunter. He tells Bernie to write down every policy that Hunter breaks throughout the day.

Terwilliger wants to spend the day tracking down whoever is leaving graffiti in the park. Hunter’s not interested in that. He wants to know what’s going on with McCall. Mostly, Hunter wants to find an excuse to draw his gun. The only thing he gets out of the trip to the park is a chance to arrest a man trying to rob a hot dog vendor. Hunter gets a hot dog, of course.

Eventually, Hunter drags Terwilliger to a bar where they discover McCall hanging out. After a bar fight, Hunter and McCall abandon Terwilliger and go after Gus (David Ackroyd), McCall’s former partner. Gus was McCall’s mentor and she’s still close to Gus and his wife. However, Gus has fallen on hard times and now, he’s looking for work as a contract killer.

The most interesting thing about this episode is that, even though Gus and McCall are old friends, they’re still totally willing to shoot each other. That seems to be a recurring theme with Hunter. Everyone likes to shoot everyone else.

I enjoyed this episode. It was very, very simple but Fred Dryer and Stepfanie Kramer got to show off their chemistry and there was plenty of humor involving poor old Bernie. Sometimes, it’s enjoyable to watch something that doesn’t require you to do much thinking and that was certainly the case here.