Late Night Retro Television Review: CHiPs 6.3 “Spaceman”

Posted on August 10, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

This week, CHiPs jumps the proverbial shark.

Episode 6.3 “The Spaceman Made Me Do It”

(Dir by Winrich Kolbe, originally aired on October 24th, 1983)

There’s three storylines in this week’s episode. Let’s start with the two that make sense.

In the episodes comedic storyline, the members of the Highway Patrol all receive a chain letter. Some continue the chain and have good luck. Others — like Ponch — do not continue the chain and wait for their bad luck. Grossie mails his letter and then gets an $800 refund from the IRS. However, at the end of the episode, it’s revealed that the Highway Patrol’s secretary failed to mail the chain letters and the IRS informs Grossie that his refund was a mistake. Everyone laughs at Grossie. Poor guy.

The B-plot features Grossie and new officer Kathy (Tina Gayle) tracking down some thieves who are robbing Japanese tourists. This was a traditional CHiPs story and it was actually kind of nice of the show to acknowledge that Ponch isn’t the only person fighting crime in California.

But then there’s the main plot. Ponch and Bobby have been assigned to night patrol. They catch a preadolescent girl named Jodi (Kyle Richards) breaking into a jewelry store. She says that an E.T. (and yes, she says “E.T.’) ordered her to break into the store because it need the diamonds to fix its spaceship. Ponch and Bobby take Jodi to the station and Ponch volunteers to serve as Jodi’s legal guardian until her parents can be found. Dr. Joyce Brothers appears as herself, talking to Jodi and announcing the Jodi is not crazy.

Having watched five seasons of CHiPs, I found myself waiting for the inevitable moment in which it would be revealed that Jodi was being manipulated by a master criminal. When Jodi ran away to meet up with the UFO, I expected that Ponch and Bobby would track her down and arrest the actual villain.

Instead, when Ponch and Bobby tracked down Jodi, I got a scene of a light shining down from the sky, Jodi being pulled towards the unseen UFO, and Ponch grabbing her and yelling that the aliens can’t have her. Ponch’s words apparently have the right effect because the lights disappear as the never-seen UFO returns to its own planet.

“What was that?” Bobby asks.

“Whatever you want it to be,” Ponch replies.

No, guys. I’m sorry. This is CHiPs. It’s a show about cops on motorcycles. It’s not a show about UFOs. You can’t just introduce an alien on this show and then have everyone shrug it off once they hear that Grossie won’t be getting his tax refund. This just isn’t the show to try that sort of thing. (Yes, Force Seven did get pretty weird but that was a backdoor pilot for a different series and Ponch and Jon didn’t actually get involved in any of the mad scientist/karate action.)

I’m going to guess this episode was an attempt to shake things up. Maybe there was a feeling that, since new star Tom Reilly lacked all credibility as a cop, the show should abandon the straight-forward approach that it used during the Larry Wilcox years. I’m sure the show had its reasons but this episode just doesn’t feel right.

Of course, some thing never change. The aliens may have been a surprise but it’s not a surprise that Ponch was the one who (somehow) made them go away. Aliens or not, this is still….

Late Night Retro Television Review: CHiPs 6.2 “Tight Fit”

Posted on August 3, 2026 by Lisa Marie Bowman

This week, Ponch becomes the Barcelona Man.

Episode 6.2 “Tight Fit”

(Dir by John Florea, originally aired on October 17th, 1982)

After Ponch and his new partner Bobby thwart an attempt to steal a lockbox of diamonds from a photo shoot, Ponch is invited to become a jeans model. In fact, he even gets to appear on a giant billboard and star in a commercial as the shirtless Barcelona Man.

Well, of course, he does. A lot of things may have changed last week but one thing remains the same. We all know what we’re watching.

These episodes featuring Ponch getting “discovered” are always a bit silly. Ponch always acts like he’s modest and kind of embarrassed to be at the center of attention but it’s never convincing because it’s obvious that Erik Estrada is loving it. All it takes is one look at that big grin to know that Estrada is more than happy to be the shirtless Barcelona Man.

