Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!
This week, Hunter goes to jail!
Episode 1.7 “Pen Pals”
(Dir by Larry Stewart, originally aired on November 16th, 1984)
Rick Hunter, murderer!
Well, not quite. It is true that someone used Hunter’s gun to assassinate a drug dealer but, at the time of the shooting, Hunter was helping a woman who came by his apartment and said that her car had broken down. It’s a set up! But, because Hunter threatened to kill the drug dealer earlier and he’s killed around 20 0ther people since the pilot, everyone assumes that he’s guilty. He’s sent to jail for 72 hours. McCall, forced to partner up with the charming but incompetent Detective Glascow (Tim Thomerson), attempts to prove that Hunter was framed. Meanwhile, Hunter befriends one prisoner (Tracey Walter) and is targeted by another (Jack O’Halloran).
There were a few odd things about this episode. First off, why wasn’t Hunter put in protective custody? Everyone in the jail knew that he was a cop. He hadn’t actually been convicted of anything. So, what was he doing in general population?
Secondly, what happened to Hunter’s mob connections? Previous episodes have hinted that Hunter’s father is one of the most powerful gangsters in California. Wouldn’t that give him some sort of protection in prison? Couldn’t the Hunter crime family have asked around and discovered who set Rick Hunter up?
Oh well, no matter. This was a fun episode! Tim Thomerson was wonderfully smarmy as McCall’s new partner. Jack O’Halloran was properly psychotic as the scary prisoner looking to take down Hunter. If any actor was born to be filmed beating up people in a prison cafeteria, it was Fred Dryer.
Luckily, Hunter got out of jail at the end of the episode. Now, he and McCall can get back to falling in love.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!
This week, Hunter searches for a pigeon.
Episode 1.6 “Flight of the Dead Pigeon”
(Dir by Michael Preece, originally aired on November 9th, 1984)
When a little girl (Marissa Mendenhall) shows up at the police station and asks for Hunter’s help in finding her stolen carrier pigeons, Hunter’s like, “Buzz off, kid!” However, when it turns out that the girl’s uncle was a degenerate gambler and that he was thrown off the roof of a building by the mob, Hunter and McCall get involved. It turns out that the Mexican cartels want to use the pigeons to carry drugs into America. Because the little girl is the only one who knows how to train the pigeons, they want to kidnap her as well….
Yeah, this was a pretty dumb episode. I don’t doubt that pigeons could be used to smuggle drugs but I do doubt that any successful criminal organization would go through all the trouble that they go to in this episode. There are far simpler ways to smuggle drugs. I’m also sure they could have found someone to train the pigeons without abducting a child. Hunter and McCall are able to rescue the girl and the episode ends with her smiling cheerfully as she’s sent into foster care.
“Hunter,” McCall asks, “have you ever wanted kids?”
“Nope,” Hunter replies.
“Me neither,” McCall says, not sounding particularly convincing.
What a sad ending! Seriously, if Hunter and McCall aren’t married by the end of this series, I will throw a fit. They’re totally meant for each other. Even in a kind of dumb episode like this one, their chemistry saves the day.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!
This week, Hunter and McCall investigate a mob hit!
Episode 1.5 “Legacy”
(Dir by Ron Satlof, originally aired on November 2nd, 1984)
Gangster John Vincent (Tony Girogio) has been gunned down in his own mansion. Detective Bernie Terwilliger thinks that it’s a case of burglary gone wrong. Rick Hunter thinks that it was a mob hit and that one of John’s sons is responsible. He and McCall search for Sandy Newton (Mary-Margaret Humes), the woman who was with Michael Vincent (Vincent Baggetta) the night that his father was killed.
I have to admit that I had totally forgotten that Rick Hunter was supposed to be the son of a mobster. This episode featured Rick associating with his childhood buddies and, if nothing else, it showed just how unconvincing Fred Dryer was as the scion of a mob family. Don’t get me wrong. Fred Dryer was great when he was gunning down a suspect and then saying, “Works for me.” And Fred Dryer had a fun chemistry with Stepfanie Kramer. But there was absolutely nothing about Fred Dryer that, in any way, said, “Mobster.” Surrounding Dryer with a bunch of tough-looking Italian-American character actors did nothing to change the fact that Dryer essentially looked like a former football player from sunny California.
This episode had a predictable story but it also had two good action scenes: a fight on a pier and a mob hit in a warehouse. It also introduced John Amos as Captain Dolan, who is the new police captain but who appears to dislike Hunter and McCall just as much as the previous captain. It’s hard not to feel that Amos will be entertaining as he yells at Hunter for not following regulations and costing the city money.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!
This episode makes the mistake of pretending to leave California.
Episode 1.4 “A Long Way From L.A.”
(Dir by Arnold Laven, originally aired on October 26th, 1984)
Bleh. This episode annoyed me.
Wally Wallerstein (Paul Eiding), a pickpocket wanted in Los Angeles, is arrested in Texas. Because he needs a break from them, Captain Cain sends Hunter and McCall to retrieve him. Wally turns out to be a nice guy but, when Hunter’s car breaks down in Wilson County, Texas, Wally is accused of attacking a local waitress and is then killed by a sniper. The real culprit is pretty obviously Sheriff Jake Cutter (Bo Svenson), who is the stepson of Chuck Easterland (Morgan Woodward), the richest man in town.
Not a single small town stereotype went unused in this episode. As a Texan, I was annoyed by the fact that everyone had a Southern (as opposed to a Southwestern) accent. And while I understand that the show probably didn’t have the budget or the time to shoot on location, it was still hard not to smirk at the sight of a very California mountain range in the background. This is the flatlands, folks. We don’t have mountains like that in Texas.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!
This week, the police commissioner is suspected of murder!
Episode 1.3 “The Hot Grounder”
(Dir by Bill Duke, originally aired on October 5th, 1984)
After the police commissioner’s wife is blown up by a car bomb, all the homicide detectives hide out in the bathroom because they don’t want to get assigned the case. Captain Cain still manages to track them down and gives the case to Hunter and McCall. When McCall asks Hunter why he didn’t do a better job hiding, Hunter replies, “I’m too tall!”
Hunter and McCall soon come to suspect that Commissioner Crenshaw (William Windom) had his wife killed. Because Crenshaw was being blackmailed with photographs of him with another man, his wife was threatening to divorce him. Despite all of the evidence against Crenshaw, the police chief (Jason Bernard) tries to protect him. Hunter and McCall find themselves suspended from the force. They still manage to prove Crenshaw’s guilt. Crenshaw goes to prison and Hunter and McCall get their badges back.
This episode felt like a rough draft. I enjoyed the humor at the start of it. All of the detectives trying to hide felt very realistic. Dryer was always obviously still getting comfortable with the role when this episode was shot but his jokes were well-delivered. That said, the mystery itself felt half-baked and William Windom was not particularly believable in his role. By the end of the episode, Hunter had been reduced to repeating, “Works for me,” over and over again.
This episode didn’t really work for me. It was obvious that the show was still trying to figure out who Hunter and McCall were and how they would react to each other. As such, their chemistry felt off in this episode and the end result was forgettable.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!
This week, Hunter breaks rules and shoots people.
Episode 1.2 “Hard Contract”
(Dir by Bruce Kessler, originally aired on September 28th, 1984)
When McCall calls in sick and says that she’s taking the week off, Capt. Cain (now played by Arthur Rosenberg) assigns Hunter to work with bowtie-wearing Bernie Terwilliger. Cain sees this as an opportunity to get rid of Hunter. He tells Bernie to write down every policy that Hunter breaks throughout the day.
Terwilliger wants to spend the day tracking down whoever is leaving graffiti in the park. Hunter’s not interested in that. He wants to know what’s going on with McCall. Mostly, Hunter wants to find an excuse to draw his gun. The only thing he gets out of the trip to the park is a chance to arrest a man trying to rob a hot dog vendor. Hunter gets a hot dog, of course.
Eventually, Hunter drags Terwilliger to a bar where they discover McCall hanging out. After a bar fight, Hunter and McCall abandon Terwilliger and go after Gus (David Ackroyd), McCall’s former partner. Gus was McCall’s mentor and she’s still close to Gus and his wife. However, Gus has fallen on hard times and now, he’s looking for work as a contract killer.
The most interesting thing about this episode is that, even though Gus and McCall are old friends, they’re still totally willing to shoot each other. That seems to be a recurring theme with Hunter. Everyone likes to shoot everyone else.
I enjoyed this episode. It was very, very simple but Fred Dryer and Stepfanie Kramer got to show off their chemistry and there was plenty of humor involving poor old Bernie. Sometimes, it’s enjoyable to watch something that doesn’t require you to do much thinking and that was certainly the case here.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!
Today, we start a new series.
Episode 1.1 “Hunter”
(Dir by Ron Satlof, originally aired on September 18th, 1984)
Ah, Hunter.