Now, to make clear, Ponch and Bobby did solve some crimes. They caught a jewel thief who crashed his car in an attempt to hide his crimes. They also busted a fashion photographer (Michael Haynes) who was coercing his underage models to pose nude and attend wild sex parties. One of the models was played by Kim Richards. She gets a scene where she attempts to jump off a ledge. Can you guess which member of the Highway Patrol saves her? I’ll give you a hint. It’s not Bobby!

Much like last week, this episode highlighted the total lack of chemistry between Erik Estrada and his new partner, Tom Reilly. Reilly spent most of this episode looking somewhat dazed and confused. Unlike Larry Wilcox, who always came across as if he arrested people in his spare time, Tom Reilly was a very unconvincing cop. After two episodes, it appears that Reilly’s main contribution to the show is to make Estrada seem convincing by comparison.

Next week, the Ponch Show continues.

Late Night Retro Television Review: CHiPs 6.1 “Meet The New Guy”

Posted on July 27, 2026 by Lisa Marie Bowman

This week, we start the sixth and final season of CHiPs.

Episode 6.1 “Meet the New Guy”

(Dir by John Astin, originally aired on October 10th, 1982)

The sixth season of CHiPs opens up with some changes. Bonnie, Bear, and Turner are all gone. They’ve been replaced by Kathy (Tina Gayle) and Officer Webster (Clarence Gilyard, Jr.) Grossman (Paul Linke) is still providing comedic relief. Harlan (Lou Wagner) is still running the garage. Getraer (Robert Pine) is still the sarge. And Ponch (Erik Estrada) is still riding his motorcycle and flashing his grin.

However, this episode finds Ponch riding solo. Officer Baker is no longer his partner. This was because Larry Wilcox declined to return for another season, specifically because he felt that the producers only cared about keeping Estrada happy. On the show, it’s mentioned that Baker has relocated to Wyoming and he is now working on his father’s ranch. Ponch, however, is not without a partner for long. At the start of the episode, he meets Baker’s replacement. Bobby Nelson (Tom Reilly) is blonde and kind of spacey and he’s nicknamed “hot dog” because he likes to take risks. Ponch has been assigned to work as Nelson’s partner throughout Nelson’s probationary period. Getraer explains that Nelson reminds him of Ponch.

And really, that’s the problem. Ponch is a flamboyant motorcycle cop who smiles a lot and likes to take risks. Bobby is another flamboyant motorcycle cop who smiles a lot and likes to take risks. There’s not much difference between them. Even though Larry Wilcox and Erik Estrada didn’t get along behind the scenes, Baker and Ponch worked as a team because Baker was the opposite of Ponch. Baker was serious and by-the-book and he didn’t take unnecessary risks. Bobby, on the other hand, is pretty much just a blonde version of Ponch.

There is another problem as far as Bobby Nelson is concerned. Judging from this episode, Tom Reilly doesn’t appear to have been much of an actor. Larry Wilcox may not have had the most expansive emotional range but he was totally believable as a cop. Reilly, meanwhile, spends the entire episode looking somewhat spaced out. He delivers his lines in a flat monotone. From the start, there’s very little chemistry between him and Estrada. When Ponch complains about getting a new partner, one gets the feeling that he was expressing Estrada’s own feelings.

That said, this episode isn’t all bad. It opens with one of the most spectacular crashes in the show’s history. The tragic Dominique Dunne gives a strong performance as a teenage mother who sells her baby to a couple but then decides that she wants him back. This episode even manages to work quicksand into its finale. How can you not appreciate a show that makes use of quicksand?

Finally, this episode has one extended sequence that is so ludicrous that you just can’t help but smile while watching it. Two thieves have been robbing health clubs. They just happen to rob the one where Ponch is a member. (Fitness guru Richard Simmons plays Ponch’s teacher.) Ponch, clad only in a pair of black shorts and a motorcycle helmet, jumps on his motorcycle and chases after the robbers. The site of a half-naked Erik Estrada riding his motorcycle down the streets of Los Angeles is the perfect combination of silly and stupid.

This episode had its moments but I’m not really sold on Tom Reilly as a replacement for Larry Wilcox. We’ll see what happens!