Hunter is one of those shows that, up unitl now, I’ve never really specifically felt the need to track down and binge but I’ve still seen a handful episodes. Some of that is because Hunter is a mainstay on the nostalgia channels. If you fall asleep while watching an old episode of Fantasy Island, there’s a good chance that you’re going to wake up to an episode of Hunter. Hunter is also a mainstay on both Prime and Tubi. Again, if you fall asleep watching your favorite Eric Roberts movie, there’s a decent chance that you’re going to wake up to an episode of Hunter.
I have to admit that every episode I’ve seen has been entertaining. It’s the epitome of an 80s cop show, in all of its action-filled, simplistically-plotted glory. Rick Hunter (played by former football player Fred Dryer) is a cop who gets results by doing things his way. “His way” typically involves shooting a lot of people. (Hunter’s catch phrase? “Works for me.”) Hunter’s partner is Dee Dee McCall (Stepfanie Kramer), a cop who gets results by doing things her way. “Her way” typically involves going undercover and …. uhmm, shooting a lot of people. And while I am certainly aware of the dangers of police overreach and I generally don’t support shooting anyone without just cause, it’s still fun to watch Hunter and McCall break every regulation in the book. In almost every episode that I’ve seen, Hunter and McCall end up shooting so many people that the action ends up verging on self-parody. Fortunately, both Dryer and Kramer appeared to be in on the joke.
(From what I’ve seen, I should also mention that Fred Dryer appears to have been a slightly better actor than some of the other former pro athletes who have decided to go into acting. He may not have had a huge amount of range but he was still better than most of the basketball players who showed up on Hang Time. If nothing else, he was better at showing emotion than OJ Simpson.)
Hunter premiered with a 90-minute made-for-television movie. The action starts with Los Angeles Police Detective Rick Hunter crammed into a beat-up car that has definitely seen better days. Because Hunter is the son of a mobster, he’s not totally trusted by his fellow detectives. Because he’s a cop, he’s not totally trusted by the mob. And because he’s a shoot-first renegade, all of his partners end up going to the hospital. Captain Cain (Michael Cavanaugh) is trying to get him to quit the force and that means only allowing him to drive the department’s worst cars, not allowing Hunter to respond to most calls, and trying to partner him up with bowtie wearing moron, Bernie Terwilliger (James Whitmore, Jr.)
Hunter knows that LAPD regulations will allow him to pick his own partner if he can find someone willing to work with him. The problem is that no one wants to put their life on the line. Finally, Hunter tracks down Sgt. Dee Dee McCall, the widow of a fallen officer. Nicknamed the “Brass Cupake” (cringe!), Dee Dee is currently working undercover as a prostitute and is trying to take down Los Angeles’s biggest pimp, King Hayes (Steven Williams). Hunter has a proposition for her. Since neither wants a partner and they both prefer shooting first and asking questions later, why not pretend to work together? They’ll check in and out at the station together but, otherwise, they’ll separate and work their own cases once they hit the streets. McCall agrees.
Unfortunately, Captain Cain is not dumb. He figures out exactly what they’re doing and he tells them that he will have people watching them to make sure that they are actually working together. Luckily, McCall has just arrested King Hayes. Hunter shows up as McCall is handcuffing Hayes and immediately sees that Hayes’s bodyguard is driving his car straight at them.
“You want this guy?” Hunter asks.
“That would be nice,” McCall replies.
Hunter, much like Dirty Harry, proceeds to fire several bullets into the car windshield, causing the car to flip over.
With King Hayes and his bodyguard now taken care of, it’s time for Hunter and McCall to investigate the murders of two blonde women who both enjoyed hanging out at country western bars. McCall puts on a blonde wig and goes undercover at a honky tonk. Hunter is shocked to see that she is being stalked by Dr. Bolin (Brian Dennehy), the psychiatrist who the LAPD brought in to examine all of their detectives. As a viewer, I was not particularly surprised to discover that Dr. Bolin was the killer. You’re not going to cast an actor like Brian Dennehy on a show like Hunter and then just have him spend the entire episode sitting in his office. McCall and Hunter work together to stop Bolin before he kills again.
The pilot of Hunter was actually a lot of fun. The pilot may have been violent but it still had a sense of humor. The show understood that the sight of 6’6 Fred Dryer crammed into a dented station wagon would not only make the viewer smile but it would also go a long way towards humanizing Hunter as a character. He may be big and cocky and quick to shoot people but he also has terrible luck when it comes to cars, police radios, and bystanders. At one point, he even gets pepper-sprayed by Dee Dee’s neighbor. As for Dee Dee, I liked the fact that she was capable and tough without being a stereotypical action girl. I also appreciated that she and Hunter chose to work together. I feared, initially, that the pilot would be full of scenes featuring Hunter whining about having to work with a woman and I appreciated that the show went the opposite direction. From the start, Hunter respects Dee Dee as a cop and it’s made clear that she has nothing to prove to him. If anything, Hunter has to earn her respect.