October Positivity: A Matter of Faith (dir by Rich Christiano)

Posted on October 21, 2022 by Lisa Marie Bowman

“Does your mother look like a gorilla?” Evan (Chandler Macocha) demands of one of his fellow college students. “Do your grandmother look like an ape? WHO IN YOUR FAMILY IS THE MONKEY!?”

Normally, you might think that Evan sounds like a jerk but, since he is a character in the 2014 film A Matter of Faith, he’s presented as being a hero. No one can come up with anything to say when he demands to know why no one in their family looks like a gorilla. Because Evan is apparently the first person to ever use the “Why don’t humans look more like apes?” argument, he wins every theological debate that he gets involved with.

A Matter of Faith is all about a theological debate. Professor Kamen (Harry Anderson) is a popular college biology professor who teaches that evolution is the only possible way that life could have been created. He even brings a rubber chicken to class to illustrate that the egg came before the children. However, one of his students, Rachel Whitaker (Jordan Trovillion), has always been taught that the chicken came first because God created the chicken. When Rachel’s father, Stephen (Jay Pickett), discovers what Kamen has been teaching and that Rachel hasn’t even opened her Bible since going off to college, he heads down to the campus. When Stephen objects to what Kamen teaches, Kamen challenges Stephen to a debate. Stephen agrees, though you have to wonder why a college would sponsor a debate between a professor and some random guy that no one has ever heard of before. It would be one thing if Stephen were an activist with a huge following. But really, Stephen is just a guy who no scientist background and stepped into a professor’s office and was challenged to campus date. Is it even ethical for Kamen to debate the father of one of his students like this?

Soon, the Evolution vs. Creationism debate is the hottest ticket on campus, because apparently it’s a very boring campus. Everyone is planning on attending! Rachel wishes her father would just drop out while Evan, who works for the school newspaper, tries to help Stephen prepare. Evan discovers that the college’s former biology professor, Joseph Portland (Clarence Gildyard, Jr.), lost his job when he refused to each the theory of evolution as established fact. In fact, Kamen was the one who got Portland fired. Can Stephen convince Portland to set aside his bitterness and help him win the debate? And can Evan help Rachel see that her jock boyfriend, Tyler (Barrett Carnahan), is a no-good frat boy who doesn’t even go to church? And will Rachel ever develop a personality beyond sitting in her dorm room and studying?

Yes, this is a Christiano Brothers production, with all of the awkward dialogue and heavy-handed sermonizing that one would normally expect. Rich and Dave Christiano wrote the script while Rich directed. The debate aspect of the film will undoubtedly remind many viewers of God’s Not Dead, though the film deserves some credit for not resorting to the old trope of having Professor Kamen be a former believer who became an atheist due to family tragedy. That said, the debate itself is a bit of let down as neither side makes much of a case for itself. When Kamen uses Freud to dismiss the existence of God, Portland shouts out, “Freud was wrong!” and the stunned gasp from the audience made me laugh out loud.

The actors playing the college students are all fairly boring. Watching the film, one wonders when the last time was that the Christianos ever talked to anyone under the age of 40. Not surprisingly, the best performances in the film come from Harry Anderson and Clarence Gilyard, Jr. Anderson, in particular, deserves a lot of credit for bringing some nuance to the role that was probably not present in the script. (Sadly, this was his final acting role. He died four years later.) Gilyard, as well, has a good moment towards the end of the film when Portland apologizes for his previous refusal to only teach creationism, saying that the job of the college is not to push either creationism or evolution but to allow both sides to be heard. That’s not a sentiment that you would necessarily expect to hear in a Christiano film.

That said, once you get past Anderson and Gilyard, you’ve still got Evan demanding to know if anyone has a monkey in their immediate family and one gets the feeling that, despite all of the talk of letting both sides be heard, the film has more sympathy for Evan’s abrasiveness than Portland’s fair-mindedness. As well, it’s hard not to feel that, as a character, Rachel is never really allowed to make up her own mind about anything. At first, she looks up to Kamen. Eventually, she looks up to her Dad. At first, she wants to spend all of her non-studying time with Tyler. By the end of the film, she’s falling in love with Evan. In the end, Rachel’s decision is never about what she believes but instead about which man she’s going to follow. For Rachel, it’s less a matter of faith and a more a matter of, “Hey, he’s cute!”

In the end, when I think about this film, I’ll probably think less about the debate and mostly just remember Harry Anderson and the rubber chicken.

Film Review: Left Behind: The Movie (dir by Vic Sarin)

Posted on August 27, 2020 by Lisa Marie Bowman

As I watched the 2000 film Left Behind: The Movie (not to be confused with the remake starring Nicolas Cage), I found myself thinking about names.

For instance, if your name is Rayford Steele, you really probably don’t have any choice but to become a pilot and maybe star in a low-budget action movie. I mean, let’s just be honest. People with names like Rayford Steele don’t end up working the night shift at 7-11. In Left Behind, Rayford Steele is played by Bad Johnson and Johnson has just the right look to play a character named Rayford Steele. He’s handsome in a somewhat old-fashioned, Gary Cooperish sort of way.

And yes, Rayford is a pilot. He had a wife who resents the fact that Rayford is always flying off and abandoning his family. She goes to church and she worries that he’s not a believer. Rayford, meanwhile, is having an affair with flight attendant Hattie Dunham (Chelsea Noble). That affair, however, may have to soon come to an end because Hattie has a new job with the UN. Poor Hattie. Nothing good ever comes from working at the UN!

Just as anyone named Rayford Steele would have to become a pilot, I imagine that anyone named Buck Williams would have to become a globe-trotting journalist. We’re told that Buck is one of the most famous and successful journalists in the world. Someone even mentions that Buck is so brave that he would have reported from Hiroshima while the first atomic bomb was being dropped. (I assume that would have been a fairly short broadcast.) Unfortunately, it’s a bit of a struggle to buy Buck Williams as a crusading journalist because he’s played by Kirk Cameron. Buck is described as being tough and cynical. There’s absolutely nothing tough about Kirk Cameron. At his best, he projects an earnest blandness. At his worst, he reminds you that he’s the guy who, years after starring in this film, would claim that a conspiracy of atheists was responsible for Saving Christmas receiving bad reviews.

Finally, if your name is Nicolae Carpathia, you’re pretty much destined to grow up to be very wealthy and also very evil. You’re not going to end up living in the suburbs, mowing your own lawn and complaining about property taxes. No, with a name like Nicolae Carpathia, you’re destined to end up using your position at the UN to take over the world. When you declare that your goal is to lead the world into “seven years of peace,” everyone knows that you’re planning on doing the exact opposite.

Or, at the very least, everyone should know. As played by Gordon Currie, Nicolae Carpathia is obviously evil from the minute he first appears. (Even if you didn’t know his name, you would think he was evil just from the way he smirks.) However, in the world of Left Behind, almost everyone loves Nicolae Carpathia. When thousands of people mysteriously vanish, all at the same time, Carpathia is the person to whom humanity turns their tear-brimmed eyes. The viewers know that it’s the Rapture and Rayford Steele and Buck Williams come to realize that it was the Rapture but Carpathia sees it as an opportunity to lead humanity into a …. dare I say it? …. new world order.

Left Behind is an odd film. For the most part, it’s a fairly ludicrous film, a low-budget and excessively preachy attempt to create a religious epic on a Wal-Mart budget. Kirk Cameron is miscast as a journalist and the film’s special effects are so obviously cheap that one can’t help but feel the filmmakers got a bit too ambitious for their own good. (Just check out the scene at the start of the film when Buck Williams reports while “bombs” explode all around him.) With a running time of one hour and 40 minutes, the film drags a bit and the characters are often frustratingly dense. (Even non-evangelicals have, at the very least, heard that there’s a thing called the Rapture.) And yet, occasionally, there will be moments when the film actually comes close to working. Brad Johnson, for instance, gives about as good a performance as anyone could as Rayford Steele. The scene where Carpathia manipulates a subordinate into committing suicide may not be terrible original but it’s still surprisingly effective.

Despite the fact that the film itself barely made a profit, Left Behind would go on to spawn two sequels. We’ll look at the first, Tribulation Force, in 15 minutes. Hope to see you then!