Of course, the main appeal of Hunter is that both Dryer and Kramer looked good holding a gun and yelling at people to “freeze!” As opposed to the wishy washy police procedurals of today, the pilot of Hunter was absolutely shameless about giving the viewers what they wanted as far as bullets and car chases were concerned.
This was a good pilot. Watching it, I could understand why the show ended up running for 8 seasons. And, every Thursday, I’ll be reviewing Hunter. I look forward to the action!
In a fictional Middle Eastern country, tough-as-nails Col. Halloran (Brian Keith) has been kidnapped by terrorists. The leader of the terrorists is named Jihad and he is played by the No Mercy Man himself, Rockne Tarkington. The American ambassador (Paul Winfield) is a weak-willed Carter appointee who says, “We have to go through proper channels.” Gunnery Sgt. Burns (Fred Dryer) ain’t got no time for the proper channels. All of his men have been killed. His mentor has been kidnapped and is being tortured with a power drill. Even if it means breaking all the rules, Sgt. Burns is going to rescue Halloran, defeat Jihad, and kill anyone who has ever chanted “Death to the U.S.A.”
Totally a product of the 80s and about as politically incorrect as they come, Death Before Dishoner was an attempt to turn former football player-turned-TV star Fred Dryer into a movie star. It did not work, though Fred does his best Clint Eastwood impersonation, chugging beer and speaking exclusively in tough one-liners. Death Before Dishonor is dumb but entertaining. (It may have been made for New World Pictures but it’s a Cannon Film at heart.) The movie’s highlight if Fred Dryer chasing the bad guys in a jeep, keeping one hand on the steering wheel while using the other hand to fire a bazooka. A close second is Brian Keith barely flinching while taking a power drill to the back of the hand. No one’s tougher than an 80s action hero!
The great character actor Warren Oates appeared in a lot of fairly obscure movies but none are as obscure as Prime Time.
With a running time of barely 70 minutes, Prime Time is a comedic sketch film that was meant to capitalize on the then-recent success of The Groove Tube, Tunnelvision, The Kentucky Friend Movie, and the first season of Saturday Night Live. According to the Unknown Movies Page, Prime Time was financed independently and was picked up for distribution by Warner Bros. After the Warner execs saw the finished film, they decided it was unreleasable so the film’s production team sold the film to Cannon Pictures, who were famous for being willing to release anything. The movie played in a few cities under the terrible title American Raspberry and then went straight to VHS obscurity.
Sketch comedies are usually hit-and-miss and Prime Time is definitely more miss than hit. The majority of the film is made up of commercial parodies but, since most of the commercials being parodied are no longer on the air, the humor has aged terribly. There is also a wrap-around story. The President (George Furth) and a general (Dick O’Neill) try to figure out where the commercial parodies are coming from and stop them before the broadcast leads to a riot. There are a few funny bits (including Harry Shearer as a stranded trucker looking for a ride and Kinky Friedman singing a song about “Ol’ Ben Lucas who has a lot of mucus”) but, for the most part, the film is epitomized by a skit where people literally get shit dumped on their head. The film’s opens with an incredibly racist commercial for Trans Puerto Rican Airlines and it’s all downhill from there.
As for Warren Oates, he appears in an early skit. He and Robert Ridgely (best known for playing Col. James in Boogie Nights) play hunters who take part in the Charles Whitman Celebrity Invitational, climbing to the top of the Tower on the University of Texas campus and shooting at the people below. It’s even less funny now than it probably was in 1977.
How did Warren Oates end up in a movie like Prime Time? Even great actors have bills to pay. As for Prime Time, it is the one Warren Oates film that even the most dedicated Warren Oates fan won’t regret missing.
In a fictional Middle Eastern country, tough-as-nails Col. Halloran (Brian Keith) has been kidnapped by terrorists. The leader of the terrorists is named Jihad and he is played by the No Mercy Man himself, Rockne Tarkington. The American ambassador (Paul Winfield) is a weak-willed Carter appointee who says, “We have to go through proper channels.” Gunnery Sgt. Burns (Fred Dryer) ain’t got no time for the proper channels. All of his men have been killed. His mentor has been kidnapped and is being tortured with a power drill. Even if it means breaking all the rules, Sgt. Burns is going to rescue Halloran, defeat Jihad, and kill anyone who has ever chanted “Death to the U.S.A.”
Through the Shattered Lens 